1 148 résultats
196220595ABZch., Conzett & Huber, 1962. 4°. 82 S. OKart.
1970104335ABLuzern, Kunstkreis, 1970. 4°. Mit 1 farb. Originallithogr., 6 farb. Lithogr., s/w. Lithogr., 1 mehrf. gefalt. Taf. u. (tls. farb.) Abb. 91 S. Illustr. OLwd. m. farb. illustr. OU. - Sehr gutes Ex.
1970159284-1Zürich, Orell Füssli ( 1970). 12 S. Mit 6 (2 farb.) Tafn. Original-Kartonband
198695947Zürich: Orell Füssli Verlag, 1986. 21 cm ; broschiert
19681255Stuttgart, Chr. Belser Verlag, (1968). Mit Photos von Izis Bidermanas und zahlreichen teils farbigen Werkabbildungen, 33 x 25 cm (Quart), Original-Leinen in Grau mit Deckelvignette und Rückentitel in Rotbraun. Schutzumschlag, 267, (1) S
1975KFZZQ100010Gaozhi County Art Museum 1975. Soft Cover. Fine. KFZZQ100010 Gaozhi County Art Museum paperback
19242893ABBerlin, Petropolis, 1924. 4° (25,5 x 19 cm). 31 S., 1 farb. Frontispiz und 20 Tafelseiten mit s/w Abb. von Marc Chagall. Original-Halbleinenband mit Deckelschild.
1972TH220186Marlborough Galerry London 1972. 1st Edition. SOFTCOVER. Large heavy 4to. in colour printed stiff glossy card covers with printed transparent plastic dust jacket 196pp on various types of paper colour plates etc __CONDITION : A well preserved FINE very clean and tight unmarked copy page-block edges slightly tanned in a torn but tape repaired VERY GOOD Dust Jacket. . __We always ship in PROTECTIVE CARD PARCELS Marlborough Galerry, London paperback
195734172Paris: Mourlot 1957. In excellent condition. 23 x 20 cm 9 x 775 inches. Original color lithograph by Marc Chagall. Edition of 6000 unsigned and unnumbered from Jacques Lassaigne Marc Chagall 1957. Published by Mourlot Paris 1957. Printed by Mourlot Paris. Sheet: 23 x 20 cm 9 x 775 inches. A luminous evocation of Chagall's beloved France from one of the 20th century's greatest colorists. Marc Chagall 7 July 1887 28 March 1985 was one of the most celebrated and beloved artists of the 20th century. Born Marc Zakharovich Shagal in Vitebsk Belarus then part of the Russian Empire he trained in Saint Petersburg before moving to Paris in 1910 where he became part of the vibrant avant-garde of Montparnasse. Drawing on Jewish folk tradition Russian culture and the imagery of his Belarusian childhood Chagall developed a uniquely dreamlike visual language infused with lovers floating above villages fiddlers on rooftops animals angels and mystical biblical scenes. Associated with Fauvism Cubism and Surrealismyet belonging to nonehe was the quintessential 'School of Paris' master. His monumental stained-glass windows ceiling paintings including the Paris Opéra and tapestries brought his vision to public spaces worldwide. Chagall's work is held at MoMA in New York the Tate in London the Centre Pompidou in Paris the Guggenheim and the Musée National Marc Chagall in Niceinaugurated in 1973 and dedicated to his biblical message cycle. He remains one of the most sought-after names in 20th-century prints with original lithographs consistently coveted by collectors worldwide.The 1957 monograph 'Marc Chagall' by art critic Jacques Lassaigne published by Fernand Mourlot in Paris contained a suite of original color lithographs specially created by Chagall for the publication. Printed at the celebrated Mourlot studiowhere Chagall had worked closely with master lithographer Fernand Mourlot since the 1940sthe volume was issued in an unsigned and unnumbered edition of 6000 copies distributed internationally. The lithographs from this monograph are prized for their intimate scale and the characteristic warmth of Chagall's palette in this period.This original color lithograph sheet: 23 x 20 cm 9 x 775 inches depicts 'Maternity with Centaur - Mutterschaft mit Centaur'. Published in 1957 Edition of 6000 by Mourlot Paris this work is a fine example of Chagall's graphic production of the period printed at the celebrated Mourlot studio in Paris under the direct supervision of Fernand Mourlot. Each color was applied from a separate lithographic stone resulting in the luminous layered palette that makes Chagall's prints instantly recognizable. Chagall's images of Paris the Côte d'Azur and the South of France reflect his deep love for his adopted homeland. From the rooftops of Montparnasse to the luminous bays of Nice and Vence these lithographs capture a France bathed in the artist's signature warm light and poetic fantasy. In excellent condition. Colors vivid and unfaded. No tears creases or foxing. Ready to frame. Mourlot 195 Mourlot unknown
