484 résultats
194027131940. Punched twice at the left edge. In fine condition. 1 page typed document. <p><br /> Important document about the Nazi-looted and subsequently privately sold Klimt’s masterpiece the Water Serpents II.<br /> <p><p><br /> Gustav Klimt’s Water Serpents II was painted between 1904 and 1907 and was originally commissioned for and owned by Jenny Eugenie Steiner neé Pulitzer; 1863–1958 the wife and at the time of the issue of the present document already the widow of a wealthy Viennese Jewish industrialist. The painting was apparently an asset of the late husband’s silk company “Brüder Steiner†as it is referred to in the document. In June 1938 after the Anschluss under the threat from the Nazis Jewish herself Jenny Steiner fled from Vienna and the painting together with several of her valuable tangibles including other works by Klimt and Egon Schiele was confiscated as Jewish property.<br /> <p><p><br /> In 1940 three of Steiner’s Klimt paintings including the Water Serpents II were offered on the sale of the leading Viennese auction house Dorotheum 458. Kunstauktion March 4–6.; the two other paintings were the Country House by the Atteree and the Portrait of Mäda Primavesi. Fleckner 2017 However by the intervention of Josef Bürckel then Gauleiter of Vienna the painting was withdrawn from the auction and sold privately to the Nazi filmmaker and alleged illegitimate son of Klimt Gustav Ucicky 1899–1961 through his second wife Inge Ingeborg Davis. The picture remained in Ucicky’s possession until his death in 1961 when his third wife Ursula née Kohn; b. 1922 inherited it. <br /> <p><p><br /> In 2013 Ursula Ucicky in agreement with the heirs of Jenny Steiner sold the Water Serpents II through Sotheby’s sharing the income 50/50. The painting reached the price of $112 million at the time the 6th most expensive painting in the world and the most expensive Klimt painting by then to be sold.<br /> <p><p><br /> The present typewritten and signed secretarial note Aktenvermerk. Betrifft: Ölgemälde des Malers Klimt “Wasserschlangenâ€Â was written on behalf of Hermann Drum 1911–1945 the administrative assistant Adjutant of Josef Bürckel the Gauleiter and later Reichsstatthalter too of Reichsgau Vienna in office as Gauleiter from 30 January 1939 as Reichsstatthalter from April 1 1940 until 2 August 1940 in regard the withdrawing from the auction and the private sale of Klimt’s Water Serpents II. See also in Lillie’s Was einmal war; note that in the book the intervener erroneously ascribed as Reichsstatthalter Baldur von Schirach in fact it was Gauleiter Bürckel. In the text Drum’s secretary summarizes how the painting ended up at the Dorotheum sale with the estimated value of 6000 Reichsmark states the wish of the Gauleiter that the painting should be sold privately to Mrs. Ucicky and delineates a plan developed together with dr. Deigelmaier an official from the local revenue service for withdraw and sell the painting out of the sale if an appropriate purchase offer would be made privately “ich halte einen Preis von 8–9000 RM für angemessen†/ “I think a price of 8–9;000 RM is reasonableâ€. The secretary misspells the name “Ucicki†and also mixes up the family relations claiming Mrs. Ucicky the descendant of Klimt.<br /> <p><p><br /> Rare and important document related to one of the most well-known Nazi-looted pictures. <br /> <p><p><br /> Literature: Fleckner U. et al. Markt und Macht Der Kunsthandel im »Dritten Reich«. De Gruyter 2017. pp. 304–9; Lillie S. Was einmal war: Handbuch der enteigneten Kunstsammlungen Wiens. Czernin 2003.<br /> <p>. unknown
7948Affiche offset 64 X 94.
1975LIQ-7172P. Seuil 1975 Grand in-8° broché, couverture pelliculée en couleurs, 80 pages.
