Gauguin, PaulBiblio.com
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0881620858New. hardcover. New. Satisfaction Guaranteed or your money back. hardcover
0881620858.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1985Q-0881620858Salem House Pub 1985. Hardcover. New. In shrink wrap. Looks like an interesting title! Salem House Pub hardcover
196181842NY:: Reynal and Company. Very Good in Very Good dust jacket. 1961. Hardcover. Color and black and white plates. Translated from the French by Jonathan Griffin. Postscript by Jean Loize. First edition thus. Previous owner's book-plate on front paste-down else very good in a very good age darkened dust jacket. Dust jacket design by Walter Ritchie. . Reynal and Company, hardcover books
194710109Stockholm 1947. Faksimile. Sehr guter Zustand. Victor Petterson Bokindustriaktiebolag 2°. Hln. Varia unknown
Stockholm, Jan Förlag, 1947. In-4, (24 x 32 cm), 204 pp. Plein chagrin bordeaux, dos lisse titre auteur en lettres dorés, double encadrement, un doré et un noir sur les plats, toutes tranches dorées. Texte complet reproduit en offset sur papier pur chiffon. Impression et reliure exécutées par Victor Pettersons Bokindustriaktiebolag Stocklom 1947. Fac similé du manuscrit de Paul Gauguin ouvrage richement illustré en noir et en couleurs dans et hors-texte. Très bel exemplaire.
1017705534.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1992BN253882München : Metamorphosis-Verl. 1992. 1992. Noa Noa. Paul Gauguin. Text hrsg. und kritisch kommentiert von Pierre Petit. Holzschn. zsgest. und kommentiert von Bronwen Nicholson. Aus dem Franz. übers. von Antje Pehnt <br/><br/>Noa Noa. Paul Gauguin. Text hrsg. und kritisch kommentiert von Pierre Petit. Holzschn. zsgest. und kommentiert von Bronwen Nicholson. Aus dem Franz. übers. von Antje Pehnt Gauguin Paul und Pierre Petit München : Metamorphosis-Verl. unknown
1961048044New York: Reynal / William Morrow 1961. First American Edition 1st Printing. Hardcover. Near Fine/Near Fine. Color Plates. 36 Pp. Many Color Plates At End. Orange Cloth Stamped In Brown And Black. First English Language Translation From The Original Manuscript. Undated But Postscript By Loize Is Dated 1961. Book Is Near Fine; Three Small Strips Of Unaccountable Browning On Endpapers We Have Another Copy Like This Similar So Not Damage Specific Only To This Copy. Dj Near Fine About 1/8" Taller Than Book But Undamaged Price Clipped But Trace Of $ Remaining. <br/> <br/> Reynal / William Morrow hardcover
192965553Paris, G. Crès et Cie, 1929. 4 Bll., 158 S. Mit zahlr. Holzschnitt-Illustr. OKart. mit farb. Holzschnittillustration auf dem Vorderdeckel.
192977555Paris:: G. Cres et Cie. 1929. Edition Definitive. publisher's wrappers illustrated in color. Spine tanned with a 1-1/2" chip at the bottom affecting lettering and tiny chips at the top; a little tanning and light rubbing; contents fine. . 8vo. Bois Dessines et Graves d'Apres Paul Gauguin par Daniel de Monfreid. G. Cres et Cie., unknown
1926000724<p><strong>Scarce first edition of Gauguin's complete diary manuscript. Limited to 320 copies of which this is no. 60.</strong></p><p><strong>Description:</strong> Publisher's cloth binding title blocked in red to upper cover and spine. Quarto: 31 × 25 cm; pp. 204. Tipped in label of the Marées-Gesellschaft Hylas motif. Numerous mostly tipped in illustrations. Printed on specially made untrimmed handmade paper that imitates the feel of the original manuscript.</p><p><strong>Condition:</strong> Despite its age a very well-preserved copy with no significant signs of wear.</p><p><strong>Notes:</strong> The editor Julius Meier-Graefe - one of the most influential art critics of his time - had already outlined Gauguin's significance for the development of European art in his "Entwicklungsgeschichte der modernen Kunst" 1904. He saw 'Noa Noa' not just as a simple notebook but as an independent Gesamtkunstwerk consisting of a network of text and images which he believed should be made accessible to the public.</p><p>As the printing processes available at the time did not allow for colour-accurate reproductions the complex and expensive collotype process was used to reproduce the original manuscript now in the Louvre. Collotype printing is still considered the highest quality process today as it reproduces colour nuances brush structure and paper texture much more faithfully than conventional printing processes. To give the edition an authentic resemblance to the original handmade paper specially produced for this purpose was also used for printing. Meier-Graefe personally supervised every step of the printing process to ensure that the colours of the original watercolours had the 'Blindheit' blindness und 'Gleißkraft' brilliance that Gauguin had described in his letters Meier-Graefe 1926.</p><p>However 'Noa Noa' represents not only the pursuit of perfection but also the yearning for authenticity in an increasingly technological world.</p> Marées-Gesellschaft/R. Piper hardcover
198710114Tahiti: Foundation 1987. Fine. 1987. Hardcover. 2950176305 . 16 X 11 inches; tan buckram lettered in black with color illustrated front cover label; color & halftone reproductions facsimiles throughout. Without slipcase. Text in French & Japanese. The original Noa Noa facsimile enriched for the first time with most of the illustrations from the 1895 manuscript . Foundation (1987) hardcover
19887110CB1988. Tahiti Ed. de l'Association des Amis du Musée Gauguin 1988. Folio. Ca. 100 S. Mit zahlr. Illustr. Farb. illustr. Orig.-Leinwandband. unknown
19873112733Tahiti/new York: Foundation. Fine with no dust jacket. 1987. First Edition; First Printing. Hardcover. First edition thus Facsimile edition of Gauguin's original Tahitian diary featuring his text with faithfully reproduced illustrations. Folio 16' X 11 1/2" unpaginated Fine copy in Dutch linen covers with pictorial color plate laid-onto front cover. Lacks the plain card slipcase. Printed in Paris. A lovely production. BC ; 8vo 8" - 9" tall . Foundation. hardcover
19749783502519805-2025The Noonday Press 1974. Hardcover. New/New. <p><strong>Author:</strong> Paul Gauguin</p><p><strong>Publisher:</strong> The Noonday Press</p><p><strong>Binding:</strong> Hardcover</p><p><strong>ISBN:</strong> 9783502519805</p><p><strong>Release Date:</strong> 1974</p> The Noonday Press hardcover
19749783502519805-2025The Noonday Press 1974. Hardcover. New/New. <p><strong>Author:</strong> Paul Gauguin</p><p><strong>Publisher:</strong> The Noonday Press</p><p><strong>Binding:</strong> Hardcover</p><p><strong>ISBN:</strong> 9783502519805</p><p><strong>Release Date:</strong> 1974</p> The Noonday Press hardcover
1947302348Stockholm: Jan Forlag 1947. Reproduit en Offset sur papier Chiffon. Printed in Sweden. 1 vols. 4to. Cloth spine and patterned boards. Fine in VG dj. Reproduit en Offset sur papier Chiffon. Printed in Sweden. 1 vols. 4to. Jan Forlag unknown books
196016490New York: Reynal 1960. Hardcover. Orig. decorated sandlewood cloth. Near fine in spine darkened very good dust wrapper. 36 pages in text. 30 x 23 cm. Illustrated with fascimiles of all the water-colors. Translated from the original manuscripts by Jonathan Griffin. Postscript by Jean Loize. Reynal hardcover books
1926311648Munchen; Berlin: Marees-Gesellschaft. Verlag R. Piper & Co. Hersteller: Ganymed 1926. Number LVI of LXXX copies specially bound limitation notice on front pastedown. Collotype facsimile reproducing in color the artist's watercolors photographs line drawings and woodcuts. 4 204 i.e. 210 pp. 1 vols. 4to 12-1/4 x 9-1/4 in. Bound in original citron morocco rebacked. Some dustsoiling to covers internally clean. Without the very rare portfolio and without dust jacket. Number LVI of LXXX copies specially bound limitation notice on front pastedown. Collotype facsimile reproducing in color the artist's watercolors photographs line drawings and woodcuts. 