Klimt, GustavAntiquariat.de
220 résultats
198818778ABGraz, ADEVA, 1988. 61 : 43 cm. 15 pages with 4 coloured and some b/w illustrations, 12 plates by Gustav Klimt. Illuistrated original half-cloth portfolio.
197020422Darmstadt, Mathildenhöhe, 1970. Dazu: Katalog der Sonderausstellung zur 3. Internationale der Zeichnung (Klimt und Matisse). 234 S., 164 S. mit zahlreichen tls. ganzseitigen Abbildungen. Gr.-8° (22 x 22 cm), ill. Orig.- Paperback.
1922KLIMTGUS000943Thyrsos Verlag Leipzig & Wien. 1922. First edition. Fifty 28 x 21 cm card sheets reproducing Klimt's drawings of women some erotic in nature. Hermann Bahr's Vorwort is printed as an eight-page quarto pamphlet. The plates and the pamphlet are loose within the publisher's vellum-backed card portfolio stamped in gilt and red.Number 279 of 375 copies. Inside the upper cover of the portfolio is the pictorial bookplate of Eva and Otto Freund. The latter was a Director of the National Bank in Prague where he sat at the artist's request for portraits by Egon Schiele. Freund's wife Eva was an opera singer of some repute and also the subject of a portrait by Schiele.The portfolio is a bit rubbed at the corners. The plates are all in fine state. Thyrsos Verlag, Leipzig & Wien. hardcover
196512894New York, Guggenheim, (1965). 119 S., 2 Bll. mit zahlr. teils farb. Textabb. Kl.-4°. OKart. (Gebrssprn., leicht gebräunt).
199317239Benteli, Bern 1992-1993. 162 S. mit 32 Farbtafeln u. zahlr. s/w Abbildungen. 4°. Kart. Geringe Gebrsp. Katalog zu den Ausstellungen im Museum Bellerive Zürich u. Musée des arts décoratifs Lausanne. Einführung Radu Stern. Originaltexte v. H. van de Velde, F. Deneken, E.J. Wimmer-
1931182248Vienna: Osterreichischen Staatsdruckerei 1931. One of 30 prints from the Eine Nachlese/Dernière gerbe/An Aftermath portfolio. Max Eisler 1881-1937 the publisher of this print was an art historian at Vienna University who published the first Klimt monograph in 1914. He intended Eine Nachlese to complement Das Werk the only folio set produced in Klimt's lifetime which was overseen by Klimt up to 1913. The collotype produces fine tonal gradations sharp detail and a continuous-tone effect unmatched by most other photomechanical processes. However the surface of the gelatin-coated plate is extremely delicate and can break down under friction or over-inking. Plates wear out quickly giving a short print-run and maintaining consistent humidity during printing is crucial - even small fluctuations can ruin the plate. As a result collotype printing is slow exacting and vulnerable to failure but when successful it yields some of the finest printed images ever produced. Edition of 500. Collotype in colours on chine colle paper laid down on heavy cream wove paper with untrimmed deckled edges. Image size: 31.6 x 11.2 cm. Sheet size: 48 x 45.5 cm. Framed size: 59 x 56.3 cm. Presented in a handmade gold leaf frame with conservation acrylic glazing. Small public library stamp lower left minor spotting to margins otherwise in excellent condition. unknown
196914511CBLos Angeles, Felix Landau Gallery, 1969. Breit kl. 8°. (32) S. mit Farbabbildungen. OBr., 1
2000V37312Hannover (Kestner-Gesellschaft) 2000 (= Erste Ausgabe). 4°, illustrierte Originalbroschur ( Paperback) 319 S., zahlreiche Abbildungen, ISBN 3887464265 1
1970156838New York: Avante Garde Media 1970. First edition. Softcover. March 1970. This issue is titled "Wedded Bliss: A Portfolio of Erotic Lithographs by John Lennon." Some the other articles include: "The Case for Extending the School Year" by Warren Boroson "Gustav Klimt: Lost and Found" <br/>"The Silent Majority" with photographs by Julio Mitchel "Thalidomide Cyclamates and Now . Caffeine" by Warner Brown and several others Also includes W.H. Auden's long suppressed "A Day for the Lay." An about very good plus copy in wrappers with some wear to the spine. Avante Garde Media unknown books
1970300953New York: Avant-Garde Media 1970. Magazine. Two copies of the issue variant covers 70p. 10.75x11.25 inches illustrated with photos and artworks essays articles reviews poetry fiction light wear to covers else very good magazines in variant black & red pictorial wraps. The contents are identical. separate covers. No indication of priority. Avant-Garde Media unknown
