Klimt, Andreas; Trepak, SandraBiblio.com
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2006__3598247370De Gruyter 2006. Hardcover. New. 2nd edition. 1472 pages. German language. 9.06x6.10x3.54 inches. De Gruyter hardcover
1903EEzz6940fWien, Druck A. Holzhausen (1903). 4°. 71(1) S. Mit 1 Vignette u. 29 Abb. von Zeichnungen und Gemälden. OKart. m. transparentem Pergaminumschlag sowie schwarzgedr. Titel u. Vignetten. Umschlag gebräunt u. Kapitalen wie an einer Ecke kleine Fehlstellen, Pergamin-Umschlag etwas wellig. 1903 zeigte die Secession 80 Werke Gustav Klimts. Die Anordnung der Ausstellung und des Kataloges besorgte Koloman Moser, die Gestaltung des Vorraums Josef Hoffmann. Der Katalog enthält ein Vorwort von Ernst Stöhr. Nur wenige Frühwerke wurden gezeigt, hingegen aber zum ersten Mal die 'Jurisprudenz'.
STLE0077bWien Druck Brüder Rosenbaum 1909. 15 x 175 cm. 80 S. XIV S. Verzeichn. der ausstellenden Künstler 1 Bl. Anz. 12 Taf. 1 gef. Grundrissplan der Ausstellungshalle 9 Bll. Anz. OBrosch. m. schwarzgedr. Deckeltitel. Papierbed. gebräunt ansonsten in unberührtem nahezu druckfrischem Zustand. Seltener Katalog der 2. Kunstschau-Ausstellung. Die erste Kunstschau-Ausstellung fand 1908 im Rahmen einer Vielzahl von Veranstaltungen und Festlichkeiten aus Anlass des 60-jährigen Regierungsjubiläums von Kaiser Franz Josef statt. Die Kunst- und Kunsthandwerksausstellung von Künstlern aus dem Kreis um die Wiener Werkstätte und die Klimt-Gruppe fand in einem provisorischen Ausstellungsgebäude auf dem noch unbebauten Gelände des späteren Konzerthausgebäudes statt. In einem eigens von Josef Hoffmann und anderen Architekten geplanten Gebäudekomplex der auch einen Garten und ein Theater umschloß wurde 1908 und 1909 ein nie wieder erreichter Überblick über die aktuellen künstlerischen Produkte und Vorschläge aus allen Bereichen der bildenden Kunst des Kunsthandwerks der Skulptur und der Architektur gezeigt. Kat. Kunst in Wien um 1900 S. 79. Bei der 2. Kunstschau 1909 wurde das Hoffmannsche Wohnhaus mit maschinell hergestellten Möbeln der Deutschen Werkstätten für Handwerkskunst Dresden nach Entwürfen von Richard Riemerschmidt eingerichtet und auch eine Sonderschau mit Werken von Ashbee Mackintosh und anderen britischen Künstlern gezeigt . Sekler Josef Hoffmann S. 119. Schiele zeigte vier seiner Arbeiten und Klimt ermöglichte dem jungen Kokoschka erstmals die Gelegenheit zum Ausstellen. - DIESES OBJEKT UNTERLIEGT DER DIFFERENZBESTEUERUNG. (Wien, Druck Brüder Rosenbaum 1909). unknown
Vollständiger Oeuvre-Katalog der Zeichnungen Gustav Klimts. Mit 3174 beschriebenen Werken, die sämtlich abgebildet sind. Band I: 1878-1903. Band II: 1904-1912. Band III: 1912-1918. Band IV: Nachtrag 1878-1918.
