484 résultats
1981105682London Weidenfeld and Nicolson 1981 1 vol. broché in-4 carré, broché, couverture en couleurs, 142 pp., nombreuses reproductions en noir et en couleurs. Textes et légendes en anglais. Bon état.
8820204649.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
201514034AB2015. Munich London New York Prestel 2015. 285 : 235 cm. 239 pages with 154 mostly coloured plates and illustrations. Original cloth with coloured illustrated original dust jacket. Describes and illustrates the view of those three famous Austrian artists on woman. - The exteisive catalogue of the exhibition at the Belvedere in Vienna. With many fundamental articles like: Love Psyhce and Obsession the woman of Klimt Schiele Kokoschka - Gender asymmetries emacipation offers and uprising - Feminine Sexuality in the Work of Gustav Klimt - and others. hardcover
1990R200133555Taschen. 1990. In-Folio. En feuillets. Etat d'usage, Coins frottés, Dos satisfaisant, Papier jauni. 6 planches de reproductions en couleur (collationnées) en feuillets sous chemise cartonnée.. . . . Classification Dewey : 750-La peinture et les peintres
201033085Fleuve éditions 2010 228 pages 22x14x2cm. 2010. Broché. 228 pages.
354070Galerie Nationales Du Grand Palais Paris 2005 In-4 ( 285 X 250 mm ) de 363 pages, broché sous couverture illustrée. Illustrations dans et hors-texte. Très bel exemplaire.
3847106562.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
2016769231V&R unipress 2016. 1st. hardcover. New. 100x20x148. V&R unipress hardcover
2006SONG3598247370de Gruyter 2006-11-15. 2. Jahrgang. Reprint 2011. hardcover. Used: Good. 6.30x3.54x9.29. Buy with confidence. Excellent Customer Service & Return policy. de Gruyter hardcover
199910987VB1999. Saur 1999. 770 S. Hardcover. Versand aus Deutschland / We dispatch from Germany via Air Mail. Einband bestoßen daher Mängelexemplar gestempelt sonst sehr guter Zustand. Imperfect copy due to slightly bumped cover apart from this in very good condition. Stamped. hardcover
2006__3598247370De Gruyter 2006. Hardcover. New. 2nd edition. 1472 pages. German language. 9.06x6.10x3.54 inches. De Gruyter hardcover
25317860like new. unknown
25317860-nnew. unknown
2007895765München Leipzig.: K.G Saur. 2007. Orig.Pappe. 8°. Gut erhalten. ISBN 3598247370. K.G, Saur. unknown
a659381946. Distributed by Hq. U S Forces in Austria Information Services Branch Wien. Issues No. 1 though No.18 bound in one volume. 4to. about 100 leaves hardcover. Signed by Dr. Klimt. Good text a bit browned some wear on cover. Scarce. hardcover
200115868ABMünchen/Wien/Zürich, blv, 2001. 22 cm. 95 S. mit zahlr. farb. Abb. Illustrierter Originalkarton (Softcover). Tadelloses gepflegtes Exemplar. blv Garten plus.
3346604128.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1922KLIMTGUS000943Thyrsos Verlag Leipzig & Wien. 1922. First edition. Fifty 28 x 21 cm card sheets reproducing Klimt's drawings of women some erotic in nature. Hermann Bahr's Vorwort is printed as an eight-page quarto pamphlet. The plates and the pamphlet are loose within the publisher's vellum-backed card portfolio stamped in gilt and red.Number 279 of 375 copies. Inside the upper cover of the portfolio is the pictorial bookplate of Eva and Otto Freund. The latter was a Director of the National Bank in Prague where he sat at the artist's request for portraits by Egon Schiele. Freund's wife Eva was an opera singer of some repute and also the subject of a portrait by Schiele.The portfolio is a bit rubbed at the corners. The plates are all in fine state. Thyrsos Verlag, Leipzig & Wien. hardcover
1219641931 . Collotype in colours 1931 on chine colle paper laid down on heavy cream wove paper from the edition of 500 the full sheet with deckled edges published by Max Eisler Vienna 48 x 45.5 cm. 19 x 18 in.<br /> <br /> 1931 unknown
1931182248Vienna: Osterreichischen Staatsdruckerei 1931. One of 30 prints from the Eine Nachlese/Dernière gerbe/An Aftermath portfolio. Max Eisler 1881-1937 the publisher of this print was an art historian at Vienna University who published the first Klimt monograph in 1914. He intended Eine Nachlese to complement Das Werk the only folio set produced in Klimt's lifetime which was overseen by Klimt up to 1913. The collotype produces fine tonal gradations sharp detail and a continuous-tone effect unmatched by most other photomechanical processes. However the surface of the gelatin-coated plate is extremely delicate and can break down under friction or over-inking. Plates wear out quickly giving a short print-run and maintaining consistent humidity during printing is crucial - even small fluctuations can ruin the plate. As a result collotype printing is slow exacting and vulnerable to failure but when successful it yields some of the finest printed images ever produced. Edition of 500. Collotype in colours on chine colle paper laid down on heavy cream wove paper with untrimmed deckled edges. Image size: 31.6 x 11.2 cm. Sheet size: 48 x 45.5 cm. Framed size: 59 x 56.3 cm. Presented in a handmade gold leaf frame with conservation acrylic glazing. Small public library stamp lower left minor spotting to margins otherwise in excellent condition. unknown
