1 172 résultats
19561395231New York: Harcourt Brace and Company 1956. First American Edition. Hardcover. Quarto unpaginated. In Good condition. Bound in publisher's illustrated boards. Spine blue with black lettering. Binding extremely fragile though still in tact. Bottom halves of front and rear hinges split. General shelf wear to head and tail of spine and to edges and corners of boards. Mild scuffing and soiling to boards. Staining to fore edge of textblock affecting the margins throughout the interior. Scattered foxing throughout textblock primarily to endpapers title page and "Captions" in rear leaving the lithographs largely unaffected. Age toning throughout. Previous owner's signature to front free endpaper. Includes the front inner flap of dust jacket stored loosely within. DL Consignment. Shelved in Case 11. 1395231. Shelved Dupont Bookstore. Harcourt, Brace and Company hardcover
198593676Orell Fussli Füssli Fuessli. New. 1985. Hardcover. 3280015758 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Text in German. 215 pages; 98 illustrations including 64 in color. Catalogue Raisonne Catalog Raisonné Complete Works Leben Und Werk Oeuvre-Katalog Kritischem Oeuvrekatalog Raisonnee Orell Fussli (Füssli, Fuessli) hardcover
1926141411Paris: Au Sans Pareil 1926. Softcover. Fine. Limited Edition. 955pp. Octavo. Bound in the original wrappers with a stiff blue wrap around jacket with dark blue lettering on the front and spine. One of 60 limited copies printed on Vergé de Hollande-- numbered 56 to 115-- with an extra suite of the 5 etchings by Marc Chagall in the latter portion of the book; this copy is #110. Deckling to all text block edges. Illustrated with five full page etchings by Chagall throughout the text with duplicate copies of the plates bound at the end; all the etchings have the original tissue guards. The blue jacket has faded quite a bit and is more of a buff colour and has some water stains on the back panel and to the spine in spots. Some transfer from the inner folds of the jacket is apparent on the ffep although it is quite faint. Internally clean and an attractive copy overall. Limited to a printing of 960 copies in total with 60 of those on Vergé de Hollande of which this copy is one. In 1923 Marc Chagall moved to Paris and received several commissions for visual narratives including this story by Marcel Arland. The text is comprised of a short story told in reverse beginning with the death of a young girl's illegitimate baby and ending with the first night she and her lover spend together. The girl is vilified by her neighbors and Chagall's first image shows her being taken away by the police as a crowd yells and shames her. Another plate shows the girl giving birth alone in her backyard among the chickens and empty crates. Due to the popularity of Chagall's prints many copies of this book were split apart and the etchings were sold individually. This is a complete and clean copy. 1926 Au Sans Pareil paperback
19691203961969. First Edition. Signed. SENGHOR Léopold Sédar. Élégie des Alizés. Lithographie Originale de Marc Chagall. Paris: Éditions du Seuil 1969. Slim quarto five loose gatherings in original cream paper wrappers uncut and unopened original glassine. $2800.Limited first edition number 405 of only 450 copies of Senghor's Élégie des Alizés Elegy for the Trade Winds with an original full-page three-color lithograph by Chagall signed and dated by him in 1974 on the title page. From the collection of Joseph Liverant a fellow Russian Jewish emigré and friend of Chagall.Internationally recognized poet politician and cultural theorist who served as the first president of Senegal Léopold Sédar Senghor avoided the Marxist and anti-Western ideology that had become popular in post-colonial Africa choosing instead to form a close relationship with France and the Western world. He was instrumental in the cultivation of postcolonial aesthetics and black African consciousness. His poetry reflects an ""all-embracing humanism which envisions the solidarity of all men with each nation making its contribution in its own special way to a 'universal civilization"" Albert S. Gerard. Critics continually point to his ability to synthesize elements of Western and African experience and to evoke universality in the imagery of his verse. ""Senghor is not merely a Frenchified African who tries to give exotic interest to his French poems; he is an African who uses the French language to express