1 203 résultats
195425667Paris 1954. Faksimile der Originalausgabe Nr. 215/1000 Expl.N.a.V. Sagot 2°. br. Kunst unknown
101548946X.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
2001168407Papeete Tahiti: Editions Avant & Apres 2001. First edition thus. Folio softcover. Text in French with an English translation by John Donne. Features a facsimile of Gauguin's manuscript from 1895. A fine copy in French style wrappers. A nicely printed book. Editions Avant & Apres unknown
1988270386Tahiti: Amis du Musee Gauguin 1988. hardcover. very good. Many color illustrations with facsimile letters of Gauguin. Slim folio burlap with inlaid picture on front cover. Tahiti & New York: Association des Amis du Musee Gauguin 1988. A very nice clean copy.<br/> <br/> Amis du Musee Gauguin unknown
196103959NOA NOA Reynal & Co. 1961 first edition thus fine in vg dust-wrapper with the slightest of wear. Over 30 full page full color plates. Reynal & Co. unknown
1904e6921Paris: Éditions de La Plume. Rebound with original volume bound in. Leather cover in VG condition with minor corner wear. Original card cover rubbed with age toning. Front cover with two tears of approximately two and three inches from gutter. Pages darkening. Inscription on fep. Teg. 1904. Deuxième Édition. Half leather marbled board cover. 210mm x 140mm 8" x 6". 239pp. Text in French. . Éditions de La Plume hardcover
1939014564Praha: R. Skerik 1939. Decorative Cloth Hard Cover. Near Fine. 172p. Czech languge. Five hand mounted plates of his art at the beginning of major chapters. J.R. Marek the major Czech art critic has a three page survey at the end of the book. Copies have become scarce in recent years. R. Skerik unknown
192956063Les Editions G. Cres et Cie Paris 1929. Definitive Edition. Hardcover. Very Good Condition/No Dust Jacket. Size: 8vo 7 3/4 - 9 3/4". 154 pp. Text is in French. Paperback edition rebound in hardback with new boards and end papers fitted. Gilt titles to spine. Original paper covers bound in at rear of volume. Corners bumped. Covers slightly marked. Illustrated. Quantity Available: 1. Shipped Weight: Under 1 kilogram. Category: Art & Design; Tahiti; Modern; French Language; Travel & Places. Pictures of this item not already displayed here available upon request. Inventory No: 56063. . Les Editions G. Cres et Cie hardcover
1987mon0004037482Association de l'Association des 1987-01-01. Hardcover. Very Good. 1.1102 9.1299 6.5709. Association de l'Association des hardcover
2950176305.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1919020389Nicholas L. Brown 1919. Hardcover. Very Good. Some foxinf on endpages. Boards are square and tight. Size: 8vo - over 7¾" - 9¾" tall Nicholas L. Brown hardcover
1961BOOKS246911New York NY: Reynal and Company. G/G. ca1961. . Cloth w/DJ. translated from the original manuscript by Jonathan Griffin. Postscript by Jean Loize . 4to. 36 plates DJ rubbed price clipped yellowing fading . Reynal and Company hardcover
1926157706Berlin: Ganymed Presse for Marees Gesellschaft 1926. Gauguin in Tahiti First edition thus number 22 of 80 copies of the deluxe issue rarely found with the portfolio which includes a previously unpublished original woodcut. This fine facsimile of Gauguin's autobiographical tale of his first two years in Tahiti 1891-3 was based on the Louvre manuscript and "represents an important project in book-making by this major artist" Garvey. Gauguin's arrival in Tahiti coincided with the funeral of Pomare V the last king "a symbolic marker of the demise of 'authentic' Polynesian culture. This overlap is enough to make Noa Noa apparently irresistible as a source of information about his life in Tahiti: through a series of intimate cross-cultural encounters it provides the script of his attempt at 'going native' He may have initially intended the publication of Noa Noa to coincide with the exhibition of his Tahitian work that was held at the Galerie Durand-Ruel in Paris following his return to France in 1893 but it remained incomplete when the exhibition opened in November 1893 At some point before returning definitively to Polynesia in July 1895 Gauguin enlisted Charles Morice who had written the catalogue essay for his exhibition to help develop the project and their collaboration led to the version that is now known as the Louvre manuscript" Goddard pp. 64-8. The conceit was that Gauguin and Morice would alternate chapters although the exact division of labour remains unclear. "What is clear however is that Gauguin did not spend his time passively awaiting Morice's revisions and additions. Instead he began actively to conceive of the text as part of a larger performative project that could serve to promote his image as an artist-savage. During gatherings in his Paris