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195384547Editions Du Chene. As New. 1953. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - Text in French. 9 39 pages 93 illustrations; folio. -- with a bonus offer-- . Editions Du Chene paperback
199384534Little Brown. New. 1993. Hardcover. 0356203492 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Text pristine & unmarked tight to the spine - 320 pages over 23 color illustrations; 4to. -- with a bonus offer-- . Little, Brown hardcover
201087490Princeton University Press. New. 2010. Hardcover. 0691148864 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 256 pages; 252 illus. -- with a bonus offer-- . Princeton University Press hardcover
200572010N. G. S. New. 2005. Paperback. 1903278686 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Corresponds to ISBN: 1903278686. Text in English. 144 pp. With 152 ills. 132 col. . 27 x 25 cm. -- with a bonus offer-- . N. G. S. paperback
201087491Museum; Yale University Press Distribution. New. 2010. Paperback. 0300149298 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Text in English. 136 pages; 82 illus. -- with a bonus offer-- . Museum; Yale University Press (Distribution) paperback
1926000724<p><strong>Scarce first edition of Gauguin's complete diary manuscript. Limited to 320 copies of which this is no. 60.</strong></p><p><strong>Description:</strong> Publisher's cloth binding title blocked in red to upper cover and spine. Quarto: 31 × 25 cm; pp. 204. Tipped in label of the Marées-Gesellschaft Hylas motif. Numerous mostly tipped in illustrations. Printed on specially made untrimmed handmade paper that imitates the feel of the original manuscript.</p><p><strong>Condition:</strong> Despite its age a very well-preserved copy with no significant signs of wear.</p><p><strong>Notes:</strong> The editor Julius Meier-Graefe - one of the most influential art critics of his time - had already outlined Gauguin's significance for the development of European art in his "Entwicklungsgeschichte der modernen Kunst" 1904. He saw 'Noa Noa' not just as a simple notebook but as an independent Gesamtkunstwerk consisting of a network of text and images which he believed should be made accessible to the public.</p><p>As the printing processes available at the time did not allow for colour-accurate reproductions the complex and expensive collotype process was used to reproduce the original manuscript now in the Louvre. Collotype printing is still considered the highest quality process today as it reproduces colour nuances brush structure and paper texture much more faithfully than conventional printing processes. To give the edition an authentic resemblance to the original handmade paper specially produced for this purpose was also used for printing. Meier-Graefe personally supervised every step of the printing process to ensure that the colours of the original watercolours had the 'Blindheit' blindness und 'Gleißkraft' brilliance that Gauguin had described in his letters Meier-Graefe 1926.</p><p>However 'Noa Noa' represents not only the pursuit of perfection but also the yearning for authenticity in an increasingly technological world.</p> Marées-Gesellschaft/R. Piper hardcover
69722London / Kopenhagen Faber & Faber / Nordisk Sprog- och Kulturvorlag 1964. 4° 238 S. 163 Textabb. u. tlw. farb. Taf. OLwd. m. OU OU min. berieben Blattränder min. gebräunt; gutes Ex. EA. Bodelsen «studies in this book some sixty ceramic pieces that Gauguin executed in the late 1880’s and early 1890’s in Paris». 010 London / Kopenhagen, Faber & Faber / Nordisk Sprog- och Kulturvorlag, 1964 unknown
1901654801 vol. petit in-8 br., Editions de La Plume, Paris, s.d. [ 1901], 239 pp. et 1 f. n. ch.