his African soul"" Ulli Beier. Chagall's wonderful illustration was printed by Fernand Mourlot who ran a lithography press in Paris where such greats as Braque Matisse Picasso Miró Léger and of course Chagall came to have their designs printed and to learn about this still nascent medium. Text in French. Cramer 82. Sorlier 587. From the collection of Joseph Liverant a fellow Russian Jewish emigré and close friend of Chagall. Liverant and Chagall both fled Europe in World War II Liverant to Canada and Chagall to the United States. After the war both acquired residences in Provence where shared social circles similar ages and a mutual love of Yiddish combined to forge a lasting bond of friendship between the two.A bit of wear two small ink marks to rear panel of fragile original glassine; wrappers and interior fine. unknown
1957321375Paris: Maeght Editeur 1957. First Edition; First Printing. Hardcover. Very Good in a Very Good dust jacket. Published in French. Multiple colored lithographs. Maeght Editeur hardcover
1995Q-2711833224REUNION DES MUSEES NATIONAUX 1995-01-01. Paperback. New. In shrink wrap. Looks like an interesting title! REUNION DES MUSEES NATIONAUX paperback
1975C91344Crown Publishers Inc. As New. 1975. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 146 pages; well-illustrated. Marc Chagall Catalogue Raisonne Catalog Raisonné Complete Works Life and Work Raisonnee -- with a bonus offer-- - May be EITHER: out of print OOP and extremely rare in this pristine condition; signed by author or contributor; or a first or special edition; inquire for details . Crown Publishers Inc hardcover
1972C92950Andre Sauret. As New. 1972. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 251 pages; well illustrated. Contributions from: Andre Malraux preface Aragon Gaston Bachelard Marc Chagall and Robert Marteau. Catalogue Raisonne Catalog Raisonné Complete Works La Vie et L'uvre Oeuvre Raisonnee -- with a bonus offer-- - May be EITHER: out of print OOP and extremely rare in this pristine condition; signed by author or contributor; or a first or special edition; inquire for details . Andre Sauret paperback
304971972. Paris Fernand Mourlot / MusÂŽes de France 1972. Un vol. au format in-4 328 x 257 mm de 199 pp. Reliure d'ÂŽdition de pleine toile gris-perle sous jaquette illustrÂŽe et rhodo•d. Edition originale. Exemplaire revÂtu par deux fois - aux faux-titre puis au titre - d'une signature autographe de Marc Chagall ; lequel a ajoutÂŽ cette mention manuscrite : ''Pour / A. Alain Carrier / Marc Chagall / 1973''. Ouvrage complet de sa lithographie originale en couleurs ; tirÂŽe par les soins de Mourlot FrÂres. ''S'il est caractÂŽristique de l'art de Chagall le Message biblique y prend une importance spÂŽciale parce qu'il en est une part plus pure plus rigoureusement sincÂre et partant plus ÂŽmouvante''. Bandeau ˆ parution conservÂŽ. Angles de la jaquette lÂŽgÂrement ÂŽlimÂŽs. Quelques rousseurs sur la tranche supÂŽrieure. Du reste trÂs belle condition. b42961 unknown
19603732810Verve 1960. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. No dust jacket. This double number of Verve contains the drawings made by Chagall in 1958 and 1959 on biblical themes which in general he had not dealt with in his illustrations for the Bible reproduced in Verve 33/34. The present work comprises 96 reproductions in black and white and 24 lithographs in color as well as a cover specially designed for this volume. The heliogravure in black and white by the master printers Draeger Freres and the lithography in color by Mourlot Freres were completed in Paris on the 29th of July 1960. Please note the Image in this listing is a stock photo and may not match the covers of the actual item2100grams ISBN: Verve hardcover
1998C86328Hatje Cantz. As New. 1998. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 416 pages; over 1000 illustrations in color. Catalogue Raisonné Catalogue Raisonne Catalog Raisonnee Lithographs -- with a bonus offer-- - May be EITHER: out of print OOP and extremely rare in this pristine condition; signed by author or contributor; or a first or special edition; inquire for details . Hatje Cantz paperback
51-5817Paris: Tériade Editeur 1967. . Folio. 33.5 x 42.5 cm. Edition of 250; with the signed limitation page and title page. Cream cloth board chemise in matching slipcase.Text volume with ca. 125 pages. Ideal for someone who owns one or more of the lithographs for presentation. Cramer no. 68. Paris: Tériade Editeur, 1967. hardcover