studio whose decorative scheme was in itself a 'visual manifesto' for his primitive persona he gave readings from his work in progress". The present edition had a total print run of 400 copies: 80 specially bound in citron morocco as here the remainder in a raffia binding. A significantly revised version of the text had been published in 1901 followed by another in 1924 although "that gives no sense of the physical appearance of the volume". During the inter-war years the Marees Gesellschaft 1917-1929 was among the finest European fine art printers issuing work by among others Van Gogh Matisse Max Beckmann and Oskar Kokoschka. It was founded "as a collaboration between influential art historian and critic Julius Meier-Graefe and avant-garde publisher Reinhard Piper named after the now largely forgotten German realist painter Hans von Marées 1837-1887 whom Meier-Graefe revered. As a special imprint they issued lavishly produced illustrated books and portfolios" MoMA. Portfolio and large quarto. Portfolio with 14 collotype reproductions of watercolours and original woodcut each with the blind stamp of Ganymed Press on image window-mounted on 13 card leaves. Quarto with many full-page and in-text collotype reproductions of watercolours drawings woodblock prints and photographs. Portfolio: original raffia blue printed label to front stiff card flaps with cloth mounts. Quarto: original citron morocco-grain skiver gilt-lettered spine gilt fillet frame to covers top edge gilt. Portfolio: some flaking of raffia largely to spine toning to flaps: very good. Quarto: signature on front free endpaper of Emil Oberholzer Jr d. 1981 authority on church history. Without pictorial dust jacket. Spine and periphery of covers toned extremities rubbed some minor stripping inner hinges partially cracked but sound: very good. Garvey The Artist and the Book 115. Linda Goddard Savage Tales: The Writings of Paul Gauguin 2019. hardcover
1961green125605. Very Good. . with dustjacket price clipped 1961 Bruno Cassirer Oxford clean bright copy . 1961. Hardcover. hardcover
1947mon0003080318Jan Forlag 1947. Hardcover. Good. . Some staining here and there to boards minor bumping/rubbing at edges. Pages clean binding sturdy. Jan Forlag hardcover
1961466462Oxford : Bruno Cassirer 1961. First Edition. Hardcover. Date cannot be verified. First UK edition. Very good cloth copy in a good if somewhat edge-nicked and dust-dulled dust-wrapper. Remains well-preserved overall. Physical description; 85 unnumbered pages : color illustrations ; 32 cm. Notes; The Ms. previously published in facsimile as Manuscrit-ined it de Noa-Noa. Sagot et Le Garrec1954. Subjects; Gauguin Paul 1848-1903. Painters France ; Biography. Painters French Polynesia Tahiti Island ; Biography. Painters. Painting French. Tahiti French Polynesia : Island. Oxford : Bruno Cassirer hardcover
1987106033Tahiti : Edition De L'Association Des Amis Du Musee Gauguin ; New York : ""gauguin And Oceania Foundation"" 1987. First Edition. Hardback. An exceptional copy in the original pictorial Dutch Linen. Particularly and surprisingly well-preserved; tight bright clean and especially sharp-cornered. Scans and additional detail on request. ; 132 pages; Physical desc. : 132 p. : col. Ill. ports. ; 41 cm. Subject: Gauguin Paul 1848-1903 - Correspondence. Painters - France - Correspondence reminiscences etc. Tahiti. Facsimile ed. Of Gauguin's original Noa Noa manuscript of 1895. Text in French with English translation by John Donne. In this. Tahiti : Edition De L'Association Des Amis Du Musee Gauguin ; New York : ""gauguin And Oceania Foundation"" hardcover
19474446441<p>12.5" by 9.5" 204pp facsimile reproduction in french dustjacket is bright with some edgewear and small missing pieces there is pen writing on the blank spine of the dustjacket unmarked.</p> Victor Petterson's Bokindustriaktiebolag hardcover
0266567835.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
036666820X.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
0366668161.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
0260274224.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
19744646Milano: Rizzoli Grandi monografie d'arte 1974. Rilegato tela sovracoperta custodia cloth dust jacket slip-case. Ottimo Fine. Introduzione di Marc Sanson. 109 tavole in nero e colori applicate n.t. e XLIV grandi tavole a piena pag f.t. Folio. pp. 168 tavole. Ottimo Fine. Prima edizione First Edition. Rizzoli, Grandi monografie d'arte hardcover
3849138658.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
98499Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 19th century 1894/95. Professionally printed on premium fine-art paper Photo Matt Fibre in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown