42 résultats
187613117New York: Scribner Armstrong & co. 1876. 12mo. xxx 336 p. illus. <br><br>Publisher's "Bric-a-brac series" no. 10. Selections from "Archibald Constable and his literary correspondence" by his son T. Constable 1873 and from Gillies' "Memoirs of a literary veteran " 1851. Edited by Richard Henry Stoddard & compiled Thomas Constable. Publisher's white cloth stamped and decorated in black and gold. Ex-library with bookplate call number on spine in white charge pocket and date due slip at rear. Private owner's stamps including on title-page. Scribner, Armstrong, & co. hardcover books
184617383Washington: Blair and Rives 1846. 13 3 blank pp double columns disbound Scattered foxing. Good. Sabin 16046. Blair and Rives unknown books
1828271503Edinburgh : Printed for Constable 1828. First Edition. Hardcover. Very good copy in the original gilt-blocked aniline calf over marble boards. Spine bands and panel edges somewhat rubbed and dust-toned as with age. Remains quite well-preserved overall: tight bright clean and strong. Previous owner's bookplate. Physical description; 335 pages ; 16 cm. Subjects; Canning George -- 1770-1827. Europe -- History -- 1815-1848. America -- History. Edinburgh : Printed for Constable hardcover
189175552li 3 497 7 pages 4 plates comprising colour frontispiece and 3 foldout maps reproduced by John Bartholomew further in text illustrations a revised and improved edition based upon Irving Brock's Translation some pages unopened Published by Archibald Constable hardcover
1859848B14London : Basil Montagu Pickering 1859. Cloth. Good. 8" by 5". None. A copy of Diana: The Sonnets and Other Poems of Henry Constable. Henry Constable was an English poet best known for Diana which is one of the first English Sonnet sequences. This volume contains the renowned Diana and other sonnets by Constable with notes by Thomas Park. In full cloth binding. Externally smart with bumping and loss to the tail of the spine. Fading to the boards. Internally firmly bound with generally bright and clean pages. Good Basil Montagu Pickering hardcover
1821GEN73281821. Franck Richard Philanthropus. Leather bound hardback. The book is bound in rubbed half calf with marbled boards the spine has a small loss and is peeling the hinges are a touch weak. The text is clean and crisp throughout. hardcover
1884Gen63981884. Hole William Quarto hardback grey decorative cloth some wear to top & bottom of spine uncut. Illustrated with a series of etched portrait plates Limited edition of 750 copies hardcover
1876288603Kingston-upon-Hull : Leng 1876. First Edition. Hardcover. Good copy in the original publisher's gilt-blocked and blind-bordered cloth edges very slightly toned. Some wear and tear as with age. Corners sharp with an overall tight bright and clean impression. Physical description; xi 689 pages ; 22 cm. Notes; Includes footnotes. Subjects; Medical misconceptions. Medicine Miscellaneous. Genre; Bibliography. Kingston-upon-Hull : Leng hardcover
189515242THE CURSE OF INTELLECT Roberts Brothers 1895 first edition American issue some soiling to the yellow cloth binding foxing to the end-papers and paste-downs else a tight vg copy. A simian romance whereby a monkey is acclimated into human society with unfortunate results. Roberts Brothers hardcover
1822GEN73221822. Stewart David Hardbacks there is a folding hand coloured map in volume I and a folding plate of Black Watch officers towards the end of the second volume. The books are bound in later blue cloth the bindings have some light wear and have faded a little the bind ings are sound. The map has some foxing and a tear without loss the folding plate some foxing. There is some edge foxing throughout with some pages more extensively affected. hardcover
1807013799Newcastle 1808: EDW Walker 1807. Book. Very Good. Hardcover. 1st Edition. First UK Edition First Printing. 27pp Original red cloth boards bordered in gilt with gilt decoration to spin. text edges in gilt. This is a true first edition first printing first impression issued and bound as part 2 of Constable. Part one is a review of the catholic question 1808. Review of the question of Catholic emancipation. EDW, Walker Hardcover
1873010688Edinburgh Scotland: Edmonston and Douglas 1873. Book. Very Good. Leather on Boards. 1st Edition. 8vo - over 7¾ - 9¾" tall. Three volume set 1873. Volume 1: 540 pages Volume 2: 528 pages volume 3: 523 pages. No marks or tears strong binding on all three volumes. Red leather spines with gilt lettering 5 spine bands. There is foxing on inside front and rear covers free front and rear endpapers and first and last two or three pages none in text. Spines slightly darkened. A nice set of three volumes. . Edmonston and Douglas Hardcover
189039082brEdinburgh: T. and A. Constable/Edinburgh University Press 1890. Book. Very Good. Hardcover. Folio - over 12 - 15" tall. Limited edition of 30 copies this being number five handwritten and initialed by Archibald Constable. Additionally inscribed by Constable to "Aunt Lucy Xmas 1890." Gilt titles to front on blue buckram cloth boards. Binding rebacked with medium blue cloth spine and corners and new endpapers. Some light wear about edges. Owner's name to new front endpaper. Some toning toward endpapers and one tissue-guard creased. Otherwise a clean tight and unmarked book. Chromolithograph frontispiece plus two lithograph plates. Additional illustrations in text. Index. . T. and A. Constable/Edinburgh University Press Hardcover
