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13548On letterhead of Fawley Bottom Farmhouse near Henley-on-Thames Oxfordshire. Undated. 1p. 12mo. In fair condition on aged and lightly-creased paper. Clearly responding to an enquiry regarding what books had had a formative influence on his life Piper writes: 'Vollard's Life of Cézanne because it showed me in my teens that an artist can be dedicated unbohemian unworldly against the tide and absolutely true to his instincts which happened to be right. The book - by a dealer too! - has the same characteristics.' Beneath this the name 'JOHN PIPER' is written in capitals in felt-tip pen but this does not appear to be Piper's signature and is in a diffferent hand to the memorandum which is certainly by Piper and appears to be unpublished. See Scan. On letterhead of Fawley Bottom Farmhouse near Henley-on-Thames, Oxfordshire. Undated. unknown
193920536Paris, [s.n.], 1939 1 volume 31,5 x 42,7cm En feuilles. 8p.; vignettes in texte. Papier journal fragile, un peu fendillé en marges.
1986874611986 Editions d'Art Aurora, Leningrad et Hugh Lauter Levin Associates, inc, New York. 1986. 1 vol in-4. Cartonnage éditeur + jacqette illustrée. 335 pages. Illustrations en couleurs hors texte
Mm 260x340 Volume rilegato in tela con sovraccoperta originale, 406 pagine in gran parte illustrate con numerose tavole in nero e a colori fuori testo. Volume in ottime condizioni. Testo in francese. Spedizione in 24 ore dalla conferma dell'ordine.
199221227Ars Mundi 1992 In-4, cartonnage blanc, sous jaquette illustrée, photographies en noir et en couleurs, 160 pp. Bon état d’occasion.
20650München / Leipzig: R. Piper & Co. 1907.reliure souple pleine basane verte a filet doré et dos a damiers dorés avec bordures sur les platsText in German. 210 pages with 60 black and white illustrations in the text.
19947431Augsburg : Weltbild-Verlag GmbH, 1994. 320 Seiten , 30 cm, Pappeinband mit Schutzumschlag
Mm 230x300 Brossura originale, 283 pagine profusamente illustrate a colori nel testo in lingua inglese - english text. Spedizione in 24 ore dalla conferma dell'ordine.
2002Q-0878466460MFA Publications 2002-10-15. Hardcover. New. In shrink wrap. Looks like an interesting title! MFA Publications hardcover
1959013256Paris Etude Maurice Rheims 1959 In-4 Cartonnage toilé illustré
Mm 245x302 Volume rilegato di pp.m 212, piena tela con sovraccoperta editorialeche presenta una piccola lacuna, con 110 riproduzioni a colori, 64 disegni e incisioni in bicromia. In buono stato. SPEDIZIONE IN 24 ORE DALLA CONFERMA DELL'ORDINE.
28015Gallimard (5 octobre 2006). In-4 broché (28 x 22 cm), 94 pages, illustrations.- 515g.L. - Catalogue pour l'exposition consacrée à cézanne à la galerie du Conseil Général d'Aix en provence.- Très bon état, comme neuf.
In-4 p., tela editoriale, pp. 357, con 270 ill. in b.n. e a colori nel testo sulle principali opere dei "paesaggisti" europei del XIX secolo. Ben conservato.
Mm 140x210 Volume cartonato di pp. 300 con 54 tavole fuori testo. sovraccoperta editoriale. Opera in buonissime condizioni. SPEDIZIONE IN 24 ORE DALLA CONFERMA DELL'ORDINE
2064181Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 19th century 1873. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
2064179Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 19th century 1873. Professionally printed on premium fine-art paper Photo Matt Fibre in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
2064180Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 19th century 1873. Professionally printed on premium fine-art paper Photo Rag Bright White premium quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
2064178Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 19th century 1873. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
19702111902158905904Horupushuppan 1970. Soft Cover. Fine. Volume: 1 Horupushuppan paperback
A pristine deluxe copy of the most important early monograph on impressionism, COMPLETE WITH ELEVEN ORIGINAL ETCHINGS BY RENOIR (5), PISSARRO (2), CEZANNE (2), AND GUILLAUMIN (2). IV, 214 pp plus numerous hors-texte plates in two states. ONE OF ONLY 100 COPIES PRINTED ON IMPERIAL JAPANESE PAPER WITH THE PLATES IN TWO STATES. Includes the following original etchings: (1) Pissarro, "Faneuses" (1890, Delteil 94), in bistre on Japanese paper and in black on Dutch laid paper. (2) Renoir, "Femme nue assise" (1906, Delteil 12), in bistre on Japanese paper and in black on Dutch laid paper. (3) Renoir, "Femme couchÈe (tournÈe ‡ gauche) (1906, Delteil 15), in sanguine on Japanese paper and in black on Dutch laid paper. (4) Renoir, "Femme nue couchÈe (tournÈe ‡ droite) (2e planche) (1906, Delteil 14), in sanguine on Japanese paper--this etching appears ONLY in the deluxe edition of the book.) (5) CÈzanne, "Guillaumin au pendu" (1873, Cherpin 2), in bistre on Japanese paper and in black on Dutch laid paper. (6) Guillaumin, "Vue prise de Saardam", in black on Japanese paper and printed in colors on wove paper. Also includes, in two states, "Le laboureur", an original woodcut by Lucien Pissarro after Camille Pissarro, and "Bords du Loing", an etching by Roy after Sisley. 4to. A PRISTINE COPY, IN THE ORIGINAL DECORATED WRAPS WITH PAPER LABELS ON FRONT COVER AND SPINE, in the original board slipcase. Completely uncut. Minimal wear to wraps, otherwise FINE AND BRIGHT, WITH THE ETCHINGS IN PERFECT CONDITION. Most copies were broken up for the original prints, and most of the remaining copies were rebound, so a pristine copy like this one is a very rare survival.