1901223068Paris: Editions de LA PLUME 1901. Rilegato mezza pelle half-leather binding. Molto buono Very Good. Dedica e firma autografe dell'Autore: Charles Morice Inscribed and signed by the Author. Bibliografia: "<em>Gauguin Tahiti l'Atelier des Tropiques p. 138-142</em> ". <br /><br />. 16mo cm 195x132. pp. 246. Dedica e firma autografe dell'Autore: Charles Morice Inscribed and signed by the Author. Molto buono Very Good. Piccole abrasioni al dorso e ai bordi della copertina Small abrasions on the spine and on the cover's edges. Edizione originale. <em>Noa Noa è"; il più famoso degli scritti tahitiani di Paul Gauguin. Presentando con passione i costumi la storia e i paesaggi di Tahiti quest'opera è anche un'autobiografia del pittore. Scritto nel 1893 a Parigi da appunti presi a Tahiti questo libro voleva illuminare il pubblico sulle tele dipinte in Polinesia che sembravano troppo misteriose o esoteriche. Alcune pagine sono vere e proprie accuse contro la società" occidentale. Gauguin chiese al suo grande amico Charles Morice poeta simbolista di formattare il "libro per far capire la sua pittura". Ma la pubblicazione del testo completata nel 1894 ha incontrato molti ostacoli. Nel 1897 dopo i tentativi falliti di Charles Morice Gauguin cercò";" di farlo pubblicare a Tahiti ma invano: "Spero ancora di vedere Noa Noa stampato prima di morire" scrisse poi a Morice. Parte del testo apparve su La Revue Blanche nel 1897 e poi per estratti nel 1901 su La Plume e L'Action humaine. Morice allora manovra per pubblicare Noa Noa senza informare Gauguin. Il 12 aprile 1901 Gauguin pubblicò"; anche alcuni brani sul giornale tahitiano per il quale lavorava Les Guêpes prima di trasferirsi nelle Marchesi. Dopo aver chiesto l'aiuto di Mallarmé Morice riuscì finalmente a pubblicare Noa Noa nel luglio 1901 per suo conto. Ma l'edizione non è approvata da Gauguin a causa di problemi di copyright mal negoziati. Rifiutò" la proposta di Morice di farsi spedire 100 copie ma chiese segretamente a Daniel de Monfreid: "Abbiamo stampato Noa Noa a mia insaputa. Se ci metti le mani sopra mandamene una copia" novembre 1901. Gauguin non riceverà"; mai una sola copia e morirà senza aver visto finalmente pubblicato il suo manoscritto più importante. </em> <em>Quando Gauguin si impegnò a scrivere il racconto del suo primo soggiorno a Tahiti poco sicuro delle sue capacità di scrittura chiese a Morice allora a Bruxelles di rivedere il manoscritto di Noa Noa. Morice ha svolto questo compito e ha pubblicato il testo riveduto su La Revue blanche. I commentatori concordano nel considerare che l'intervento di Morice ha distorto il lavoro di Gauguin. Quando Gauguin morì nel 1903 Morice gli rese omaggio a Le Mercure e alla fine della sua vita pubblicò" un libro che fu una delle prime biografie a lui dedicate. </em> Editions de LA PLUME, hardcover
10525In-8° en feuilles sous chemise illustrée d'un dessin de Lucien Jacques. 55 numéros ont paru en 55 livraisons, de février 1953 à novembre 1958. - COLLECTION COMPLETE, du n° 1 (février 1953) au n° 55 (novembre 1958). Ensemble en très bon état.
191985790Paris: Galerie Barbazanges 1919. Fine. Galerie Barbazanges Paris 1919 15 x 23.20 cm cousu Exhibition catalogue of Paul Gauguin's works at the Galerie Barbazanges 109 Faubourg Saint-Honoré from 10 to 30 October 1919. Illustrated with Gauguin's splendid colour self-portrait with halo and serpent wood-engraved by Jules Germain. Essay by François Norgelet entitled ""Gauguin au Pouldu"". Catalogue of 28 works by Gauguin including two lithographs and two plaster casts. Minute black spot in the margin of the front wrapper. The exhibition at the Galerie Barbazanges revealed previously unknown works that Gauguin produced during his stay at Le Pouldu in Brittanny between 1889 and 1890. Living alongside Sérusier Bernard de Haan and Filiger Gauguin painted there some one hundred imaginative and colourful