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1950510474Editions de la Revue Verve 1950. Hardcover. FINE/Very Good. Tall 4to 35.5cm. sewn binding in paper-under-board hardcovers with Chagall's original lithograph jacket overlaid by the publisher creating an integral design. Very mild bump to the fore tail corner exceedingly clean and fresh otherwise; DJ/cover with a 2' tear to head of spine spine tail taped and light rubbing to the tips. Very prone to wear and much nicer than commonly seen. Verve issue with Chagall's original illustrations for Boccaccio's Decameron alongside tipped-in color plates from the Manuscript of the Ducs de Bourgogne. Editions de la Revue Verve hardcover
2002PMV406803QParis: Réunion des musées nationaux 2002. Hardcover. Good/Not issued. 229 x 288 x 17 cm. Hardcover • Illustrations en noir et en couleurs couverture illustrée en couleurs • <b><i>French text original</i></b>. Réunion des musées nationaux hardcover
194645788New York: Office of Jewish Information American Jewish Congress 1946. First edition. Posters. vg. Atlas folio. 24x18" or 24x 36". 4-part fold-out poster. Housed in a protective folder. <br /> <br /> The poster can be broadly divided into two parts when folded out:<br /> <br /> - The first side features a large spread titled "News of the Month June-July 1946" containing news headlines accompanied by bold and striking graphic illustrations including photomontage in b/w red and pink. These are divided into 3 sections. On the left side "What he Palestine Commission Recommended" states the eight recommendations of the aforementioned commission each with own illustration in the style of satirical political cartoons along with a photomontage of images from Palestine at the bottom. The central column titled "World News Digest" contains international news headlines and excerpts from the U.S. London Hungary Germany and Jerusalem. Among the topics mentioned are the Ku Klux Klan Jewish American soldiers anti-Semitism in Europe the Nuremberg trails and Mohammed Amin al-Husseini the Grand Mufti of Jerusalem with a photo. A section to the right titled "Newcomers to the U.S.A" discusses immigration of Jewish refugees to the America between 1933-1945 depicted with graphic illustrations. The contributions of Jewish refugees to the country during wartime and peacetime are displayed as well as the failures to save more Jews from extermination during the war are condemned. The top of this section contains a powerful and emotional photographic image of refugees arriving in New York. <br /> <br /> - The verso on the left side has a 19 3/4x 15" high quality b/w offset reproduction of the acclaimed painting "The Praying Jew" aka "The Rabbi of Vitebsk" 1914 by famed Jewish artist Marc Chagall. To the right opposite the image is a section of text about the painting and the artist accompanied by a b/w photo-portrait of Chagall taken by portrait photographer Lotte Jacobi 4 3/4x4".<br /> <br /> Poster with fold creases a few closed tears and a few minor chips along the edges. The upper left section of the Chagall painting is sunned. Poster in overall very good condition. Extremely scarce. In a folded state protected by modern mylar. There are only two copies of this scarce publication on OCLC. Office of Jewish Information, American Jewish Congress unknown
1927262094de la Nouvelle Revue Francaise 1927. First Edition. Trade Paperback. 79 pages. Text in French. Drawing by Chagall opposite title page. First edition first printing.Limited edition #326/550. Very good in printed wrappers paperback. Glassine dust wrapper with few small edge chips. Former owner signature and address on front free endpaper. Few pencil notes in English by former owner in text.<br> de la Nouvelle Revue Francaise paperback
1926141411Paris: Au Sans Pareil 1926. Softcover. Fine. Limited Edition. 955pp. Octavo. Bound in the original wrappers with a stiff blue wrap around jacket with dark blue lettering on the front and spine. One of 60 limited copies printed on Vergé de Hollande-- numbered 56 to 115-- with an extra suite of the 5 etchings by Marc Chagall in the latter portion of the book; this copy is #110. Deckling to all text block edges. Illustrated with five full page etchings by Chagall throughout the text with duplicate copies of the plates bound at the end; all the etchings have the original tissue guards. The blue jacket has faded quite a bit and is more of a buff colour and has some water stains on the back panel and to the spine in spots. Some transfer from the inner folds of the jacket