220 résultats
1964111978Jean-Jacques Pauvert Éditeur, coll. « Bibliothèque Internationale d’Erotologie », n° 14 1964 In-12 broché 18 cm sur 18. 236 pages. Nombreuses illustrations en noir et blanc in-texte. Jaquette effrangée et déchirée sinon bon état. Bon état d’occasion.
1919139054Vienna: Gilhofer & Ranschburg 1919. Edition of 500 and 10 proofs. Printed by The Art Institution Max Jaffé in Vienna and issued as one of 25 prints from the portfolio Fünfundzwanzig Handzeichnungen. Collotype on matt art paper tipped onto thin cream card with mount as issued. Sheet size: 34 x 51.3 cm. Excellent condition. unknown
1922153802Vienna Berlin Leipzig Munich: Rikola Verlag 1922. First edition first printing of this scarce publication printed four years after Klimt's death. It is unlikely more than 1000 copies were printed due to the nature of printing collotypes. Rikola Verlag were advocates of the Vienna Seccession movement; they purchased all of Egon Schiele's original lithographic prints and etching plates in the same year and sold them as a collected portfolio. It is accompanied by a booklet edited by Gustav Glück director of the Gemäldegalerie Vienna 1916-31 who went so far as to say that the Austrian artist's work could only be understood through his drawings. Quarto. 8 pp booklet and 10 loose plates. 10 collotypes of portraits and nudes after drawings by Klimt on white wove paper approx. 23 x 14.9 cm tipped onto grey paper 27 x 20 cm as issued. Edges and corners of grey mount paper chipped not affecting the images otherwise all in very good condition. Lacking the original envelope. unknown
190319693(Wien, Secession, 1903). 71 S. mit zahlr. teils ganzseit. Abb. Gr.-8°. OKart (etw. gebräunt, Rücken mit Einrissen und Klebespuren, vorderer Deckel mit einem hinterlegtem Randeinriss) und OU aus Pergamin (hinterer Deckel mit ca. 3 cm großem Einriss, sonst kl. Läsuren).
190362878Wien, Druck von Adolf Holzhausen, (1903). 4°. Mit illustr. Titel, einer Vignette u. 29 Tafeln. 71 (1) S., Mod. Ppbd. m. mont. Kopie des Orig.-Umschlags.
192861390(Wien, Adolf Holzhausens Nachfolger, 1928). 8°. Mit Titelportrait u. 35 Tafeln. 14 S., 3 Bll., Illustr.-OKart. m. einer Vignette von Gustav Klimt.
199421663Köln, Taschen, 1994. 4°, 244 Seiten. mit zahlreichen farbigen und s/w. Abbildungen. Typographisch gestalteter Orig.Leinen mit illustrierten Vorsätzen und OSU.
197916568ABVienna, Museen der Stadt Wien, 1979. 22,5 : 16 cm. 63 pages, with many partly coloured plates and illustrations. Coloured illustrated original boards.
19850907Wien, München, Brandstaetter, 1985. 954 Abbildungen, davon 251 in Farbe, XXI, 559 (1) S., Original-Pappband, Original-Schutzumschlag (OU/SU). ZUSTAND 1.
199120098ABStockholm, Liljevalchs, 1991. 26,5 : 21 cm. 223 pages with many, mostly coloured plates and illustrations. Coloured illustrated original boards.