190687491H. Floury | Paris 1906 | 20.50 x 27 cm | relié
1922012354Paris Henri Floury 1922 In-8 Demi-reliure ancienne Edition originale
190687491Paris: H. Floury 1906. Fine. H. Floury Paris 1906 20.50 x 27 cm relié First edition one of 100 copies on Japon the only deluxe issue. Navy blue half shagreen with slight color restoration spine with five raised bands abundantly framed in gilt blue watered silk flyleaves marbled endpapers and pastedowns original wrappers and spine preserved gilt top edge binding signed J. Querelle. A superb copy on japon of the first authoritative publications on the history of Impressionism and the first bibliophile edition centered around this movement. Illustrated edition with 6 original etchings by Pissarro Les Faneuses; Renoir Femme nue assise and Femme nue couchée; one of only three etchings ever made by Cézanne Portrait of Guillaumin; Armand Guillaumin Vue près de Saardam - the copy is complete with the additional etching by Renoir on bistre Seated Nude Woman' reserved for copies on japon. The work also features a frontispiece rotogravure of Fantin-Latour's Atelier aux Batignolles. In addition to the six original etchings the book features 21 full-page plates including a colour rotogravure of Monet's famous Impression sunrise and no fewer than 105 reproductions of works and portraits of artists in the text. Théodore Duret paints here the great history of the movement he championed collected and theorized from its very beginnings. As early as 1878 he had published a small study that made him the first historian of these artists if not of the group itself just four years after their first exhibition at Nadar's studio. Twenty years after the last Impressionist exhibition Duret establishes the comprehensive story of this artistic revolution: ""For the early twentieth century and the decades to follow the history of Impressionism is Duret's 'The history of the Impressionist painters'."" Laura Iamurri. Renowned for its chronological accuracy - although in many cases Duret recalls events from his own memories - this work became a reference and was widely reprinted and translated London: Grant Richards 1910; Berlin: B. Cassirer 1909. Duret dedicates a monograph to each painter he mentions with the exception of Caillebotte and places Berthe Morisot in what he refers to as ""the core group of Impressionists."" Absent from his 1878 study Paul Cézanne now considered a post-Impressionist and Armand Guillaumin make their appearance here. A true art gallery on papier japon this text of reference for generations of readers' Laura Iamurri was the first to find a legitimate place for Impressionism in French art history. Not in Carteret. Etchings by Renoir Delteil 12 14 15; Camille Pissarro Delteil 94/XII Cézanne Venturi 1159; Armand Guillaumin Armand Guillaumin 1841-1927 gravures et lithographies 1995 p. 41. H. Floury hardcover
190639070Paris: H. Floury 1906. A pristine deluxe copy of the most important early monograph on impressionism COMPLETE WITH ELEVEN ORIGINAL ETCHINGS BY RENOIR 5 PISSARRO 2 CEZANNE 2 AND GUILLAUMIN 2. IV 214 pp plus numerous hors-texte plates in two states. ONE OF ONLY 100 COPIES PRINTED ON IMPERIAL JAPANESE PAPER WITH THE PLATES IN TWO STATES. Includes the following original etchings: 1 Pissarro "Faneuses" 1890 Delteil 94 in bistre on Japanese paper and in black on Dutch laid paper. 2 Renoir "Femme nue assise" 1906 Delteil 12 in bistre on Japanese paper and in black on Dutch laid paper. 3 Renoir "Femme couchée tournée à gauche" 1906 Delteil 15 in sanguine on Japanese paper and in black on Dutch laid paper. 4 Renoir "Femme nue couchée tournée à droite 2e planche" 1906 Delteil 14 in sanguine on Japanese paper--this etching appears ONLY in the deluxe edition of the book. 5 Cézanne "Guillaumin au pendu" 1873 Cherpin 2 in bistre on Japanese paper and in black on Dutch laid paper. 6 Guillaumin "Vue prise de Saardam" in black on Japanese paper and printed in colors on wove paper. Also includes in two states "Le laboureur" an original woodcut by Lucien Pissarro after Camille Pissarro and "Bords du Loing" an etching by Roy after Sisley. 4to. A PRISTINE COPY IN THE ORIGINAL DECORATED WRAPS WITH PAPER LABELS ON FRONT COVER AND SPINE in the original board slipcase. Completely uncut. Minimal wear to wraps otherwise FINE AND BRIGHT WITH THE ETCHINGS IN PERFECT CONDITION. Most copies were broken up for the original prints and most of the remaining copies were rebound so a pristine copy like this one is a very rare survival. <br/><br/> H. Floury paperback
317549Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 19th century 1870–71. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