1926141411Paris: Au Sans Pareil 1926. Softcover. Fine. Limited Edition. 955pp. Octavo. Bound in the original wrappers with a stiff blue wrap around jacket with dark blue lettering on the front and spine. One of 60 limited copies printed on Vergé de Hollande-- numbered 56 to 115-- with an extra suite of the 5 etchings by Marc Chagall in the latter portion of the book; this copy is #110. Deckling to all text block edges. Illustrated with five full page etchings by Chagall throughout the text with duplicate copies of the plates bound at the end; all the etchings have the original tissue guards. The blue jacket has faded quite a bit and is more of a buff colour and has some water stains on the back panel and to the spine in spots. Some transfer from the inner folds of the jacket is apparent on the ffep although it is quite faint. Internally clean and an attractive copy overall. Limited to a printing of 960 copies in total with 60 of those on Vergé de Hollande of which this copy is one. In 1923 Marc Chagall moved to Paris and received several commissions for visual narratives including this story by Marcel Arland. The text is comprised of a short story told in reverse beginning with the death of a young girl's illegitimate baby and ending with the first night she and her lover spend together. The girl is vilified by her neighbors and Chagall's first image shows her being taken away by the police as a crowd yells and shames her. Another plate shows the girl giving birth alone in her backyard among the chickens and empty crates. Due to the popularity of Chagall's prints many copies of this book were split apart and the etchings were sold individually. This is a complete and clean copy. 1926 Au Sans Pareil paperback
19951-0941807002Welcome Enterprises 1995. Hardcover. New. 32 pages. 11.75x10.00x0.50 inches. Welcome Enterprises hardcover
1999Q-0941807002Welcome Books 1999-12-31. Hardcover. New. New. In shrink wrap. Looks like an interesting title! Welcome Books hardcover
1995Q-1556704224Welcome Enterprises 1995-12-01. Hardcover. New. In shrink wrap. Looks like an interesting title! Welcome Enterprises hardcover
195022324Paris: Maeght 1950. Other. Published folded in the centre. In excellent condition. 360 by 520mm 14 by 20 inches. Original color lithograph by Marc Chagall from Derrière le Miroir 1950. Published by Galerie Maeght Paris 1950. Printed by Mourlot Paris. Sheet: 360 by 520mm 14 by 20 inches. One of Chagall's most celebrated biblical prints — a collector's original not a reproduction. Marc Chagall 7 July 1887 – 28 March 1985 was one of the most celebrated and beloved artists of the 20th century. Born Marc Zakharovich Shagal in Vitebsk Belarus then part of the Russian Empire he trained in Saint Petersburg before moving to Paris in 1910 where he became part of the vibrant avant-garde of Montparnasse. Drawing on Jewish folk tradition Russian culture and the imagery of his Belarusian childhood Chagall developed a uniquely dreamlike visual language infused with lovers floating above villages fiddlers on rooftops animals angels and mystical biblical scenes. Associated with Fauvism Cubism and Surrealism—yet belonging to none—he was the quintessential 'School of Paris' master. His monumental stained-glass windows ceiling paintings including the Paris Opéra and tapestries brought his vision to public spaces worldwide. Chagall's work is held at MoMA in New York the Tate in London the Centre Pompidou in Paris the Guggenheim and the Musée National Marc Chagall in Nice—inaugurated in 1973 and dedicated to his biblical message cycle. He remains one of the most sought-after names in 20th-century prints with original lithographs consistently coveted by collectors worldwide.Derrière le Miroir 'Behind the Mirror' published by Galerie Maeght in Paris between 1946 and 1982 was one of the most prestigious art publications of the 20th century. Each issue was dedicated to a single artist represented by the gallery—Chagall Miró