2 454 résultats
1946mon0003988311Schocken Books 1946T. hardcover. Very Good. 0.9000 7.8000 5.3000. first thus. dj in mylar sleeve shows minor wear tear tanning. name of former owner on ffep. pages tanned and clean. Schocken Books hardcover
17-0028Chicago IL : R.S. Johnson Fine Art 2018. 4to. 114p. Softcover. Good very minor tearing on spine minor marking and creasing. B&W and color prints throughout. From the Collection of the Art Historian Peter Selz 1919-2019. Chicago, IL : R.S. Johnson Fine Art, 2018. paperback
2001210454London: Sims Reed Gallery 2001. Staplebound. VG. Light shelfwear. Price list laid in rear. Quarto. Staplebound exhibition catalogue. Illustrated wraps. 24 pages : illustrations chiefly color portrait ; 31 cm. Sims Reed Gallery unknown
SB 5/12-09Book. Hardcover. FIRST. A NEAR FINE FIRST IN DJ. Hardcover
1995005798Dover Publications 1995. Soft cover. Fine/No Jacket issued. <br/> <br/> Dover Publications paperback
15-8102New York: Perls Gallery 1956 & 1965. The Perls Gallery in New York was founded in 1937 by Klaus Gunther Perls 1912-2008 and his brother Franz R. Perls1910-1975 after having worked at their mother's Galerie Kate Perls in Paris. Following his marriage to Amelia Blumenthal of Philadelphia in 1940 Klaus and Amelia B. Perls jointly ran the gallery. They specialized in modern French painting while Franz established the Frank Perls Gallery in Beverly Hills. He originally dealt in works by Maurice Utrillo Maurice de Vlaminck and Raoul Dufy that his mother sent from Paris until the Nazi occupation. When she was forced to flee France he began dealing in now little known contemporary American artists including Darrel Austin and in Mexican and South American art such as Mario Carreno. After the war Klaus again dealt in French art from the School of Paris.Artists in the Perls' stable included Rouault Picasso Léger Derain Dufy Matisse Modigliani Pascin Soutine and Vlaminck. The Perls Galleries closed in 1997. New York: Perls Gallery, 1956 & 1965. unknown
75-8463Paris: Paris Musee National d'Art Moderne 1969. 4to. Soft Cover ca. 300 pp. B&W and Color Plates. Good with Age Toning Creasing Abrasions. Sunned.Provenance: From the library of the San Francisco Gallerist Pasquale Iannetti. Paris: Paris Musee National d'Art Moderne, 1969 paperback
1967BOOKS244343New York NY: George Braziller. G/G. 1967. First Revised. Cloth w/DJ. 4to. 118 pp. DJ rubbed frayed toen and chipped . George Braziller hardcover
200479354Palais Benedictine 2004. First Edition. Softbound. Fine Condition/No Dust Jacket as Issued. Oversized. Palais Benedictine Paperback
1987023834The Tel Aviv Museum 1987. Book. Fine. Hardcover. 1st Edition. Text in English and Hebrew. The Tel Aviv Museum Hardcover
63-0691Los Angeles CA: Leslie Sacks Fine Art 2005. 8vo. Folded Card Oblong Very Good. Color Plates. Mailed to Pasquale Iannetti. Los Angeles, CA: Leslie Sacks Fine Art, 2005. unknown
197336332New York: Pierre Matisse Gallery 1973. First edition. softcover. g. Larger Quarto. 48pp. Original full-color illustrated wrappers with white lettering on cover. Exhibition catalog with vibrant reproductions of 29 paintings and gouaches with 13 photographs of sculptures all laid in. Wrappers rubbed and scuffed with a few indentations. Wrappers in overall good interior in very good condition. Pierre Matisse Gallery unknown
15-7262Tokyo: Atopuranningurei 1997. 8vo. 171 pp. Illustrated Soft Covers Very Good with minor shelf wear text block somewhat bowed. Color plates photographs. Local government publication. In Japanese some English. Tokyo: Atopuranningurei, 1997. paperback
196779558New York NY: George Braziller 1967. First Revised Edition. Hardcover. Good. Marc Chagall. xix 1 111 11 pages. Note on fep. Includes Introduction as well as the dimensions of the preparatory drawings The Stained-Glass Windows and the Details. Some scuffing and wear to cover and corners. Minor spine weakness at third color plate restrengthened with glue. Each of the twelve stained-glass windows reproduced is preceded by a preparatory set of drawings and models whose number media dimension and order of presentation are exactly the same in the sequence of each Tribe and are arranged as follows: -------------------------------------------------------------------------------------------------------------Height Width First sketch pencil pen and India ink.7-7/8'' X 5-7/8'' Preparatory drawing India ink and wash.15-7/7-8" X 11 -5/8" First color skitch India ink and watercolor.7-7/8'' X 5-7/8" Small model gouache and collage.8-5/8'' X 18-7/8" Final model gouache and collage.16-1/2'' X 12-1/2" Marc Chagalla born Moïche Zakharovitch Chagalov;7 6 July 1887 - 28 March 1985 was a Russian-French artist of Belarusian Jewish origin. An early modernist he was associated with several major artistic styles and created works in a wide range of artistic formats including painting drawings book illustrations stained glass stage sets ceramic tapestries and fine art prints. Art critic Robert Hughes referred to Chagall as "the quintessential Jewish artist of the twentieth century" though Chagall saw his work as "not the dream of one people but of all humanity". For decades he "had also been respected as the world's pre-eminent Jewish artist". Using the medium of stained glass he produced windows for the cathedrals of Reims and Metz windows for the UN and the Art Institute of Chicago and the Jerusalem Windows in Israel. He also did large-scale paintings including part of the ceiling of the Paris Opéra. He had two basic reputations: as a pioneer of modernism and as a major Jewish artist. He experienced modernism's "golden age" in Paris where "he synthesized the art forms of Cubism