1919138284Vienna: Gilhofer & Ranschburg 1919. Edition of 500 and 10 proofs. Printed by The Art Institution Max Jaffé in Vienna and issued as one of 25 prints from the portfolio Fünfundzwanzig Handzeichnungen. Collotype on matt art paper tipped onto thin cream card with mount as issued. Sheet size: 51.5 x 33 cm. Framed size 70.8 x 51.2 cm. Excellent condition. Presented in a handmade white gold leaf frame with conservation acrylic glazing. unknown
194027131940. Punched twice at the left edge. In fine condition. 1 page typed document. <p><br /> Important document about the Nazi-looted and subsequently privately sold Klimt’s masterpiece the Water Serpents II.<br /> <p><p><br /> Gustav Klimt’s Water Serpents II was painted between 1904 and 1907 and was originally commissioned for and owned by Jenny Eugenie Steiner neé Pulitzer; 1863–1958 the wife and at the time of the issue of the present document already the widow of a wealthy Viennese Jewish industrialist. The painting was apparently an asset of the late husband’s silk company “Brüder Steiner†as it is referred to in the document. In June 1938 after the Anschluss under the threat from the Nazis Jewish herself Jenny Steiner fled from Vienna and the painting together with several of her valuable tangibles including other works by Klimt and Egon Schiele was confiscated as Jewish property.<br /> <p><p><br /> In 1940 three of Steiner’s Klimt paintings including the Water Serpents II were offered on the sale of the leading Viennese auction house Dorotheum 458. Kunstauktion March 4–6.; the two other paintings were the Country House by the Atteree and the Portrait of Mäda Primavesi. Fleckner 2017 However by the intervention of Josef Bürckel then Gauleiter of Vienna the painting was withdrawn from the auction and sold privately to the Nazi filmmaker and alleged illegitimate son of Klimt Gustav Ucicky 1899–1961 through his second wife Inge Ingeborg Davis. The picture remained in Ucicky’s possession until his death in 1961 when his third wife Ursula née Kohn; b. 1922 inherited it. <br /> <p><p><br /> In 2013 Ursula Ucicky in agreement with the heirs of Jenny Steiner sold the Water Serpents II through Sotheby’s sharing the income 50/50. The painting reached the price of $112 million at the time the 6th most expensive painting in the world and the most expensive Klimt painting by then to be sold.<br /> <p><p><br /> The present typewritten and signed secretarial note Aktenvermerk. Betrifft: Ölgemälde des Malers Klimt “Wasserschlangenâ€Â was written on behalf of Hermann Drum 1911–1945 the administrative assistant Adjutant of Josef Bürckel the Gauleiter and later Reichsstatthalter too of Reichsgau Vienna in office as Gauleiter from 30 January 1939 as Reichsstatthalter from April 1 1940 until 2 August 1940 in regard the withdrawing from the auction and the private sale of Klimt’s Water Serpents II. See also in Lillie’s Was einmal war; note that in the book the intervener erroneously ascribed as Reichsstatthalter Baldur von Schirach in fact it was Gauleiter Bürckel. In the text Drum’s secretary summarizes how the painting ended up at the Dorotheum sale with the estimated value of 6000 Reichsmark states the wish of the Gauleiter that the painting should be sold privately to Mrs. Ucicky and delineates a plan developed together with dr. Deigelmaier an official from the local revenue service for withdraw and sell the painting out of the sale if an appropriate purchase offer would be made privately “ich halte einen Preis von 8–9000 RM für angemessen†/ “I think a price of 8–9;000 RM is reasonableâ€. The secretary misspells the name “Ucicki†and also mixes up the family relations claiming Mrs. Ucicky the descendant of Klimt.<br /> <p><p><br /> Rare and important document related to one of the most well-known Nazi-looted pictures. <br /> <p><p><br /> Literature: Fleckner U. et al. Markt und Macht Der Kunsthandel im »Dritten Reich«. De Gruyter 2017. pp. 304–9; Lillie S. Was einmal war: Handbuch der enteigneten Kunstsammlungen Wiens. Czernin 2003.<br /> <p>. unknown
1985DYTWW10415SMA 1985. Soft Cover. Fine. Number of books£º1 SMA paperback
1986219928New York & Boston: New York Graphic SocietyLittle Brown & Co./Museum of Modern Art 1986. Hardcover. 264p. 9x11.25 inches foreword conclusion notes chronology bibliography lenders profusely-illustrated catalogue of the exhibition very good first edition in blue cloth boards and gilt unclipped dj. New York Graphic SocietyLittle, Brown & Co./Museum of Modern Art hardcover books
198628514Centre Georges Pompidou Jaquette en très bon état Couverture rigide toile Paris 1986
1981100266HBWien:, Edition Tusch, 1981. 321 Seiten, 1 Bl., OLnbd., OU., 29 x 27,5 cm.
197991108New York, Sotheby 1979. Mit zahlr. Abbildungen. 39 Bll. Gr.-8vo. OBrosch.