1821433824London : Printed for A. Constable & Co 1821. 3rd edition ""which is almost entirely rewritten"". Hardcover. Good copy in marbled boards backed in gilt-blocked aniline calf. Edges nicked dust-dulled and rubbed as with age with some loss. Creased and cracked pages with some browning. Physical description; xvi 464 p. ; 20 cm. Notes; First published 1817. Subjects; Cooking English. British cooking. Home cooking United Kingdom. 19th century cookbooks. London : Printed for A. Constable & Co hardcover
185530061855. Mezzotint on steel. 130mm by 185mm image 290mm by 425mm sheet. From 'English Landscape Scenery' 1855. John Constable RA was an English Romantic landscape painter. He believed that imagination and emotion were an important part of artistic expression and so incorporated these tenets into his lush idyllic scenes. Beginning in 1829 Constable worked closely with David Lucas to produce the mezzotints as a general survey of his work. Tiny spot in platemark. unknown
185530121855. Mezzotint on steel. 170mm by 225mm platemark 290mm by 425mm sheet. From 'English Landscape Scenery' 1855. John Constable RA was an English Romantic landscape painter. He believed that imagination and emotion were an important part of artistic expression and so incorporated these tenets into his lush idyllic scenes. Beginning in 1829 Constable worked closely with David Lucas to produce the mezzotints as a general survey of his work. Some ink residue in title from time of printing. unknown
185530101855. Mezzotint on steel. 190mm by 240mm platemark 290mm by 425mm sheet. From 'English Landscape Scenery' 1855. John Constable RA was an English Romantic landscape painter. He believed that imagination and emotion were an important part of artistic expression and so incorporated these tenets into his lush idyllic scenes. Beginning in 1829 Constable worked closely with David Lucas to produce the mezzotints as a general survey of his work. One small mark in title area and one tiny indentation below title area. unknown
185530071855. Mezzotint on steel. 170mm by 250mm image 290mm by 425mm sheet. From 'English Landscape Scenery' 1855. John Constable RA was an English Romantic landscape painter. He believed that imagination and emotion were an important part of artistic expression and so incorporated these tenets into his lush idyllic scenes. Beginning in 1829 Constable worked closely with David Lucas to produce the mezzotints as a general survey of his work. Tiny spot in platemark. unknown
185530111855. Mezzotint on steel. 185mm by 235mm platemark 290mm by 425mm sheet. East Bergholt House was the birthplace of Constable. From 'English Landscape Scenery' 1855. John Constable RA was an English Romantic landscape painter. He believed that imagination and emotion were an important part of artistic expression and so incorporated these tenets into his lush idyllic scenes. Beginning in 1829 Constable worked closely with David Lucas to produce the mezzotints as a general survey of his work. A couple of faint foxing spots and a small handling crease within the platemark. unknown
185530131855. Mezzotint on steel. 170mm by 205mm platemark 290mm by 425mm sheet. From 'English Landscape Scenery' 1855. John Constable RA was an English Romantic landscape painter. He believed that imagination and emotion were an important part of artistic expression and so incorporated these tenets into his lush idyllic scenes. Beginning in 1829 Constable worked closely with David Lucas to produce the mezzotints as a general survey of his work. unknown
185530161855. Mezzotint on steel. 245mm by 185mm platemark 425mm by 290mm sheet. From 'English Landscape Scenery' 1855. John Constable RA was an English Romantic landscape painter. He believed that imagination and emotion were an important part of artistic expression and so incorporated these tenets into his lush idyllic scenes. Beginning in 1829 Constable worked closely with David Lucas to produce the mezzotints as a general survey of his work. A couple of small indentations in title area. unknown
185530151855. Mezzotint on steel. 170mm by 240mm platemark 290mm by 425mm sheet. From 'English Landscape Scenery' 1855. John Constable RA was an English Romantic landscape painter. He believed that imagination and emotion were an important part of artistic expression and so incorporated these tenets into his lush idyllic scenes. Beginning in 1829 Constable worked closely with David Lucas to produce the mezzotints as a general survey of his work. unknown
185530141855. Mezzotint on steel. 245mm by 185mm platemark 425mm by 290mm sheet. From 'English Landscape Scenery' 1855. John Constable RA was an English Romantic landscape painter. He believed that imagination and emotion were an important part of artistic expression and so incorporated these tenets into his lush idyllic scenes. Beginning in 1829 Constable worked closely with David Lucas to produce the mezzotints as a general survey of his work. Scattered foxing. unknown
185530031855. Mezzotint on steel. 175mm by 210mm platemark 290mm by 425mm sheet. From 'English Landscape Scenery' 1855. John Constable RA was an English Romantic landscape painter. He believed that imagination and emotion were an important part of artistic expression and so incorporated these tenets into his lush idyllic scenes. Beginning in 1829 Constable worked closely with David Lucas to produce the mezzotints as a general survey of his work. unknown
185530081855. Mezzotint on steel. 130mm by 185mm image 290mm by 425mm sheet. From 'English Landscape Scenery' 1855. John Constable RA was an English Romantic landscape painter. He believed that imagination and emotion were an important part of artistic expression and so incorporated these tenets into his lush idyllic scenes. Beginning in 1829 Constable worked closely with David Lucas to produce the mezzotints as a general survey of his work. unknown