canvases inspired by this artistic retreat where they led a vibrant life of plein-air work and conversations in the thick smoke of cigarettes and pipes: ""ils étaient tous trois pieds nus débraillés superbement au verbe sonore. Je vis l'un deux plus tard chez Mallarmé : c'était Gauguin"" They were all three barefoot magnificently disheveled with sonorous speech. I saw one of them later at Mallarmés: it was Gauguin recalled André Gide in Si le grain ne meurt. Gauguin would leave the inn without settling his bill leaving as a deposit most of the works he had created at Le Pouldu with his landlady and mistress Marie Henry. The innkeeper parted with them in 1919 at the time of this exhibitionwith the exception of a Gardeuse d'oies and an Oie which Gauguin had painted directly on the plaster of the Breton inn and were rediscovered in 1924. Galerie Barbazanges unknown
1925003212Librairie de France, F. Sant'Andrea éditeur, 1925
elda pezzi e Fiorella minervino. noa noa e il primo viaggio a Tahiti di Gauguin Rizzoli editore rilegatura in tela con copertina di carta plastificata con cofanetto con tavole a colori ottime condizioni
42882Museum Reproductions. Very Good. N.D. Softcover. Oversized black paper portfolio titled/decorated in red housing 10 loose color wood cut plates by Gauguin plus introductory text leaf. List of plates: The Smile; Feast of the Gods; The Devil's Speech; Noa Noa Oh Fragrant Earth ; The Spirit of the Dead Awakens; Te Po The God of Darkness ; Maruru; Oh Beautiful Earth; Auti Te Pape; World's Creation. Re-engraved and printed with the help of silk screen from the originals that were issued in an extremely limited edition by the artist's son Pola Gauguin after his father's death. The portfolio is worn to the spine with slight soil. The plates are near fine or better. ; Folio 13" - 23" tall . Museum Reproductions paperback
1624Paris Floury 1927. Two volumes in original wraps. 4to. In fine condition. The 1st edition not the reprint. perfect condition unknown
1624Paris Floury 1927. Two volumes in original wraps. 4to. In fine condition. The 1st edition not the reprint. perfect condition unknown books
S00OS-01680Nicholas L. Brown. Used - Acceptable. Acceptable condition. No Dust Jacket French Polynesia Tahiti A reading only copy. Boards/spine/hinges may be broken detached or missing. All pages of text are present but they may include extensive notes/highlighting be heavily stained or detached. May be missing non-text pages e.g. end pages half title title frontispiece. Nicholas L. Brown hardcover
191985790Galerie Barbazanges | Paris 1919 | 15 x 23.20 cm | cousu
010434New York: American Studio Books. Wraps. Fair. no date circa 1946 based on OCLC records. Illustrated wraps. Large folio 17 by 13 inches. 13 leaves printed on single sides only. This includes the 12 color reproductions of woodblock prints preceded by a one page introduction by W.G. Russell Allen. Most of these were made in 1894 after Gauguin's return from his first trip to Tahiti. FAIR condition. Wrappers essentially separated into two pieces tenuously holding on at the upper hinge with all pages either SEPARATED from each other or very tenuously attached. Heavy tearing and creasing along the hinge and fore edge with some missing chips including one about 2 by ½ inches. Wrappers toned with a few minor stains and light soiling. Minor soiling and toning to the plates. American Studio Books unknown
19854Paris, Excelsior, 1934 ; in 12, maroquin lavallière orné sur les plats, d’une rose des vents rayonnante sur fond carré doré, les pointes grenat et orange en cercles concentriques, quadruples filet à froid vertical, titre doré entre deux rangées de pointes dorées, contreplats de même encadrant une grande pièce de cuir fauve mat veiné à l’or, gardes identiques, contregardes de papier nuagé beige, marron, vert, parsemé d’or, couv. et dos conservés, étui bordé (Kieffer) ; 157, [1] pp.