1931333711Vienna: Austrian State Printing Office 1931. Collotype print with chine colle 19 x 17 7/8 inches. Limited English edition.<br/> <br/> The Stoclet Frieze is a series of three mosaics 1905 - 1911 commission for the Stoclet Palace in Brussels Belgium. This image was in the first panel called 'The expectation'. Printed in 'Gustav Klimt Eine Nachlese An Aftermath' a portfolio of 30 collotypes prints 15 are multi-color and 15 are monochrome on chine colle paper laid down on heavy cream-wove paper with deckled edges; Max Eisler Editor-Publisher; Osterreichischer Staatsdruckerei Austrian State Printing Office Printer; in a limited edition of 500 numbered examples of which: 200 were printed in German 150 were printed in French and 150 were printed in English. Max Eisler 1881-1937 the publisher of the 1931 Aftermath portfolio was an art historian at Vienna University specializing in modern and contemporary arts and crafts whose 1920 book on Klimt was the first Klimt monograph. Some foxing and toning but otherwise in good condition. Gustav Klimt 1862-1918 was a celebrated Austrian symbolist painter and a leader of the Vienna Secession movement. His work which helped define Art Nouveau in Europe is known for its ornate style.<br/> <br/> Austrian State Printing Office unknown
1919157501Vienna: Gilhofer & Ranschburg 1919. Edition of 500 and 10 proofs. Printed by The Art Institution Max Jaffé in Vienna and issued as one of 25 prints from the portfolio Fünfundzwanzig Handzeichnungen. Collotype on matt art paper tipped onto thin cream card with mount as issued. Sheet size: 52.3 x 33.5 cm. Framed size 70.8 x 51.2 cm. Foxing to mount otherwise in excellent condition. Presented in a handmade white gold leaf frame with conservation acrylic glazing. unknown
1919157499Vienna: Gilhofer & Ranschburg 1919. Edition of 500 and 10 proofs. Printed by The Art Institution Max Jaffé in Vienna and issued as one of 25 prints from the portfolio Fünfundzwanzig Handzeichnungen. Collotype on matt art paper tipped onto thin cream card with mount as issued. Sheet size: 51.4 x 33 cm. Framed size 70.8 x 51.2 cm. Excellent condition. Presented in a handmade white gold leaf frame with conservation acrylic glazing. unknown
1919138276Vienna: Gilhofer & Ranschburg 1919. Edition of 500 and 10 proofs. Printed by The Art Institution Max Jaffé in Vienna and issued as one of 25 prints from the portfolio Fünfundzwanzig Handzeichnungen. Collotype on matt art paper tipped onto thin cream card with mount as issued. Sheet size: 52.3 x 32.3 cm. Framed size 70.8 x 51.2 cm. Excellent condition. Presented in a handmade white gold leaf frame with conservation acrylic glazing. unknown
1931182243Vienna: Osterreichischen Staatsdruckerei 1931. One of 30 prints from the Eine Nachlese/Dernière gerbe/An Aftermath portfolio. The first reproduction of Klimt's original painting. Max Eisler 1881-1937 the publisher of this print was an art historian at Vienna University who published the first Klimt monograph in 1914. He intended Eine Nachlese to complement Das Werk the only folio set produced in Klimt's lifetime which was overseen by Klimt up to 1913. Fragile hand-printed collotype plates cannot be reused so the run must be completed on the first go and in only a limited number. The complicated lengthy process involves gelatin colloids mixed with dichromates. Thin 16-colour separation glass filters achieve the light-sensitive internegative images which capture the original tonal gradations. These are exposed to actinic light. Finally the delicate chine colle paper allows for greater colour saturation. Edition of 500. Collotype in colours on chine colle paper laid down on heavy cream wove paper with untrimmed deckled edges. Image size: 29.8 x 30.1 cm. Sheet size: 48 x 45.5 cm. Framed size: 59 x 56.3 cm. Small public library stamp lower left minor spotting to margins otherwise in excellent condition. Presented in a handmade gold leaf frame with conservation acrylic glazing. unknown
1919139055Vienna: Gilhofer & Ranschburg 1919. Edition of 500 and 10 proofs. Printed by The Art Institution Max Jaffé in Vienna and issued as one of 25 prints from the portfolio Fünfundzwanzig Handzeichnungen. Collotype on matt art paper tipped onto thin cream card with mount as issued. Sheet size: 33 x 51.5 cm. Excellent condition. unknown
2000Q-3791323288Prestel Pub 2000-04-01. Paperback. New. In shrink wrap. Looks like an interesting title! Prestel Pub paperback
199650667Augsburg, Weltbild Verlag GmbH, 1996. Genehmigte Lizenzausgaben für Bechtermünz Verlag 64, 64, 63, 63, 64, 64 Seiten , 22 cm, kartoniert