4 204 i.e. 210 pp. 1 vols. 4to 12-1/4 x 9-1/4 in. Deluxe issue. The deluxe issue of this beautifully produced facsimile in color of Gauguin's original manuscript of his collaboration with the Symbolist poet Charles Morice. A version of the collaboration appeared in Gauguin's lifetime but "Gauguin recopied and amplified his manuscript adding watercolors woodcuts and an occasional photograph" and it is this manuscript now in the Louvre on which the present facsimile is based; Gauguin's "visual interpretation of this primitive culture in powerful rhythmic and totemic designs . represents an important project in book-making by this major artist" Garvey. Garvey The Artist and the Book 115; Castleman Century pp. 22-4 82-3 Marees-Gesellschaft. Verlag R. Piper & Co. Hersteller: Ganymed unknown books
1924D8880Paris: G. Cres et Cie 1924. Hardcover. Very Good. Navy blue cloth paper spine label; 8vo; 8 154 5 with original front wrap bound in. Original front wrap very lightly chipped along the edges with closed tears at flaps but holding. A nice bright copy. Beautifully illustrated. <br/><br/> G. Cres et Cie hardcover books
1947012349Sweden: Jan Forlag 1947. Hardcover with Dust Jacket. Near Fine/Very Good. Illustrations by Paul Gauguin. Text in French.<br /> <br /> Facsimiles of Gauguin's notebooks with color plates; quarter buckram over paper boards spine and cover with printed titles; Pictorial dust jacket. Bindings are tight and square. Text clean Moderate age-toning. Modest shelf handling wear. The Dust Jacket was printed after a Gauguin design and is in a new clear protective Mylar sleeve. The jacket has small loss at the top of the spine. Small folio; 12.5 inches tall; 204 pages. <br /> . Gauguin documented his travel experiences during his first trip to Tahiti in 1893 in his journal Noa Noa Tahitian for fragrance with a collaboration between his friend symbolist poet Charles Morice and then completed the project during his second visit in 1895 adding numerous watercolors woodcuts and photographs to the journal. The jacket was printed after a Gauguin design. Jan Forlag hardcover
1926311648Munchen; Berlin: Marees-Gesellschaft. Verlag R. Piper & Co. Hersteller: Ganymed 1926. Number LVI of LXXX copies specially bound limitation notice on front pastedown. Collotype facsimile reproducing in color the artist's watercolors photographs line drawings and woodcuts. 4 204 i.e. 210 pp. 1 vols. 4to 12-1/4 x 9-1/4 in. Bound in original citron morocco rebacked. Some dustsoiling to covers internally clean. Without the very rare portfolio and without dust jacket. Number LVI of LXXX copies specially bound limitation notice on front pastedown. Collotype facsimile reproducing in color the artist's watercolors photographs line drawings and woodcuts. 4 204 i.e. 210 pp. 1 vols. 4to 12-1/4 x 9-1/4 in. The deluxe issue of this beautifully produced facsimile in color of Gauguin's original manuscript of his collaboration with the Symbolist poet Charles Morice. A version of the collaboration appeared in Gauguin's lifetime but "Gauguin recopied and amplified his manuscript adding watercolors woodcuts and an occasional photograph" and it is this manuscript now in the Louvre on which the present facsimile is based; Gauguin's "visual interpretation of this primitive culture in powerful rhythmic and totemic designs . represents an important project in book-making by this major artist" Garvey. Garvey The Artist and the Book 115; Castleman Century pp. 22-4 82-3 Marees-Gesellschaft. Verlag R. Piper & Co. Hersteller: Ganymed unknown
1924D8880Paris: G. Cres et Cie 1924. Hardcover. Very Good. Navy blue cloth paper spine label; 8vo; 8 154 5 with original front wrap bound in. Original front wrap very lightly chipped along the edges with closed tears at flaps but holding. A nice bright copy. Beautifully illustrated. <br/><br/> G. Cres et Cie hardcover
1947302348Stockholm: Jan Forlag 1947. Reproduit en Offset sur papier Chiffon. Printed in Sweden. 1 vols. 4to. Cloth spine and patterned boards. Fine in VG dj. Reproduit en Offset sur papier Chiffon. Printed in Sweden. 1 vols. 4to. Jan Forlag unknown
