Marc ChagallBiblio.com
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120425-12New York: The Orion Press. Very Good. New York: The Orion Press unknown
1985G0720606608I2N00Humanities Pr 1985. Hardcover. Like New. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More Spend Less.Dust jacket quality is not guaranteed. Humanities Pr hardcover
1989Q-0192826212Oxford University Press 1989-05-18. Paperback. New. In shrink wrap. Looks like an interesting title! Oxford University Press paperback
1960146789New York: The Orion Press 1960. First edition in English of artist Marc Chagall's early autobiography. Oblong octavo original cloth illustrated with twenty drawings by the author. Presentation copy inscribed by the author on the title page "For Lillian Friedman Marc Chagall 1960." Near fine in a very good dust jacket. Translated by Elizabeth Abbott Art critic Robert Hughes referred to Chagall as "the quintessential Jewish artist of the twentieth century" though Chagall saw his work as "not the dream of one people but of all humanity". According to art historian Michael J. Lewis Chagall was considered to be "the last survivor of the first generation of European modernists." In his early autobiography 'My Life' he presents a full picture of village life in Russia into his time in Paris in the years immediately before the First World War. The Orion Press hardcover
196016397Paris: Mourlot 1960. No Binding. In excellent condition. 355 by 260mm 14 by 10 inches. 355 by 260mm 14 by 10 inches. Original color lithograph by Marc Chagall. Edition of 6500 unsigned and unnumbered from Verve Vol. X Nos. 37/38 — Dessins pour La Bible 1960. Published by Tériade Paris 1960. Printed by Mourlot Paris. Sheet: 355 by 260mm 14 by 10 inches. One of Chagall's most celebrated biblical prints — a collector's original not a reproduction. Marc Chagall 7 July 1887 – 28 March 1985 was one of the most celebrated and beloved artists of the 20th century. Born Marc Zakharovich Shagal in Vitebsk Belarus then part of the Russian Empire he trained in Saint Petersburg before moving to Paris in 1910 where he became part of the vibrant avant-garde of Montparnasse. Drawing on Jewish folk tradition Russian culture and the imagery of his Belarusian childhood Chagall developed a uniquely dreamlike visual language infused with lovers floating above villages fiddlers on rooftops animals angels and mystical biblical scenes. Associated with Fauvism Cubism and Surrealism—yet belonging to none—he was the quintessential 'School of Paris' master. His monumental stained-glass windows ceiling paintings including the Paris Opéra and tapestries brought his vision to public spaces worldwide. Chagall's work is held at MoMA in New York the Tate in London the Centre Pompidou in Paris the Guggenheim and the Musée National Marc Chagall in Nice—inaugurated in 1973 and dedicated to his biblical message cycle. He remains one of the most sought-after names in 20th-century prints with original lithographs consistently coveted by collectors worldwide.Verve 1937–1960 was the legendary French art and literary review published in Paris by Efstratios Eleftheriades known as Tériade. Each double-issue was dedicated to a single artist and produced as a luxury publication with original lithographic covers and plates printed by Fernand Mourlot—the master lithographer whose atelier collaborated with Picasso Matisse Léger and Miró. Nos. 37/38 1960 'Dessins pour La Bible' contains Chagall's second suite of Bible lithographs expanding on the 1956 series with 48 new color prints depicting scenes from the Old Testament—creation the lives of the patriarchs and stories of women in the Bible. The edition of 6500 unsigned and unnumbered copies was sold through bookshops and galleries worldwide and individual lithographs extracted from these volumes are among the most collected Chagall prints on the market today.This original color lithograph sheet: 355 by 260mm 14 by 10 inches depicts 'Naemi and her Daughters in Law - Naemi und ihre Schwiegertöchter'. Published in 1960 Edition of 6500 by Tériade Paris this work is a fine example of Chagall's graphic production of the period printed at the celebrated Mourlot studio in Paris under the direct supervision of Fernand Mourlot. Each color was applied from a separate lithographic stone resulting in the luminous layered palette that makes Chagall's prints instantly recognizable. Chagall's biblical lithographs are among the most sought-after prints in his œuvre combining deep spiritual feeling with the dreamlike palette and symbolic imagery that define his unique vision. Collectors of 20th-century graphic art prize these works for their authenticity as original lithographs—not reproductions—and for their place in one of the most celebrated print suites of the postwar era. In excellent condition. Colors vivid and unfaded. No tears creases or foxing. Ready to frame. Mourlot 245 Mourlot unknown