1931142902Vienna: Österreichische Staatsdruckerei 1931. Edition of 500. One of 30 prints from the Eine Nachlese portfolio. Max Eisler 1881-1937 the publisher of this print was an art historian at Vienna University who published the first Klimt monograph in 1914. He intended Eine Nachlese to complement Das Werk the only folio set produced in Klimt's lifetime which was overseen by Klimt up to 1913. Fragile hand-printed collotype plates cannot be reused so the run must be completed on the first go and in only a limited number. The complicated lengthy process involves gelatin colloids mixed with dichromates. Thin 16-colour separation glass filters achieve the light-sensitive internegative images which capture the original tonal gradations. These are exposed to actinic light. Finally the delicate chine colle paper allows for greater colour saturation. Dark grey monochrome collotype on chine colle paper laid down on heavy cream wove paper with untrimmed deckled edges. Image size: 29.3 x 29.5 cm. Sheet size: 48 x 45.5 cm. Excellent condition. unknown
1931142900Vienna: Österreichische Staatsdruckerei 1931. Edition of 500. One of 30 prints from the Eine Nachlese portfolio. Max Eisler 1881-1937 the publisher of this print was an art historian at Vienna University who published the first Klimt monograph in 1914. He intended Eine Nachlese to complement Das Werk the only folio set produced in Klimt's lifetime which was overseen by Klimt up to 1913. Fragile hand-printed collotype plates cannot be reused so the run must be completed on the first go and in only a limited number. The complicated lengthy process involves gelatin colloids mixed with dichromates. Thin 16-colour separation glass filters achieve the light-sensitive internegative images which capture the original tonal gradations. These are exposed to actinic light. Finally the delicate chine colle paper allows for greater colour saturation. Dark sepia monochrome collotype on chine colle paper laid down on heavy cream wove paper with untrimmed deckled edges. Image size: 29.5 x 29.9 cm. Sheet size: 48 x 45.5 cm. Excellent condition. unknown
1931142899Vienna: Österreichische Staatsdruckerei 1931. Edition of 500. One of 30 prints from the Eine Nachlese portfolio. Max Eisler 1881-1937 the publisher of this print was an art historian at Vienna University who published the first Klimt monograph in 1914. He intended Eine Nachlese to complement Das Werk the only folio set produced in Klimt's lifetime which was overseen by Klimt up to 1913. Fragile hand-printed collotype plates cannot be reused so the run must be completed on the first go and in only a limited number. The complicated lengthy process involves gelatin colloids mixed with dichromates. Thin 16-colour separation glass filters achieve the light-sensitive internegative images which capture the original tonal gradations. These are exposed to actinic light. Finally the delicate chine colle paper allows for greater colour saturation. Dark grey monochrome collotype on chine colle paper laid down on heavy cream wove paper with untrimmed deckled edges. Image size: 27.3 x 27.7 cm. Sheet size: 48 x 45.5 cm. Excellent condition. unknown
1931142898Vienna: Österreichische Staatsdruckerei 1931. Edition of 500. One of 30 prints from the Eine Nachlese portfolio. Max Eisler 1881-1937 the publisher of this print was an art historian at Vienna University who published the first Klimt monograph in 1914. He intended Eine Nachlese to complement Das Werk the only folio set produced in Klimt's lifetime which was overseen by Klimt up to 1913. Fragile hand-printed collotype plates cannot be reused so the run must be completed on the first go and in only a limited number. The complicated lengthy process involves gelatin colloids mixed with dichromates. Thin 16-colour separation glass filters achieve the light-sensitive internegative images which capture the original tonal gradations. These are exposed to actinic light. Finally the delicate chine colle paper allows for greater colour saturation. Dark grey monochrome collotype on chine colle paper laid down on heavy cream wove paper with untrimmed deckled edges. Image size: 27.2 x 32 cm. Sheet size: 48 x 45.5 cm. Excellent condition. unknown
1931142896Vienna: Österreichische Staatsdruckerei 1931. Edition of 500. One of 30 prints from the Eine Nachlese portfolio. Max Eisler 1881-1937 the publisher of this print was an art historian at Vienna University who published the first Klimt monograph in 1914. He intended Eine Nachlese to complement Das Werk the only folio set produced in Klimt's lifetime which was overseen by Klimt up to 1913. Fragile hand-printed collotype plates cannot be reused so the run must be completed on the first go and in only a limited number. The complicated lengthy process involves gelatin colloids mixed with dichromates. Thin 16-colour separation glass filters achieve the light-sensitive internegative images which capture the original tonal gradations. These are exposed to actinic light. Finally the delicate chine colle paper allows for greater colour saturation. Dark grey monochrome collotype on chine colle paper laid down on heavy cream wove paper with untrimmed deckled edges. Image size: 27 x 30.7 cm. Sheet size: 48 x 45.5 cm. Excellent condition. unknown
