Chagall, MarcBiblio.com
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44268Monte Carlo André Sauret 1962. 4° 210 S. 2 Orig.-Lithographien zahlr. meist farbige Abb. meist als Vollbilder OLwd. m. OU und Transp.-Umschlag OU min. randrissig u. -knittrig allg. tadelloses sehr gutes Exemplar. Mit zwei speziell für diese Ausgabe geschaffenen farb. Orig.-Lithographien des Künstlers. Die 36 weiteren Orig.-Lithogr. wurden nach Entwürfe von Chagall von Charles Sorlier auf den Stein übertragen u. bei Mourlot Frères gedruckt. Jeder dieser Lithographien erforderte 15 - 20 Farben. 010 Monte Carlo, André Sauret, 1962 unknown
0486413268New. Brand new and still unused unknown
0517658305New. Brand new and still unused unknown
1962WRCLIT79349Monte Carlo: André Sauret 1962. 2104pp. Small folio 33 x 26 cm. Cloth. Plates photographs. Fine in dust jacket with tiny nicks toward lower fore-tip. Card slipcase. First English language edition translated from the French by Elaine Desautels. Illustrated with two full-page original color lithographs executed by Chagall for this work and printed by Mourlot as well as 36 multi- color preparatory color designs transferred to stones under Chagall's supervision and printed by Charles Sorlier. The text was printed at the Imprimerie Nationale. A splendid overview of the various stages of Chagall's twelve stained glass window designs for the synagogue of the Hadassah-Hebrew University Medical Centre in Jerusalem. André Sauret hardcover books
19641742Paris: Mourlot Press 1964. First edition. Soft cover. FIRST EDITION one of 2000 copies on Velin d'Arches out of a total edition of 2200 of this lavishly illustrated exhibition catalog from the Smithsonian Institution. With 18 original lithographs most in color by Chagall Picasso Miro Beaudin Esteve Matisse Guiramand Florsheim Cathelin Brasilier Brianchon Cocteau Minaux Jenkins Calder Kito Giacometti and Manessier. Prints from the Mourlot Press. Exhibition Sponsored by the French Embassy Circulated by the Traveling Exhibition Service of the National Collection of Fine Arts Smithsonian Institution. Paris: Mourlot Press 1964. Quarto original plain wrappers original dust jacket with lithograph by Chagall. Just a hint of toning to spine. Text in English. A FINE COPY. Mourlot Press paperback books
19519480Jerusalem: L'Association des musees d'Israel 1951. First Edition. Softcover. Very good. Octavo 20pp. plus plates and additional 20pp. of text in Hebrew language. Fully bilingual text in French and Hebrew. Mild foxing to the wrappers else a clean sound example of this scarce exhibition catalog. This copy SIGNED boldly by the artist on the front wrapper: "Marc Chagall 1951 Israel." Chagall visited the state of Israel in 1951 for the first time when the new state hosted its first exhibition of his work. It was around this time when he began to move away from painting and into glass windows murals and other large-format works such as the ceiling for the Paris Opera. A significant and quite scarce signed copy of a meaningful document in Chagall's working life commemorating the Jewish artist's first visit to Israel. L'Association des musees d'Israel unknown
51-2106Paris: Maeght 1969. . Folio. One of 150 numbered portfolios on Rives paper. With 2 original lithographs. Original lithographed cover in green boards and chemise very slightly stained. Cramer no. 81. Mourlot 603bis and 605.This copy does not have the text or reproductions. It has the 2 lithographs and the limitation page of the correct Rives paper.DLM édité en décembre 1969 pour l'exposition de 6 peintures et 24 gouaches de CHAGALL à la Galerie Maeght. Poème d'André Frénaud ""Chant de Marc Chagall"". Texte de Claude Esteban ""Comme un parfait chimiste"". 32 pages non reliées. 2 lithographies originales en double page 4 reproductions en couleurs dont 2 en double page et 18 reproductions en noir. Tirage original." Paris: Maeght, 1969. hardcover
1960146789New York: The Orion Press 1960. First edition in English of artist Marc Chagall's early autobiography. Oblong octavo original cloth illustrated with twenty drawings by the author. Presentation copy inscribed by the author on the title page "For Lillian Friedman Marc Chagall 1960." Near fine in a very good dust jacket. Translated by Elizabeth Abbott Art critic Robert Hughes referred to Chagall as "the quintessential Jewish artist of the twentieth century" though Chagall saw his work as "not the dream of one people but of all humanity". According to art historian Michael J. Lewis Chagall was considered to be "the last survivor of the first generation of European modernists." In his early autobiography 'My Life' he presents a full picture of village life in Russia into his time in Paris in the years immediately before the First World War. The Orion Press hardcover
1962102129First 1962 edition.: George Braziller. Fine in Fine dust jacket. 1962. Hardcover. Tall hardcover monograph in bright red cloth gilt titles to cover and spine; in publisher's acetate protected pictorial dustjacket. First Edition1962. Book and jacket are both in near fine to fine condition. This edition was designed and printed with full creative imput from Marc Chagall: it includes two oiriginal full color lithographs prepared by the artist for this editioin and printed by Mourlot Freres Paris. Along with full color fine reproductions throughout. Laid in is a four page Horizon Magazine description and promotional letter to the reader dated September 14 1962 wherein the Co-Publisher Horizon describes in detail the production of the book along with the close workings with the artist. Small sticker memory to upper corner of the front endpaper as well as a smaller one on the upper corner of the front flyleaf. Large 4to. 213 pp. ; 4to 11" - 13" tall . George Braziller hardcover
