Chagall marc

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CHAGALL, Marc MOURLOT, FernandBiblio.com

CHAGALL Lithographe 1957-1962. Tome II.

(CHAGALL, MARC), Mourlot, FernandBiblio.com

Chagall Lithograph Vol. I-VI

19602463Marc Chagall B. 1887 VITEBSK RUSSIA; D. 1985 SAINT-ST. PAUL-DE-VENCE FRANCE. Monte Carlo and NYC Mourlot 1960-1986. 6 vols. 4to. pp. 220; 209; 179; 180; 250; 224. Illustrated throughout in colour and monochrome. Chagall made 24 original lithographs - most of them coloured - for these volumes. The dust jackets of the first 4 vols are also original colour lithographs."11 Publisher"s cloth and dust jackets. . Two Volumes signed in pen Vol. 1 and Vol III. Andre Sauret. 1960 - 1986. The complete catalogue raisonné of the lithographs. Monte Carlo & NY 1960-1984 1st editions in German French and English the complete set in 6 volumes containing about 1000 pages 28 original full-page lithographs circa 800 color and b&w illustrations. Cloth in decorative paper dust jackets. Vol. 1 the dust jacket is complete the volume is tight and fine inside; the other 5 volumes are flawless in excellent condition. All volumes with English German and French text each volume 13 x 11 in. Volume 1 in German Lithographs from 1922 to 1957. 12 original lithographs 10 of them in colors Mourlot 281-292; Cramer 44 SIGNED in pen by MARC CHAGALL on the front end paper. With an additional brochure in Lithography of the full front cover and description of the volume 4 pp. Volume II In German. with one brochure in German with 4 pp. with the original lithograph cover. 1962: 12 original lithographs 7 in colors Mourlot 577-578; Cramer 56. Volume III 1962-1968 SIGNED BY MARC CHAGALL to Marc Kinkle IN PEN : 2 original color lithographs Mourlot 577-578; Cramer 77 French text. Volume IV 1969-73: 2 original color lithographs in French Mourlot 729-730; Cramer 94; Volume V In German 1974-79. Volume VI 1980-85. In English. Crown Publishers. Additional references: Monod 2502-2507; Freitag 1561. Verlag Andre Sauret hardcover

L'Estampe Originale · États-Unis8 200,00 $US≈ 6 938,02 €

Chagall, MarcBiblio.com

Paris L'OpÃ©ra le plafond de Chagall detail RomÃ©o et Juliette Marc Chagall Â– Paris L'OpÃ©ra Le Plafond de Chagall · Original Color Lithograph Hand-Signed 1970 · Mourlot Paris 1964

196438517Paris: Mourlot 1964. In very good condition. 99 x 632 cm 39 x 25 inches. Large-format original color lithograph by Marc Chagall after the Opéra ceiling lithographically interpreted and engraved by Charles Sorlier D'après Marc Chagall Ch. Sorlier Grav. printed by Mourlot Paris 1964. Hand-signed by Chagall in pencil lower right with a later occasional signature 1970. Sheet: 99 × 63.2 cm 39 × 25 inches. A monumental and rare signed impression of one of the most celebrated images in 20th-century French cultural life. Marc Chagall 7 July 1887 28 March 1985 was one of the most celebrated and beloved artists of the 20th century. Born Marc Zakharovich Shagal in Vitebsk Belarus then part of the Russian Empire he trained in Saint Petersburg before moving to Paris in 1910 where he became part of the vibrant avant-garde of Montparnasse. Drawing on Jewish folk tradition Russian culture and the imagery of his Belarusian childhood Chagall developed a uniquely dreamlike visual language infused with lovers floating above villages fiddlers on rooftops animals angels and mystical biblical scenes. Associated with Fauvism Cubism and Surrealism yet belonging to none he was the quintessential 'School of Paris' master. His monumental stained-glass windows ceiling paintings including the Paris Opéra and tapestries brought his vision to public spaces worldwide. Chagall's work is held at MoMA in New York the Tate in London the Centre Pompidou in Paris the Guggenheim and the Musée National Marc Chagall in Nice inaugurated in 1973 and dedicated to his biblical message cycle. He remains one of the most sought-after names in 20th-century prints with original lithographs consistently coveted by collectors worldwide.This large-format original color lithograph depicts a detail of Chagall's celebrated ceiling painting for the Paris Opéra the Palais Garnier commissioned by André Malraux and completed in 1964. The ceiling comprising 220 square metres of painted canvas divided into five colour zones pays homage to the great composers Mozart Wagner Berlioz Rameau and Debussy and was unveiled to wide acclaim. The scene depicted here 'Roméo et Juliette' is among the most lyrical passages of the ceiling showing lovers entwined in Chagall's signature floating reverie. The lithograph was produced in 1964 by Mourlot Paris and lithographically interpreted and engraved by Charles Sorlier Mourlot's chief lithographer and Chagall's most trusted technical collaborator as indicated by the imprint 'D'après Marc Chagall Ch. Sorlier Grav.' The sheet bears a hand signature by Chagall in pencil in the lower right corner added as an occasional signature Gelegenheitssignatur in 1970 not a signed numbered edition but a personal autograph applied directly to this impression. Such signed copies of the Opéra poster are rare and significantly more sought after than unsigned examples. The sheet edges show minor signs of wear consistent with display; colors are fresh and the image is in excellent condition. Hand-signed by Chagall in pencil lower right occasional signature 1970. The sheet edges show minor signs of wear consistent with handling and display. Colors vivid and fresh. Image in excellent condition. Sorlier 96 Mourlot unknown

