1 172 résultats
196914675Paris Maeght Editeur 1969. Folio. 32 pp. Illustr. in colour a. b/w. Containing 2 original colour lithographs by Marc Chagall the frontcover and 1 double-page. unknown
196226242-419Monte Carlo André Sauret 1962. With 2 orig. color lithographs and many illus. on plates mostly in colors. 212 4 pp. Folio 335 x 265 mm. Orig. grey cloth with color d/j. Monte Carlo André Sauret 1962. First German edition illustrated with 2 full-page color lithographs. The drawings with biblical themes were made by Chagall for the stained glass windows in the Hadassah-Hebrew Medical Center in Jerusalem. It represents the 12 tribes of Israel.- Nice copy. - Mourlot 356 366. MODERN ILLUSTRATED BOOKS 1900-1999 ; BIB ; BIBLES ; Monte Carlo, André Sauret hardcover
1945206284New York: Pierre Matisse Gallery 1945. Rilegato sovracoperta hard cover dust jacket. Ottimo Fine. Significativa dedica con firma autografa di Lionello Venturi datata febbraio 1946 Substantial inscription signed by Venturi dated February 1946. LXIV tavole in bianco e nero 2 a colori applicate alcuni disegni nel testo. Bibliografia selezionata. Edizione inglese. 8vo cm 28x22. pp. 52 tavole. Significativa dedica con firma autografa di Lionello Venturi datata febbraio 1946 Substantial inscription signed by Venturi dated February 1946. Ottimo Fine. Marginali strappetti e una piccola mancanza nella parte superiore della sovraccoperta Few small chipping and nicks in the upper part of the dust jacket. Prima edizione di 1500 es. numerati. Pierre Matisse Gallery, hardcover
196617697AB1966. Paris 1966. 32 : 24 5 cm. 104 pages 34 leaves with hundreds of partly coloured plates and illustrations 2 original colour lithographs 1 double-page Coloured illustrated original boards. With original coloured lithograph by Viera da Silva and on double-page original lithograph by Marc Chagall. hardcover
196918970AB1969. Boston Boston Book and Art Shop. 1969. 33 : 25 cm. 179 pages 1 original colour lithograph by Marc Chagall. Original cloth with colour lithographed dust-jacket by Marc Chjagall hardcover
17-0030Beverly Hills CA : Louis Newman Galleries 1986. 8vo. 22 pp. Stapled wraps. Very Good. Insert: Letter from Skirball Museum Director Nancy Berman inviting museum members to the exhibit’s opening. From the Collection of the Art Historian Peter Selz 1919-2019. Beverly Hills, CA : Louis Newman Galleries, 1986. paperback
19732111902158900020Abe shuppan 1973. Soft Cover. Fine. Volume: 1 Abe shuppan paperback
137604Broché. Etat moyen. unknown
19481198Arts Council 1948. 8vo. First Edition with 8 collotype plates; original pictorial wrappers wire-stitched as issued a very good bright clean copy. With publisher's stamp on title and front wrappers. R.H. WILENSKI'S COPY WITH HIS INITIALS IN INK ON FRONT WRAPPER. Arts Council, unknown
19701086231970. Signed. CHAGALL Marc. Autograph letter signed. Zurich September 9 1970. Single sheet of Dolder Grand Hotel airmail-weight stationery measuring 6 by 8-1/4 inches; pp. 2 with original matching hand-addressed envelope. $2200.Extraordinary 1970 autograph signed letter written entirely in Yiddish from Marc Chagall to acclaimed Yiddish writer and Jewish activist S.L. Shneiderman thanking him for sending a book on Ilya Ehrenburg; expressing his hopes that they will see each other in the near future; and explaining that he is in Zurich for an event related to having made the stained glass windows for the Fraumunster Church.The letter written on a sheet of Dolder Grand Hotel airmail stationary entirely in Chagall's hand and dated ""9/Sept 1970"" and accompanied by a hand-addressed matching envelope reads in full translated: ""Dear friend Schneiderman A thousand years have gone by and I remember youand your Yiddish writing stylebut we seldom see each other. Thank you for your book about poor Ehrenburg and also the attached article about me not a public/published one. I will read your book. You can imagine that since that terrible epoch for us Jews we can never forget. I hope that someday I will see you. I send regards to you and to all the