51-5816Paris: Tériade Editeur 1961. . Folio. 32.3 x 42cm. Edition of 250 this one without the limitation page. Two volumes in cream board chemises in matching slipcase.Text volume with 78 pages. Plate volume with paper wraps only.Ideal for someone who owns one or more of the lithographs for presentation. Cramer no. 46 Paris: Tériade Editeur, 1961. paperback
1956198870New York: Harcourt Brace - Verve 1956. First edition. Hardcover. The first American edition of this beautifully printed book which was published as a double issue of Verve. Text by Jean Wahl and an appreciation by Meyer Schapiro. Includes 28 lithographs with 16 in color along with 105 black and white heliogravures. A very good copy in paper covered boards with loss to the top of the spine some splitting and wear to the spine edges and some creasing to the front free endpaper. No dust jacket. Lithographs in very near fine condition. Harcourt, Brace - Verve unknown
1956110226Harcourt Brace and Company 1956-01-01. Hardcover. Very Good. 0x0x0. 1956 Harcourt Brace and Company American issue of Verve 33/34. Clean tight and unmarked jacket is quite tattered in two pieces missing the spine and is now laid into the book. All lithographs intact and undamaged. oversized and overweight. Please email for photos. Harcourt, Brace and Company hardcover
1956273685New York: Harcourt Brace 1956. First. hardcover. good. Chagall Marc. Beautifully illustrated with 28 original lithographs 16 of which are in color the 12 b/w lithographs are printed on rear of color plates; and 105 additional b/w heliogravures of Chagall's etchings throughout. Text by Jean Wahl & Meyer Shapiro. Small folio original pictorial boards quite damaged and lacking spine; lithographs are clean but for a discoloration on blank rear of frontispiece. New York: Harcourt Brace and Company 1956. First American edition.<br/> <br/> American printing of this incredible book which first appeared as a double issue of Verve Vol VII Nos. 33-34. A less than good only copy but all the desirable lithographs are present and in excellent condition.<br/> <br/> Harcourt Brace unknown
1956118477Paris : Editions de la Revue Verve 1956. 360x270mm. collation effectu : 105 planches n/b graves lÕeau-forte 16 lithographies en couleurs et 12 lithographies en noir complet reliure cartonnage de lÕditeur sous jaquette en rhodode. Ce double numro de Verve est consacr la reproduction intgrale en hliogravure des 105 planches graves lÕeau-forte par Chagall entre 1930 et 1955 pour lÕillustration de la Bible. LÕartiste a compos spcialement pour le prsent ouvrage 16 lithographies originales en couleurs et 12 en noir ainsi que la couverture et la page de titre. Volume imprim par Draeger pour lÕhliogravure et par Mourlot pour la lithographie. Accrocs sur le haut du dos et dchirures sur le haut du dos de la jaquette. Intrieur propre. Ddicac par Marc Chagall sur la page de titre dat du 25 aot 1957. Bel exemplaire. 1846 Editions de la Revue Verve unknown
1985C93676Orell Fussli Füssli Fuessli. As New. 1985. Hardcover. 3280015758 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Text in German. 215 pages; 98 illustrations including 64 in color. Catalogue Raisonne Catalog Raisonné Complete Works Leben Und Werk Oeuvre-Katalog Kritischem Oeuvrekatalog Raisonnee -- with a bonus offer-- - May be EITHER: out of print OOP and extremely rare in this pristine condition; signed by author or contributor; or a first or special edition; inquire for details . Orell Fussli (Füssli, Fuessli) hardcover
19632471AB1963. Band 2. Monte Carlo Sauret 1963. 325 : 25 cm. 208 Seiten mit 11 7 farbigen Original-Lithographien von Marc Chagall und 376 teils farbigen Abbildungen. Original-Leinenband mit Original-Farblithographie von Chagall als Schutzumschlag Schuber. Das massgebliche Werkverzeichnis für die lithographischen Arbeiten Chagalls von 1957 - 1962. Mit den 11 Original-Lithographien. Text in deutsch. Neuwertiges Exemplar. unknown
196249034New York: George Braziller 1962. First Edition. Hardcover. Near Fine/Near Fine. Folio. First edition in English. Red cloth boards lettered in gilt with the dust jacket both as new in the original and as new card slipcase. Held in a custom black cloth clamshell lettered in gilt matching the complete set of Chagall Lithographs we also have on offer. With the original lithographs present of course. A sharp copy. George Braziller hardcover