07-0750New York: Braziller 1962. WIth two original color lithographs M.365 and M.366 and 36 color lithographs after Chagall by Charles Sorlier. Original Dust jacket with tears and loss of part of front flap.Fold mark at edge of upper right corner of many pages. Not very perceptible in the lithographs. Cramer. no. 49. Text and notes by Jean Leymarie; translated by Elaine Desautels; compiled by Andre Sauret. The text was composed by hand and printed by Imprimerie Nationale de France. The 36 preparatory color designs some in twenty colors were transferred to the stones by Charles Sorlier under the direction of Marc Chagall. These designs along with two original lithographs by Chagall were printed by Mourlot Frerès. New York: Braziller, 1962. unknown
193614204Paris: Editions Poesie & Cie 1936. Limited Edition. Softcover. Fine. Octavo 61pp. illustrated on the front cover from a drawing by Marc Chagall. A fine copy in the publisher's printed wrappers very well-preserved with yapped edges showing only the most trivial wear. Original or at least contemporary tissue dust jacket intact. Of an edition of 506 copies this is one of just six printed on Imperial Japon Japan paper. Chagall contributed the design for the figure of the title cover which adorns the front cover. Necessarily rare; we found just one auction sale which soared past its estimate. Editions Poesie & Cie unknown
19571626761957. CHAGALL Marc. Chagall. By Jacques Lassaigne. Illustrated with several color lithographs by Chagall some folding and numerous reproductions of Chagall's works. 4to. original illustrated color wrappers. Paris: Maeght Editeur 1957. An important survey of Chagall's work for which he contributed a total of 12 original lithographs. unknown books
19571626761957. CHAGALL Marc. Chagall. By Jacques Lassaigne. Illustrated with several color lithographs by Chagall some folding and numerous reproductions of Chagall's works. 4to. original illustrated color wrappers. Paris: Maeght Editeur 1957. An important survey of Chagall's work for which he contributed a total of 12 original lithographs. unknown
19501203221950. First Edition. CHAGALL Marc. Verve. Contes de Boccace. Paris: Éditions de la Revue Verve 1950. Folio original lithographic dust jacket over boards. $1500.First edition of this exceptional volume of 26 Chagall heliogravures accompanied by 26 tipped-in color prints from a medieval miniaturist.The art critic Stratis Eleftheriades under the nom de plume Tériade published the art journal Verve in Paris from 1937 to 1960. He commissioned famous artists of the day from Matisse to Picasso and Chagall to provide works for the journal with numerous lithographs appearing for the first time in his publications. This volume is particularly notable for the unusual medium for Chagall used: ""New washed drawings in India ink which are quite unrelated to anything he had done before. Using black diluted in every possible degree from onyx to the palest shade of gray he produced sheets that give an intensely colorful effect These drawings were a response to what he saw in his new environment and stemmed from the urge to render in a spontaneous fashion the overwhelming impact of the profusion and light. They also reveal paradoxically the increased importance of color as a medium of expression. In these drawings 'light' does not signify a diminution of the colorfulness but an advance into the zone from which it springs. One might say that the heart of the color is light and from this light Chagall created the colorfulness of his sheets. What this means is visibly demonstrated by the drawings he did at Tériade's suggestion for the number of Verve dedicated to Boccaccio's Decameron. What Chagall produced was a present-day counterpart to colored reproductions of the miniatures in a fifteenth-century manuscript of Boccaccio's work. For each of his drawings he drew inspiration from the miniature of the same scene and the old and new illustrations are reproduced side by side in the pages of Verve. In Chagall however everything attains a new meaning. A new logic links the objects of the anecdotic 'tale' and the plot of the love story gives rise to ardent desire and serene joy. What is more in Chagall's large black-and-white plates the light radiates in a far richer modulation of color than the full coloring of the miniaturist's precise magic-lantern pictures"" Meyer 499. Interior fine expert repairs to original boards and wrappers. hardcover
A livre d'artiste with two original etchings (one stylish self'portrait with a palette, and one extremely stylish portrait of the author, a close friend of the artist's) and five original lithographs (one in color, four in bistre) by MARC CHAGALL. Goll's text, a first-person narrative from the point of view of a horse, explores the plight of working people. From a total edition of 200 copies printed on fine Rives wove paper, this copy printed specially for Dr. Louis Schwartz. Large 4to. Loose as issued in original wraps, housed in brown boards (adorned with an original wood-engraving in sanguine by Robert Blanchet) with ribbon ties. FINE AND BRIGHT, WITH NO DEFECTS. LIKE NEW.