03-0136Paris: Verve 1960. Color lithograph. From Drawings for the Bible. Mourlot 245. M. 268 verso. Paris: Verve, 1960. unknown
194645788New York: Office of Jewish Information American Jewish Congress 1946. First edition. Posters. vg. Atlas folio. 24x18" or 24x 36". 4-part fold-out poster. Housed in a protective folder. <br /> <br /> The poster can be broadly divided into two parts when folded out:<br /> <br /> - The first side features a large spread titled "News of the Month June-July 1946" containing news headlines accompanied by bold and striking graphic illustrations including photomontage in b/w red and pink. These are divided into 3 sections. On the left side "What he Palestine Commission Recommended" states the eight recommendations of the aforementioned commission each with own illustration in the style of satirical political cartoons along with a photomontage of images from Palestine at the bottom. The central column titled "World News Digest" contains international news headlines and excerpts from the U.S. London Hungary Germany and Jerusalem. Among the topics mentioned are the Ku Klux Klan Jewish American soldiers anti-Semitism in Europe the Nuremberg trails and Mohammed Amin al-Husseini the Grand Mufti of Jerusalem with a photo. A section to the right titled "Newcomers to the U.S.A" discusses immigration of Jewish refugees to the America between 1933-1945 depicted with graphic illustrations. The contributions of Jewish refugees to the country during wartime and peacetime are displayed as well as the failures to save more Jews from extermination during the war are condemned. The top of this section contains a powerful and emotional photographic image of refugees arriving in New York. <br /> <br /> - The verso on the left side has a 19 3/4x 15" high quality b/w offset reproduction of the acclaimed painting "The Praying Jew" aka "The Rabbi of Vitebsk" 1914 by famed Jewish artist Marc Chagall. To the right opposite the image is a section of text about the painting and the artist accompanied by a b/w photo-portrait of Chagall taken by portrait photographer Lotte Jacobi 4 3/4x4".<br /> <br /> Poster with fold creases a few closed tears and a few minor chips along the edges. The upper left section of the Chagall painting is sunned. Poster in overall very good condition. Extremely scarce. In a folded state protected by modern mylar. There are only two copies of this scarce publication on OCLC. Office of Jewish Information, American Jewish Congress unknown
196336899Paris: André Sauret. 1963. In excellent condition. 32 x 243 cm 12.5 x 95 inches. Original color lithograph by Marc Chagall. Edition of 5000 unsigned and unnumbered from Chagall Lithographe / Catalogue Raisonné Vol. II 19571962 1963. Published by André Sauret Monte Carlo 1963. Printed by Mourlot and Draeger Paris. Sheet: 32 x 243 cm 12.5 x 95 inches. One of Chagall's most iconic motifs lovers in a world of color and poetry. Marc Chagall 7 July 1887 28 March 1985 was one of the most celebrated and beloved artists of the 20th century. Born Marc Zakharovich Shagal in Vitebsk Belarus then part of the Russian Empire he trained in Saint Petersburg before moving to Paris in 1910 where he became part of the vibrant avant-garde of Montparnasse. Drawing on Jewish folk tradition Russian culture and the imagery of his Belarusian childhood Chagall developed a uniquely dreamlike visual language infused with lovers floating above villages fiddlers on rooftops animals angels and mystical biblical scenes. Associated with Fauvism Cubism and Surrealismyet belonging to nonehe was the quintessential 'School of Paris' master. His monumental stained-glass windows ceiling paintings including the Paris Opéra and tapestries brought his vision to public spaces worldwide. Chagall's work is held at MoMA in New York the Tate in London the Centre Pompidou in Paris the Guggenheim and the Musée National Marc Chagall in Niceinaugurated in 1973 and dedicated to his biblical message cycle. He remains one of the most sought-after names in 20th-century prints with original lithographs consistently coveted by collectors worldwide.'Chagall Lithographe' Volume II 1963 published by André Sauret in Monte Carlo with text by Fernand Mourlot is the second volume of the monumental catalogue raisonné of Chagall's lithographic output. The volume covers prints from 1957 to 1962 and contains 24 original lithographs printed by Mourlot and Draeger in Paris. It is one of the most important documentary sources for Chagall's graphic work and the original color lithographs bound within itdepicting the circus performers lovers musicians and biblical figures so beloved by collectorsare among Chagall's most iconic images.This original color lithograph sheet: 32 x 243 cm 12.5 x 95 inches depicts 'Nocturne à Vence - night in Vence - Nacht in Vence'. Published in 1963 Edition of 5000 by André Sauret