42 résultats
1873010688Edinburgh Scotland: Edmonston and Douglas 1873. Book. Very Good. Leather on Boards. 1st Edition. 8vo - over 7¾ - 9¾" tall. Three volume set 1873. Volume 1: 540 pages Volume 2: 528 pages volume 3: 523 pages. No marks or tears strong binding on all three volumes. Red leather spines with gilt lettering 5 spine bands. There is foxing on inside front and rear covers free front and rear endpapers and first and last two or three pages none in text. Spines slightly darkened. A nice set of three volumes. . Edmonston and Douglas Hardcover
1884Gen63981884. Hole William Quarto hardback grey decorative cloth some wear to top & bottom of spine uncut. Illustrated with a series of etched portrait plates Limited edition of 750 copies hardcover
1879140944887London: Macmillan & Company Ltd 1879. First British edition. First British edition. xvi 418 2 pp. with 12 engraved plates. Bound in publisher's cloth ruled in black spine lettered in gilt. Near Fine worn at tips contents toned with age especially tissue guards with limited foxing. Uncommonly nice condition.<p>The first English language edition of the French chemist's groundbreaking work on fermentation. cf. Garrison & Morton Medical Bibliography 2485 for the first French edition of 1876. Macmillan & Company Ltd unknown
1879107013London: Macmillan & Co 1879. 1st Edition . Hardcover. Good/No Jacket. 8vo - over 7¾ - 9¾" tall. First English translation by Faulkner and Robb of Pasteur's ground-breaking 'Etudes Sur La Biere'. Complete with 12 tissue-guarded plates as required. Toning to stock and occasional light spotting but this minor. One pair of pages has been opened roughly but otherwise all in good internal order. No inscriptions. Re-backed with original boards and spine strip laid on showing some light marking and wear. 8vo. xvi 418pp 2pp publisher's ads. <br/> <br/> Macmillan & Co hardcover
1854P4615London c.1854. Very Good. Image Size : 553x686 mm 21.77x27.01 Inches Platemark Size : 615x714 mm 24.21x28.11 Inches Paper Size : 640x755 mm 25.20x29.72 Inches Coloring: Black & White Medium: Mezzotint Categories: Landscapes; Views Europe England Others; unknown
1859848B14London : Basil Montagu Pickering 1859. Cloth. Good. 8" by 5". None. A copy of Diana: The Sonnets and Other Poems of Henry Constable. Henry Constable was an English poet best known for Diana which is one of the first English Sonnet sequences. This volume contains the renowned Diana and other sonnets by Constable with notes by Thomas Park. In full cloth binding. Externally smart with bumping and loss to the tail of the spine. Fading to the boards. Internally firmly bound with generally bright and clean pages. Good Basil Montagu Pickering hardcover
184260182St. Louis 1842. Broadside 10 3/4 x 13 1/2 inches printed in various sizes and styles of type including three large display types for the two headlines and the central "MARMION." The judgment which resulted in the sale of the Marmion was brought by Robert P. Clark H.F. Given & Co. John R. Hammond Jonas Newman Sarah Mason and the city of St. Louis against the steamboat. The Marmion built in 1835 plied the Mississippi River between St. Louis and New Orleans under Captain John Staley and was involved in a collision with another steamboat in 1841. Some faint old staining; splits chips and minor loss of a few letters archivally repaired deacidified lined with Japanese paper. <br/><br/> unknown books
1865015996Paris Etude Oudart - Drouot. Imp. Renou et Mauldre. 1865 in-8° Agrafé
1821GEN73281821. Franck Richard Philanthropus. Leather bound hardback. The book is bound in rubbed half calf with marbled boards the spine has a small loss and is peeling the hinges are a touch weak. The text is clean and crisp throughout. hardcover
1822GEN73221822. Stewart David Hardbacks there is a folding hand coloured map in volume I and a folding plate of Black Watch officers towards the end of the second volume. The books are bound in later blue cloth the bindings have some light wear and have faded a little the bind ings are sound. The map has some foxing and a tear without loss the folding plate some foxing. There is some edge foxing throughout with some pages more extensively affected. hardcover
181823152Edinburgh: Archibald Constable And Company 1818. First edition. Hardcover. Three quarter blue morocco and marbled boards. Teg. Near fine. 344 pages. 19 x 11 cm. Included herein: trial of Andrew Wilson William Hall and George Robertson before the High Court of Justiciary.; Authentic extract of the proceedings in the trial of Captain John Porteous.; Proceedings in the trial of William Maclauchlane.; Proceedings in the trial of Nicol Muschett. A riot erupted after the hanging of Wilson. The authorities authorized Porteus to attempt to disperse the mob but in the confusion and violence ten six people were shot by the guards under command of Porteus. A trial found him guilty subsequently an enraged mob attacked Tolbooth prison dragged him from his cell and lynched him. Text clean and bright small faint stamp on title engraved frontispiece of Tolbooth prison. Backstrip sunned. Bound by Lauriat. Archibald Constable And Company hardcover
18573000433Carlisle 1857. Book. Good. Full-Leather. 16mo - over 5¾" - 6¾" tall. pp viii 124 with folded plate. Printed by Charles Thurnam and Sons. Signatures in four hands on the inside front cover first dated 1857 or possibly 1867 last 1882 of whom at least two seem to have been of serving officers so this copy was presumably passed down over the years. The cover looks to be bespoke there is no label or wording - the early signature on the inside front cover suggests that it is contemporary - certainly early. The binding has been recently repaired there are marks around the hinges from the tape that had previously held the copy together otherwise it is internally very good save for a tear to the folded plate - little loss. The cover is in good condition. Scarce. Hardcover
185530061855. Mezzotint on steel. 130mm by 185mm image 290mm by 425mm sheet. From 'English Landscape Scenery' 1855. John Constable RA was an English Romantic landscape painter. He believed that imagination and emotion were an important part of artistic expression and so incorporated these tenets into his lush idyllic scenes. Beginning in 1829 Constable worked closely with David Lucas to produce the mezzotints as a general survey of his work. Tiny spot in platemark. unknown