1939785Editions Ambroise Vollard, Paris 1939. Petit in-4 (250 x 195 mm) en feuilles sous couverture illustrée à rabats. 43 GRAVURES ORIGINALES D'ARISTIDE MAILLOL : (une vignette de couverture), frontispice, (vignette de titre), 15 gravures en hors-texte et 27 dans le texte. Table des gravures et colophon illustré d'une vignette. Tirage à 230 exemplaires, celui-ci étant l'un des 170 numérotés sur vélin vergé de Montval au filigrane dessiné par Maillol. Imprimeurs : Henri Jourde pour le texte et Roger Lacourière pour les gravures. Seul livre illustré de pointes-sèches par Maillol et le dernier ouvrage édité par Ambroise Vollard qui allait se tuer dans un accident de voiture quelques semaines après la publication.
19672101210006Paris 1967. Art Prints & Posters. Very Good. Signed. Signed by Chagall on matting. Color lithograph by Chagall; framed and matted under glass. Framed dimensions: 49.4 x 42 cm 19 3/8 x 16 1/2 inches. Image dimensions: 24.5 x 20 cm 9 1/2 x 8 inches. Created by Marc Chagall for the Metropolitan Opera's performance of Mozart's The Magic Flute. Chagall created the sets and costumes shown on the stage for the 1967 performance. Chagall designed 39 stage curtains and 121 costumes and masks for the production. His work was exhibited that summer at the Fenimore Art Museum in Cooperstown New York. This image appears to be cropped from the poster. Sorlier Charles. Chagall's Posters: A Catalogue Raisonne 106-107 pp. unknown
1960b30925Andre Sauret / George Braziller 1960. hardcover. Very Good. 4x0x7. Hardcover with dust jacket. Book is in very nice condition text is unmarked and pages are tight. All lithographs present and in perfect shape. Price clipped on dust jacket. Includes publisher's original clear acetate wrap that has 2 tiny split corners. Andre Sauret / George Braziller hardcover
195635084Paris: Mourlot 1956. In excellent condition. 35.5 x 26 cm 14 x 1025 inches. Original lithograph in colours published in his series Verve 33/34 of the bible lithographs in Paris. Edition 6500 unsigned and unnumbered copies. Mourlot 132 Mourlot unknown
460979Maeght Editeur Paris 1960 Numéro 119 de mars 1960, de cette revue in-folio ( 380 X 280 mm ) de 36 pages, en feuilles sous couverture illustrée d'une lithographie en couleurs de Raoul UBAC. Lithographies originales en couleurs de BRAQUE, CHAGALL, MIRO, BAZAINE, UBAC, PALAZUELO et CHILLIDA. Lithographies originales en noir de FIEDLER et Alberto GIACOMETTI. Lithographies en couleurs d'après KANDINSKY et LEGER. Textes de CHAR, CENDRARS, VOLBOUDT, BROSSA, QUENEAU, LECLERCQ, FRENAUD, TARDIEU, HERNANDEZ, GUILLEN et DU BOUCHET. Edition originale publiée en mars 1960 pour l'exposition d'œuvres de BRAQUE, CHAGALL, KANDINSKY, LEGER, .... Petit manque au dos, bel exemplaire.
195793000Paris, Maeght Editeur 1957. 1957. gr.-8°, 177 S. mit sehr vielen Abbildungen und 15 (davon 4 doppelblattgroß und 2 schwarz-weiß) Original-Lithographien, Orig.-Karton mit farbig lithographiertem Orig.-Umschlag.
114775Musee des Arts Decoratifs. paperback. Very Good. 9x7x0. #266 of 300 Chagall signed limited edition with an original lithograph of the ten commandments. Tight and unmarked softcover with faint toning to covers. Please email for photos. Musee des Arts Decoratifs paperback
1969603231Chagall in purple ink on his engraved LA COLLINE St. Paul De Vence letterhead watermarked Tenax-Japon-Montgolfier March 1 1969. 8 1/2 in x 11 in; 1 page recto only. Very good. Text in French To Cher ami: I am glad that you are working on the book on ballet that I am looking forward to most impatiently. I hope that Mourlot as made the corrections and that you are happy with them. You write that you would like to come to Saint-Paul in early March. Unfortunately I am leaving tomorrow for a few days in the mountains at Valberg. I will stay for only ten days or so. If you come let me know because I too. would like to see you as well as the book. My wife joins me in sending both of you our friendly greetings. Chagall. Drawings and Watercolors for the Ballet by Jacques Lassaigne. With 68 illustrations including an original Chagall lithograph Mourlot 581.
