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1980000419Gauguin Alan Wofsy Fine Arts 216,3 Jaquette en bon état Couverture rigide 1980 San Francisco
511992Alan Wofsy Fine Arts San Francisco 1980 In-4 carré ( 270 X 210 mm ), cartonnage de toile rouille à la bradel sous jaquette illustrée. 96 illustrations hors-texte. Très bel exemplaire.
1927EXE-453Paris, Floury, 1927. 2 volumes in-4°, demi-toile.
This is a fine hardcover copy with a fine dust jacket with no wear at all. Completely clean inside and out. Text in French. This is the modern reprint of Marcel Guerin's classic work published in 1927 by Floury in Paris. Illustrated throughout in black & white. 11" high X 8" wide. Heavy book, foreign shipping will be extra. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.
51-3873Paris: L'Ymagier 9 rue de Varenne 1894-1896. . 2 vols. 278 244pp with hors texte plates. Complete with 8 issues. Original symbolist paper covered boards with later half goatskin spine and corners. 20 x 26cm. With 11 handcolored folding plates printed by Pellerin à Epinal several with repaired tears; original lithographs and woodcuts by Whistler Jarry Bernard et al. Lacking the print by Rousseau. See complete list below.________________________Vol 1: 1894. 278 pp….N°1 : comprising a leaf bearing a title and a miniature by Filiger printed in mauve a Head of a Martyr by R.G. Rémy de Gourmont a drawing by Émile Bernard printed in blue forty old images and vignettes; on large folio Épinal folding images printed in colors 620 x 380 mm and 615 x 395 mm: Jesus sur la Croix…. - - N°2 : with a woodcut in red by Armand Séguin 1869 – 1903 Les Bretonnes Breton women an original print by E. Forbes-Robertson Adam and Eve numerous woodcuts of which two from Indochina printed on 2 ll. of folded China paper lithograph “L’Annonciation†signed R.G. Rémy de Gourmont printed in black an original lithograph by Alfred Jarry Caesar-Antichrist “Bedouin†an unpublished drawing by Emile Bernard and two folding Épinal images: Le miroir du Pâ€echeur des Pyramides 400 x 580 mm and Bonne Bière de Mars 420 x 509 mm. Lacking: an original lithograph by Douanier Rousseau War ….-- - N° 3 :. Numerous illustrations in text and hors texte among them: La Madeleine after a woodcut printed in dark orange by Paul Gauguin “The Bishop†an original woodcut in dark green by Georges d'Espagnat an original woodcut in black by Alice Feurgard an original drawing printed in blue by Emile Bernard an original drawing printed in dark green by Jossot an original woodcut in bistre by M. Delcourt; an Épinal folding image printed in colors Saint Claude…. - - - N° 4 :. Numerous illustrations to text and hors texte including: an original sketch cut onto mahogany wood. “Sainte Gertrude†by Alain Jans Alfred Jarry;a woodcut “La Peur†in black by Georges d'Espagnat an original drawing printed in black by Roderie O'Conor; an original drawing printed in blue by Émile Bernard a folded woodcut very pale 455 x 198 mm two folding Épinal images printed in colors : Saint Nicolas and Notre-Dame des Sept Douleurs….Volume II. Issues 5-8. 224 pages….- N°5 : . Numerous illustrations to text and hors texte including: an unpublished original print and folding plate by Jean-Baptiste Auguste Clésinger of Two Bulls printed in black 281 x 430 mm an original unpublished lithograph by James Abbott McNeill Whistler on China paper between silk paper guards: “Girl With Bowl†Stratis & Tedeschi 118; Way 82; Levy 121; first bearing a title folding facsimile of a vernacular colored image entitled Le vrai portrait du Juif-Errant…A true portrait of the Wandering Jew… 485 x 304 mm folded fragment of an enormous former engraving 368 x 305 mm. Printed by Lefevre-Corbinière….- - N° 6 :. Numerous illustrations to text and hors texte including a folding Épinal image in colors Les 3 Chemins de l’Etnernité. ….