Klimt, KikiBiblio.com
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9382576924.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
198920304BBDortmund, Harenberg, 1989. 8°. 192 S., überwiegend Ill. (z.T. farb.)). kart., Deckelillustr. guter Zustand, ungelesen, jedoch schwarzer Punkt a. Buchrü. Die bibliophilen Taschenbücher ; 544.
A clean, unmarked copy. Text in German. 212 pages. Small tears on cover at middle of spine.
379 S. : zahlr. Ill. , 30 cm, illustr. Brosschur Zustand sehr gut. - The indicated shipping costs refer to books weighing up to one kilogram. - Bücher, die schwerer als ein Kilogramm oder größer als 35 x 25 cm sind, werden als Paket verschickt und kosten innerhalb Deutschlands bis zu zwei Kilogramm 6 Euro, darüber hinaus 7 Euro Porto. -
196755512ABSalzburg im Verlag der Galerie Welt. 1967. 31,5x31 cm. 423 S. Mit vielen teils ganzseitigen farbigen Abbildungen. Originalleinwand mit Goldprägung, farbigem und transparentem Schutzumschlag, in Schuber.
199255466BBWien. Edition Brandstätter, 1992. 33,5x25 cm. 288 S. Mit vielen teils farbigen Abbildungen. Originalpappband mit Schuötzumschlag.
198939292ABDortmund, Harenberg, 1989. 18 cm. 192 S. : überwiegend Ill. (z.T. farb.)) Pp. Sehr guter Zust. Die @bibliophilen Taschenbücher ; 544
196512894New York, Guggenheim, (1965). 119 S., 2 Bll. mit zahlr. teils farb. Textabb. Kl.-4°. OKart. (Gebrssprn., leicht gebräunt).
AJ1149SLWBroché bon état .Contenu propre . PHOTOS SUR DEMANDE
198818778ABGraz, ADEVA, 1988. 61 : 43 cm. 15 pages with 4 coloured and some b/w illustrations, 12 plates by Gustav Klimt. Illuistrated original half-cloth portfolio.
2010138347Munich ; Berlin ; London ; New York : Prestel 2010. 63 S. : überw. Ill.
2005138611Munich ; Berlin ; London ; New York : Prestel. 2005. 63 S. : überw. Ill. 23,5*19 cm. OHalbleinenband.
1985010893Salzburg., Verlag Galerie Welz., 1985. Mit einem Essay von Angelica Bäumer und einer ausführllichen Biographie zum Leben Gustav Klimts. 28S. Text und Abbildungen, 57S. einseitig bedruckte Tafeln. Der Schtzumschlag hat zwei kleine Einrisse. 4°. H OLeinen mit OUmschlag.
19703056BBSalzburg, Verl. Galerie Welz, 1970. 28 x 30 cm. 180 S., mit z. T. farb. Abb., mit Text. OLwd. Eck. leicht bestoss. , Kant. u. Rück. minim. berieb. ansonst gut. Zust. Österreicher des 20. Jahrhunderts.
20141170825München ; London ; New York, NY : Prestel, 2014. 127 S. : zahlr. Ill. ; 25 cm; fadengeh., illustr. Orig.-Pappband.
190115840ABVienna, Herzig, 1901. 45 : 34 cm. Original photoengraving in an gilt frame designed by Josef Hoffmann especially for Gustav Klimt.
20001124366Köln : DuMont, 2000. 256 S. : zahlr. Ill. ; 33 cm; fadengeh., farb. illustr. Orig.-Pappband m. farb. illustr. OUmschl.
197513077Diverse Orte und Drucker, 1975. Mit zahlr. meist ganzseit., teils farb. Abb. 8° bis Kl.-4°. OKart. (Gebrssprn.).