Monte Carlo this work is a fine example of Chagall's graphic production of the period printed at the celebrated Mourlot studio in Paris under the direct supervision of Fernand Mourlot. Each color was applied from a separate lithographic stone resulting in the luminous layered palette that makes Chagall's prints instantly recognizable. The image of lovers floating above the world is perhaps the most iconic motif in all of Chagall's arta symbol of transcendent joy memory and longing. His lithographs on this theme are enduringly popular with collectors and are among his most recognizable and decorative works. In excellent condition. Colors vivid and unfaded. No tears creases or foxing. Ready to frame. Mourlot 400 André Sauret. unknown
20-04888Swann Gallery 38353. Paperback. New. In shrink wrap. Swann Gallery paperback
51-4599St. Paul de Vence: 1969. Tls. 27 x 21. cm. With printed letterhead at Les Collines. ."Dès 5 heures ce matin Vava est sortie accompanger les camions suivis par la police.". but it all worked out. From December 12 1969 to 1970 the Grand Palais in Paris held the largest Chagall exhibition to date including 474 works. The exhibition was called "Hommage a Marc Chagall" was opened by the French President Georges Pompidou 1911–1974 and "proved an enormous success with the public and critics alike.". Provenance: Estate of Jean Leymarie. .Le Figaro le 05/12/2016: Toutes témoignent des liens d'amitiés privilégiés que Jean Leymarie 1919-2006 disparu en 2006 entretint avec les artistes de par ses fonctions au sein de nombreuses institutions. Devenu plus jeune conservateur de musée de France à l'âge de 31 ans en prenant la direction du musée de Grenoble Jean Leymarie entama une brillante carrière dans le milieu de l'Art. Succédant à Bernard Dorival il rejoignit la tête du musée d'art moderne de la ville de Paris en 1969 avant de devenir directeur des études à l'école du Louvre puis de succéder à Balthus en 1978 comme directeur de l'Académie de France à Rome.Tout au long de sa carrière il organisa de prestigieuses expositions telle en 1966 l'«Hommage à Picasso» présenté au Grand et au Petit Palais à Paris et il rédigea de nombreuses monographies d'artistes parmi lesquels Balthus Picasso Van Gogh Braque Gauguin ou Zao Wou-Ki rencontré quelques années à son arrivée en France. Professionnel talentueux mais aussi homme sensible Jean Leymarie fut proche de Miró fréquenté en Espagne et dans le sud de la France mais aussi de Calder qui le recevait avec sa femme Marie-Paule chez lui à Saché en Touraine. St. Paul de Vence: 1969 unknown
51-4598St. Paul de Vence: 1969. Tls. 27 x 21. cm. . With printed letterhead at Les Collines. aand with envelope ."J'essaie de travailler mais je suis très inquiet."but it all worked out. From December 12 1969 to 1970 the Grand Palais in Paris held the largest Chagall exhibition to date including 474 works. The exhibition was called "Hommage a Marc Chagall" was opened by the French President Georges Pompidou 1911–1974 and "proved an enormous success with the public and critics alike.". Provenance: Estate of Jean Leymarie. .Le Figaro le 05/12/2016: Toutes témoignent des liens d'amitiés privilégiés que Jean Leymarie 1919-2006 disparu en 2006 entretint avec les artistes de par ses fonctions au sein de nombreuses institutions. Devenu plus jeune conservateur de musée de France à l'âge de 31 ans en prenant la direction du musée de Grenoble Jean Leymarie entama une brillante carrière dans le milieu de l'Art. Succédant à Bernard Dorival il rejoignit la tête du musée d'art moderne de la ville de Paris en 1969 avant de devenir directeur des études à l'école du Louvre puis de succéder à Balthus en 1978 comme directeur de l'Académie de France à Rome.Tout au long de sa carrière il organisa de prestigieuses expositions telle en 1966 l'«Hommage à Picasso» présenté au Grand et au Petit Palais à Paris et il rédigea de nombreuses monographies d'artistes parmi lesquels Balthus Picasso Van Gogh Braque Gauguin ou Zao Wou-Ki rencontré quelques années à son arrivée en France. Professionnel talentueux mais aussi homme sensible Jean Leymarie fut proche de Miró fréquenté en Espagne et dans le sud de la France mais aussi de Calder qui le recevait avec sa femme Marie-Paule chez lui à Saché en Touraine. St. Paul de Vence: 1969 unknown