2018169895London: Royal Academy of Arts 2018. First Edition. Hardcover. First Edition. Published in conjunction with an exhibition held in 2018 and 2019 at the Royal Academy in London.<br /> <br /> Very Good plus slightly cocked with no dust jacket as issued. Still in publisher's shrinkwrap. Royal Academy of Arts unknown
N°14, de 1984, (et 1er n° d'une nouvelle série) de ces "Cahiers", consacré aux événements culturels à Vienne au tournant du siècle, réunissant des textes de spécialistes dont "un certain nombre des communications" du colloque éponyme (Centre Pompidou, 1984): Robert WAISSENBERGER: "Vienne, art et réalité"; Werner HOFMANN: "Laboratoire pour une apocalypse"; Jean CLAIR: "De la "Gründerzeit" à "l'Untergründ-Gründerzeit""; André CHASTEL: "Julius von Schlosser et la "Kunstliteratur""; Dieter BOGNER: "Empirisme et spéculation - Aloïs Riegl et l'Ecole viennoise d'histoire de l'art"; Yves KOBRY: "Klimt derrière le décor"; Carl E. SCHORSKE: "Mahler et Klimt: épreuve sociale et évolution artistique"; Wieland SCHMIED: "La peinture autrichienne entre les deux guerres - La fin d'une époque"; Monika FABER: "La photographie à Vienne de 1890 à 1920"; Yves KOBRY: "Redécouvrir Ernst Mach 1838-1916", suivi de ses traductions d'extraits d'ouvrages d'Ernst MACH ("Remarques préliminaires antimétaphysiques") et d'Ernst BLOCH ("Effets d'éloignement: autoportrait sans miroir"); notes et références; reproductions et photos. Français
198418900Paris, Centre Georges-Pompidou, 1984 1 volume 19 x 26cm Broché sous couverture au 1er plat illustré. 118p., 1 feuillet; illustrations en noir in texte, vignettes et quelques pleines pages. Bon état mais cachet (large mais pâle) "spécimen" en travers du 1er plat.
196914511CBLos Angeles, Felix Landau Gallery, 1969. Breit kl. 8°. (32) S. mit Farbabbildungen. OBr., 1
200797937New York: Neue Galerie: Museum for German and Austrian Art 2007. 2007. Very good. - Quarto 11-1/2 inches high by 9-1/2 inches wide. Hardcover bound in blue cloth titled in gilt on the spine in a color pictorial dust wrapper. The dust jacket is very lightly rubbed with a small chip to the top front corner of the jacket's front panel. 980 pages profusely illustrated in black & white and color throughout. Near fine in a very good dust wrapper. <p>First edition. Published in conjunction Neue Gallerie's October 18 2007 to June 30 2008 exhibition.<p>Edited by Renee Price with contributions by Ronald S. Lauder Renee Price Alessandra Comini Sophie Lillie Maria Altmann Ernst Ploil Marian Bisanz-Prakken Tobias G. Natter Emily Braun Janis Staggs Manu von Miller and Hansjorg Krug. New York: Neue Galerie: Museum for German and Austrian Art, (2007). hardcover
14880Catalogue de la vente publique, à New York, Sotheby Parke Bernet Inc, le 16 mai 1979, in-8, br., 32 dessins décrits et reproduits, liste des prix jointe.
1981LFA-126739385Un ouvrage de 207 pages, format 270 x 360 mm, illustré, relié cartonnage couleurs, publié en 1981, CELIV, bon état
198819215Wien, Historisches Museum, 1988. 91 S. mit zahlr. teils ganzseit. Abb,. im Text und auf farb. Tafeln. 8°. OKart. (kl. Gebrssprn.).
An exhibition catalogue for the show Feb 7 - June 8 2003 including the artists Goya Degas Pissarro Seurat Redon Modigliani Mondrian Brancusi, Leger, Klee, Picasso, Chagall, Klimt, Schiele Grosz, Kirchner, Giacometti. 142 pages many color plates. Text is in Spanish
197264561New York, Dover Publications, Inc., 1972. 1972. 4°, XV, und 100 s/w Zeichnungen, illustrierter Orig.-Karton.