19701086231970. Signed. CHAGALL Marc. Autograph letter signed. Zurich September 9 1970. Single sheet of Dolder Grand Hotel airmail-weight stationery measuring 6 by 8-1/4 inches; pp. 2 with original matching hand-addressed envelope. $2200.Extraordinary 1970 autograph signed letter written entirely in Yiddish from Marc Chagall to acclaimed Yiddish writer and Jewish activist S.L. Shneiderman thanking him for sending a book on Ilya Ehrenburg; expressing his hopes that they will see each other in the near future; and explaining that he is in Zurich for an event related to having made the stained glass windows for the Fraumunster Church.The letter written on a sheet of Dolder Grand Hotel airmail stationary entirely in Chagall's hand and dated ""9/Sept 1970"" and accompanied by a hand-addressed matching envelope reads in full translated: ""Dear friend Schneiderman A thousand years have gone by and I remember youand your Yiddish writing stylebut we seldom see each other. Thank you for your book about poor Ehrenburg and also the attached article about me not a public/published one. I will read your book. You can imagine that since that terrible epoch for us Jews we can never forget. I hope that someday I will see you. I send regards to you and to all the good Jews in America. With love Marc Chagall. P.S. I am here for the opening/conference since I made Biblical vitrages stained glass windows for the Fraumunster Church in Zurich."" This letter was written just before friction began to emerge between Shneiderman and Chagall. While Chagall had grown into an acclaimed artist in Europe much of that fame was dependent on working with non-Jewish entities such as churches and even on drawing depictions of events in the New Testament. Increasingly the Christian world began to embrace Chagall and to interpret his work as having ecumenical or even Messianic undertones. Chagall continued in his artistic endeavors and failed to respond to some of the religious-based commentary. Shneiderman felt that this was intolerable publicly criticizing Chagall's failure to meet with Jewish representatives in the community he worked in and his new alignment with Christian and secular authorities. While their relationship did not completely sour and they continued to correspond their relationship grew strained. At the time this letter was penned Shneiderman had just completely a book on Ilya Ehrenburg a famous Soviet-Jewish writer and cultural figure. Highly regarded as a translator journalist poet novelist and travel writer Ehrenburg is probably best known for his Black Book a powerful work detailing the genocide of Soviet Jews by the Nazis during the Holocaust. His book The Thaw on liberalization after Stalin also had a powerful influence and gave a name to an era. Sadly Ehrenburg's reputation was quickly destroyed by antisemites and conspiracy theorists after the war who seized upon an article he wrote called ""Kill!""published while the Soviets were losing the war and the Germans were deep inside Soviet territoryin which Ehrenburg entreated soldiers to kill at least one German a day. Postwar he has often been blamed for the sacking of Germany by Russian troops though he condemned their actions. He died horribly of prostate and bladder cancer still a committed communist. The recipient of this letter was the famous Yiddish writer and journalist Samuel ""S.L."" Shneiderman. Continuing his distinguished early career as a war journalist Shneiderman is best known today for raising awareness about the plight of the Warsaw Ghetto after his arrival in the United States in 1940 and for his dedication to preserving the history of the Jews in Poland throughout his life. His works on the Holocaust and the terrible fate of the Jews remain the best known of his works. Shneiderman and his wife Eileen were also avid collectors of Yiddish-language books and their collection is now housed at the University of Maryland.Slight soiling to envelope letter fine. unknown