is apparent on the ffep although it is quite faint. Internally clean and an attractive copy overall. Limited to a printing of 960 copies in total with 60 of those on Vergé de Hollande of which this copy is one. In 1923 Marc Chagall moved to Paris and received several commissions for visual narratives including this story by Marcel Arland. The text is comprised of a short story told in reverse beginning with the death of a young girl's illegitimate baby and ending with the first night she and her lover spend together. The girl is vilified by her neighbors and Chagall's first image shows her being taken away by the police as a crowd yells and shames her. Another plate shows the girl giving birth alone in her backyard among the chickens and empty crates. Due to the popularity of Chagall's prints many copies of this book were split apart and the etchings were sold individually. This is a complete and clean copy. 1926 Au Sans Pareil paperback
1949202016<p>Duell Sloan & Pearce 1949. First Edition. Hardcover. Very Good/Very Good. Black cloth boards with yellow lettering under yellow DJ priced at $6 top edge stained red illustrated endpapers plate illustrations 245 pp. Minor splash mark to topstain else a near fine book; DJ has toning to spine panel minor chipping to top corners modest waviness to rear panel. Presents well; first trade edition. A beautiful tribute to Stravinsky who at the time was a recent American citizen and had just begun collaborating with Robert Craft who would help Stravinsky throughout his late career.</p> Duell, Sloan & Pearce hardcover
1985DYTWW10111Yomiuri Shimbun Company 1985. Soft Cover. Fine. Number of books£º1 Yomiuri Shimbun Company paperback
1972TH220186Marlborough Galerry London 1972. 1st Edition. SOFTCOVER. Large heavy 4to. in colour printed stiff glossy card covers with printed transparent plastic dust jacket 196pp on various types of paper colour plates etc __CONDITION : A well preserved FINE very clean and tight unmarked copy page-block edges slightly tanned in a torn but tape repaired VERY GOOD Dust Jacket. . __We always ship in PROTECTIVE CARD PARCELS Marlborough Galerry, London paperback
1950060203-HNew York: Pitman Pub. 1950. Book. Illus. by Marc Chagall. Very Good. 1950 Softcover wraps gray cover with tip on plate to cover 24 page book . Illustrated with ten tip in prints in full color . Condition: covers have some edge ware rubs interior is in excellent condition. See this book at : GibbsBooks. Size: Folio - over 12" - 15" tall. Pitman Pub. paperback
1995053774Hugh Lauter Levin Associates 1995. 1st Edition 1st Printing. Hardcover. Fine/Fine. 374 Pp. Large Format Hard Cover Blue Cloth Gilt Yellow Endpapers. First Printing Not The Beaux Arts Editions Reprint. Fine In Fine Dust Jacket Priced $75. <br/> <br/> Hugh Lauter Levin Associates hardcover
51-0653New York: Harcourt Brace 1960. Small folio. Original boards with color lithograph by Chagall on front and back covers Mourlot 230 lacking all the other lithographs. . 96 black and white plates of Chagall's etchings. New York: Harcourt, Brace, 1960. hardcover
201194878Prestel Publishing. New. 2011. Hardcover. 3791345664 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Text in English French and German. 208 pages; well-illustrated. -- with a bonus offer-- . Prestel Publishing hardcover
44077161like new. unknown
65678New York 1945 Hardcover. Binding Pulled. Drawings by Marc Chagall. Inscription in Yiddish. Bookplate. Good New York, 1945 hardcover
A9781258027346Hardback. New. hardcover
B9781258027346Hardback. New. hardcover
Q-0805200355Schocken Books 1946-01-01. Paperback. New. In shrink wrap. Looks like an interesting title! Schocken Books paperback
0805237682.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
2004Q-0870706632The Museum of Modern Art New York 2004-11-02. Hardcover. New. In shrink wrap. Looks like an interesting title! The Museum of Modern Art, New York hardcover
2006025244New York: Rizzoli 2006. Book. Very Good. Hardcover. 1st Edition. 235mm x 335mm. Jacket has moderate general wear plus a 1cm tear at head of spine. Book very clean. Binding tight. 272pp ADDITIONAL INTERNATIONAL SHIPPING CHARGE. Rizzoli Hardcover