1931142897Vienna: Österreichische Staatsdruckerei 1931. Edition of 500. One of 30 prints from the Eine Nachlese portfolio. Max Eisler 1881-1937 the publisher of this print was an art historian at Vienna University who published the first Klimt monograph in 1914. He intended Eine Nachlese to complement Das Werk the only folio set produced in Klimt's lifetime which was overseen by Klimt up to 1913. Fragile hand-printed collotype plates cannot be reused so the run must be completed on the first go and in only a limited number. The complicated lengthy process involves gelatin colloids mixed with dichromates. Thin 16-colour separation glass filters achieve the light-sensitive internegative images which capture the original tonal gradations. These are exposed to actinic light. Finally the delicate chine colle paper allows for greater colour saturation. Dark grey monochrome collotype on chine colle paper laid down on heavy cream wove paper with untrimmed deckled edges. Image size: 27.2 x 29.4 cm. Sheet size: 48 x 45.5 cm. Excellent condition. unknown
1931142901Vienna: Österreichische Staatsdruckerei 1931. Edition of 500. One of 30 prints from the Eine Nachlese portfolio. Max Eisler 1881-1937 the publisher of this print was an art historian at Vienna University who published the first Klimt monograph in 1914. He intended Eine Nachlese to complement Das Werk the only folio set produced in Klimt's lifetime which was overseen by Klimt up to 1913. Fragile hand-printed collotype plates cannot be reused so the run must be completed on the first go and in only a limited number. The complicated lengthy process involves gelatin colloids mixed with dichromates. Thin 16-colour separation glass filters achieve the light-sensitive internegative images which capture the original tonal gradations. These are exposed to actinic light. Finally the delicate chine colle paper allows for greater colour saturation. Dark blue grey monochrome collotype on chine colle paper laid down on heavy cream wove paper with untrimmed deckled edges. Image size: 30.9 x 31.1 cm. Sheet size: 48 x 45.5 cm. Excellent condition. unknown
190014553Curtis Publishing. Philadelphia. 1900 Oversize magazine about 11 by 16 inches with some 48 pages. Bound in illustrated wraps. This is the famous issue with the GUSTAV KLIMT front cover illustration. The usual good stuff inside but KLIMT trumps any other content. Very scarce very desirable in this condition. Address label; slight wear most noticeable at the spine bottom; center two leaves loose from spine. Beautiful condition. NEAR FINE Language: eng Language: eng Language: eng. 1st Edition. Soft cover. Near Fine/No Jacket. Curtis Publishing. Philadelphia. paperback
190319693(Wien, Secession, 1903). 71 S. mit zahlr. teils ganzseit. Abb. Gr.-8°. OKart (etw. gebräunt, Rücken mit Einrissen und Klebespuren, vorderer Deckel mit einem hinterlegtem Randeinriss) und OU aus Pergamin (hinterer Deckel mit ca. 3 cm großem Einriss, sonst kl. Läsuren).
198818778ABGraz, ADEVA, 1988. 61 : 43 cm. 15 pages with 4 coloured and some b/w illustrations, 12 plates by Gustav Klimt. Illuistrated original half-cloth portfolio.
190322618Wien, Wiener Verlag, 1903. 45 S., 2 Bll. mit farbigem Buchschmuck von Berthold Löffler. 8°. OKart. (Gebrssprn.). [5 Warenabbildungen]
201299152Museum. New. 2012. Hardcover. 1606061119 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 304 pp. ; 264 illus. 248 in color. -- with a bonus offer-- . Museum hardcover
200878058D. A. P. Distribution. New. 2008. Hardcover. 1931794162 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Corresponds to ISBN: 1931794162. Text in English. 96 pp. With 100 ills. 46 col. . 30 x 24 cm. -- with a bonus offer-- . D. A. P. (Distribution) hardcover
200873432Museum; Abrams Distribution. As New. 2008. Paperback. 1854377353 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - -- Text in English. 256 pp. With 228 ills. 171 col. . 30 x 24 cm. -- with a bonus offer-- . Museum; Abrams (Distribution) paperback
201299906Prestel. New. 2012. Hardcover. 3791352474 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 240 pp. ; 190 illus. -- with a bonus offer-- . Prestel hardcover
201297405Prestel Publishing. New. 2012. Hardcover. 3791351494 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 332 pp. ; over 600 illustrations most in color. -- with a bonus offer-- . Prestel Publishing hardcover
197664321Museum. As New. 1976. Paperback. 085670301X . FREE UPGRADE to Courier/Priority Shipping Upon Request IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - Text in German. 164 pp. With 105 ills. 6 col. . 29 x 21 cm. -- with a bonus offer-- . Museum paperback
2012100316Hatje Cantz. New. 2012. Paperback. 3775733051 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 132 pp. ; 133 color illustrations. -- with a bonus offer-- . Hatje Cantz paperback
200973779Prestel-Verlag. New. 2009. Hardcover. 3791342258 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Text in German. 32 x 24 cm. -- with a bonus offer-- . Prestel-Verlag hardcover