Antiquariat Reinhold Berg ek · Allemagne7 500,00 $US≈ 6 345,75 €

[Cover design by:] [Chagall, Marc]Biblio.com

Cover title in Yiddish: Schwartzbard

19271751Paris: I. Grodzensky 1927. First edition. Text in French and Yiddish. In publisher’s wrappers bound by string. Cover design by Marc Chagall. Cover and plates are worn at extremities. Cover and some plates damaged at corners and at the string. Two photographic reproductions are loose. Overall in good condition. First edition. Text in French and Yiddish. In publisher’s wrappers bound by string. Cover design by Marc Chagall. 4 text plates and 19 album card plates with mounted photographic reproductions. Scarce book with Chagall’s cover design. With Marc Chagall’s image on the front cover. Before a black background the image features an opened Torah scroll with the inscription of Schwartzbard's name in Hebrew letters an angel with sword flies over the Torah an allusion to Michael the Archangel the advocate of the Jews. A scarce album with pictures of places and portraits of people connected with the Schwartzbard-trial together with short expressions of opinion from prominent intellects as well as brief biographical notes on Schwartzbard and Petliura. Sholom Schwartzbard 1886–1938 was a Russian-born French Yiddish poet and anarchist the assassin of Symon Petliura 1879–1926 head of the Ukrainian government-in-exile in Paris in 1926. Schwartzbard held Petliura responsible for the death of fifteen of his relatives murdered in pogroms during Petliura rule of the Ukrainian National Republic. The number of Jews murdered during the massive 1918–1921 pogroms in Ukraine is estimated to be between 35000 and 50000 and a large percent of the violent attacks were carried out by soldiers under Petliura’s command. The Schwartzbard trial began in mid-October 1927 lasted for eight days in the end it turned on accusations of Petliura's responsibility for the pogroms and eventually Schwarztbard was acquitted. Scarce we could trace only 3 copies in institutional holdings Harvard University Widener Library Cambridge MA USA; NLI Jerusalem; Musée d’art et d’histoire du Judaïsme Paris. . [I. Grodzensky] unknown