19920176541992 Taschen Soft cover
19628780BBWien, Ch. M. Nebehay, 1962. Gr. 8°. 5 (1) S. (60) S. mit über 60 Abbildungen. OPp., 1
198519068ABGraz, Akademische Druck- u. Verlasgsanstalt, 1985. 70 : 51 cm 4 leaves and 12 photolithographed plates under Passepartout. Black original cloth portfolios with illustration on front cover and gilt lines, Title on spine. 2 volumes.
1975193350Salzburg, Galerie Welz, 1975. M. 80 Tafelabb. 32 Texts. OLwdbd. m. Schutzumschl. Sehr frisches Exemplar.
199212317Stuttgart: Verlag Gerd Hatje. 1992. 379 S. 4to. Mit zahlreichen Farb- und Schwarz-Weiss-Abbildungen. Illustrierte Original-Broschur.
In-4 (cm 29x22), pp. 90+indici, legatura edit., sovracoperta ill., numerose ill. b.n. e a colori nel testo. "Le gemmme dell'arte 2" . Ordinari segni del tempo. MOLTO BUONO.
In-4 (cm 29x22), pp. 92+indici, legatura edit., sovracoperta ill., numerose ill. b.n. e a colori nel testo. "Le gemmme dell'arte" 8. Piccole abrasioni all'angolo del piatto anteriore, ordinari segni del tempo, Buono.
200512405Catalogue de l'exposition au Grand Palais à Paris en 2005-2006. Broché sous couverture illustrée Très bon Paris Réunion des Musées Nationaux 2005 1 volume in-4°
1903EEzz6940fWien, Druck A. Holzhausen (1903). 4°. 71(1) S. Mit 1 Vignette u. 29 Abb. von Zeichnungen und Gemälden. OKart. m. transparentem Pergaminumschlag sowie schwarzgedr. Titel u. Vignetten. Umschlag gebräunt u. Kapitalen wie an einer Ecke kleine Fehlstellen, Pergamin-Umschlag etwas wellig. 1903 zeigte die Secession 80 Werke Gustav Klimts. Die Anordnung der Ausstellung und des Kataloges besorgte Koloman Moser, die Gestaltung des Vorraums Josef Hoffmann. Der Katalog enthält ein Vorwort von Ernst Stöhr. Nur wenige Frühwerke wurden gezeigt, hingegen aber zum ersten Mal die 'Jurisprudenz'.
1972ABE-153373158882127 CM X 23,5 CM-TEXTE EN ALLEMAND ANGLAIS ET FRANCAIS-RICHE ICONOGRAPHIE (KLIMT, WARHOL, LUCIO FONTANA, YVES KLEIN)-(20E)
1988ABE-1761252822146128 PAGES-19 CM X 26 CM-JACKSON POLLOCK L'EQUIPEE SAUVAGE, PAR ELLEN G LANDAU-LA LECON DE KAHNWEILER, PAR YVE ALAIN BOIS-LE "BEL ETE" SURREALISTE D'AMSTERDAM 1938 STRATEGIES INTERNATIONALISTES A L'EPREUVE DE LA FIARI, PAR JOSE VOVELLE-DE "L'ECOLE DU DANUBE" A LA VIENNE DE LA SECESSION KLIMT ET ALTDORFER, PAR CHRISTIAN HECK-L'OBJECTIF DU SUBJECTIF VUILLARD PHOTOGRAPHE, PAR EMILIE DANIEL-L'OEUVRE D'ART STALINE A PROPOS DE L'ESTHETIQUE DU REALISME SOCIALISTE, PAR BORIS GROYS-(E1025)
1915EEZZ2521Wien, Selbstverlag 1915. 4°. 3 Bl., 56 S., 46 Tafeln, OBrosch., Rücken berieben