2 454 résultats
200672340Hatje Cantz. New. 2006. Hardcover. 3775718451 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Text in German. 240 pp. With 224 ills. 155 col. one foldout. 29 x 20 cm. -- with a bonus offer-- . Hatje Cantz hardcover
1984407995New York: Crown Publishing Group 1984. First American edition. Hardcover. 13 x 9.75 inches. 249 pages. Cloth; pictorial dust jacket; acetate; publisher's plain slipcase. "Gathers more than two hundred lithographs including book illustrations by the Russian-born artist and discusses the role of the engraver in the production of prints. Crown Publishing Group hardcover
199858193MHP; Et Al. New. 1998. Hardcover. 1858940583 . FREE UPGRADE to Courier/Priority Shipping Upon Request IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 104 pp. With 91 ills. 65 col. 2 foldout. 28 x 25 cm. -- with a bonus offer-- . MHP; Et Al hardcover
1973287893Tudor Pub. Co 1973-01-01. First Edition. Hardcover. Very Good/Very Good. 13x10x1. Tudor Publishing Co. 1973; Special Issue of the XXe Siècle Review; double sheet lithograph at front of book printed by Mourlot of Paris especially for this edition. Binding is tight sturdy and square; very minor wear to edges of blue cloth boards gilt titling remains bright and bold; photos illustrations and text also very good; light foxing to top edge of page block and rear paste-down. Light wear to edges of unclipped dust jacket; very minor toning to jacket as well; jacket arrives wrapped in protective mylar. Due to the size/weight of this book extra charges may apply for international shipping. Ships from Dinkytown in Minneapolis Minnesota. Tudor Pub. Co hardcover
19731497HNew York - Cambridge U.K: Tudor Publishing Company 1973. 1st Edition - Stated. Hardcover. Fine/Fine. Folio - over 12 - 15" tall. Type: Book 136 pp. dark blue cloth bdg. with gilt-stamped titling on front board and spine. Containing as frontispice an original double page lithograph designed by Chagall especially for this important monograph on this great artist. Excellent condition throughout with VG DJ in fresh mylar cover. illustrated with 33 Plates in color - 100 reproductions in black and white. Contributors include Malraux Aragon Maritain Claude Esteban etc. Shipped Weight: 1-2 kilos.Photo scan available upon request. Books sold to the USA are shipped USPS vis Canada Post Expedited; FREE OF CUSTOMS OR DUTY CHARGES. Tudor Publishing Company hardcover
19519480Jerusalem: L'Association des musees d'Israel 1951. First Edition. Softcover. Very good. Octavo 20pp. plus plates and additional 20pp. of text in Hebrew language. Fully bilingual text in French and Hebrew. Mild foxing to the wrappers else a clean sound example of this scarce exhibition catalog. This copy SIGNED boldly by the artist on the front wrapper: "Marc Chagall 1951 Israel." Chagall visited the state of Israel in 1951 for the first time when the new state hosted its first exhibition of his work. It was around this time when he began to move away from painting and into glass windows murals and other large-format works such as the ceiling for the Paris Opera. A significant and quite scarce signed copy of a meaningful document in Chagall's working life commemorating the Jewish artist's first visit to Israel. L'Association des musees d'Israel unknown
194744365Paris: Les Editions Du Chene. Good. 1947. First Edition. Softcover. Oversized folder with pictorial onlay. Contains poem by Paul Eluard introduction by Leon Denand and 16 color plates. The folder has some spine tears toning and foxing. The bottom corner is bumped throughout. ; Folio 13" - 23" tall . Les Editions Du Chene paperback
199867752Printed in Germany: Distributed Art Publishers 1998. First English edition. Cloth over boards. Very good./Good. Hardcover blue cloth over boards with complete d/j. 4to. 413 pp. Illustrated with over a thousand full colour plate reproductions of Chagall's lithographs ranging in size from thumbnails to two-page spreads Every print in the extensive Sorlier Collection is included. Blind stamped title on front board and spine. Published on the occasion of the exhibition of the same name at Staalsgalerie Stuttgart Graphische Sammlung Sept. 19 1998 - Jan. 10 1999 and Deichtorhallen Hamburg Feb. 18 - May 9 1999. English and French text. Single fold gift tag from previous owner pasted on the front flyleaf appears easily removable. Pages are bright and clean with some light speckle on the edges of the text block. Binding strong and square. Boards and spine are very lightly shelf worn along the foot. The d/j is worn and slightly rubbed/scuffed. Distributed Art Publishers unknown