19381203161938. First Edition. TÉRIADE Efstratios ELEFTHERIADES Efstratios. Verve. Volume 1 Numbers 2-4 Spring 1939 to January-March 1939. Paris: Imprimerie des Beaux-Arts 1937-1939. Thick folio contemporary red cloth. $2200.First American editions of the second third and fourth issues of Verve published in Paris from 1938-39 featuring cover art by Braque Bonnard and Rouault original lithographs by Miró Chagall Matisse Derain Kandinsky and Klee along with numerous héliogravure photographs including Bill Brandt and Brassaï first appearances of select writings by Hemingway and Joyce and articles by Lorca Sartre Gide Bataille Malraux and Valéry. Assembled in a single folio volume with the three original lithographic front covers bound in.""Fifty years ago in Paris the magazine to look for was Verve which first came out in December 1937 and kept going in one form or another till 1960. That first cover by Henri Matisse sang out from the other side of the street in a way that made us run across the road to look at it more closely. And when we turned its pages Verve had a bosomy full-fleshed slightly slithery quality that this former subscriber would know in his sleep"" John Russell. Art critic Efstratios Eleftheriades under the nom de plume ""Tériade"" founded Verve with the financial assistance of David Smart publisher of Esquire. ""The magazine a quarterly review of arts and letters was lavish in design and challenging in content. Teriade's view of the world of art and literature was personal bold and compelling"" Rick Gagliano. Once called ""the most beautiful magazine in the world"" Verve contained original lithographs by the most famous artists of the day Matisse Picasso Braque Léger Miró Chagall many of which appearing here for the first time. The premiere issue of Verve in addition to its original cover by Matisse features original lithographs by Miró and Léger photographs by Man Ray and Brassaï articles by Matisse Gide Dos Passos and Garcia Lorca previously unpublished letters and drawings by Cézanne and the first printed illustration of Picasso's Guernica. The second issue with its original lithographic front cover by Braque includes original lithographs by Kandinsky and Masson photographs by Bill Brandt and Brassaï and the first publication of Hemingway's The Heat and the Cold together with his piece on the filming of The Spanish Earth that was later included in the book The Spanish Earth 1938 as well as the first appearance of James Joyce's Phoenix Park Nocturne. Number 3 with an original front cover by Bonnard offers original lithographs by Chagall Miró Rattner and Klee together with articles by such leading French writers as Valéry Malraux Claudel and Bataille. The culminating issue in this exceptional collection features an original lithographic front cover by Rouault an original double-page lithograph of Matisse's The Dance photographs by Brandt and Brassaï and articles by Michaux Garcia Lorca and Sartre. First American edition published same year as the French with text translated into English by Robert Sage. Hanneman C278. Slocum C93. See also Slocum C70 C90. Owner signature. Plates and text fine minor wear to cloth binding. An excellent copy. hardcover
1962304851962. S.l. AndrÂŽ Sauret 1962. Un vol. au format in-4 333 x 252 mm de 210 pp. Reliure d'ÂŽdition de pleine percaline satinÂŽe gris-perle sous jaquette illustrÂŽe et rhodo•d. Exemplaire revÂtu au premier feuillet de la signature autographe au feutre de Marc Chagall ; datÂŽ 1966. Outre une abondante iconographie en noir et couleurs l'ouvrage est complet de ses deux lithographies originales de Marc Chagall ; tirÂŽes par Mourlot. ''S'agissant d'illuminer une synagogue de Sion et ses douze verriÂres Chagall vit soudain resplendir sous les feux translucides les douze Tribus conjuguÂŽes d'Isra‘l la couronne de gemmes chantÂŽe par le Psalmiste qu'il ÂŽlÂverait ˆ son tour en offrande ˆ la reine d'Orient. Saisi par le seuil de l'‰ge par cet ÂŽblouissement impÂŽrieux il s'absorba deux annÂŽes sans rel‰che jusqu'ˆ la rÂŽussite absolue jusqu'au miracle final''. Angles et coupes de la jaquette lÂŽgÂrement ÂŽlimÂŽes. Claires rousseurs sur les tranches. Du reste belle condition. b42961 unknown
1974CHAGALLM013871�ditions Andr� Sauret Monte-Carlo. 1974. First edition. The fourth volume in the catalogue raisonn� of Chagall's lithographs. There were a further two volumes. Folio. 180 pages almost all of which are devoted to reproductions. The frontispiece and the dustwrapper are original colour lithographs printed by Mourlot in Paris.Signed boldly in red crayon by the artist on the title-page.Small bump to tail of spine. Fine in fine dustwrapper. �ditions Andr� Sauret, Monte-Carlo. unknown
1941261189New York 1941. Half-length frontal portrait of the artist. Gelatin silver print. 1 vols. approximately 10 x 7-7/8 inches. Docketed on verso "Mark Chagall XXI-V-II July 4 1941. Half-length frontal portrait of the artist. Gelatin silver print. 1 vols. approximately 10 x 7-7/8 inches. unknown