51-4595Vence: 1963. 27 x 21. cm. With printed letterhead at Les Collines. Mentions the publisher André Sauret Meyer-Shapiro. and Leymaries judgment that the English language translation was defective." 14 février 1963 : "J'écris tout de suite à Sauret pour lui demander de faire envoyer un exemplaire du livre des vitraux en français à Meyer-Shapiro. Je suis attristé d'apprendre que la traduction anglaise est défectueuse ; il est vraiement regrettable qu'on ne vous ait pas consulté avant cette édition." . Provenance: Estate of Jean Leymarie. .Le Figaro le 05/12/2016: Toutes témoignent des liens d'amitiés privilégiés que Jean Leymarie 1919-2006 disparu en 2006 entretint avec les artistes de par ses fonctions au sein de nombreuses institutions. Devenu plus jeune conservateur de musée de France à l'âge de 31 ans en prenant la direction du musée de Grenoble Jean Leymarie entama une brillante carrière dans le milieu de l'Art. Succédant à Bernard Dorival il rejoignit la tête du musée d'art moderne de la ville de Paris en 1969 avant de devenir directeur des études à l'école du Louvre puis de succéder à Balthus en 1978 comme directeur de l'Académie de France à Rome.Tout au long de sa carrière il organisa de prestigieuses expositions telle en 1966 l'«Hommage à Picasso» présenté au Grand et au Petit Palais à Paris et il rédigea de nombreuses monographies d'artistes parmi lesquels Balthus Picasso Van Gogh Braque Gauguin ou Zao Wou-Ki rencontré quelques années à son arrivée en France. Professionnel talentueux mais aussi homme sensible Jean Leymarie fut proche de Miró fréquenté en Espagne et dans le sud de la France mais aussi de Calder qui le recevait avec sa femme Marie-Paule chez lui à Saché en Touraine. Vence: 1963 unknown
51-4596Paris: 1968. Tls from 13 Quai d'Anjou with envelope. 27 x 21. cm. Mentions the curator "Monsieur Anthonioz" see below and his forthcoming shows at the Grand-Palais and Bibliothhèque Nationale. From December 12 1969 to 1970 the Grand Palais in Paris held the largest Chagall exhibition to date including 474 works. The exhibition was called "Hommage a Marc Chagall" was opened by the French President Georges Pompidou 1911–1974 and "proved an enormous success with the public and critics alike.". " Paris 25 octobre 1968 : "J'ai vu ces jours-ci Monsieur Anthonioz. Il m'a dit que mon exposition va se faire au Grand-Palais en 1969 entre l'exposition de Napoléon et celle de Matisse.".Provenance: Estate of Jean Leymarie. François Bernard Charles Anthonioz Genève 1921 - Paris 14 juillet 1994 est un éditeur d'art et haut fonctionnaire français. Il a été directeur de la création artistique au ministère des Affaires culturelles sous André Malraux et fondateur du Centre national d’art contemporain précurseur du Musée national d'Art moderne. .Le Figaro le 05/12/2016: Toutes témoignent des liens d'amitiés privilégiés que Jean Leymarie 1919-2006 disparu en 2006 entretint avec les artistes de par ses fonctions au sein de nombreuses institutions. Devenu plus jeune conservateur de musée de France à l'âge de 31 ans en prenant la direction du musée de Grenoble Jean Leymarie entama une brillante carrière dans le milieu de l'Art. Succédant à Bernard Dorival il rejoignit la tête du musée d'art moderne de la ville de Paris en 1969 avant de devenir directeur des études à l'école du Louvre puis de succéder à Balthus en 1978 comme directeur de l'Académie de France à Rome.Tout au long de sa carrière il organisa de prestigieuses expositions telle en 1966 l'«Hommage à Picasso» présenté au Grand et au Petit Palais à Paris et il rédigea de nombreuses monographies d'artistes parmi lesquels Balthus Picasso Van Gogh Braque Gauguin ou Zao Wou-Ki rencontré quelques années à son arrivée en France. Professionnel talentueux mais aussi homme sensible Jean Leymarie fut proche de Miró fréquenté en Espagne et dans le sud de la France mais aussi de Calder qui le recevait avec sa femme Marie-Paule chez lui à Saché en Touraine. Paris: 1968 unknown
51-4597St. Paul de Vence: 1969. Tls. 27 x 21. cm. With printed letterhead at Les Collines. ."Je suis très inquiet." but it all worked out. From December 12 1969 to 1970 the Grand Palais in Paris held the largest Chagall exhibition to date including 474 works. The exhibition was called "Hommage a Marc Chagall" was opened by the French President Georges Pompidou 1911–1974 and "proved an enormous success with the public and critics alike."Provenance: Estate of Jean Leymarie. .Le Figaro le 05/12/2016: Toutes témoignent des liens d'amitiés privilégiés que Jean Leymarie 1919-2006 disparu en 2006 entretint avec les artistes de par ses fonctions au sein de nombreuses institutions. Devenu plus jeune conservateur de musée de France à l'âge de 31 ans en prenant la direction du musée de Grenoble Jean Leymarie entama une brillante carrière dans le milieu de l'Art. Succédant à Bernard Dorival il rejoignit la tête du musée d'art moderne de la ville de Paris en 1969 avant de devenir directeur des études à l'école du Louvre puis de succéder à Balthus en 1978 comme directeur de l'Académie de France à Rome.Tout au long de sa carrière il organisa de prestigieuses expositions telle en 1966 l'«Hommage à Picasso» présenté au Grand et au Petit Palais à Paris et il rédigea de nombreuses monographies d'artistes parmi lesquels Balthus Picasso Van Gogh Braque Gauguin ou Zao Wou-Ki rencontré quelques années à son arrivée en France. Professionnel talentueux mais aussi homme sensible Jean Leymarie fut proche de Miró fréquenté en Espagne et dans le sud de la France mais aussi de Calder qui le recevait avec sa femme Marie-Paule chez lui à Saché en Touraine. St. Paul de Vence: 1969 unknown