good Jews in America. With love Marc Chagall. P.S. I am here for the opening/conference since I made Biblical vitrages stained glass windows for the Fraumunster Church in Zurich."" This letter was written just before friction began to emerge between Shneiderman and Chagall. While Chagall had grown into an acclaimed artist in Europe much of that fame was dependent on working with non-Jewish entities such as churches and even on drawing depictions of events in the New Testament. Increasingly the Christian world began to embrace Chagall and to interpret his work as having ecumenical or even Messianic undertones. Chagall continued in his artistic endeavors and failed to respond to some of the religious-based commentary. Shneiderman felt that this was intolerable publicly criticizing Chagall's failure to meet with Jewish representatives in the community he worked in and his new alignment with Christian and secular authorities. While their relationship did not completely sour and they continued to correspond their relationship grew strained. At the time this letter was penned Shneiderman had just completely a book on Ilya Ehrenburg a famous Soviet-Jewish writer and cultural figure. Highly regarded as a translator journalist poet novelist and travel writer Ehrenburg is probably best known for his Black Book a powerful work detailing the genocide of Soviet Jews by the Nazis during the Holocaust. His book The Thaw on liberalization after Stalin also had a powerful influence and gave a name to an era. Sadly Ehrenburg's reputation was quickly destroyed by antisemites and conspiracy theorists after the war who seized upon an article he wrote called ""Kill!""published while the Soviets were losing the war and the Germans were deep inside Soviet territoryin which Ehrenburg entreated soldiers to kill at least one German a day. Postwar he has often been blamed for the sacking of Germany by Russian troops though he condemned their actions. He died horribly of prostate and bladder cancer still a committed communist. The recipient of this letter was the famous Yiddish writer and journalist Samuel ""S.L."" Shneiderman. Continuing his distinguished early career as a war journalist Shneiderman is best known today for raising awareness about the plight of the Warsaw Ghetto after his arrival in the United States in 1940 and for his dedication to preserving the history of the Jews in Poland throughout his life. His works on the Holocaust and the terrible fate of the Jews remain the best known of his works. Shneiderman and his wife Eileen were also avid collectors of Yiddish-language books and their collection is now housed at the University of Maryland.Slight soiling to envelope letter fine. unknown
1973009350NY: TUDOR PUBLISHING 1973. 1st Edition 1st Printing. Hardcover. Near Fine/Very Good. CHAGALL MARC . BEAUTIFUL WORK BY MARC CHAGALL 17 LARGE OIL PAINTINGS AND 38 GOUACHES ON OLD TESTAMENT THEMES SOLID CLEAN BRIGHT AND UNMARKED EXCELLENT FRONTIS PIECE TEXTBLOCK IS FINE BOUND IN GRAY WITH GOLD LETTERING LIGHT BUMPING AT TOP AND BOTTOM OF SPINE IS THE ONLY FLAW JACKET IS BRIGHT AND CLEAN WITH SEVERAL CLOSED TEARS AND SOME WEAR ALONG TOP EDGE A LOVELY BOOK <br/> <br/> TUDOR PUBLISHING hardcover
64801Centre Pompidou-Metz 2020 In-4 32 cm 216pp. illustr. Bibliogr. p.195-197 reliure cart. de l'editeur Nb-0264 unknown
1969011292Monte Carlo: Andre Sauret 1969. First Edition. . Hardcover. Near Fine/Near Fine. First printing of the first French edition. Text in French. Contains 185 b/w and color illustrations and two full page 12 1/2" x 9" original lithographs the frontis and the front panel of the jacket. Book is very close to fine and the jacket is near fine with minor fray to head of the spine. <br/> <br/> Andre Sauret hardcover
1960mon0000567463Musee des Arts Decoratifs 31/12/1960 23:00:00. paperback. Acceptable. in x in x in. FRENCH LANGUAGE. NOT an ex-library book. Clean copy in good condition. Some marking due to age on pages but overall book remains in good condition considering age. Musee des Arts Decoratifs paperback