- - - N° 7 : . Numerous illustrations to text and hors texte including an original woodcut of Jesus on the cross with Crying Woman by Émile Bernard printed in red on strong grey tinted paper; previous page with clean tear a folding Épinal image in colors showing St. Blaise et St. Guerinand and a color lithograph: L’Arche de Noé. Noah’s Ark from the 12cth Century…. - - - N° 8 : . Numerous illustrations to text and hors texte including: L’Annonciaiton by Emile Bernard; a color Epinal folding plate of Napoleon 1er; a vernacular image of a procession in colors in the form of a folding banner 280 x 475 mm; triangle; an original woodcut“Les Pendus†by Georges D’Espagnat and a red woodcut: Santo Cristo with Christ wearing a skirt….From the Van Gogh Museum:At the fin de siècle printmakers often turned to primitive art forms and popular visual culture for sources of inspiration.In this vein the French Symbolist writers Alfred Jarry and Remy de Gourmont founded L’Ymagier an ambitious art review. Here they presented the works of contemporary printmakers next to examples of medieval woodcuts and popular prints known as Épinal.L’Ymagier’s interest in religious Épinal and medieval woodcuts was rooted in a fervent desire to achieve a more authentic form of modern art. For Jarry archetypal Christian symbols such as the Passion and the Virgin Mary possessed universal meaning of continued importance to contemporary artists.This interest in the past was shared by the artists of the School of Pont-Aven who looked to the traditions and rituals of the Breton peasants for creative inspiration.L’Ymagier helped to revive contemporary interest in the woodcut technique for artists like Edvard Munch and Emil Nolde.Juliet Simpson:Remy de Gourmont's and Alfred Jarry's journal L’Ymagier published in eight issues between October 1894 and January 1896. In attempting to create a 'book of symbols' structured explicitly around the image notably the popular image the L’Ymagier project develops the verbal-visual problematic exemplified by the Symbolist 'illustration'. It also raises some very fundamental questions about artistic homologies in general which test Symbolist theories of synthesis to their limits. As I hope to show Gourmont's and Jarry's appropriation of the popular image as the inspiration ror L’Ymagier becomes a strategy for destabilizing hierarchies or images and texts including Symbolist ones which has both radical aesthetic and political implications.Bolliger Dokumentations-Bibliothek Zur Kunst Des 20. Jahrhunderts II 243; VI 829;Library of Congress Control Number41040620 Paris: L'Ymagier, 9 rue de Varenne, 1894-1896. hardcover
194923830Paris: L'Age Nouveau 1949. Fine. L'Age Nouveau Paris Septembre 1949 18 x 23 cm broché First edition. Contributions by Paul Gauguin with unpublished letters Marcello-Fabri J. Follain L. Estang. Issue illustrated with reproductions of works by Maurice de Vlaminck Pablo Bonnard Georges Rouault Pablo Picasso Henri Matisse Roger de la Fresnaye. regarding the ""battle of the Grenoble museum"". Spine sunned covers slightly and marginally faded handsome interior condition. L'Age Nouveau unknown
194923830L'Age Nouveau | Paris Septembre 1949 | 18 x 23 cm | broché
12135Paul Gauguin (" Lettres inédites "), Jean Roussel, Jean Follain, Luc Estang, etc. Deux planches hors texte de Paul Gauguin. Bon état.
12129Marcello-Fabri (" Pour le vers libre "), Théo Varlet, Marcel Béalu, Charles Berlandier, etc. 2 planches hors texte : une peinture de Javier Buono, un bois gravé de Luigi Servolini ; un dessin de Paul Gauguin. Bon état.
8675N° 8 (1ère année). 15 juin 1918. Henry Spiess (" Nocturne "), Jacques Rivière (" Fragment sur Francis Jammes "), Alexandre Cingria (" L'Exposition d'art français au Musée de Genève "), Edmond Jaloux (" L'Exposition d'art français au Musée de Genève ") 13 reproductions sur vignettes hors texte de toiles de Cézanne, Corot, Daumier, Degas, Delacroix, Gauguin, Manet, Monet, Renoir, Sisley. Très bon état.
2006123905Paris Seuil, coll. "La couleur des idées" 2006 1 vol. Broché 192 pp, in-8, broché, 169 pp., quelques illustrations. Envoi autographe signé de l'auteur. Très bon état.
2006123905Paris Seuil, coll. "La couleur des idées" 2006 1 vol. Broché 192 pp, in-8, broché, 169 pp., quelques illustrations. Envoi autographe signé de l'auteur. Très bon état.
2008LFA-126716298Une revue trimestrielle de 112 pages, format 230 x 285 mm, illustrée, brochée couverture couleurs, publiée en 2008, Glénat, bon état
197813369Paris Société Du Salon D'automne 1978 GRAND In-8 188 pp, (.) 1903 - 1978, soixante-quinze ans d'ardeur. Reproductions en noir et couleurs, couverture couleurs. Encarts et additif.
1970GITj259Paris Bibliothèque des Arts 1970. In-4 carré 180pp imprimées sur 2 colonnes. Reliure de l'éditeur toile grise bradel, titre en rouge sur le dos, sous jaquette illustrée. Abondante illustration à pleine page, en noir et en couleurs: reproductions contrecollées de gravures de Renoir à Buffet, en passant par Gauguin, Duffy, Vlaminck, Picasso, Chagall et autres grands artistes du XXe siècle. Bordure de la jaquette légèrement jaunie, exemplaire solide, en bon état et complet.