51-4593Vence: 1951. Tls. 27 x 21.3 cm. With printed letterhead at Les Collines. Thanking Leymarie for his book on Giotto Giotto Fresques and mentioning the birth of Lemarie's second child. Vence 23 mars 1951 : "Cher ami J'étais si heureux de recevoir votre magnifique livre sur Giotto et je vous en remercie très chaleureusement. Provenance: Estate of Jean Leymarie. .Le Figaro le 05/12/2016: Toutes témoignent des liens d'amitiés privilégiés que Jean Leymarie 1919-2006 disparu en 2006 entretint avec les artistes de par ses fonctions au sein de nombreuses institutions. Devenu plus jeune conservateur de musée de France à l'âge de 31 ans en prenant la direction du musée de Grenoble Jean Leymarie entama une brillante carrière dans le milieu de l'Art. Succédant à Bernard Dorival il rejoignit la tête du musée d'art moderne de la ville de Paris en 1969 avant de devenir directeur des études à l'école du Louvre puis de succéder à Balthus en 1978 comme directeur de l'Académie de France à Rome.Tout au long de sa carrière il organisa de prestigieuses expositions telle en 1966 l'«Hommage à Picasso» présenté au Grand et au Petit Palais à Paris et il rédigea de nombreuses monographies d'artistes parmi lesquels Balthus Picasso Van Gogh Braque Gauguin ou Zao Wou-Ki rencontré quelques années à son arrivée en France. Professionnel talentueux mais aussi homme sensible Jean Leymarie fut proche de Miró fréquenté en Espagne et dans le sud de la France mais aussi de Calder qui le recevait avec sa femme Marie-Paule chez lui à Saché en Touraine. Vence: 1951 unknown
16-4761Saint Paul de Vence: August 19 1982. Two large color photographs. One signed by Chagall and one annotated on the verso by the photographer and signed . 24 x 30.5 cm. Alain Cinquini:L'Est Républicain - 04 nov. 2012 : Tout commence quand il tombe sur Yves Montand Paul Newman et leurs femmes respectives. « Je suis allé leur demander pour faire une photo. Newman n’a pas voulu. Simone Signoret m’a dit que c’était bien d’avoir demandé… Montand a compris que je serai là à la sortie du restaurant et a quasiment organisé une séance en montrant la montagne à Paul Newman. ».Alain Cinquini a sa première photo de stars. Qu’il n’exploite pas durant plusieurs jours. C’est sur les conseils d’un copain qu’il prend enfin contact avec l’agence Gamma. Le début d’une belle carrière.En un quart de siècle Alain Cinquini prendra entre 80.000 et 100.000 clichés de stars parmi les plus grandes devenant l’un des photographes indépendants incontournables du sud de la France et de Monaco. Il entretiendra des relations privilégiées avec des vedettes du cinéma et des artistes comme Armand ou César entre autres. Bref un parcours exemplaire au cours duquel il ne volera jamais une image et ne violera jamais l’intimité de ses « clients ». Tout l’inverse des paparazzis au sens où on l’entend aujourd’hui : « J’ai une façon de travailler dans le respect des personnes sans doute parce que j’ai été élevé ainsi. Certains de mes collègues se demandaient parfois comment j’arrivais à avoir certaines photos. C’était simplement parce que j’étais bien vu que je faisais mon boulot correctement. Et avec correction… Avoir une bonne réputation dans ce milieu-là ça compte ça ouvre des portes. Expertise by: David ZERBIB : 24 Av. du Prado 13006 Marseille France; Paul BENARROCHE 8 boulevard Alphonse Daudet 13960 SAUSSET les PINS06 10 25 64 93 Saint Paul de Vence: August 19, 1982 unknown
16-4760Saint Paul de Vence: August 19 1982. Two Color photographs. Signed and annotated differently on the verso by the photographer. 18.2 x 24 cm. Alain Cinquini:L'Est Républicain - 04 nov. 2012 : Tout commence quand il tombe sur Yves Montand Paul Newman et leurs femmes respectives. « Je suis allé leur demander pour faire une photo. Newman n’a pas voulu. Simone Signoret m’a dit que c’était bien d’avoir demandé… Montand a compris que je serai là à la sortie du restaurant et a quasiment organisé une séance en montrant la montagne à Paul Newman. ».Alain Cinquini a sa première photo de stars. Qu’il n’exploite pas durant plusieurs jours. C’est sur les conseils d’un copain qu’il prend enfin contact avec l’agence Gamma. Le début d’une belle carrière.En un quart de siècle Alain Cinquini prendra entre 80.000 et 100.000 clichés de stars parmi les plus grandes devenant l’un des photographes indépendants incontournables du sud de la France et de Monaco. Il entretiendra des relations privilégiées avec des vedettes du cinéma et des artistes comme Armand ou César entre autres. Bref un parcours exemplaire au cours duquel il ne volera jamais une image et ne violera jamais l’intimité de ses « clients ». Tout l’inverse des paparazzis au sens où on l’entend aujourd’hui : « J’ai une façon de travailler dans le respect des personnes sans doute parce que j’ai été élevé ainsi. Certains de mes collègues se demandaient parfois comment j’arrivais à avoir certaines photos. C’était simplement parce que j’étais bien vu que je faisais mon boulot correctement. Et avec correction… Avoir une bonne réputation dans ce milieu-là ça compte ça ouvre des portes. Expertise by: David ZERBIB : 24 Av. du Prado 13006 Marseille France; Paul BENARROCHE 8 boulevard Alphonse Daudet 13960 SAUSSET les PINS06 10 25 64 93 Saint Paul de Vence: August 19, 1982 unknown