200878398RMN. New. 2008. Paperback. 2711854086 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Text in French. 144 pp. With 114 ills. 105 col. . 28 x 22 cm. -- with a bonus offer-- . RMN paperback
196861074Pierre Matisse Gallery. 1968. Paperback. Very Good. Card covers are faintly shelf-marked front illustration bright and unmarked corners minimally bumped; binding is tight; pages are faintly age-toned at outer edges errata note laid in with four colour illustrations and several others in black and white.; 9.2 x 0.3 x 11.5 inches; 44 pages . Pierre Matisse Gallery paperback
198235621Paris: Mourlot 1982. In excellent condition. 38 x 28 cm 15 x 11 inches. Original color lithograph by Marc Chagall printed at Mourlot Paris. Published as one of the original lithographs bound into Derrière le Miroir No. 250 the celebrated final issue of the Galerie Maeght art journal Paris 1982. Sheet: 38 × 28 cm 15 × 11 inches. A deeply personal work created for the closing issue of the most important art publication of the post-war Paris art world an outstanding example of the original ChagallMaeght collaboration. Marc Chagall 7 July 1887 28 March 1985 was one of the most celebrated and beloved artists of the 20th century. Born Marc Zakharovich Shagal in Vitebsk Belarus then part of the Russian Empire he trained in Saint Petersburg before moving to Paris in 1910 where he became part of the vibrant avant-garde of Montparnasse. Drawing on Jewish folk tradition Russian culture and the imagery of his Belarusian childhood Chagall developed a uniquely dreamlike visual language infused with lovers floating above villages fiddlers on rooftops animals angels and mystical biblical scenes. Associated with Fauvism Cubism and Surrealism yet belonging to none he was the quintessential 'School of Paris' master. His work is held at MoMA in New York the Tate in London the Centre Pompidou in Paris the Guggenheim and the Musée National Marc Chagall in Nice inaugurated in 1973. He remains one of the most sought-after names in 20th-century prints with original lithographs consistently coveted by collectors worldwide.This original color lithograph was created by Chagall specifically for Derrière le Miroir No. 250 the final and valedictory issue of the legendary Galerie Maeght art journal published in Paris in 1982. Derrière le Miroir DLM was founded by Aimé Maeght in 1946 and ran for 36 years publishing 253 issues: each one containing original lithographs created directly on stone by the artists themselves and printed at the Mourlot studio in Paris. DLM was not a reproductions journal but an artist's publication in the fullest sense its lithographs are original works of art not facsimiles. No. 250 was conceived as a tribute to Aimé Maeght 19061981 who had died the previous year and to the entire creative legacy of the Maeght gallery. Chagall as Maeght's most iconic and longest-standing artist contributed this luminous image of floating lovers the 'cheval bleu au couple' as a farewell to a creative partnership of four decades. The lithograph was printed at Mourlot in an edition corresponding to the journal's print run of approximately 5000 copies. Each sheet was folded and bound into the journal; unfolded it presents as a complete self-standing original lithograph. A deeply significant work for any collector of Chagall or of the history of the School of Paris. In excellent condition. Colors vivid and unfaded. No tears creases or foxing. Ready to frame. Mourlot 993 Mourlot unknown