Tradotto da M. Parisi, il romanzo sulla vita del grande pittore Paul Gauguin. Rilegato. Rilegato
Maugham, W. Somerset (Maugham, William Somerset) La luna e sei soldi (Il diavolo pittore). Milano - Verona, Arnoldo Mondadori Editore - Officine Grafiche Veronesi dell'Editore Arnoldo Mondadori (stampa) 1959 italian, in sedicesimo pp. II ed. " I libri del Pavone ": febbraio 1959 - ed. integrale (ed. originale: The Moon and Sixpence 1919 - I ed. italiana: Arnoldo Mondadori Editore, Collezione " Medusa ": dicembre 1946 - I ed. " Libri del Pavone: aprile 1956). Unica traduzione autorizzata dall'inglese di Giorgio Monicelli. Collezione " I Libri del Pavone " 80. XVI/ 240/ brossura in cartoncino patinato bianco con grafica in nero, sfumature del giallo, rosa e vermiglione e con illustrazione a colori al primo piatto (Gauguin). Stato mediocre (usura della copertina con in particolare il distacco di una porzione: il libro è completo - copertina e pagine brunite).
1924782471924. Fine. s. d. 1924 9.30 x 7.80 cm autre La Mémoire et l'Imagination. Noa Noa. Unique proof of the woodcut drawn and engraved after Paul Gauguin by George-Daniel de Monfreid between 1904 & 1924 93 x 78 cm one sheet Original proof likely unique of this intermediate state of a woodcut drawn and engraved by George-Daniel de Monfreid after a watercolor by Paul Gauguin. Print on fine cream laid paper annotation by the artist in the left-hand margin. Woodcut drawn and engraved after a watercolor from the Noa Noa manuscript pasted on a page of text of the famous album. The final woodcut will serve as the head of the first illustrated edition of Noa Noa published by Crès in 1924 the first illustrated work after Paul Gauguin and a majestic tribute to one of the precursors of modern art. Superb and significant engraving after a very specific watercolor from Paul Gauguin's manuscript a real breakthrough in text engraved by his closest friend and executor the artist George-Daniel de Monfreid heir to the album he would offer to the French State in 1927. The initial watercolor was cut out in waves around the female figure and pasted on the last chapter to prevent it from being read and thus get the story back on track. Gauguin had also added winding lines starting from the watercolor on the text page thus giving the impression of a cave breaking through the page by the psychic power of the sitting woman whose head diffuses the undulating rays. Monfreid decided to place it at the head of the work accompanied by two birds taken from other works to illustrate the power of the artist and his imagination. A likely unique proof part of 17 known test woodcuts from the early project to publish Noa Noa all made on various fine papers and annotated by the artist. Unique proof of a woodcut engraved after the mystical watercolor erasing the first ending of the story to allow the reader to graphically enter the painted album repeated in the printed version as the initiatory opening of the engraved story. It is from the original illustrated manuscript of Noa Noa brought back from Tahiti by Segalen on the artist's death in 1903 that Monfreid began producing this fundamental work from as early as 1904. This is the second version of this to read and look at notebook. The first manuscript written on the return of his first voyage and entrusted by Gauguin to Charles Morice in 1893 responded to a different project. Gauguin had composed only the text interspersed with blank pages for Morice's poems. But after several years without news Morice preferred to publish a version entirely rewritten by himself in 1901. Gauguin therefore copied his manuscript and illustrated it during his second stay in Polynesia with sketches watercolors and collages. This album that the artist enriched and safely preserved until his death is preserved today at the Musée d'Orsay. It is therefore from this manuscript the only one illustrated that Monfreid composed the edition of Gauguin's Noa Noa. However although Monfreid's publication was forward it took more than twenty years to complete in part due to a copyright dispute with Charles Morice who wanted to be co-author of the forthcoming edition and whose poems would eventually be preserved. The result of several years of reflection and work the 1924 edition is both faithful to the watercolors and woodcut engravings illustrating the precious manuscript and to the whole of Gauguin's Tahitian work who died in indifference. Monfreid thus engraves several drawings from the original notebook and enriches it with woodcuts made from other works of which he is the custodian. Some of these compositions combine several paintings while scrupulously respecting the artist's line transforming the work into a true journey through the painter's works. The very choice of using wood engraving is a tribute to this technique prized by Gauguin who in Pont-Aven produced 10 woodcuts to unknown
192478247s. d. [1924] | 9.30 x 7.80 cm | autre
7027P., G. Van Oest, 1931 ; in-4, broché. 162pp.-2ff. - 32 planches en noir et 1 planches couleurs hors-texte. Très bon état.
197833486Paris Bibliothèque des arts 1978 in-4° toile éditeur sous jaquette reproductions de tableaux en noir et en couleurs
1921Grasset. 1956. In-8° broché. Couverture illustrée. 246 pages. Nombreuses planches hors texte. Mention de 4è. édition (dans l'année de l'E.O.).
197431585Paris Flammarion 1974 In-8 carré Notices bio-bibliographiques par Lydie Huyghe - 478 pp - illustrations noir & blanc comprises dans la pagination, illustrations couleurs non comprises dans la pagination
1989LFA-126712872Revue fondée en 1920 par Jacques Bainville : 64 pages, format 235 x 160 mm, bon état
1996ABE-170938155754548 PAGES-IN 4-(100IJ)