185530121855. Mezzotint on steel. 170mm by 225mm platemark 290mm by 425mm sheet. From 'English Landscape Scenery' 1855. John Constable RA was an English Romantic landscape painter. He believed that imagination and emotion were an important part of artistic expression and so incorporated these tenets into his lush idyllic scenes. Beginning in 1829 Constable worked closely with David Lucas to produce the mezzotints as a general survey of his work. Some ink residue in title from time of printing. unknown
185530101855. Mezzotint on steel. 190mm by 240mm platemark 290mm by 425mm sheet. From 'English Landscape Scenery' 1855. John Constable RA was an English Romantic landscape painter. He believed that imagination and emotion were an important part of artistic expression and so incorporated these tenets into his lush idyllic scenes. Beginning in 1829 Constable worked closely with David Lucas to produce the mezzotints as a general survey of his work. One small mark in title area and one tiny indentation below title area. unknown
185530071855. Mezzotint on steel. 170mm by 250mm image 290mm by 425mm sheet. From 'English Landscape Scenery' 1855. John Constable RA was an English Romantic landscape painter. He believed that imagination and emotion were an important part of artistic expression and so incorporated these tenets into his lush idyllic scenes. Beginning in 1829 Constable worked closely with David Lucas to produce the mezzotints as a general survey of his work. Tiny spot in platemark. unknown
185530111855. Mezzotint on steel. 185mm by 235mm platemark 290mm by 425mm sheet. East Bergholt House was the birthplace of Constable. From 'English Landscape Scenery' 1855. John Constable RA was an English Romantic landscape painter. He believed that imagination and emotion were an important part of artistic expression and so incorporated these tenets into his lush idyllic scenes. Beginning in 1829 Constable worked closely with David Lucas to produce the mezzotints as a general survey of his work. A couple of faint foxing spots and a small handling crease within the platemark. unknown
185530131855. Mezzotint on steel. 170mm by 205mm platemark 290mm by 425mm sheet. From 'English Landscape Scenery' 1855. John Constable RA was an English Romantic landscape painter. He believed that imagination and emotion were an important part of artistic expression and so incorporated these tenets into his lush idyllic scenes. Beginning in 1829 Constable worked closely with David Lucas to produce the mezzotints as a general survey of his work. unknown
185530161855. Mezzotint on steel. 245mm by 185mm platemark 425mm by 290mm sheet. From 'English Landscape Scenery' 1855. John Constable RA was an English Romantic landscape painter. He believed that imagination and emotion were an important part of artistic expression and so incorporated these tenets into his lush idyllic scenes. Beginning in 1829 Constable worked closely with David Lucas to produce the mezzotints as a general survey of his work. A couple of small indentations in title area. unknown
185530151855. Mezzotint on steel. 170mm by 240mm platemark 290mm by 425mm sheet. From 'English Landscape Scenery' 1855. John Constable RA was an English Romantic landscape painter. He believed that imagination and emotion were an important part of artistic expression and so incorporated these tenets into his lush idyllic scenes. Beginning in 1829 Constable worked closely with David Lucas to produce the mezzotints as a general survey of his work. unknown
185530141855. Mezzotint on steel. 245mm by 185mm platemark 425mm by 290mm sheet. From 'English Landscape Scenery' 1855. John Constable RA was an English Romantic landscape painter. He believed that imagination and emotion were an important part of artistic expression and so incorporated these tenets into his lush idyllic scenes. Beginning in 1829 Constable worked closely with David Lucas to produce the mezzotints as a general survey of his work. Scattered foxing. unknown
185530031855. Mezzotint on steel. 175mm by 210mm platemark 290mm by 425mm sheet. From 'English Landscape Scenery' 1855. John Constable RA was an English Romantic landscape painter. He believed that imagination and emotion were an important part of artistic expression and so incorporated these tenets into his lush idyllic scenes. Beginning in 1829 Constable worked closely with David Lucas to produce the mezzotints as a general survey of his work. unknown
185530081855. Mezzotint on steel. 130mm by 185mm image 290mm by 425mm sheet. From 'English Landscape Scenery' 1855. John Constable RA was an English Romantic landscape painter. He believed that imagination and emotion were an important part of artistic expression and so incorporated these tenets into his lush idyllic scenes. Beginning in 1829 Constable worked closely with David Lucas to produce the mezzotints as a general survey of his work. unknown
185530041855. Mezzotint on steel. 170mm by 150mm image 425mm by 290mm sheet. 'Willy Lott's House is situated on the edge of the river Stour close to Flatford Mill; it is a principal object in many of Constable's pictures. Willy Lott a farmer was born and died in it having passed a life of more than eighty years without having spent four whole days away from it. The figure on horseback was sketched from Constable's father'. From 'English Landscape Scenery' 1855. John Constable RA was an English Romantic landscape painter. He believed that imagination and emotion were an important part of artistic expression and so incorporated these tenets into his lush idyllic scenes. Beginning in 1829 Constable worked closely with David Lucas to produce the mezzotints as a general survey of his work. Tiny spot in platemark. unknown
187365913Edinburgh: Edmonston and Douglas 1873. Cloth/no dust jacket Octavo 3 volumes. Hardcover. Good. brown cloth gilt lettering 3 volume set 540528 523 pp laid into the first edition is a gift inscription by the author<br /> <br /> Standard shipping no tracking / Priority with tracking / Custom quote for large or heavy orders. Edmonston and Douglas hardcover
