UMBRO Apollonio.MareMagnum
2 454 résultats
In-8° pp. 24 con XLII tav. f.t. e alcune ill. n.t. Leg. edit. con sovrac. ill. con piccoli guasti.
19991891024078<p>Lavishly produced using impeccable digital color separations and the finest printing this catalogue raisonne of Chagall's lithographs documents 1050 works each with complete identifying signature and edition information.</p> D.A.P./Distributed Art Publishers, Inc. hardcover
19711753GLM, Paris 1971. Petit in-8 (195 x 140 mm) en feuilles, 46 pages sous couverture blanche à rabats imprimée en noir, étui de l'éditeur. Édition originale. Tirage : 103 exemplaires numérotés sur vélin d'Arches dont XV H.C. illustrés en frontispice d'UNE LITHOGRAPHIE ORIGINALE EN COULEUR DE JOAN MIRÓ signée au crayon. La lithographie a été tirée sur double feuillet (190 x 280 mm) par l'Imprimerie Arte à Paris. Exemplaire numéroté sur Arches. Parfait état dans son étui d'origine.
In-4° pp. 115 con 40tav. a col. e 4 tav. f.t. con le ill. applicate sui fogli. Leg. edit. con sovrac. ill.
1937510540Verve 1937. First Edition. Paperback. FINE. Complete run of the first four issues of Teriade's legendary art magazine. Beginning with a stunning cover produced by Matisse for the first issue Verve would incorporate fresh artwork into its cover designed newly commissioned by artists such as Miro Picasso Chagall and other leading lights of the French art world. Each issue offered spectacular color lithographs printed by the Paris lithographers Mourlot. Early issues came in litho-printed card wrappers in boxes later volumes would be in paper-over board with litho covers. This choce allowed Teriade to feature the fresh lithographic artwork in the cover design but left the books themselves extremely fragile and succeptible to wear. Additionally the full-page lithographs have been continuous targets for art dealers looking to excise the plates. So condition seen here is quite rare with each volume preserved COMPLETE FINE with no signs of the wear and toning so commonly seen. 'The cover of Verve No. 1 is by Henri Matisse; it consists of three unmodulated colors--red blue and black--that the master cut directly from printers' ink specimen books. . Mattisse's cover for the first issue lithographed by Fernand Mourlot printers was an original work of art created expressly for the magazine--as would be practically all of the Verve's covers. . The painter took great pains to make sure that the cover would turn out exactly as he wished. . THe care Matisse lavished on what others might consider a minor undertaking was one of the hallmarks of Teriade's publications. How did he induce the greatest artists of this century to give the very best of themelves . Matisse and Teriade shared a common ideal. For both of them painting was life itself.' Michel Antonioz VERVE: The Ultimate Review of Art and Literature 35-36. Verve paperback
1937205359Paris: Verve 1937. First edition. Softcover. Volume One Number Three. Text in English with contributions by Rabindranath Tagore Paul Valery Henri Michaux Andre Malraux and others. Includes color illustrations of works by Pierre Bonard and numerous other color and black and white illustrations. Also features "The Four Seasons" series with original color lithographs by Marc Chagall Joan Miro Abraham Rattner and Paul Klee. A bright near fine copy in Pierre Bonnard illustrated wrappers with some soft creasing to the top right corner some other very minor wear and the former owner blindstamp of art critic John Arthur to the title page. A pleasing copy with an interesting provenance. Verve unknown
19501204071950. First Edition. Signed. CHAGALL Marc. Verve. Contes de Boccace. Paris: Éditions de la Revue Verve 1950. Folio original lithographic dust jacket over boards. $5800.First edition of this exceptional volume of 26 Chagall heliogravures accompanied by 26 tipped-in color prints from a medieval miniaturist boldly signed by Chagall on the half title. From the collection of Joseph Liverant a fellow Russian Jewish emigré and friend of Chagall.The art critic Stratis Eleftheriades under the nom de plume Tériade published the art journal Verve in Paris from 1937 to 1960. He commissioned famous artists of the day from Matisse to Picasso and Chagall to provide works for the journal with numerous lithographs appearing for the first time in his publications. This volume is particularly notable for the unusual medium for Chagall used: ""New washed drawings in India ink which are quite unrelated to anything he had done before. Using black diluted in every possible degree from onyx to the palest shade of gray he produced sheets that give an intensely colorful effect These drawings were a response to what he saw in his new environment and stemmed from the urge to render in a spontaneous fashion the overwhelming impact of the profusion and light. They also reveal paradoxically the increased importance of color as a medium of expression. In these drawings 'light' does not signify a diminution of the colorfulness but an advance into the zone from which it springs. One might say that the heart of the color is light and from this light Chagall created the colorfulness of his sheets. What this means is visibly demonstrated by the drawings he did at Tériade's suggestion for the number of Verve dedicated to Boccaccio's Decameron. What Chagall produced was a present-day counterpart