196022221Paris: Maeght 1960. No Binding. In excellent condition. 320 by 240mm 12 by 9 inches. Original color lithograph by Marc Chagall. Edition of 5000 unsigned and unnumbered from Chagall Lithographe / Catalogue Raisonné Vol. I 19221957 1960. Published by André Sauret Monte Carlo 1960. Printed by Mourlot and Draeger Paris. Sheet: 320 by 240mm 12 by 9 inches. A joyful original Chagall circus print full of the luminous color and fantasy his work is loved for. Marc Chagall 7 July 1887 28 March 1985 was one of the most celebrated and beloved artists of the 20th century. Born Marc Zakharovich Shagal in Vitebsk Belarus then part of the Russian Empire he trained in Saint Petersburg before moving to Paris in 1910 where he became part of the vibrant avant-garde of Montparnasse. Drawing on Jewish folk tradition Russian culture and the imagery of his Belarusian childhood Chagall developed a uniquely dreamlike visual language infused with lovers floating above villages fiddlers on rooftops animals angels and mystical biblical scenes. Associated with Fauvism Cubism and Surrealismyet belonging to nonehe was the quintessential 'School of Paris' master. His monumental stained-glass windows ceiling paintings including the Paris Opéra and tapestries brought his vision to public spaces worldwide. Chagall's work is held at MoMA in New York the Tate in London the Centre Pompidou in Paris the Guggenheim and the Musée National Marc Chagall in Niceinaugurated in 1973 and dedicated to his biblical message cycle. He remains one of the most sought-after names in 20th-century prints with original lithographs consistently coveted by collectors worldwide.'Chagall Lithographe' Volume I 1960 published by André Sauret in Monte Carlo with text by Julien Cain is the first volume of the catalogue raisonné of Chagall's lithographic work covering prints from 1922 to 1957. The volume contains 24 original color lithographs printed by Mourlot and Draeger in Paris. A landmark publication in the history of Chagall's graphic art it documents his early mastery of lithography and includes some of his most celebrated compositional themeslovers musicians the Jewish world of his childhood.This original color lithograph sheet: 320 by 240mm 12 by 9 inches depicts 'Circus - Der Zirkus'. Published in 1960 Edition of 5000 by André Sauret Monte Carlo this work is a fine example of Chagall's graphic production of the period printed at the celebrated Mourlot studio in Paris under the direct supervision of Fernand Mourlot. Each color was applied from a separate lithographic stone resulting in the luminous layered palette that makes Chagall's prints instantly recognizable. The circus was one of Chagall's most enduring obsessions a metaphor for the artist's own world of dreamlike fantasy and poetic escape. His circus lithographswith their acrobats clowns and performers floating against vivid color fieldsare among the most joyful and decorative of all his prints perennially popular with collectors. In excellent condition. Colors vivid and unfaded. No tears creases or foxing. Ready to frame. Mourlot 289 Maeght unknown
51-5817Paris: Tériade Editeur 1967. . Folio. 33.5 x 42.5 cm. Edition of 250; with the signed limitation page and title page. Cream cloth board chemise in matching slipcase.Text volume with ca. 125 pages. Ideal for someone who owns one or more of the lithographs for presentation. Cramer no. 68. Paris: Tériade Editeur, 1967. hardcover
02-0840Lombreuil France: Editions des Nouvelles Images 1979. Offset poster. Paris: Centre Pompidou 1979. 162 x 84 cm. Original: gouache 1944 Musée National d’Art Moderne Paris. Lombreuil, France: Editions des Nouvelles Images, 1979. unknown
1980019927no place of publication listed: Publisher not stated 1980. Autograph. Near fine condition. Unbound. Signed by Authors. First Edition. Quarto 4to. An 8-color halftone print signed in the plate by the artist. Additionally signed by the artist prominently in the lower margin in graphite. No date or printer/publisher is listed; circa 1980. Framed: the exposed area of the print measures 8.75" x 11.75". This is a reproduction of the original lithograph "Les Fleurs Rouges" first published in 1950. Publisher not stated Paperback
51-0740Monte-Carlo: André Sauret 1960. Lithograph from Chagall Lithographe I. 320 x 240 mm. Mourlot no. 292. Monte-Carlo: André Sauret, 1960. unknown
51-0741Paris: Maeght 1957. Color lithograph from DLM 99-100. 15 x 11 inches sheet size. Mourlot no. 175. Paris: Maeght, 1957. unknown
