DEL GUERCIOMareMagnum
399 résultats
ILL COL E B/N
In-8 (Cm 25 x 17,5), pp. 322, leg. ed. ill., 24 tavv. a col., 100 ill. in nero, 4 ill. f.t. Collana D'arte n. IV. Conserva il cofanetto. Millimetrica macchiolina nel margine inf. della sguardia. Ordinari segni del tempo. MOLTO BUONO
ART7149M1981, Musée des Beaux-Arts de Rouen. In-4, broché, 120pp illustrées de nombreuses reproductions n&b. Quelques rousseurs sur les premières pages. Frottements d'usage. Exemplaire satisfaisant
Mm 240x310 Catalogo delle mostra della Galleria nazionale del Grand Palais di Parigi e della mostra del Museo d'Arte di Philadelphia. Volume cartonato rigido di 406 pagine, sovracoperta editoriale illustrata, ricco apparato iconografico in bianco e nero e a colori. Esemplare in ottimo stato. Testo in francese - french text. SPEDIZIONE IN 24 ORE DALLA CONFERMA DELL'ORDINE.
8163Bernheim-Jeune, Editeurs d'Art, Paris, 1954. In-4, plaquette agrafée, non paginée [18 pp.]. Préface duduc de Trévise - Gros [30 n°]. - Géricault [39 n°]. - Delacroix [48 n°].
26271Genève, P. Cailler (coll. "Les Grands Artistes racontés par eux-mêmes et par leurs amis"), 1947. In-8°, 357p. Reliure demi-chagrin noir, couverture conservée.
1991131619Paris, Flohic, 1991. In Paris, Flohic, 1991. In-folio broché sous jaquette illustée rempliée de 80 pages. Nombreuses illustrations à pleine page dans le texte, en couleurs. Très bon état
Paris, Flohic, 1991. In-folio broché sous jaquette illustée rempliée de 80 pages. Nombreuses illustrations à pleine page dans le texte, en couleurs. Très bon état
8067Genève, Editions d'Art Albert Skira, 1983. In-4 relié toile verte, sous jaquette ill., 167 p. Très nombreuses ill. en noir et couleurs. Traduit de l'anglais par Alice Bellony-Rewald. Parfait état.
GF18945Lithographie - format 49 x 31 cm marges comprises - piqures en marge -
199118751Paris, Réunion des musées nationaux, 1991 1 volume 23 x 30,5cm Broché sous couverture illustrée couleurs. XVI + 409p., 1feuillet; très nombreuses illustrations en noir et en couleurs, vignettes et pleines pages. Bon état sauf plat du dessous et 3 dernières feuilles cornés.
199755977ENSBA 1997 In-4 relié 30,6 cm sur 22,2. 320 pages. Très bon état d’occasion.
Important catalogue de l'exposition présentée en 1991-1992 aux Galeries nationales du Grand Palais (Paris), organisée par la Réunion des musées nationaux: 309 n°s, avec descriptions, notices et commentaires de Sylvain LAVEISSIERE (et renvois aux reproductions réparties dans l'ouvrage); précédé de textes de Régis MICHEL et de Bruno CHENIQUE sur la vie et l'oeuvre d'un "inconnu célèbre, prisonnier de son mythe" (Régis MICHEL), Théodore Géricault (1791-1824), peintre, dessinateur, graveur, lithographe et sculpteur, de l'intégralité du "Manuscrit de Montfort", "source mythique: souvent cité[e], mais peu connu[e]", présenté par Yveline CANTAREL-BESSON, et de lettres et documents d'archives, dont certains inédits, présentés par Bruno CHENIQUE; préface de Régis MICHEL ("Géricault: fin du mythe ?"); très nombreuses reproductions en noir et en couleurs; bibliographie. Français
68476aafGenève, Albert Skira, 1940, in-folio, 7 ff. de texte + 13 planches en couleurs, non reliées, cahier.