to colored reproductions of the miniatures in a fifteenth-century manuscript of Boccaccio's work. For each of his drawings he drew inspiration from the miniature of the same scene and the old and new illustrations are reproduced side by side in the pages of Verve. In Chagall however everything attains a new meaning. A new logic links the objects of the anecdotic 'tale' and the plot of the love story gives rise to ardent desire and serene joy. What is more in Chagall's large black-and-white plates the light radiates in a far richer modulation of color than the full coloring of the miniaturist's precise magic-lantern pictures"" Meyer 499. From the collection of Joseph Liverant a fellow Russian Jewish emigré and close friend of Chagall. Liverant and Chagall both fled Europe in World War II Liverant to Canada and Chagall to the United States. After the war both acquired residences in Provence where shared social circles similar ages and a mutual love of Yiddish combined to forge a lasting bond of friendship between the two.About-fine condition. hardcover
19501203221950. First Edition. CHAGALL Marc. Verve. Contes de Boccace. Paris: Éditions de la Revue Verve 1950. Folio original lithographic dust jacket over boards. $1500.First edition of this exceptional volume of 26 Chagall heliogravures accompanied by 26 tipped-in color prints from a medieval miniaturist.The art critic Stratis Eleftheriades under the nom de plume Tériade published the art journal Verve in Paris from 1937 to 1960. He commissioned famous artists of the day from Matisse to Picasso and Chagall to provide works for the journal with numerous lithographs appearing for the first time in his publications. This volume is particularly notable for the unusual medium for Chagall used: ""New washed drawings in India ink which are quite unrelated to anything he had done before. Using black diluted in every possible degree from onyx to the palest shade of gray he produced sheets that give an intensely colorful effect These drawings were a response to what he saw in his new environment and stemmed from the urge to render in a spontaneous fashion the overwhelming impact of the profusion and light. They also reveal paradoxically the increased importance of color as a medium of expression. In these drawings 'light' does not signify a diminution of the colorfulness but an advance into the zone from which it springs. One might say that the heart of the color is light and from this light Chagall created the colorfulness of his sheets. What this means is visibly demonstrated by the drawings he did at Tériade's suggestion for the number of Verve dedicated to Boccaccio's Decameron. What Chagall produced was a present-day counterpart to colored reproductions of the miniatures in a fifteenth-century manuscript of Boccaccio's work. For each of his drawings he drew inspiration from the miniature of the same scene and the old and new illustrations are reproduced side by side in the pages of Verve. In Chagall however everything attains a new meaning. A new logic links the objects of the anecdotic 'tale' and the plot of the love story gives rise to ardent desire and serene joy. What is more in Chagall's large black-and-white plates the light radiates in a far richer modulation of color than the full coloring of the miniaturist's precise magic-lantern pictures"" Meyer 499. Interior fine expert repairs to original boards and wrappers. hardcover
26591Lakewood CO: Centipede Press. 2010. Limited edition. Limited edition. Signed by the author. Publisher's original quarter black cloth and red paper-covered boards with titles in silver to the spine in the Salvador Dalí illustrated dustwrapper. Red satin ribbon page marker. Max Ernst illustrated endpapers. Illustrated with six black and white wood engravings by Howie Michels and six colour plates by Marc Chagall. A fine copy the binding square and firm the cloth bright and fresh. The contents are clean throughout and without previous owners' inscriptions or stamps. Complete with the lightly rubbed dustwrapper that has a small scratch to the rear panel and is otherwise without fading loss or tears. Not price-clipped $95.00 on the barcode label fixed to the rear panel. Issued in an edition of 300 copies from which this example is numbered 176 and signed by Steve Rasnic and Melanie Tem in black ink on the colophon. Further details and images for any of the items listed are available on request. Lucius Books welcomes direct contact with our customers. Lakewood, CO: Centipede Press. 2010 hardcover
1985602284Köln, 1985. M. 34 Abb. 2 Bl., IV, 285 S., 12 Bl.
In-16 (cm. 19), brossura illustrata, pp. 174, (2), con illustrazioni in bianco e nero nel testo ed a colori fuori testo. Prima edizione nella Collana Gli Elefanti. In ottimo stato (nice copy). Emilio Tadini ci accompagna alla scoperta di cinque capolavori della pittura: L'orchestra dell'Opéra di Degas, La stanza del pittore a Arles di Van Gogh, Le bagnanti di Cézanne, Les Demoiselles d'Avignon di Picasso e L'autoritratto con sette dita di Chagall. Sono cinque opere assai diverse tra loro, che contengono e implicano molte altre pitture possibili, offrendosi allo sguardo come fonti inesauribili di scoperte e rivelazioni: dipinte nel momento in cui si afferma il "moderno", assommano in sé molte caratteristiche dell'arte del passato e prefigurano quella del futuro.