15-8124New York: Perls Gallery 1950. 8vo. 4 pp. Printed Wraps Very Good. Illustrated cover. Scarce.The Perls Gallery in New York was founded in 1937 by Klaus Gunther Perls 1912-2008 and his brother Franz R. Perls1910-1975 after having worked at their mother's Galerie Kate Perls in Paris. Following his marriage to Amelia Blumenthal of Philadelphia in 1940 Klaus and Amelia B. Perls jointly ran the gallery. They specialized in modern French painting while Franz established the Frank Perls Gallery in Beverly Hills. He originally dealt in works by Maurice Utrillo Maurice de Vlaminck and Raoul Dufy that his mother sent from Paris until the Nazi occupation. When she was forced to flee France he began dealing in now little known contemporary American artists including Darrel Austin and in Mexican and South American art such as Mario Carreno. After the war Klaus again dealt in French art from the School of Paris.Artists in the Perls' stable included Rouault Picasso Léger Derain Dufy Matisse Modigliani Pascin Soutine and Vlaminck. The Perls Galleries closed in 1997. New York: Perls Gallery, 1950. paperback
1962197856Paris: Maeght 1962. Paperback. Good Wraps are lightly edgeworn/toned/scuffed/smudged; interior is clean but lightly toned. Color illustrated portfolio wraps; 19 6 pp.; richly illustrated primarily in b&w. Text in French. Maeght paperback
1950154025Paris & New York: L'Image Littéraire & R. Finelli-Feugère 1950. With an additional suite of Braque colour separations First edition first printing number 29 of 150 copies signed by all the artists and authors with each print numbered and signed by the respective artist and Robert Rey. This copy with an additional suite of 46 sheets with colour separations of Braque's print housed in separate wrappers lettered in black. The print titles included are: Braque "Nature morte au huitres"; Brianchon La neige a auteuil; Chagall La sirène; Desnoyer Liseuses au bord de mer; Dufy Le casino de la jetée a Nice; Laurencin Portrait de femme en rouge; Matisse Nature morte au magnolia; Picasso La cassarole Émaillée; Utrillo Le jardin de Montmagny; Van Dongen Tête de femme; Vlaminck Les blés dans la perche; and Waroquier Dolori sacrum. Folio. 12 colour woodcuts after each of the artists printed on Van Gelder Zonen wove paper with one edge untrimmed. Sheet sizes: 46.5 x 36 cm. Unbound sheets printed on Van Gelder Zonen wove paper in white wrappers titles to front cover in red. With glassine dust jacket. Housed in the publisher's blue morocco clamshell box titles to front cover and spine gilt. All contained in the original card packing box. Closed tear to front wrapper and glassine hinge of clamshell box split minor foxing in places otherwise a bright unfaded set. unknown
15-8091New York: Perls Gallery 1957-60. The Perls Gallery in New York was founded in 1937 by Klaus Gunther Perls 1912-2008 and his brother Franz R. Perls1910-1975 after having worked at their mother's Galerie Kate Perls in Paris. Following his marriage to Amelia Blumenthal of Philadelphia in 1940 Klaus and Amelia B. Perls jointly ran the gallery. They specialized in modern French painting while Franz established the Frank Perls Gallery in Beverly Hills He originally dealt in works by Maurice Utrillo Maurice de Vlaminck and Raoul Dufy that his mother sent from Paris until the Nazi occupation. When she was forced to flee France he began dealing in now little known contemporary American artists including Darrel Austin and in Mexican and South American art such as Mario Carreno. After the war Klaus again dealt in French art from the School of ParisArtists in the Perls' stable included Rouault Picasso Léger Derain Dufy Matisse Modigliani Pascin Soutine and Vlaminck. The Perls Galleries closed in 1997. New York: Perls Gallery, 1957-60. unknown
15-8094New York: Perls Gallery 1959. 8vo. Oblong French Fold Sheets Deckled Laid Paper Very Good. Illustrated Cover. Scarce. 4 pp.The Perls Gallery in New York was founded in 1937 by Klaus Gunther Perls 1912-2008 and his brother Franz R. Perls1910-1975 after having worked at their mother's Galerie Kate Perls in Paris. Following his marriage to Amelia Blumenthal of Philadelphia in 1940 Klaus and Amelia B. Perls jointly ran the gallery. They specialized in modern French painting while Franz established the Frank Perls Gallery in Beverly Hills He originally dealt in works by Maurice Utrillo Maurice de Vlaminck and Raoul Dufy that his mother sent from Paris until the Nazi occupation. When she was forced to flee France he began dealing in now little known contemporary American artists including Darrel Austin and in Mexican and South American art such as Mario Carreno. After the war Klaus again dealt in French art from the School of ParisArtists in the Perls' stable included Rouault Picasso Léger Derain Dufy Matisse Modigliani Pascin Soutine and Vlaminck. The Perls Galleries closed in 1997. New York: Perls Gallery, 1959. unknown
