Paul CezanneBiblio.com
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317537Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 19th century 1885–86. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
317536Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 19th century 1885–86. Professionally printed on premium fine-art paper Photo Rag Bright White premium quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
317535Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 19th century 1885–86. Professionally printed on premium fine-art paper Photo Rag 308 in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
19842090502113718040Not Available 1984. Soft Cover. Fine. The book is in fine condition. Not Available paperback
2014138607Berlin : Parthas. 2014. 319 S. : Ill. 24,5*15 cm. OHalbleinenband.
3445010676.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
19933164BB1993. New York Alfred A. Knopf 1993. 25 x 29 cm. XVII 318 pages. Original Softcover. Very good condition with minor signs of external wear. The Barnes Foundation is an American educational art and horticultural institution with locations in Merion Pennsylvania a suburb of Philadelphia; and Logan Square Philadelphia. It was founded in 1922 by Albert C. Barnes a chemist who collected art after making a fortune by co-developing an early anti-gonorrhea drug marketed as Argyrol and selling his company at the right time before antibiotics came into use. Today the foundation owns more than 2500 objects including 800 paintings estimated to be worth about $25 billion. These are primarily works by Impressionist and Modernist masters but the collection includes many other paintings by leading European and American artists as well as ancient works from other cultures. In the 1990s the foundation's declining finances led its leaders to various controversial moves including sending artworks on world tours and proposing to move the collection to Philadelphia. A 2009 documentary The Art of the Steal argued that the foundation had been taken over by other non-profit institutions. After numerous court challenges the new Barnes building opened on Benjamin Franklin Parkway on May 19 2012. The foundation's current president and executive director Thomas Thom Collins was appointed on January 7 2015. Wikipedia paperback
200324211London Time Warner Books, 2003. 210 S. Broschiert , in englischer Sprache
32145472-nnew. unknown
32145472like new. unknown
1998__3486249339De Gruyter Oldenbourg 1998. Hardcover. New. 7th reprint edition. 212 pages. German language. 9.06x6.10x1.02 inches. De Gruyter Oldenbourg hardcover
3486249339.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
ria9783486249330_inpHardcover. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; N/A hardcover
2008LFA-126747156Un guide de 240 pages, format 115 x 220 mm, broché couverture couleurs, illustré, édition de 2008, Michelin, bon état
76-0527Paris: Henri Floury 1906. Etching on cream wove paper. 33 x 25 cm sheet. Printed later from the original plate. Edition was approx. 1000. Very Good two specks of foxing in upper margin.Literature: Cherpin 2. [Paris: Henri Floury, 1906]. unknown
43260Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 19th century 1873. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
43257Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 19th century 1873. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
43258Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 19th century 1873. Professionally printed on premium fine-art paper Photo Matt Fibre in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
43259Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 19th century 1873. Professionally printed on premium fine-art paper Photo Rag Bright White premium quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
317549Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 19th century 1870–71. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
317546Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 19th century 1870–71. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
317547Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 19th century 1870–71. Professionally printed on premium fine-art paper Photo Rag 308 in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
317548Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 19th century 1870–71. Professionally printed on premium fine-art paper Photo Rag Bright White premium quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
190687491Paris: H. Floury 1906. Fine. H. Floury Paris 1906 20.50 x 27 cm relié First edition one of 100 copies on Japon the only deluxe issue. Navy blue half shagreen with slight color restoration spine with five raised bands abundantly framed in gilt blue watered silk flyleaves marbled endpapers and pastedowns original wrappers and spine preserved gilt top edge binding signed J. Querelle. A superb copy on japon of the first authoritative publications on the history of Impressionism and the first bibliophile edition centered around this movement. Illustrated edition with 6 original etchings by Pissarro Les Faneuses; Renoir Femme nue assise and Femme nue couchée; one of only three etchings ever made by Cézanne Portrait of Guillaumin; Armand Guillaumin Vue près de Saardam - the copy is complete with the additional etching by Renoir on bistre Seated Nude Woman' reserved for copies on japon. The work also features a frontispiece rotogravure of Fantin-Latour's Atelier aux Batignolles. In addition to the six original etchings the book features 21 full-page plates including a colour rotogravure of Monet's famous Impression sunrise and no fewer than 105 reproductions of works and portraits of artists in the text. Théodore Duret paints here the great history of the movement he championed collected and theorized from its very beginnings. As early as 1878 he had published a small study that made him the first historian of these artists if not of the group itself just four years after their first exhibition at Nadar's studio. Twenty years after the last Impressionist exhibition Duret establishes the comprehensive story of this artistic revolution: ""For the early twentieth century and the decades to follow the history of Impressionism is Duret's 'The history of the Impressionist painters'."" Laura Iamurri. Renowned for its chronological accuracy - although in many cases Duret recalls events from his own memories - this work became a reference and was widely reprinted and translated London: Grant Richards 1910; Berlin: B. Cassirer 1909. Duret dedicates a monograph to each painter he mentions with the exception of Caillebotte and places Berthe Morisot in what he refers to as ""the core group of Impressionists."" Absent from his 1878 study Paul Cézanne now considered a post-Impressionist and Armand Guillaumin make their appearance here. A true art gallery on papier japon this text of reference for generations of readers' Laura Iamurri was the first to find a legitimate place for Impressionism in French art history. Not in Carteret. Etchings by Renoir Delteil 12 14 15; Camille Pissarro Delteil 94/XII Cézanne Venturi 1159; Armand Guillaumin Armand Guillaumin 1841-1927 gravures et lithographies 1995 p. 41. H. Floury hardcover
190639070Paris: H. Floury 1906. A pristine deluxe copy of the most important early monograph on impressionism COMPLETE WITH ELEVEN ORIGINAL ETCHINGS BY RENOIR 5 PISSARRO 2 CEZANNE 2 AND GUILLAUMIN 2. IV 214 pp plus numerous hors-texte plates in two states. ONE OF ONLY 100 COPIES PRINTED ON IMPERIAL JAPANESE PAPER WITH THE PLATES IN TWO STATES. Includes the following original etchings: 1 Pissarro "Faneuses" 1890 Delteil 94 in bistre on Japanese paper and in black on Dutch laid paper. 2 Renoir "Femme nue assise" 1906 Delteil 12 in bistre on Japanese paper and in black on Dutch laid paper. 3 Renoir "Femme couchée tournée à gauche" 1906 Delteil 15 in sanguine on Japanese paper and in black on Dutch laid paper. 4 Renoir "Femme nue couchée tournée à droite 2e planche" 1906 Delteil 14 in sanguine on Japanese paper--this etching appears ONLY in the deluxe edition of the book. 5 Cézanne "Guillaumin au pendu" 1873 Cherpin 2 in bistre on Japanese paper and in black on Dutch laid paper. 6 Guillaumin "Vue prise de Saardam" in black on Japanese paper and printed in colors on wove paper. Also includes in two states "Le laboureur" an original woodcut by Lucien Pissarro after Camille Pissarro and "Bords du Loing" an etching by Roy after Sisley. 4to. A PRISTINE COPY IN THE ORIGINAL DECORATED WRAPS WITH PAPER LABELS ON FRONT COVER AND SPINE in the original board slipcase. Completely uncut. Minimal wear to wraps otherwise FINE AND BRIGHT WITH THE ETCHINGS IN PERFECT CONDITION. Most copies were broken up for the original prints and most of the remaining copies were rebound so a pristine copy like this one is a very rare survival. <br/><br/> H. Floury paperback