In-8 (cm. 21.10), brossura illustrata, sovracoperta editoriale illustrata, pp. 174, (2), con alcune illustrazioni in bianco e nero nel testo ed a colori fuori testo. Dedica autografa di Emilio Tadini al frontespizio. Prima edizione. In ottimo stato (nice copy). Emilio Tadini ci accompagna alla scoperta di cinque capolavori della pittura: L'orchestra dell'Opéra di Degas, La stanza del pittore a Arles di Van Gogh, Le bagnanti di Cézanne, les Demoiselles d'Avignon di Picasso e L'autoritratto con sette dita di Chagall. Sono cinque opere assai diverse tra loro, che contengono e implicano molte altre pitture possibili, offrendosi allo sguardo come fonti inesauribili di scoperte e rivelazioni: dipinte nel momento in cui si afferma il "moderno", assommano in sé molte caratteristiche dell'arte del passato e prefigurano quella del futuro.
2000LFA-126729234Une plaquette de 25 pages, format 115 x 235 mm, illustrée, brochée couverture couleurs, publiée en 2000, Editions RMN, bon état
102p., illus. Hardcover Good condition tattered d.j. fair
196353079In Collaboration with The Art Institute of Chicago. The Museum Of Modern Art New York 1963. First Edition; First Printing. Softcover. Very Good in wrappers. 1/2 inch open tear to spine crown.; Small 4to. In Collaboration with The Art Institute of Chicago. The Museum Of Modern Art, New York unknown
1946173979New York and Chicago IL: The Museum of Modern Art in association with The Art Institute of Chicago 1946. First edition. Softcover. 102 pages. Text by James Johnson Sweeney. Includes 3 color and numerous black and white illustrations checklist and bibliography. A very good copy in lightly soiled wrappers. Internally a clean copy. The Museum of Modern Art in association with The Art Institute of Chicago unknown books
194689271Museum of Modern Art 1946 In-4 broché 26 cm sur 19,7. Livre en anglais. 102 pages. Bon état d’occasion.
20-04888Swann Gallery 38353. Paperback. New. In shrink wrap. Swann Gallery paperback
000836London; 1961: Abelard-Schuman. First Edition. Folio. 46pp. Preface and eight drawings by Marc Chagall. Sutzkever a leading Yiddish poet of his generation. He evokes Siberia of his early childhood. He remembers it as a land of ice and mystery lit by the silver moon above the forests and the cold sun whose course followed that of his father's sledge. These poems inspired Marc Chagall to illustrate the poems and preserve the spirit of the poems. Their work represents a fusion of Slavic and the Jewish. Bound in light blue cloth spine lettering silver. A very good copy in unclipped beige pictorial dust jacket lettered and decorated in black closed edge tear to upper corner some soiling and a couple of small stains closed edge tear to rear panel. Abelard-Schuman unknown
000836London: Abelard-Schuman 1961. First Edition. Folio. 46pp. Eight drawings by Chagall. Sutzkever a leading Yiddish poet of his generation evokes the Siberia of his early childhood. A good copy in dust jacket with edge wear closed tears and three light brown stains on cover near spine. London: Abelard-Schuman, 1961 unknown books
17-3431New York : H.N. Abrams 1985. 4to. 280 pp. Hard cover. Very Good. Blue cloth covered boards. Dust Jacket Very Good. In protective Mylar wraps. Color and B&W plates throughout. ISBN: 0810907976 9780810907973.From the Library of Pasquale Iannetti with book loan card and embossed stamp. New York : H.N. Abrams, 1985. paperback
1985215130Philadelphia: Philadelphia Museum of Art 1985. First Edition; First Printing. Hardcover. Very Good in wraps. Philadelphia Museum of Art hardcover
194625542New York: View 1946. First edition. Paperback. Very Good . The January 1946 issue of this magazine of surrealist art and writings. Edited by Ford with assistance by Parker Tyler Paul Bowles Philip Lamantia Harold Rosenberg Aaron Copland and Marcel Duchamp among others. This issue notable for the inclusion of The Circular Ruins a story by Borges translated by Paul Bowles. Cover art by John Tunnard. A very good plus copy in tall side-stapled wrappers. View paperback books
46571Marseille, directeur : Yves Broussard. 1 volume 14,5x22cm, 231 pages. Numéro en partie consacré à André Suarès. Bon état.
200628341Ostfildern : Hatje Cantz, 2006. 239 S.; zahlr. Ill. ; 29 cm Pb.