196038850Paris: Mourlot 1960. In excellent condition. 355 by 260mm 14 by 10 inches. Original color lithograph by Marc Chagall. Edition of 6500 unsigned and unnumbered from Verve Vol. X Nos. 37/38 — Dessins pour La Bible 1960. Published by Tériade Paris 1960. Printed by Mourlot Paris. Sheet: 355 by 260mm 14 by 10 inches. One of Chagall's most celebrated biblical prints — a collector's original not a reproduction. Marc Chagall 7 July 1887 – 28 March 1985 was one of the most celebrated and beloved artists of the 20th century. Born Marc Zakharovich Shagal in Vitebsk Belarus then part of the Russian Empire he trained in Saint Petersburg before moving to Paris in 1910 where he became part of the vibrant avant-garde of Montparnasse. Drawing on Jewish folk tradition Russian culture and the imagery of his Belarusian childhood Chagall developed a uniquely dreamlike visual language infused with lovers floating above villages fiddlers on rooftops animals angels and mystical biblical scenes. Associated with Fauvism Cubism and Surrealism—yet belonging to none—he was the quintessential 'School of Paris' master. His monumental stained-glass windows ceiling paintings including the Paris Opéra and tapestries brought his vision to public spaces worldwide. Chagall's work is held at MoMA in New York the Tate in London the Centre Pompidou in Paris the Guggenheim and the Musée National Marc Chagall in Nice—inaugurated in 1973 and dedicated to his biblical message cycle. He remains one of the most sought-after names in 20th-century prints with original lithographs consistently coveted by collectors worldwide.Verve 1937–1960 was the legendary French art and literary review published in Paris by Efstratios Eleftheriades known as Tériade. Each double-issue was dedicated to a single artist and produced as a luxury publication with original lithographic covers and plates printed by Fernand Mourlot—the master lithographer whose atelier collaborated with Picasso Matisse Léger and Miró. Nos. 37/38 1960 'Dessins pour La Bible' contains Chagall's second suite of Bible lithographs expanding on the 1956 series with 48 new color prints depicting scenes from the Old Testament—creation the lives of the patriarchs and stories of women in the Bible. The edition of 6500 unsigned and unnumbered copies was sold through bookshops and galleries worldwide and individual lithographs extracted from these volumes are among the most collected Chagall prints on the market today.This original color lithograph sheet: 355 by 260mm 14 by 10 inches depicts 'Paradise - Paradies'. Published in 1960 Edition of 6500 by Tériade Paris this work is a fine example of Chagall's graphic production of the period printed at the celebrated Mourlot studio in Paris under the direct supervision of Fernand Mourlot. Each color was applied from a separate lithographic stone resulting in the luminous layered palette that makes Chagall's prints instantly recognizable. Chagall's biblical lithographs are among the most sought-after prints in his œuvre combining deep spiritual feeling with the dreamlike palette and symbolic imagery that define his unique vision. Collectors of 20th-century graphic art prize these works for their authenticity as original lithographs—not reproductions—and for their place in one of the most celebrated print suites of the postwar era. In excellent condition. Colors vivid and unfaded. No tears creases or foxing. Ready to frame. Mourlot 232 Mourlot unknown
196016384Paris: Mourlot 1960. Other. In excellent condition. 355 by 260mm 14 by 10 inches. Original color lithograph by Marc Chagall. Edition of 6500 unsigned and unnumbered from Verve Vol. X Nos. 37/38 — Dessins pour La Bible 1960. Published by Tériade Paris 1960. Printed by Mourlot Paris. Sheet: 355 by 260mm 14 by 10 inches. One of Chagall's most celebrated biblical prints — a collector's original not a reproduction. Marc Chagall 7 July 1887 – 28 March 1985 was one of the most celebrated and beloved artists of the 20th century. Born Marc Zakharovich Shagal in Vitebsk Belarus then part of the Russian Empire he trained in Saint Petersburg before moving to Paris in 1910 where he became part of the vibrant avant-garde of Montparnasse. Drawing on Jewish folk tradition Russian culture and the imagery of his Belarusian childhood Chagall developed a uniquely dreamlike visual language infused with lovers floating above