Foldvaribooks · Hongrie5 851,20 $US≈ 4 950,70 €

TERIADE E CHAGALL MarcBiblio.com

Verve: Contes de Boccace

19501204071950. First Edition. Signed. CHAGALL Marc. Verve. Contes de Boccace. Paris: Éditions de la Revue Verve 1950. Folio original lithographic dust jacket over boards. $5800.First edition of this exceptional volume of 26 Chagall heliogravures accompanied by 26 tipped-in color prints from a medieval miniaturist boldly signed by Chagall on the half title. From the collection of Joseph Liverant a fellow Russian Jewish emigré and friend of Chagall.The art critic Stratis Eleftheriades under the nom de plume Tériade published the art journal Verve in Paris from 1937 to 1960. He commissioned famous artists of the day from Matisse to Picasso and Chagall to provide works for the journal with numerous lithographs appearing for the first time in his publications. This volume is particularly notable for the unusual medium for Chagall used: ""New washed drawings in India ink which are quite unrelated to anything he had done before. Using black diluted in every possible degree from onyx to the palest shade of gray he produced sheets that give an intensely colorful effect These drawings were a response to what he saw in his new environment and stemmed from the urge to render in a spontaneous fashion the overwhelming impact of the profusion and light. They also reveal paradoxically the increased importance of color as a medium of expression. In these drawings 'light' does not signify a diminution of the colorfulness but an advance into the zone from which it springs. One might say that the heart of the color is light and from this light Chagall created the colorfulness of his sheets. What this means is visibly demonstrated by the drawings he did at Tériade's suggestion for the number of Verve dedicated to Boccaccio's Decameron. What Chagall produced was a present-day counterpart to colored reproductions of the miniatures in a fifteenth-century manuscript of Boccaccio's work. For each of his drawings he drew inspiration from the miniature of the same scene and the old and new illustrations are reproduced side by side in the pages of Verve. In Chagall however everything attains a new meaning. A new logic links the objects of the anecdotic 'tale' and the plot of the love story gives rise to ardent desire and serene joy. What is more in Chagall's large black-and-white plates the light radiates in a far richer modulation of color than the full coloring of the miniaturist's precise magic-lantern pictures"" Meyer 499. From the collection of Joseph Liverant a fellow Russian Jewish emigré and close friend of Chagall. Liverant and Chagall both fled Europe in World War II Liverant to Canada and Chagall to the United States. After the war both acquired residences in Provence where shared social circles similar ages and a mutual love of Yiddish combined to forge a lasting bond of friendship between the two.About-fine condition. hardcover

Bauman Rare Books · États-Unis5 800,00 $US≈ 4 907,38 €

Teriade, ed; Henri Matisse, Pablo Picasso, Marc Chagall, Joan Miro, James Joyce, Georges Bataille, Georges Braque, Pierre BonnarBiblio.com

VERVE VOLUME 1: ISSUES 1-4 4 Volume Complete Set: No. 1: December 1937; No. 2: Spring 1938 March-June; No. 3: October - December 1938; No 4: January - March 1939;

1937510540Verve 1937. First Edition. Paperback. FINE. Complete run of the first four issues of Teriade's legendary art magazine. Beginning with a stunning cover produced by Matisse for the first issue Verve would incorporate fresh artwork into its cover designed newly commissioned by artists such as Miro Picasso Chagall and other leading lights of the French art world. Each issue offered spectacular color lithographs printed by the Paris lithographers Mourlot. Early issues came in litho-printed card wrappers in boxes later volumes would be in paper-over board with litho covers. This choce allowed Teriade to feature the fresh lithographic artwork in the cover design but left the books themselves extremely fragile and succeptible to wear. Additionally the full-page lithographs have been continuous targets for art dealers looking to excise the plates. So condition seen here is quite rare with each volume preserved COMPLETE FINE with no signs of the wear and toning so commonly seen. 'The cover of Verve No. 1 is by Henri Matisse; it consists of three unmodulated colors--red blue and black--that the master cut directly from printers' ink specimen books. . Mattisse's cover for the first issue lithographed by Fernand Mourlot printers was an original work of art created expressly for the magazine--as would be practically all of the Verve's covers. . The painter took great pains to make sure that the cover would turn out exactly as he wished. . THe care Matisse lavished on what others might consider a minor undertaking was one of the hallmarks of Teriade's publications. How did he induce the greatest artists of this century to give the very best of themelves . Matisse and Teriade shared a common ideal. For both of them painting was life itself.' Michel Antonioz VERVE: The Ultimate Review of Art and Literature 35-36. Verve paperback

Arches Bookhouse · États-Unis4 950,00 $US≈ 4 188,20 €

Chagall marc

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