Calder Braque Giacometti among them—and featured original lithographs printed by the Mourlot studio in Paris. DLM lithographs are original prints in every sense: drawn on stone by the artist and printed from those stones in large but finite editions making them accessible collector's items bearing the direct touch of the master.Published in march/april 1950 in an exibition catalogue of Galerie Maeght in Paris. Interesting subject with Marc ChagallÂ’s typical biblical elements.Chagall's biblical lithographs are among the most sought-after prints in his œuvre combining deep spiritual feeling with the dreamlike palette and symbolic imagery that define his unique vision. Collectors of 20th-century graphic art prize these works for their authenticity as original lithographs—not reproductions—and for their place in one of the most celebrated print suites of the postwar era. In excellent condition. Colors vivid and unfaded. No tears creases or foxing. Ready to frame. note: not list in the catalogue raisonne -color lithograph after a painting by Marc Chagall Maeght unknown
200030281Frankfurt am Main ; Leipzig : Insel-Verl., 2000. 1. Aufl. 59 S. : zahlr. Ill. ; 19 cm Pp.
198960990331989. 494 S. u. 221 S., 32 cm x 25 cm
197272618ABParis, Marlot, 1972. Gr.-4°. Mit 1 farb. Originallithogr. u. zahlr. (tls. ganzs. farb.) Abb. v. M. Chagall. 200 S. OLwd. m. farb. ill. OU., Bauchbinde u. Klarsichthülle. - Kl. StaV., sonst sehr gutes Ex.
196016388Paris: Mourlot 1960. Other. In excellent condition. Special price - only 2 copies still on stock!. 355 by 260mm 14 by 10 inches. Original color lithograph by Marc Chagall. Edition of 6500 unsigned and unnumbered from Verve Vol. X Nos. 37/38 — Dessins pour La Bible 1960. Published by Tériade Paris 1960. Printed by Mourlot Paris. Sheet: 355 by 260mm 14 by 10 inches. One of Chagall's most celebrated biblical prints — a collector's original not a reproduction. Marc Chagall 7 July 1887 – 28 March 1985 was one of the most celebrated and beloved artists of the 20th century. Born Marc Zakharovich Shagal in Vitebsk Belarus then part of the Russian Empire he trained in Saint Petersburg before moving to Paris in 1910 where he became part of the vibrant avant-garde of Montparnasse. Drawing on Jewish folk tradition Russian culture and the imagery of his Belarusian childhood Chagall developed a uniquely dreamlike visual language infused with lovers floating above villages fiddlers on rooftops animals angels and mystical biblical scenes. Associated with Fauvism Cubism and Surrealism—yet belonging to none—he was the quintessential 'School of Paris' master. His monumental stained-glass windows ceiling paintings including the Paris Opéra and tapestries brought his vision to public spaces worldwide. Chagall's work is held at MoMA in New York the Tate in London the Centre Pompidou in Paris the Guggenheim and the Musée National Marc Chagall in Nice—inaugurated in 1973 and dedicated to his biblical message cycle. He remains one of the most sought-after names in 20th-century prints with original lithographs consistently coveted by collectors worldwide.Verve 1937–1960 was the legendary French art and literary review published in Paris by Efstratios Eleftheriades known as Tériade. Each double-issue was dedicated to a single artist and produced as a luxury publication with original lithographic covers and plates printed by Fernand Mourlot—the master lithographer whose atelier collaborated with Picasso Matisse Léger and Miró. Nos. 37/38 1960 'Dessins pour La Bible' contains Chagall's second suite of Bible lithographs expanding on the 1956 series with 48 new color prints depicting scenes from the Old Testament—creation the lives of the patriarchs and stories of women in the Bible. The edition of 6500 unsigned and unnumbered copies was sold through bookshops and galleries worldwide and individual lithographs extracted from these volumes are among the most collected Chagall prints on the market today.This original color lithograph sheet: 355 by 260mm 14 by 10 inches depicts 'Michal saved David - Michal rettet David'. Published in 1960 Edition of 6500 by Tériade Paris this work is a fine example of Chagall's graphic production of the period printed at the celebrated