19875039Mainichi 1987 In-4 broché, 326 pp. Illustrations noir & couleurs
19801238641980 Edition Seghers - 1980 - In-4 à l'italienne, reliure toilé marron avec titre en doré sur le premier plat et au dos, dans un emboîtage cartonné illustrée - 160 pages - Nombreuses illustrations en N&B et en couleurs, in et hors-texte, dans l'ouvrage
1946175701New York: H. Bittner & Company 1946. Hardcover. Good/Good tanning to block edges and end pages overall shelfwear to boards and dust jacket. Tan canvas boards with gilt lettering on front cover and spine tan dust jacket with black and white illustration and black lettering mylar cover 34 pp followed by 52 bw plates on 26 leaves. "The present book is the first publication in English devoted to an artist who is remembered and appreciated primarily for his spirited portrayals of horses. However a more inclusive survey of his drawings and watercolors reveals Gericault as an artist of infinitely greater stature and indeed as one of the key figures of French nineteenth century art. The text of this book presents a study on the development of Gericault's style and a carefully annotated catalogue of the plates which include many unpublished drawings and watercolors taken largely from American collections."- Dust jacket "Catalogue": pages 22-34. "Short bibliography": pages 20-21. H. Bittner & Company hardcover books
Exhibition catalogue for the show at the Barbican Art Gallery with the title of the same name. Book is in excellent condition in black cloth with gilt print at spine, large oblong format. Binding is solid and square, covers have sharp corners, exterior shows no blemishes, text/interior is clean and free of marking of any kind. Dust jacket shows the slightest signs of shelf wear only, no tears. 191 pages with large prints in color, some b&w throughout. From the preface: "Over the centuries London has been visited by many artists from abroad and this exhibition is an attempt to illustrate how each visitor has in turn found inspiration from the city. The exhibition interprets this 'image' of London, reveals how the city has changed through four hundred years, and explores the idea of the city in the mind of the visitors and their response to it. Wyngaerde was the earlist artist to attempt to represent the city with relative accuracy. He conceived London as a great Gothic city with many towers and spires. Thomas Wyek may have witnessed the Great Fire, and he certainly painted several views of it. After the Fire, London was rapidly rebuilt and expanded. The subsequent completion of the new cathedral and the City's increasing commercial success attracted many traveller-artists. With its bustling market, Covent Garden was a favourite subject of the 18th-century artists such as Van Aken and Angillis. By contrast the serene Thames views of Canaletto and Joli recall Venice, and their interpretation of London as a city of grace and enlightenment seem more in keeping with the neo-classical order that fashioned the second half of the 18th Century. In the 19th Century artists began to depict the darker side of London. Focusing upon scenes of labour, poverty and suffering in an oppressive industrial environment, G?ricault and Dor? portrayed the Babylonian image of London. Nevertheless, Victorian London was also shown as a city of success and wealth. The river scenes of Whistler, and the busy, yet fashionable Street scenes of Bianche, Tissot and De Nittis represent it as essentially a hive of activity, business and busy-ness. Wistler and Monet were also inspired by the atmosphere of London, the foggy and nocturnal views ...
198714261987 Couverture souple Tokyo, Journal Maïnichi, 1987. In-4, broché (28 x 22 cm), couverture illustrée, quelques marques marginales de frottements au second plat. 325 pages, illustrées de reproductions en noir et en couleurs d'oeuvres de Géricault. Catalogue publié à l'occasion de l'exposition au Musée d'Art Moderne de Kamakura en 1988. Texte en japonais et en français. Bel état des planches et du texte, bon exemplaire.
14428P., Réunion des musées nationaux, 1991, in-4, br., XVI-410 pp., 396 reproductions en noir et en couleurs Catalogue d'exposition au Grand Palais, 1991-1992. 309 numéros présentés. c
1992ART7348MFlohic Editions, Charenton, 1992. In-4, broché avec jaquette, 80 pp.
17-1273Rouen France: Musee des Beaux-Arts 1981. 4to. 120 pp. Soft Cover. Very Good. Black & white plates throughout. Text in French. From the Library of the Pasquale Iannetti including loan card. Rouen, France: Musee des Beaux-Arts, 1981. paperback
18-5400New Haven CT: Yale University Art Gallery 1969. . 12mo. Oblong. 37 pp 50 pp. of plates. Soft white and black gravure illustrated wraps. Very good with marginal toning along spine and marginal creasing from age. Black and white plates. Includes a foreword byy Andrew Carnduff Ritchie and Alan Shestack. Includes selected bibliography and itemized catalogue list. Catalogue created on occasion of exhibition “The Graphic Art of Géricault†at the Yale University Art Gallery in New Haven CT. from February 5 through March 30 1969. Scarce. New Haven, CT: Yale University Art Gallery, 1969. paperback