1931142902Vienna: Österreichische Staatsdruckerei 1931. Edition of 500. One of 30 prints from the Eine Nachlese portfolio. Max Eisler 1881-1937 the publisher of this print was an art historian at Vienna University who published the first Klimt monograph in 1914. He intended Eine Nachlese to complement Das Werk the only folio set produced in Klimt's lifetime which was overseen by Klimt up to 1913. Fragile hand-printed collotype plates cannot be reused so the run must be completed on the first go and in only a limited number. The complicated lengthy process involves gelatin colloids mixed with dichromates. Thin 16-colour separation glass filters achieve the light-sensitive internegative images which capture the original tonal gradations. These are exposed to actinic light. Finally the delicate chine colle paper allows for greater colour saturation. Dark grey monochrome collotype on chine colle paper laid down on heavy cream wove paper with untrimmed deckled edges. Image size: 29.3 x 29.5 cm. Sheet size: 48 x 45.5 cm. Excellent condition. unknown
1931187325Vienna: Osterreichischen Staatsdruckerei 1931. One of 30 prints from the Eine Nachlese/Dernière gerbe/An Aftermath portfolio. The first reproduction of Klimt's original painting created in 1914-16. The painting sold on 18 November 2025 at Sotheby's for $236.4m. The first reproduction of Klimt's original painting created in 1914-16. The painting sold on 18 November 2025 at Sotheby's for $236.4m this is the second most expensive painting ever. Max Eisler 1881-1937 the publisher of this print was an art historian at Vienna University who published the first Klimt monograph in 1914. He intended Eine Nachlese to complement Das Werk the only folio set produced in Klimt's lifetime which was overseen by Klimt up to 1913. The collotype produces fine tonal gradations sharp detail and a continuous-tone effect unmatched by most other photomechanical processes. However the surface of the gelatin-coated plate is extremely delicate and can break down under friction or over-inking. Plates wear out quickly giving a short print-run and maintaining consistent humidity during printing is crucial - even small fluctuations can ruin the plate. As a result collotype printing is slow exacting and vulnerable to failure but when successful it yields some of the finest printed images ever produced. Edition of 500. Collotype in colours on chine colle paper laid down on heavy cream wove paper with untrimmed deckled edges. Image size: 31.6 x 24.4 cm. Sheet size: 48 x 45.5 cm. Framed size: 59 x 56.3 cm. Presented in a handmade gold leaf frame with conservation acrylic glazing. Support paper cleaned otherwise in excellent condition. unknown
1931142900Vienna: Österreichische Staatsdruckerei 1931. Edition of 500. One of 30 prints from the Eine Nachlese portfolio. Max Eisler 1881-1937 the publisher of this print was an art historian at Vienna University who published the first Klimt monograph in 1914. He intended Eine Nachlese to complement Das Werk the only folio set produced in Klimt's lifetime which was overseen by Klimt up to 1913. Fragile hand-printed collotype plates cannot be reused so the run must be completed on the first go and in only a limited number. The complicated lengthy process involves gelatin colloids mixed with dichromates. Thin 16-colour separation glass filters achieve the light-sensitive internegative images which capture the original tonal gradations. These are exposed to actinic light. Finally the delicate chine colle paper allows for greater colour saturation. Dark sepia monochrome collotype on chine colle paper laid down on heavy cream wove paper with untrimmed deckled edges. Image size: 29.5 x 29.9 cm. Sheet size: 48 x 45.5 cm. Excellent condition. unknown
1931170055Vienna: Österreichische Staatsdruckerei 1931. One of 30 prints from the Eine Nachlese portfolio. Max Eisler 1881-1937 the publisher of this print was an art historian at Vienna University who published the first Klimt monograph in 1914. He intended Eine Nachlese to complement Das Werk the only folio set produced in Klimt's lifetime which was overseen by Klimt up to 1913. The collotype produces fine tonal gradations sharp detail and a continuous-tone effect unmatched by most other photomechanical processes. However the surface of the gelatin-coated plate is extremely delicate and can break down under friction or over-inking. Plates wear out quickly giving a short print-run and maintaining consistent humidity during printing is crucial - even small fluctuations can ruin the plate. As a result collotype printing is slow exacting and vulnerable to failure but when successful it yields some of the finest printed images ever produced. Edition of 500. Collotype in colours on chine colle paper laid down on heavy cream wove paper with untrimmed deckled edges. Image size: 26.7 x 30.8 cm. Sheet size: 48 x 45.5 cm. Framed size: 59 x 56.3 cm. Presented in a handmade gold leaf frame with conservation acrylic glazing. Excellent condition. unknown
198418900Paris, Centre Georges-Pompidou, 1984 1 volume 19 x 26cm Broché sous couverture au 1er plat illustré. 118p., 1 feuillet; illustrations en noir in texte, vignettes et quelques pleines pages. Bon état mais cachet (large mais pâle) "spécimen" en travers du 1er plat.