villages fiddlers on rooftops animals angels and mystical biblical scenes. Associated with Fauvism Cubism and Surrealism—yet belonging to none—he was the quintessential 'School of Paris' master. His monumental stained-glass windows ceiling paintings including the Paris Opéra and tapestries brought his vision to public spaces worldwide. Chagall's work is held at MoMA in New York the Tate in London the Centre Pompidou in Paris the Guggenheim and the Musée National Marc Chagall in Nice—inaugurated in 1973 and dedicated to his biblical message cycle. He remains one of the most sought-after names in 20th-century prints with original lithographs consistently coveted by collectors worldwide.Verve 1937–1960 was the legendary French art and literary review published in Paris by Efstratios Eleftheriades known as Tériade. Each double-issue was dedicated to a single artist and produced as a luxury publication with original lithographic covers and plates printed by Fernand Mourlot—the master lithographer whose atelier collaborated with Picasso Matisse Léger and Miró. Nos. 37/38 1960 'Dessins pour La Bible' contains Chagall's second suite of Bible lithographs expanding on the 1956 series with 48 new color prints depicting scenes from the Old Testament—creation the lives of the patriarchs and stories of women in the Bible. The edition of 6500 unsigned and unnumbered copies was sold through bookshops and galleries worldwide and individual lithographs extracted from these volumes are among the most collected Chagall prints on the market today.This original color lithograph sheet: 355 by 260mm 14 by 10 inches depicts 'Paradise - Paradies'. Published in 1960 Edition of 6500 by Tériade Paris this work is a fine example of Chagall's graphic production of the period printed at the celebrated Mourlot studio in Paris under the direct supervision of Fernand Mourlot. Each color was applied from a separate lithographic stone resulting in the luminous layered palette that makes Chagall's prints instantly recognizable. Chagall's biblical lithographs are among the most sought-after prints in his œuvre combining deep spiritual feeling with the dreamlike palette and symbolic imagery that define his unique vision. Collectors of 20th-century graphic art prize these works for their authenticity as original lithographs—not reproductions—and for their place in one of the most celebrated print suites of the postwar era. In excellent condition. Colors vivid and unfaded. No tears creases or foxing. Ready to frame. Mourlot 232 Mourlot unknown
196438517Paris: Mourlot 1964. In very good condition. 99 x 632 cm 39 x 25 inches. Large-format original color lithograph by Marc Chagall after the Opéra ceiling lithographically interpreted and engraved by Charles Sorlier D'après Marc Chagall Ch. Sorlier Grav. printed by Mourlot Paris 1964. Hand-signed by Chagall in pencil lower right with a later occasional signature 1970. Sheet: 99 × 63.2 cm 39 × 25 inches. A monumental and rare signed impression of one of the most celebrated images in 20th-century French cultural life. Marc Chagall 7 July 1887 28 March 1985 was one of the most celebrated and beloved artists of the 20th century. Born Marc Zakharovich Shagal in Vitebsk Belarus then part of the Russian Empire he trained in Saint Petersburg before moving to Paris in 1910 where he became part of the vibrant avant-garde of Montparnasse. Drawing on Jewish folk tradition Russian culture and the imagery of his Belarusian childhood Chagall developed a uniquely dreamlike visual language infused with lovers floating above villages fiddlers on rooftops animals angels and mystical biblical scenes. Associated with Fauvism Cubism and Surrealism yet belonging to none he was the quintessential 'School of Paris' master. His monumental stained-glass windows ceiling paintings including the Paris Opéra and tapestries brought his vision to public spaces worldwide. Chagall's work is held at MoMA in New York the Tate in London the Centre Pompidou in Paris the Guggenheim and the Musée National Marc Chagall in Nice inaugurated in 1973 and dedicated to his biblical message cycle. He remains one of the most sought-after names in 20th-century prints with original lithographs consistently coveted by collectors worldwide.This large-format original color lithograph depicts a detail of Chagall's celebrated ceiling painting for the Paris Opéra the Palais Garnier commissioned by André Malraux and completed in 1964. The ceiling comprising 220 square metres of painted canvas divided into five colour zones pays homage to the great composers Mozart Wagner Berlioz Rameau and Debussy and was unveiled to wide acclaim. The scene depicted here 'Roméo et Juliette' is among the most lyrical passages of the ceiling showing lovers entwined in Chagall's signature floating reverie. The lithograph was produced in 1964 by Mourlot Paris and lithographically interpreted and engraved