1922KLIMTGUS000943Thyrsos Verlag Leipzig & Wien. 1922. First edition. Fifty 28 x 21 cm card sheets reproducing Klimt's drawings of women some erotic in nature. Hermann Bahr's Vorwort is printed as an eight-page quarto pamphlet. The plates and the pamphlet are loose within the publisher's vellum-backed card portfolio stamped in gilt and red.Number 279 of 375 copies. Inside the upper cover of the portfolio is the pictorial bookplate of Eva and Otto Freund. The latter was a Director of the National Bank in Prague where he sat at the artist's request for portraits by Egon Schiele. Freund's wife Eva was an opera singer of some repute and also the subject of a portrait by Schiele.The portfolio is a bit rubbed at the corners. The plates are all in fine state. Thyrsos Verlag, Leipzig & Wien. hardcover
1219641931 . Collotype in colours 1931 on chine colle paper laid down on heavy cream wove paper from the edition of 500 the full sheet with deckled edges published by Max Eisler Vienna 48 x 45.5 cm. 19 x 18 in.<br /> <br /> 1931 unknown
1931182248Vienna: Osterreichischen Staatsdruckerei 1931. One of 30 prints from the Eine Nachlese/Dernière gerbe/An Aftermath portfolio. Max Eisler 1881-1937 the publisher of this print was an art historian at Vienna University who published the first Klimt monograph in 1914. He intended Eine Nachlese to complement Das Werk the only folio set produced in Klimt's lifetime which was overseen by Klimt up to 1913. The collotype produces fine tonal gradations sharp detail and a continuous-tone effect unmatched by most other photomechanical processes. However the surface of the gelatin-coated plate is extremely delicate and can break down under friction or over-inking. Plates wear out quickly giving a short print-run and maintaining consistent humidity during printing is crucial - even small fluctuations can ruin the plate. As a result collotype printing is slow exacting and vulnerable to failure but when successful it yields some of the finest printed images ever produced. Edition of 500. Collotype in colours on chine colle paper laid down on heavy cream wove paper with untrimmed deckled edges. Image size: 31.6 x 11.2 cm. Sheet size: 48 x 45.5 cm. Framed size: 59 x 56.3 cm. Presented in a handmade gold leaf frame with conservation acrylic glazing. Small public library stamp lower left minor spotting to margins otherwise in excellent condition. unknown
73-1439New York: Serge Sabarsky Gallery 1979. 8vo. 4pp. Soft cover. Bifold brochure. Very Good. Color plates. From the collection of Peter Selz Art History Professor at UC Berkeley. New York: Serge Sabarsky Gallery, 1979 paperback
1931142902Vienna: Österreichische Staatsdruckerei 1931. Edition of 500. One of 30 prints from the Eine Nachlese portfolio. Max Eisler 1881-1937 the publisher of this print was an art historian at Vienna University who published the first Klimt monograph in 1914. He intended Eine Nachlese to complement Das Werk the only folio set produced in Klimt's lifetime which was overseen by Klimt up to 1913. Fragile hand-printed collotype plates cannot be reused so the run must be completed on the first go and in only a limited number. The complicated lengthy process involves gelatin colloids mixed with dichromates. Thin 16-colour separation glass filters achieve the light-sensitive internegative images which capture the original tonal gradations. These are exposed to actinic light. Finally the delicate chine colle paper allows for greater colour saturation. Dark grey monochrome collotype on chine colle paper laid down on heavy cream wove paper with untrimmed deckled edges. Image size: 29.3 x 29.5 cm. Sheet size: 48 x 45.5 cm. Excellent condition. unknown
1931187325Vienna: Osterreichischen Staatsdruckerei 1931. One of 30 prints from the Eine Nachlese/Dernière gerbe/An Aftermath portfolio. The first reproduction of Klimt's original painting created in 1914-16. The painting sold on 18 November 2025 at Sotheby's for $236.4m. The first reproduction of Klimt's original painting created in 1914-16. The painting sold on 18 November 2025 at Sotheby's for $236.4m this is the second most expensive painting ever. Max Eisler 1881-1937 the publisher of this print was an art historian at Vienna University who published the first Klimt monograph in 1914. He intended Eine Nachlese to complement Das Werk the only folio set produced in Klimt's lifetime which was overseen by Klimt up to 1913. The collotype produces fine tonal gradations sharp detail and a continuous-tone effect unmatched by most other photomechanical processes. However the surface of the gelatin-coated plate is extremely delicate and can break down under friction or over-inking. Plates wear out quickly giving a short print-run and maintaining consistent humidity during printing is crucial - even small fluctuations can ruin the plate. As a result collotype printing is slow exacting and vulnerable to failure but when successful it yields some of the finest printed images ever produced. Edition of 500. Collotype in colours on chine colle paper laid down on heavy cream wove paper with untrimmed deckled edges. Image size: 31.6 x 24.4 cm. Sheet size: 48 x 45.5 cm. Framed size: 59 x 56.3 cm. Presented in a handmade gold leaf frame with conservation acrylic glazing. Support paper cleaned otherwise in excellent condition. unknown
1931142900Vienna: Österreichische Staatsdruckerei 1931. Edition of 500. One of 30 prints from the Eine Nachlese portfolio. Max Eisler 1881-1937 the publisher of this print was an art historian at Vienna University who published the first Klimt monograph in 1914. He intended Eine Nachlese to complement Das Werk the only folio set produced in Klimt's lifetime which was overseen by Klimt up to 1913. Fragile hand-printed collotype plates cannot be reused so the run must be completed on the first go and in only a limited number. The complicated lengthy process involves gelatin colloids mixed with dichromates. Thin 16-colour separation glass filters achieve the light-sensitive internegative images which capture the original tonal gradations. These are exposed to actinic light. Finally the delicate chine colle paper allows for greater colour saturation. Dark sepia monochrome collotype on chine colle paper laid down on heavy cream wove paper with untrimmed deckled edges. Image size: 29.5 x 29.9 cm. Sheet size: 48 x 45.5 cm. Excellent condition. unknown