Symbolism and Fauvism and the influence of Fauvism gave rise to Surrealism". Yet throughout these phases of his style "he remained most emphatically a Jewish artist whose work was one long dreamy reverie of life in his native village of Vitebsk." In 1960 he began creating stained glass windows for the synagogue of Hebrew University's Hadassah Medical Center in Jerusalem. Leymarie writes that "in order to illuminate the synagogue both spiritually and physically" it was decided that the twelve windows representing the twelve tribes of Israel were to be filled with stained glass. Chagall envisaged the synagogue as "a crown offered to the Jewish Queen" and the windows as "jewels of translucent fire" she writes. Chagall then devoted the next two years to the task and upon completion in 1961 the windows were exhibited in Paris and then the Museum of Modern Art in New York. They were installed permanently in Jerusalem in February 1962. Each of the twelve windows is approximately 11 feet high and 8 feet 2.4 m wide much larger than anything he had done before. Cogniat considers them to be "his greatest work in the field of stained glass". In 1973 Israel released a 12-stamp set with images of the stained-glass windows. The windows symbolize the twelve tribes of Israel who were blessed by Jacob and Moses in the verses which conclude Genesis and Deuteronomy. In those books notes Leymarie "The dying Moses repeated Jacob's solemn act and in a somewhat different order also blessed the twelve tribes of Israel who were about to enter the land of Canaan. In the synagogue where the windows are distributed in the same way the tribes form a symbolic guard of honor around the tabernacle." Leymarie describes the physical and spiritual significance of the windows: The essence of the Jerusalem Windows lies in color in Chagall's magical ability to animate material and transform it into light. Words do not have the power to describe Chagall's color its spirituality its singing quality its dazzling luminosity its ever more subtle flow and its sensitivity to the inflections of the soul and the transports of the imagination. It is simultaneously jewel-hard and foamy reverberating and penetrating radiating light from an unknown interior. At the dedication ceremony in 1962 Chagall described his feelings about the windows: For me a stained glass window is a transparent partition between my heart and the heart of the world. Stained glass has to be serious and passionate. It is something elevating and exhilarating. It has to live through the perception of light. To read the Bible is to perceive a certain light and the window has to make this obvious through its simplicity and grace. The thoughts have nested in me for many years since the time when my feet walked on the Holy Land when I prepared myself to create engravings of the Bible. They strengthened me and encouraged me to bring my modest gift to the Jewish people-that people that lived here thousands of years ago among the other Semitic peoples. George Braziller hardcover
19-9432New York: George Braziller 1967. . Folio. 120 pp. Red cloth-covered boards. Pictorial color dust jacket with protective brodart mylar cover. Very good with chipped and stained dust jacket and edgewear along binding. Ex-library. Mostly full-page color plates. First revised edition. Stamped nameplate and embossed stamp reading “Library of Pasquale Iannetti.†Printed in the Netherlands. New York: George Braziller, 1967. hardcover
1963009848Jerusalem: Synagogue Hadassah -- Hebrew University Medical Center 1963. Loose at front 1 12-page pamphlet entitled "The Jerusalem Windows" with commentary by Merian Freund and Kyle R Morris; 2 large folding broadside from Musuem of Modern Art on the Jerusalem Windows. Paperclip mark on first loose item and front flyleaf. First Edition. Original Stiff Paper Wrappers. Very Good. Synagogue Hadassah -- Hebrew University Medical Center
17-5096New York NY: Hammer Galleries 1999. 4to. 24 pp. Softcovers. Very Good. Color Plates. New York, NY: Hammer Galleries, 1999. paperback
17-5095New York NY: Hammer Galleries 1991. 4to. 32 pp. Softcovers. Very Good. Color Plates. New York, NY: Hammer Galleries, 1991. paperback
59-2208London: Grosvenor Gallery 1996. 4to. stapled wraps. 16 pp. Ill. 20 color plates. TLS from Mackenzie; price list both laid in. Exhib. 4 -28 Jun 1996. VG. London: Grosvenor Gallery, 1996. paperback
1999BM15814Munich: Prestel 1999. Brand new with dust jacket in original shrink wrap. 161 pages. Size: 6.5"x9.5". Hardcover. Prestel Hardcover
1977ART AB 349Fondation Maeght 1977. Book. Fine. FIRST. A FINE FIRST. Fondation Maeght unknown
197236345New York: Pierre Matisse Gallery 1972. First edition. softcover. vg. Quarto. 31pp. Original mylar-covered illustrated wrappers white lettering on cover. Exhibition catalog with 27 gorgeous full-color reproductions tipped in. Interior lightly age-toned in margin not affecting images. Wrappers and interior in overall very good condition. Pierre Matisse Gallery unknown
19633845Jerusalem: Synagogue Hadassah/ Hebrew Univversity Medical Center 1963. 1st. Original Wraps. Collectible; Fine. An immaculate Fine copy of the 1963 1st edition in its original pictorial wrappers. Octavo high-quality color plates thruout. <br/><br/> Synagogue Hadassah/ Hebrew Univversity Medical Center paperback books
17-5172Paris France: Daniel Malingue 1985. 12mo. Ca. 40 pp. Softcovers. Very Good with minor shelfwear on cover. Color Plates. Date stamp on cover. Text in French. Paris, France: Daniel Malingue, 1985. paperback
17-5082New York NY: Hammer Galleries 2000. 4to. 31 pp. Softcovers. Very Good. Color Plates. New York, NY: Hammer Galleries, 2000. paperback