by Charles Sorlier Mourlot's chief lithographer and Chagall's most trusted technical collaborator as indicated by the imprint 'D'après Marc Chagall Ch. Sorlier Grav.' The sheet bears a hand signature by Chagall in pencil in the lower right corner added as an occasional signature Gelegenheitssignatur in 1970 not a signed numbered edition but a personal autograph applied directly to this impression. Such signed copies of the Opéra poster are rare and significantly more sought after than unsigned examples. The sheet edges show minor signs of wear consistent with display; colors are fresh and the image is in excellent condition. Hand-signed by Chagall in pencil lower right occasional signature 1970. The sheet edges show minor signs of wear consistent with handling and display. Colors vivid and fresh. Image in excellent condition. Sorlier 96 Mourlot unknown
51-2111Paris: Editions O. Lazar-Vernet 1962. . Folio. 385 x 288 mm. 15-1/8 x 11-3/8 inches. Sheets loose as issued in original cloth chemise and slipcase. One of 150 numbered portfolios on Johannot paper. With 14 original color etchings by Chagall "Granada" Cramer 51; Kornfeld 121; Braque "Oiseaux" Vallier 183; Max Ernst Spies/Leppien 85 Magnelli Zadkine Gilioli Ubac Bissière Jacobsen Fiorini Bona Dufour Lepâtre Vieillard Paris: Editions O. Lazar-Vernet, 1962. hardcover
17-0030Beverly Hills CA : Louis Newman Galleries 1986. 8vo. 22 pp. Stapled wraps. Very Good. Insert: Letter from Skirball Museum Director Nancy Berman inviting museum members to the exhibit’s opening. From the Collection of the Art Historian Peter Selz 1919-2019. Beverly Hills, CA : Louis Newman Galleries, 1986. paperback
198710659Leon Amiel Publisher 1987. Trade Paperback. Good Used/None as Issued. Marc Chagall. Cover has small wear; nice condition. Leon Amiel Publisher paperback
1943164927Paris: Les Éditions du Chéne 1943. With original self portrait drawn by Chagall First edition first printing inscribed by the artist in French with an original self portrait drawing "A mademoiselle Paulette Carlier Souvenir de Marc Chagall Vence 1951". Quarto. 16 tipped in colour plates after paintings by Chagall. Original illustrated wrappers lettering to front cover in black and grey. Housed in a red cloth flat-back box with black leather label. Spine split otherwise a bright copy. hardcover
16-4763Saint Paul de Vence: March 30 1985. Color photograph. 11 x 16 cm.Jewish Telegraphic Agency April 2 1985:"Marc Chagall the Russian born Jewish painter many of whose masterpieces were on Jewish themes was buried today at Saint Paul De Vence the village in the south of France where he lived and worked for the past 20 years. He died last Thursday at the age of 97.There were no religious rites. Chagall’s widow Valentina Brodsky said the artist had specifically requested that there be no religious service at his burial. A family member recited the Kaddish but without the required minyan.The funeral was attended by a handful of family members and close friends and by diplomats of three nations. Two representatives of the Soviet Embassy in Paris were present as were French Foreign Minister Roland Dumas Minister of Culture Jack Lang and Israel’s Ambassador to France Ovadia Soffer.".L'Est Républicain - 04 nov. 2012 : Tout commence quand il tombe sur Yves Montand Paul Newman et leurs femmes respectives. « Je suis allé leur demander pour faire une photo. Newman n’a pas voulu. Simone Signoret m’a dit que c’était bien d’avoir demandé… Montand a compris que je serai là à la sortie du restaurant et a quasiment organisé une séance en montrant la montagne à Paul Newman. ».Alain Cinquini a sa première photo de stars. Qu’il n’exploite pas durant plusieurs jours. C’est sur les conseils d’un copain qu’il prend enfin contact avec l’agence Gamma. Le début d’une belle carrière.En un quart de siècle Alain Cinquini prendra entre 80.000 et 100.000 clichés de stars parmi les plus grandes devenant l’un des photographes indépendants incontournables du sud de la France et de Monaco. Il entretiendra des relations privilégiées avec des vedettes du cinéma et des artistes comme Armand ou César entre autres. Bref un parcours exemplaire au cours duquel il ne volera jamais une image et ne violera jamais l’intimité de ses « clients ». Tout l’inverse des paparazzis au sens où on l’entend aujourd’hui : « J’ai une façon de travailler dans le respect des personnes sans doute parce que j’ai été élevé ainsi. Certains de mes collègues se demandaient parfois comment j’arrivais à avoir certaines photos. C’était simplement parce que j’étais bien vu que je faisais mon boulot correctement. Et avec correction… Avoir une bonne réputation dans ce milieu-là ça compte ça ouvre des portes. Expertise by: David ZERBIB : 24 Av. du Prado 13006 Marseille France; Paul BENARROCHE 8 boulevard Alphonse Daudet 13960 SAUSSET les PINS06 10 25 64 93 Saint Paul de Vence: March 30, 1985 unknown