19601950Paris 1960. Two exhibition invitations and one catalog with collection stamp of Emil Szittya. Two printed in black and red. Slightly yellowed due to aging. Otherwise in fine condition. Two exhibition invitations and one catalog with collection stamp of Emil Szittya. Two printed in black and red. 8; 1; 4 p. <p><br /> Two exhibition invitations and a catalog of Paul Gauguin’s show from the collection of Emil Szittya.<br /> <p><p><br /> This collection includes a catalog of Paul Gauguin’s 1931 exhibition held in Le Portique Paris with a list of works exhibited and two invitations one to the exhibition of the avant-garde artist Jean Pougny and another to Fernand Léger’s show.<br /> <p><p><br /> All three are marked with the collection stamp of Emil Szittya Émile or Emile Lesitt Emil Szytia Oscar Ray Karl Stammer Verista; 1886–1964 a Hungarian-born artist. At the age of fourteen he started his wandering around Europe getting to know some of the most influential avant-garde artists of the time such as Lajos Kassák Pablo Picasso Marc Chagall Henri Rousseau Tristan Tzara Hans Richter Chaim Soutine and Blaise Cendrars with whom they published the anarchist magazine “Les hommes nouveauxâ€. In 1915 in Zürich he got acquainted with the leaders of the communist movement Lenin and Trotsky. He published several books on artists and numerous articles and essays in various art magazines. His expressionist paintings were exhibited mostly posthumously.<br /> <p>. unknown
75460Paris, Éditions de la Plume [Louvain, Imprimerie Émile Charpentier], (1901), in-8, 239-[1] pp, broché, couverture imprimée de l'éditeur, Première édition en librairie du plus célèbre des écrits polynésiens de Gauguin. Exemplaire enrichi d'un envoi de Charles Morice à Madame Dolez. Gauguin, qui a exposé ses oeuvres tahitiennes chez Durand-Rueil en novembre 1893, entreprend l'écriture de ce petit livre afin d'éclairer le public sur ces toiles qui pouvaient paraître trop mystérieuses. Il en annonce la publication la veille de son départ définitif pour l'Océanie, en 1895. Charles Morice se charge de la mise en forme de Noa Noa : il intercale ses propres poèmes entre les récits en prose de Gauguin, qu'il revoit par l'occasion. L'ouvrage est publié deux ans après, en livraisons, dans la Revue blanche. Gauguin n'est pas satisfait de ces vers, ni des libertés prises par Morice qui dénaturent, selon lui, la naïveté du conteur et la saveur originelle des récits. Morice se charge pourtant de la parution en volume, qu'il fait imprimer à ses propres frais aux éditions de la Plume, et qu'il publie sous leurs deux noms : il promet à Gauguin l'envoi de 100 exemplaires, qui ne lui parviendront jamais. Bel exemplaire. Couvertures et dos restaurés. Premier cahier détaché, feuillets habituellement jaunis. Couverture rigide
192557579BBParis, Librairie de France. 1925. 4°, 103 S. Mit 14 (3 farbigen) ganzseitigen Holzschnitten von Gauguin in Faksimile. Illustrierte Originalbroschur.
19741554Bibliothèque des Arts, Lausanne, Paris 1974,1979,1979,1985 et 1991. 5 volumes in-folio (39 x 28 cm), reliés sous cartonnages toilés, jaquettes illustrées, étuis de carton gris. 461, 305 , 312 , 443 et 349 pages. Plus de 2000 peintures, 500 dessins et 100 pastels, classés chronologiquement depuis les débuts de l'artiste, dans les années 1858-1861, jusqu’à la série des Nymphéas sont répertoriés. Iconographie: 43 planches couleurs et 2712 reproductions en noir et blanc. Tome I: 1840-1881, peintures. Tome II: 1882-1886, peintures. Tome III: 1887-1898, peintures. Tome IV: 1899-1926, peintures. Tome V: Supplément aux peintures, dessins, pastels, index. Fully illustrated catalogue raisonné, giving exhibitions, bibliography and provenance for each entry. With biography, extensive documentation and indices. French text. Condition: as new under original slipcases
1951158773Paris: Institut des hautes études cinématographiques 1951. Vintage program for a 1951 showing of Alain Resnais' 1950 short documentary film at the prestigious Institut des hautes études cinématographiques IDHEC. Text in French. <br /> <br /> IDHEC was founded in Paris during World War II in order to offer training for virtually every aspect of film production. It counted a veritable who's who of prominent filmmakers among its graduates including Louis Malle Claire Denis Jean-Jacques Annaud Volker Schlöndorff Andrzej u awski and Costa-Gavras among many others. Resnais attended IDHEC for one year from 1943-1944 training as a film editor before leaving in 1945 for military service. <br /> <br /> "Gauguin" was part of an early series of documentary short films about artists created by Resnais between 1946 and 1953 preceded by "Van Gogh" 1949 winner of an Academy Award and followed by "Guernica" 1950 in collaboration with Robert Hessens.<br /> <br /> 8.25 x 10.75 inches. Bifold. Very Good plus lightly faded on the edges with brief wear at the bottom right corner. Institut des hautes études cinématographiques unknown