51-3382Paris: Maeght 1972. Folio. Cover with lithograph only and complete text lacking the other 2 lithographs. Stamp on cover: Library Museum of Fine Arts Houston Beall CollectionDLM édité en mars 1972. La couverture est une lithographie originale 28 pages incluant 2 lithographies originales dont 1 en bouble page. Texte deLouis Aragon ""Chagall l'admirable"". Ouvrage recherché par les collectionneurs pour les 3 lithographies origianles qu'il comporte. Quelques exemplaires disponibles. Existe en édition limitée à 150 exemplaires sur Arches." Paris: Maeght, 1972. unknown
197281151Mourlot: Paris 1972. Gebunden mit Schutzumschlag Wie neu. Paris unknown
19691203961969. First Edition. Signed. SENGHOR Léopold Sédar. Élégie des Alizés. Lithographie Originale de Marc Chagall. Paris: Éditions du Seuil 1969. Slim quarto five loose gatherings in original cream paper wrappers uncut and unopened original glassine. $2800.Limited first edition number 405 of only 450 copies of Senghor's Élégie des Alizés Elegy for the Trade Winds with an original full-page three-color lithograph by Chagall signed and dated by him in 1974 on the title page. From the collection of Joseph Liverant a fellow Russian Jewish emigré and friend of Chagall.Internationally recognized poet politician and cultural theorist who served as the first president of Senegal Léopold Sédar Senghor avoided the Marxist and anti-Western ideology that had become popular in post-colonial Africa choosing instead to form a close relationship with France and the Western world. He was instrumental in the cultivation of postcolonial aesthetics and black African consciousness. His poetry reflects an ""all-embracing humanism which envisions the solidarity of all men with each nation making its contribution in its own special way to a 'universal civilization"" Albert S. Gerard. Critics continually point to his ability to synthesize elements of Western and African experience and to evoke universality in the imagery of his verse. ""Senghor is not merely a Frenchified African who tries to give exotic interest to his French poems; he is an African who uses the French language to express his African soul"" Ulli Beier. Chagall's wonderful illustration was printed by Fernand Mourlot who ran a lithography press in Paris where such greats as Braque Matisse Picasso Miró Léger and of course Chagall came to have their designs printed and to learn about this still nascent medium. Text in French. Cramer 82. Sorlier 587. From the collection of Joseph Liverant a fellow Russian Jewish emigré and close friend of Chagall. Liverant and Chagall both fled Europe in World War II Liverant to Canada and Chagall to the United States. After the war both acquired residences in Provence where shared social circles similar ages and a mutual love of Yiddish combined to forge a lasting bond of friendship between the two.A bit of wear two small ink marks to rear panel of fragile original glassine; wrappers and interior fine. unknown
45756Musée d'art moderne - Céret In-8 24 cm 144pp. illustr. Nb-0131 unknown
1972014688Monaco: Editions André Sauret 1972. 1st Edition . Hardcover. Near Fine/Near Fine. 4to - over 9¾ - 12" tall. Bound in gray cloth with black lettering. Includes original lithograph which is in fine condition the rear of which is lightly tanned being made on a different paper <br/> <br/> Editions André Sauret, hardcover
1972014689Monaco: Editions André Sauret 1972. 1st Edition . Hardcover. Near Fine/Near Fine. 4to - over 9¾ - 12" tall. Bound in gray cloth with black lettering. Includes original lithograph which is in fine condition the rear of which is lightly tanned being made on a different paper <br/> <br/> Editions André Sauret, hardcover