73-1439New York: Serge Sabarsky Gallery 1979. 8vo. 4pp. Soft cover. Bifold brochure. Very Good. Color plates. From the collection of Peter Selz Art History Professor at UC Berkeley. New York: Serge Sabarsky Gallery, 1979 paperback
1931142902Vienna: Österreichische Staatsdruckerei 1931. Edition of 500. One of 30 prints from the Eine Nachlese portfolio. Max Eisler 1881-1937 the publisher of this print was an art historian at Vienna University who published the first Klimt monograph in 1914. He intended Eine Nachlese to complement Das Werk the only folio set produced in Klimt's lifetime which was overseen by Klimt up to 1913. Fragile hand-printed collotype plates cannot be reused so the run must be completed on the first go and in only a limited number. The complicated lengthy process involves gelatin colloids mixed with dichromates. Thin 16-colour separation glass filters achieve the light-sensitive internegative images which capture the original tonal gradations. These are exposed to actinic light. Finally the delicate chine colle paper allows for greater colour saturation. Dark grey monochrome collotype on chine colle paper laid down on heavy cream wove paper with untrimmed deckled edges. Image size: 29.3 x 29.5 cm. Sheet size: 48 x 45.5 cm. Excellent condition. unknown
1931187325Vienna: Osterreichischen Staatsdruckerei 1931. One of 30 prints from the Eine Nachlese/Dernière gerbe/An Aftermath portfolio. The first reproduction of Klimt's original painting created in 1914-16. The painting sold on 18 November 2025 at Sotheby's for $236.4m. The first reproduction of Klimt's original painting created in 1914-16. The painting sold on 18 November 2025 at Sotheby's for $236.4m this is the second most expensive painting ever. Max Eisler 1881-1937 the publisher of this print was an art historian at Vienna University who published the first Klimt monograph in 1914. He intended Eine Nachlese to complement Das Werk the only folio set produced in Klimt's lifetime which was overseen by Klimt up to 1913. The collotype produces fine tonal gradations sharp detail and a continuous-tone effect unmatched by most other photomechanical processes. However the surface of the gelatin-coated plate is extremely delicate and can break down under friction or over-inking. Plates wear out quickly giving a short print-run and maintaining consistent humidity during printing is crucial - even small fluctuations can ruin the plate. As a result collotype printing is slow exacting and vulnerable to failure but when successful it yields some of the finest printed images ever produced. Edition of 500. Collotype in colours on chine colle paper laid down on heavy cream wove paper with untrimmed deckled edges. Image size: 31.6 x 24.4 cm. Sheet size: 48 x 45.5 cm. Framed size: 59 x 56.3 cm. Presented in a handmade gold leaf frame with conservation acrylic glazing. Support paper cleaned otherwise in excellent condition. unknown
1931142900Vienna: Österreichische Staatsdruckerei 1931. Edition of 500. One of 30 prints from the Eine Nachlese portfolio. Max Eisler 1881-1937 the publisher of this print was an art historian at Vienna University who published the first Klimt monograph in 1914. He intended Eine Nachlese to complement Das Werk the only folio set produced in Klimt's lifetime which was overseen by Klimt up to 1913. Fragile hand-printed collotype plates cannot be reused so the run must be completed on the first go and in only a limited number. The complicated lengthy process involves gelatin colloids mixed with dichromates. Thin 16-colour separation glass filters achieve the light-sensitive internegative images which capture the original tonal gradations. These are exposed to actinic light. Finally the delicate chine colle paper allows for greater colour saturation. Dark sepia monochrome collotype on chine colle paper laid down on heavy cream wove paper with untrimmed deckled edges. Image size: 29.5 x 29.9 cm. Sheet size: 48 x 45.5 cm. Excellent condition. unknown
1931170055Vienna: Österreichische Staatsdruckerei 1931. One of 30 prints from the Eine Nachlese portfolio. Max Eisler 1881-1937 the publisher of this print was an art historian at Vienna University who published the first Klimt monograph in 1914. He intended Eine Nachlese to complement Das Werk the only folio set produced in Klimt's lifetime which was overseen by Klimt up to 1913. The collotype produces fine tonal gradations sharp detail and a continuous-tone effect unmatched by most other photomechanical processes. However the surface of the gelatin-coated plate is extremely delicate and can break down under friction or over-inking. Plates wear out quickly giving a short print-run and maintaining consistent humidity during printing is crucial - even small fluctuations can ruin the plate. As a result collotype printing is slow exacting and vulnerable to failure but when successful it yields some of the finest printed images ever produced. Edition of 500. Collotype in colours on chine colle paper laid down on heavy cream wove paper with untrimmed deckled edges. Image size: 26.7 x 30.8 cm. Sheet size: 48 x 45.5 cm. Framed size: 59 x 56.3 cm. Presented in a handmade gold leaf frame with conservation acrylic glazing. Excellent condition. unknown