196036841Paris: Mourlot 1960. In ausgezeichnetem Erhaltungszustand. 35 x 26 cm 13.75 x 1025 inches. Original color lithograph by Marc Chagall from Original Lithograph 1960. Published by Mourlot Paris 1960. Printed by Mourlot Paris. Sheet: 35 x 26 cm 13.75 x 1025 inches. One of Chagall's most celebrated biblical prints — a collector's original not a reproduction. Marc Chagall 7 July 1887 – 28 March 1985 was one of the most celebrated and beloved artists of the 20th century. Born Marc Zakharovich Shagal in Vitebsk Belarus then part of the Russian Empire he trained in Saint Petersburg before moving to Paris in 1910 where he became part of the vibrant avant-garde of Montparnasse. Drawing on Jewish folk tradition Russian culture and the imagery of his Belarusian childhood Chagall developed a uniquely dreamlike visual language infused with lovers floating above villages fiddlers on rooftops animals angels and mystical biblical scenes. Associated with Fauvism Cubism and Surrealism—yet belonging to none—he was the quintessential 'School of Paris' master. His monumental stained-glass windows ceiling paintings including the Paris Opéra and tapestries brought his vision to public spaces worldwide. Chagall's work is held at MoMA in New York the Tate in London the Centre Pompidou in Paris the Guggenheim and the Musée National Marc Chagall in Nice—inaugurated in 1973 and dedicated to his biblical message cycle. He remains one of the most sought-after names in 20th-century prints with original lithographs consistently coveted by collectors worldwide.This original color lithograph was produced during Chagall's most prolific printmaking period printed at the celebrated Mourlot studio in Paris under the supervision of master lithographer Fernand Mourlot. The Mourlot studio was Chagall's primary printmaking partner from 1950 onwards and its impeccable technical standards ensured that each impression faithfully conveyed the luminosity and color of the original stone drawings.This original color lithograph sheet: 35 x 26 cm 13.75 x 1025 inches depicts 'Creation - Die Schöpfung'. Published in 1960 by Mourlot Paris this work is a fine example of Chagall's graphic production of the period printed at the celebrated Mourlot studio in Paris under the direct supervision of Fernand Mourlot. Each color was applied from a separate lithographic stone resulting in the luminous layered palette that makes Chagall's prints instantly recognizable. Chagall's biblical lithographs are among the most sought-after prints in his œuvre combining deep spiritual feeling with the dreamlike palette and symbolic imagery that define his unique vision. Collectors of 20th-century graphic art prize these works for their authenticity as original lithographs—not reproductions—and for their place in one of the most celebrated print suites of the postwar era. Die Auflage betrug 6500 Exemplare unsigniert und nicht nummeriert. Mourlot 234 Cramer 42 Mourlot unknown
1965W2679Paris: Mourlot 1965. Marc Chagall was a Russian-born Jew who become one of the most influential artists of the 20th century. Offered here is an original color lithograph from his portfolio "Bible Lithographs" published in Verve in 1956. The image was later pictured in the catalogue for the grand opening of the Marc Chagall National Museum in Nice in 1973. Not long before Henri Matisse's death in 1954 Pablo Picasso remarked "When Matisse dies Chagall will be the only painter left who understands what colour really is." This lithograph demonstrates the core truth in that judgment. Image/sheet size is 14 inches by 10 ¾ inches. In fine condition: clean bright and crisp. Mourlot 142. Original. Single Sheet. Fine. Illus. by Marc Chagall. Folio - over 12" - 15" tall. Fine Art Print. Mourlot
51-5816Paris: Tériade Editeur 1961. . Folio. 32.3 x 42cm. Edition of 250 this one without the limitation page. Two volumes in cream board chemises in matching slipcase.Text volume with 78 pages. Plate volume with paper wraps only.Ideal for someone who owns one or more of the lithographs for presentation. Cramer no. 46 Paris: Tériade Editeur, 1961. paperback
1991771940Cabries.: Chateau Musee de Cabries. 1991. Card covers. With 5 mounted plates & illustrations. Very good. Chateau Musee de Cabries. unknown
2000238249Munich.: Prestel. Pegasus. 2000. First edition thus. Soft cover. . Fine copy. As new. . Octavo. . Illustrated in black white and color. Very scarce in this condition. Prestel. Pegasus. paperback