Mourlot studio in Paris under the direct supervision of Fernand Mourlot. Each color was applied from a separate lithographic stone resulting in the luminous layered palette that makes Chagall's prints instantly recognizable. Chagall's biblical lithographs are among the most sought-after prints in his œuvre combining deep spiritual feeling with the dreamlike palette and symbolic imagery that define his unique vision. Collectors of 20th-century graphic art prize these works for their authenticity as original lithographs—not reproductions—and for their place in one of the most celebrated print suites of the postwar era. In excellent condition. Colors vivid and unfaded. No tears creases or foxing. Ready to frame. Mourlot 250 Mourlot unknown
1973102911973. Chagall Marc. Typed letter signed discussing the proposed book Chagall Illustrator. 1973 correspondence from Marc Chagall addressing the publication of a proposed volume devoted to his work as an illustrator. Chagall the Russian born French painter associated with twentieth century modernism and widely recognized for imagery drawn from Jewish folklore biblical themes and memories of Eastern European village life writes directly to publisher and art critic G. di San Lazzaro about the project. In the letter he acknowledges that the idea for the book originated with him but states that he had reconsidered the proposal. Chagall writes "You write to me regarding the book 'Chagall Illustrator'. Of course the idea comes from me but after reflection I don't think it's good" adding that although the earlier project Chagall Monumental had been successful he did not believe that the new volume should be pursued.<br /> <br /> Typed letter signed on "La Colline St. Paul de Vence" letterhead dated December 6 1973 addressed to San Lazzaro. One page measuring approximately 8 x 11 inches. Written in French and signed "Marc Chagall" in black ink. In the opening lines Chagall apologizes for the delayed reply explaining that he had traveled to Switzerland where "we opened a Chagall salon in Zurich" an exhibition that he notes was organized with great kindness and left him deeply touched.<br /> <br /> The correspondence documents Chagall's ongoing relationship with critics editors and publishers who worked to interpret and present his art to international audiences during the later decades of his career. By the early 1970s Chagall had become one of the most celebrated artists associated with modern Jewish cultural expression known for paintings stained glass commissions theatrical designs and illustrated editions of literary and biblical texts. Letters discussing publishing projects provide insight into the artist's control over how his work was presented and interpreted in print during a period when museums and publishers were producing major studies devoted to his artistic legacy. Light handling wear consistent with age. Overall condition very good. unknown
1966337542Wittenborn & Company 1966. Hardcover. Good/Good. GOOD/GOOD-. White illustrated dust jacket dust jacket in archival plastic protector. Approx. 11" x 8". Bumps/chips to edges and corners. Rub wear dust markings and light scratches to covers. Crease outline to right side plastic protector. Closed tears to top left and bottom middle of cover. Small grey dirt smudges to bottom right corner of cover. Indentation lines to middle of back cover. Sticker ripped off the bottom of spine. Creases to spine ends. Small chunk of dust jacket missing from top of spine. Writing on fly page in ink to fly page.<p> Once Read Books cover scan available - just ask OnceReadBooks com<p> Orders shipped via USPS. Wittenborn & Company hardcover
195631651Paris: Mourlot 1956. Other. In excellent condition. 355 by 260mm 14 by 10¼ inches. Original lithograph in colors published in his series Verve 33/34 of the bible lithographs in Paris. Edition 6500 unsigned and unnumbered copies. Mourlot 125 Mourlot unknown
195631635Paris: Mourlot 1956. Other. In excellent condition. 355 by 260mm 14 by 10¼ inches. 355 by 260mm 14 by 10¼ inches. Original lithograph in colors published in his series Verve 33/34 of the bible lithographs in Paris. Edition 6500 unsigned and unnumbered copies. Mourlot 124 Mourlot unknown