1981LFA-126739385Un ouvrage de 207 pages, format 270 x 360 mm, illustré, relié cartonnage couleurs, publié en 1981, CELIV, bon état
198939292ABDortmund, Harenberg, 1989. 18 cm. 192 S. : überwiegend Ill. (z.T. farb.)) Pp. Sehr guter Zust. Die @bibliophilen Taschenbücher ; 544
198920304BBDortmund, Harenberg, 1989. 8°. 192 S., überwiegend Ill. (z.T. farb.)). kart., Deckelillustr. guter Zustand, ungelesen, jedoch schwarzer Punkt a. Buchrü. Die bibliophilen Taschenbücher ; 544.
1991BN49487Dortmund: Harenberg-Edition 1991. 2. Auflage. <br/><br/>Kunst Dortmund: Harenberg-Edition unknown
1980155254-1München, DTV 1980. 230 S. Mit 65 teils farb. Tafn. Original-Kartonband
197071950Stgt.: Goverts Krüger Stahlberg (c 1970). 306 Ss., 1 Bl. 8°. Ln. mit farbgeprägt. Rückentitel u. Umschl. (kl. Umschlageinrisse hinterlegt).
1931142899Vienna: Österreichische Staatsdruckerei 1931. Edition of 500. One of 30 prints from the Eine Nachlese portfolio. Max Eisler 1881-1937 the publisher of this print was an art historian at Vienna University who published the first Klimt monograph in 1914. He intended Eine Nachlese to complement Das Werk the only folio set produced in Klimt's lifetime which was overseen by Klimt up to 1913. Fragile hand-printed collotype plates cannot be reused so the run must be completed on the first go and in only a limited number. The complicated lengthy process involves gelatin colloids mixed with dichromates. Thin 16-colour separation glass filters achieve the light-sensitive internegative images which capture the original tonal gradations. These are exposed to actinic light. Finally the delicate chine colle paper allows for greater colour saturation. Dark grey monochrome collotype on chine colle paper laid down on heavy cream wove paper with untrimmed deckled edges. Image size: 27.3 x 27.7 cm. Sheet size: 48 x 45.5 cm. Excellent condition. unknown
1931142898Vienna: Österreichische Staatsdruckerei 1931. Edition of 500. One of 30 prints from the Eine Nachlese portfolio. Max Eisler 1881-1937 the publisher of this print was an art historian at Vienna University who published the first Klimt monograph in 1914. He intended Eine Nachlese to complement Das Werk the only folio set produced in Klimt's lifetime which was overseen by Klimt up to 1913. Fragile hand-printed collotype plates cannot be reused so the run must be completed on the first go and in only a limited number. The complicated lengthy process involves gelatin colloids mixed with dichromates. Thin 16-colour separation glass filters achieve the light-sensitive internegative images which capture the original tonal gradations. These are exposed to actinic light. Finally the delicate chine colle paper allows for greater colour saturation. Dark grey monochrome collotype on chine colle paper laid down on heavy cream wove paper with untrimmed deckled edges. Image size: 27.2 x 32 cm. Sheet size: 48 x 45.5 cm. Excellent condition. unknown
1931142896Vienna: Österreichische Staatsdruckerei 1931. Edition of 500. One of 30 prints from the Eine Nachlese portfolio. Max Eisler 1881-1937 the publisher of this print was an art historian at Vienna University who published the first Klimt monograph in 1914. He intended Eine Nachlese to complement Das Werk the only folio set produced in Klimt's lifetime which was overseen by Klimt up to 1913. Fragile hand-printed collotype plates cannot be reused so the run must be completed on the first go and in only a limited number. The complicated lengthy process involves gelatin colloids mixed with dichromates. Thin 16-colour separation glass filters achieve the light-sensitive internegative images which capture the original tonal gradations. These are exposed to actinic light. Finally the delicate chine colle paper allows for greater colour saturation. Dark grey monochrome collotype on chine colle paper laid down on heavy cream wove paper with untrimmed deckled edges. Image size: 27 x 30.7 cm. Sheet size: 48 x 45.5 cm. Excellent condition. unknown
1931142897Vienna: Österreichische Staatsdruckerei 1931. Edition of 500. One of 30 prints from the Eine Nachlese portfolio. Max Eisler 1881-1937 the publisher of this print was an art historian at Vienna University who published the first Klimt monograph in 1914. He intended Eine Nachlese to complement Das Werk the only folio set produced in Klimt's lifetime which was overseen by Klimt up to 1913. Fragile hand-printed collotype plates cannot be reused so the run must be completed on the first go and in only a limited number. The complicated lengthy process involves gelatin colloids mixed with dichromates. Thin 16-colour separation glass filters achieve the light-sensitive internegative images which capture the original tonal gradations. These are exposed to actinic light. Finally the delicate chine colle paper allows for greater colour saturation. Dark grey monochrome collotype on chine colle paper laid down on heavy cream wove paper with untrimmed deckled edges. Image size: 27.2 x 29.4 cm. Sheet size: 48 x 45.5 cm. Excellent condition. unknown