1965W2627Paris: Mourlot 1965. Marc Chagall was a Russian-born Jew who become one of the most influential artists of the 20th century. Offered here is an original color lithograph from his portfolio "Bible Lithographs" published in Verve in 1956. The image was later pictured in the catalogue for the grand opening of the Marc Chagall National Museum in Nice in 1973. Not long before Henri Matisse's death in 1954 Pablo Picasso remarked "When Matisse dies Chagall will be the only painter left who understands what colour really is." This lithograph demonstrates the core truth in that judgment. In 2008 this lithograph was the cover illustration for Anthony Phillips' book DAVID: A STORY OF PASSION AND TRAGEDY. Image/sheet size is 14 inches by 10 ¾ inches. In as-new condition: clean bright and crisp. Mourlot 133. Original. Single Sheet. Fine. Illus. by Marc Chagall. Folio - over 12" - 15" tall. Fine Art Print. Mourlot
195638412Paris: Mourlot 1956. In very good to excellent condition. 35.6 x 266 cm 14 x 105 inches. Original signed color lithograph by Marc Chagall signed in pencil by the artist from Original Signed Lithograph 1956. Published by Mourlot 1956. Printed by Mourlot Paris. Sheet: 35.6 x 266 cm 14 x 105 inches. One of Chagall's most celebrated biblical prints — a collector's original not a reproduction. Marc Chagall 7 July 1887 – 28 March 1985 was one of the most celebrated and beloved artists of the 20th century. Born Marc Zakharovich Shagal in Vitebsk Belarus then part of the Russian Empire he trained in Saint Petersburg before moving to Paris in 1910 where he became part of the vibrant avant-garde of Montparnasse. Drawing on Jewish folk tradition Russian culture and the imagery of his Belarusian childhood Chagall developed a uniquely dreamlike visual language infused with lovers floating above villages fiddlers on rooftops animals angels and mystical biblical scenes. Associated with Fauvism Cubism and Surrealism—yet belonging to none—he was the quintessential 'School of Paris' master. His monumental stained-glass windows ceiling paintings including the Paris Opéra and tapestries brought his vision to public spaces worldwide. Chagall's work is held at MoMA in New York the Tate in London the Centre Pompidou in Paris the Guggenheim and the Musée National Marc Chagall in Nice—inaugurated in 1973 and dedicated to his biblical message cycle. He remains one of the most sought-after names in 20th-century prints with original lithographs consistently coveted by collectors worldwide.Signed original lithographs by Marc Chagall are among the most prized items in the modern prints market. Printed at the Mourlot studio in Paris—where Chagall worked closely with Fernand Mourlot from 1950 onward—and signed by the artist in pencil these works carry the direct authentication of one of the 20th century's greatest graphic artists.This original color lithograph sheet: 35.6 x 266 cm 14 x 105 inches depicts 'David and Bathseba - signed' signed in pencil by the artist. Published in 1956 by Mourlot this work is a fine example of Chagall's graphic production of the period printed at the celebrated Mourlot studio in Paris under the direct supervision of Fernand Mourlot. Each color was applied from a separate lithographic stone resulting in the luminous layered palette that makes Chagall's prints instantly recognizable. Chagall's biblical lithographs are among the most sought-after prints in his œuvre combining deep spiritual feeling with the dreamlike palette and symbolic imagery that define his unique vision. Collectors of 20th-century graphic art prize these works for their authenticity as original lithographs—not reproductions—and for their place in one of the most celebrated print suites of the postwar era. In very good to excellent condition. David and Bathseba is probably ChagallÂ’s most saught illustration of his famous bible series which were published in 1956 in Paris. Overall a very well preserved example of this hand signed original color lithograph. Mourlot 132 Mourlot unknown
195631658Paris: Mourlot 1956. Other. In excellent condition. 355 by 260mm 14 by 10¼ inches. 355 by 260mm 14 by 10¼ inches. Original lithograph in colors published in his series Verve 33/34 of the bible lithographs in Paris. Edition 6500 unsigned and unnumbered copies. Mourlot 133 Mourlot unknown