195626694Paris: Mourlot 1956. No Binding. In excellent condition. 355 by 260mm 14 by 10 inches. Original color lithograph by Marc Chagall. Edition of 6500 unsigned and unnumbered from Verve Vol. VIII Nos. 33/34 — Drawings for the Bible 1956. Published by Tériade Paris 1956. Printed by Mourlot and Draeger Paris. Sheet: 355 by 260mm 14 by 10 inches. One of Chagall's most celebrated biblical prints — a collector's original not a reproduction. Marc Chagall 7 July 1887 – 28 March 1985 was one of the most celebrated and beloved artists of the 20th century. Born Marc Zakharovich Shagal in Vitebsk Belarus then part of the Russian Empire he trained in Saint Petersburg before moving to Paris in 1910 where he became part of the vibrant avant-garde of Montparnasse. Drawing on Jewish folk tradition Russian culture and the imagery of his Belarusian childhood Chagall developed a uniquely dreamlike visual language infused with lovers floating above villages fiddlers on rooftops animals angels and mystical biblical scenes. Associated with Fauvism Cubism and Surrealism—yet belonging to none—he was the quintessential 'School of Paris' master. His monumental stained-glass windows ceiling paintings including the Paris Opéra and tapestries brought his vision to public spaces worldwide. Chagall's work is held at MoMA in New York the Tate in London the Centre Pompidou in Paris the Guggenheim and the Musée National Marc Chagall in Nice—inaugurated in 1973 and dedicated to his biblical message cycle. He remains one of the most sought-after names in 20th-century prints with original lithographs consistently coveted by collectors worldwide.Verve 1937–1960 was the legendary French art and literary review published in Paris by Tériade. Nos. 33/34 1956 'Drawings for the Bible' is dedicated to Chagall's first great suite of biblical lithographs—16 in color and 12 in black-and-white—created especially for this volume alongside full heliogravure reproductions of his 105 Bible etchings made between 1930 and 1955. The lithographs were printed by Mourlot Frères and Draeger Frères in Paris. This double-issue completed on 10 September 1956 is one of the most significant Chagall publications of the postwar period. The individual lithographs separated from their bound volumes are among the most desirable original Chagall prints available to collectors today.This original color lithograph sheet: 355 by 260mm 14 by 10 inches depicts 'David mit der Harfe'. Published in 1956 Edition of 6500 by Tériade Paris this work is a fine example of Chagall's graphic production of the period printed at the celebrated Mourlot studio in Paris under the direct supervision of Fernand Mourlot. Each color was applied from a separate lithographic stone resulting in the luminous layered palette that makes Chagall's prints instantly recognizable. Chagall's biblical lithographs are among the most sought-after prints in his œuvre combining deep spiritual feeling with the dreamlike palette and symbolic imagery that define his unique vision. Collectors of 20th-century graphic art prize these works for their authenticity as original lithographs—not reproductions—and for their place in one of the most celebrated print suites of the postwar era. In excellent condition. Colors vivid and unfaded. No tears creases or foxing. Ready to frame. Mourlot 134 Mourlot unknown
196068391960 Paris, André Sauret, 1960. 25 x 33 cm. 220 pages. Avant propos de Marc Chagall. Notices de Fernand Mourlot. Ouvrage richement illustré et enrichi de 12 LITHOGRAPHIES ORIGINALES tirées par Mourlot Frères (dont la jaquette). Reliure en pleine toile beige de l'éditeur, avec jaquette (lithographie) et rhodoïd. Ouvrage en parfait état et bien complet. Avec dédicace autographe de Marc Chagall, datée de 1961, à Marcelle Berr de Turique (1894-1991), galeriste et critique d'art. "Ma pitite vous m'aimi toujours ?.. ainsi Marc Chagall abordait Marcelle Berr de Turique le soir de l'inauguration du plafond de l'Opéra. Oui, elle l'aimait toujours, comme elle aimait Raoul Dufy ou Suzanne Valadon, et d'autres, artistes authentiques, depuis qu'en 1925 elle avait créé à Paris sa galerie de tableaux." (Anne D. Kapferer). Jointe : une copie roneotypée de l'allocution de Chagall lors de l'inauguration du plafond de Paris, le 23 septembre 1964.