196234047New York: George Braziller Inc. by arrangement with André Sauret 1962. First edition translated from the French by Eliaine Desautels With two original colour lithographs by Marc Chagall done expressly for this edition and with over 100 plates 64 of which in full colour primarily being of the designs for the Jerusalem Windows commissioned for the Hadassah-Hebrew University Medical Center Synagogue. The thirty-six prefatory colour designs some of which are in twenty colours were transferred to the stones by Charles Sorlier under the direction of Marc Chagall. These designs and the two original lithographs by the artist were printed by Mourlot FrÄres. The other reproductions and the binding are by Draeger FrÄres. The Texts by Jean Leymarie were composed by hand in "Romain du Roi" and were printed by the Imprimerie Nationale de France. Folio publisher's original red cloth lettered on the upper cover and spine in giltphoto-view endpapers in the original paper dustjacket and acetate wrap. 210 2 pp. A very good copy internally the two original lithographs and all the plates are fine ex-libris Bundy Art Gallery the binding a touch loose with some cosmetic splitting at the inner hinges the red cloth bright though mellowed a bit at the edges and in spots on the spine panel in two areas where the jacket is chipped the jacket remains attractive even with the two chipped spots at the spine panel some general edgewear and wear along the folds a neat tape repair from the back the acetate wrapper with some loss and tape repairs. FIRST EDITION OF THIS IMPRESSIVELY PRODUCED BOOK WHICH INCLUDED TWO ORIGINAL COLOUR LITHOGRAPHS BY MARC CHAGALL. <br> Marc Chagall was commissioned to create stained glass windows for the Hadassah-Hebrew University Medical Center Synagogue located in the Judaean Hills of Jerusalem. The project would consist of twelve windows one each to represent the twelve tribes. Each window was to be an original and unique composition. Chagall created the designs on paper before making the final choices of which would be executed in stained glass. The Jerusalem Windows project was one of the artist's most ambitious projects.<br> The book was compiled by Andre Sauret. Jean Leymarie's text was set by hand in Romain du Roi and was printed in France by the Imprimerie Nationale. The thirty-six preparatory color designs some of which are in twenty colors were transferred to stone by Charles Sorlier under the direction of Marc Chagall. These designs as well as the two original lithographs by Marc Chagall were printed by Mourlot Freres. The other reproductions and the binding are by Draeger Freres.<br><br> George Braziller, Inc. by arrangement with André Sauret hardcover
1965150517London : The Redfern Gallery 1965. 1st Edition . Soft cover. Very Good/Very Good. 4to - over 9¾ - 12" tall. Chagall. Picasso. Giacometti. Minaux. Matisse. Masson. original card covers 9 lithographs of 12 lacks one Picasso Miro and Calder plates 58 pages a couple of pages loose remaining plates very clean and bright very good in very lightly browned very good unclipped dustwrapper. SOLD AS A COLLECTION OF PLATES. We are a real bookshop with real books situated in and shipping from the United Kingdom. Shelf H. <br/> <br/> The Redfern Gallery paperback
1960B-2022-0811Nouvelle Série. Cahiers d'Art San Lazzaro Paris 1960. With 3 original lithographs by Chagall Alechinsky Fiedler and two drawings in facsimile by Dubuffet. <br />Very good condition. Cahiers d'Art paperback
1945020050New York NY: Book League of the Jewish Peoples Fraternal Order IWO 1945. Book. Very good condition. Hardcover. First Edition. Octavo 8vo. 255 pages of text. Original blue hardcover binding with minor shelfwear including slight bumping to corners. The text block is starting to pull away from the top of the binding remaining intact. No dustjacket. Contains numerous black and white lithographed illustrations by Marc Chagall. The text is in Hebrew. Previous owner's name neatly on the inside front cover. The text is clean and unmarked. First edition. Book League of the Jewish Peoples Fraternal Order, IWO Hardcover
451623New York: Book League of the Jewish Peoples Fraternal Order IWO 1945. Text von Bella Chagall. Illustrationen von Marc Chagall. - In hebräischer Sprache. - Etwas berieben Vorsatzgelenke verstärkt. Sonst sauberes und wohlerhaltenes Exemplar. 0 1 0 New York: Book League of the Jewish Peoples Fraternal Order, IWO 1945. unknown