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2016__0702052469Saunders Ltd 2016. Hardcover. New. 11 edition. 2308 pages. 11.50x9.50x4.40 inches. Saunders Ltd hardcover
2000043946Edinburgh: National Galleries of Scotland 2000. Oversized hardcover with dust jacket 176 pages including 113 black-and-white illustrations and "Eighty oil sketches and paintings are full discussed and illustrated in full colour---";---laid in are three tiny pieces of related ephemera;---the book has teeny tiny bumps to the front hinge top and the back cover bottom corner tip and the spine is ever so slightly slanted but very clean and unmarked throughout almost as new; DJ gently bumped and rumpled along top edge and ever so slightly along bottom but no chips or tears. See also our listings for Kurt Badt's John Constable's Clouds and for Herbert Tompkins' 1906 classic In Constable's Country with many reproductions from his paintings. Hard Cover. Very Good /Very Good. National Galleries of Scotland Hardcover
2025__1394164122Wiley–Blackwell 2025. Hardcover. New. 2nd edition. 720 pages. 11.02x8.66x2.76 inches. Wiley–Blackwell hardcover
6425046Cambridge University Press CUP pp. 444 Index. Hardback. New. Cambridge University Press CUP hardcover
28154521like new. unknown
1880344865London: Marshall 1880. 1st Edition. Hardcover. Very good copy in the original gilt-blocked cloth. Spine bands and panel edges slightly dust-toned and rubbed as with age. Remains particularly well-preserved overall. Physical description: 135 pages. Subjects: Economics. 19th century economics. Finances. Wealth. London: Marshall hardcover
7193London : Grant Richards1904 Hard cover. 177p. Some pencil markings including contents. London : Grant Richards,1904 hardcover
DADAX0415322332Routledge 2017-05-11. 1. hardcover. New. 6.14x0.81x9.21. Buy with confidence. Excellent Customer Service & Return policy. Routledge hardcover
650489656Ashgate Publishing Company pp. 328 Index. Hardback. New. Ashgate Publishing Company hardcover
1999Q-1902459024Continuum Intl Pub Group 1999-09-01. Paperback. New. In shrink wrap. Looks like an interesting title! Continuum Intl Pub Group paperback
2021SKU0630618Oxford University Press 2021-08-18. paperback. New. 9x1x6. New Textbook Ships with Tracking Oxford University Press paperback
27953395-nnew. unknown
21071060-nnew. unknown
25035923-nnew. unknown
B301615-1Oxford Oxford University Press 1976-1989. 2 vols. x 6 746pp. 232 plates. 4to. Cloth. D.j. Vol. 2 reissued with supplement and additional plates. Oxford (Oxford University Press), 1976-1989. hardcover
2003DADAX0198222181OXFORD UNIVERSITY PRESS 2003-05-22. Revised. hardcover. New. 5.75x0.75x9.00. Buy with confidence. Excellent Customer Service & Return policy. OXFORD UNIVERSITY PRESS hardcover
2014BN139856V&A Publishing 2014. 2014. Hardcover. John Constable. the making of a master ; Victoria and Albert Museum London 20 September 2014 - 11 January 2015 ; Exhibition Constable: The Making of a Master. <br/><br/>John Constable. the making of a master ; Victoria and Albert Museum London 20 September 2014 - 11 January 2015 ; Exhibition Constable: The Making of a Master. Constable John Ill. V&A Publishing hardcover
1986BN154137Phaidon Oxford 1986. 1986. Hardcover. Constable <br/><br/>Constable Malcolm Cormack John Constable Phaidon Oxford hardcover
20170702052469Saunders Ltd. 2017. 11th. New/New. <p><strong>Author:</strong> Peter D. Constable BVSc MS PhD Dipl ACVIM Kenneth W Hinchcliff BVSc MS PhD DACVIM Large Animal Stanley H. Done BA BVetMed PhD DECPHM DECVP FRCVS FRCPath Walter Gruenberg</p><p><strong>Publisher:</strong> Saunders Ltd.</p><p><strong>Edition:</strong> 11th</p><p><strong>ISBN:</strong> 9780702052460</p><p><strong>Release Date:</strong> 2017</p><p><strong>Languages:</strong> English</p><p><strong>Binding:</strong> Hardcover</p><p><strong>Number Of Pages:</strong> 2278</p> Saunders Ltd. hardcover
NN5585No publisher Bookplate. Original brown calf to boards mid 20th Century near matching spine red gilt title label gilt fillets either side of bands gilt date to base spine. Owner's signature of Rev J. Abbot and much annotation to front endpaper and inside rear board all probably 19th Century. Author's name written to title page in old hand. Endpapers uncracked at gutters. ~Robust packaging. Overseas tracking available on request. Used books are exempt from USA tariffs. Hardcover. Hardcover. Very Good/Fine. 384pp. 19 x 12cm. No publisher Hardcover
1533370like new. unknown
1973188023London: H. M. Stationery Office 1973. Slipcased. VG/VG Slipcase has some spotting and general wear. All 3 volumes have some spotting on covers. 3 volume set in Green slipcase with gilt lettering. Cloth covers boards and gilt lettering on all volumes. Set is in plain cardboard protective slipcase over original slicase. Illustrations. v. 1 Catalogue of sketch-books -- v. 2 Sketch-book 1813 -- v. 3 Sketch-book 1814. H. M. Stationery Office unknown
51-4077London: F.G. Moon 1838. Mezzotint on rag paper.11.5 x 15.5 inches. Series: Plate 12 for English Landscape Scenery. Short tears in lower margin.In 1827 Constable began work on the project that would occupy his attention until his death seven years later: the publication of a series of prints based on his paintings that would stand as a summary of his achievements. The painter collaborated closely with the engraver David Lucas to create prints that would illustrate Constable's didactic intention—to illustrate the "chiaroscuro of nature." The medium of mezzotint in which the design is developed from dark to light using a wide range of velvety tones was eminently suited to the project. London: F.G. Moon, 1838 unknown
51-4075London: F.G. Moon 1838. Mezzotint on rag paper.11.5 x 15.5 inches. Series: Plate 12 for English Landscape Scenery. 1.25 inch tear in lower margin.In 1827 Constable began work on the project that would occupy his attention until his death seven years later: the publication of a series of prints based on his paintings that would stand as a summary of his achievements. The painter collaborated closely with the engraver David Lucas to create prints that would illustrate Constable's didactic intention—to illustrate the "chiaroscuro of nature." The medium of mezzotint in which the design is developed from dark to light using a wide range of velvety tones was eminently suited to the project. London: F.G. Moon, 1838 unknown
2021SKU0469928Oxford University Press 2021-08-18. Paperback. Good. Textbook May Have Highlights Notes and/or Underlining BOOK ONLYNO ACCESS CODE NO CD Ships with Emailed Tracking Oxford University Press paperback
