Ponzio LucianoMareMagnum
2 454 résultats
ill., br. In Michail Bachtin la teoria della creatività artistica è fondamentalmente rivolta allo studio della letteratura. Essa però si presta ad essere messa in rapporto ed in dialogo con la ricerca artistica nell'ambito del visivo, e in particolare, relativamente ai nostri interessi, con la pittura. Ciò non è dovuto tanto al fatto che nell'opera bachtiniana si possano trovare riferimenti alle arti visive o al fatto che l'estetica bachtiniana spesso allarghi il proprio discorso spostandolo dal campo della letteratura a quello della produzione artistica in generale. La possibilità di far incontrare dialogicamente la ricerca bachtiniana con quella pittorica dipende piuttosto dal ruolo che in entrambe gioca la raffigurazione in contrasto con la riproduzione, la rappresentazione, l'imitazione. La questione riguarda la concezione e l'impiego dei segni, ed è quindi di ordine semiotico. E il segno che è direttamente coinvolto nella ricerca pittorica di Kazimir Malevic? e di Marc Chagall, come pure nella teoria della raffigurazione estetica di Bachtin, è l'icona. Tale tipo di segno occupa un posto centrale anche nella semiotica di Charles Sanders Peirce in quanto maggiormente capace di innovazione e di inventiva.
1949202016<p>Duell Sloan & Pearce 1949. First Edition. Hardcover. Very Good/Very Good. Black cloth boards with yellow lettering under yellow DJ priced at $6 top edge stained red illustrated endpapers plate illustrations 245 pp. Minor splash mark to topstain else a near fine book; DJ has toning to spine panel minor chipping to top corners modest waviness to rear panel. Presents well; first trade edition. A beautiful tribute to Stravinsky who at the time was a recent American citizen and had just begun collaborating with Robert Craft who would help Stravinsky throughout his late career.</p> Duell, Sloan & Pearce hardcover
Litografia originale a colori mm.352x260 tratta dal volume "Dessins pour la Bible", stampato a Parigi, Editions de la Revue Verve, 1960. Non firmata.
199427868Milano: Hapax 1994. Rilegato tela custodia cloth slip-case. Molto buono Very Good. <em>La storia il sito le tele acquerelli e pastelli</em>. Testi di Pierre Provoyeur. Foto di Elio Ciol. Numerose tavole a colori anche a piena pagina con a fronte scheda informativa sull'opera. Illustrazioni in bianco e nero. Con 79 tavole a colori dei pastelli. Folio. pp. 260 64 tav. Molto buono Very Good. Edizione speciale. Hapax, hardcover
2 tomi in 1 vol., in 4°, pp. 260; 62, 79 tavv., pp. 20; p/tela edit. gialla con tit. in blu, cofanetto rileg. in tela blu con custodia nascosta che contiene la tav. a colori 'Il sogno di Giacobbe', numerata. Monografia sulle pitture, i guazzi, i mosaici, le vetrate dedicate al tema biblico, con centinaia di ill. a colori a p/pag. con descrizione a fronte, e in b/n, cenni biografici, bibliografia, indice delle tavv. Solo lievi fior. alle sguardie, per il resto ottimo. 421/36
8860365198.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
19561395231New York: Harcourt Brace and Company 1956. First American Edition. Hardcover. Quarto unpaginated. In Good condition. Bound in publisher's illustrated boards. Spine blue with black lettering. Binding extremely fragile though still in tact. Bottom halves of front and rear hinges split. General shelf wear to head and tail of spine and to edges and corners of boards. Mild scuffing and soiling to boards. Staining to fore edge of textblock affecting the margins throughout the interior. Scattered foxing throughout textblock primarily to endpapers title page and "Captions" in rear leaving the lithographs largely unaffected. Age toning throughout. Previous owner's signature to front free endpaper. Includes the front inner flap of dust jacket stored loosely within. DL Consignment. Shelved in Case 11. 1395231. Shelved Dupont Bookstore. Harcourt, Brace and Company hardcover
1956198870New York: Harcourt Brace - Verve 1956. First edition. Hardcover. The first American edition of this beautifully printed book which was published as a double issue of Verve. Text by Jean Wahl and an appreciation by Meyer Schapiro. Includes 28 lithographs with 16 in color along with 105 black and white heliogravures. A very good copy in paper covered boards with loss to the top of the spine some splitting and wear to the spine edges and some creasing to the front free endpaper. No dust jacket. Lithographs in very near fine condition. Harcourt, Brace - Verve unknown
1956330115New York: Harcourt Brace 1956. First. hardcover. near fine/very good. Chagall Marc. Beautifully illustrated with 28 original lithographs 16 of which are in color the 12 b/w lithographs are printed on rear of color plates; and 105 additional b/w heliogravures of Chagall's etchings throughout. Text by Jean Wahl & Meyer Shapiro. Small folio original blue pictorial boards red printed d.w. New York: Harcourt Brace 1956. First American edition.<br/> <br/> The book first appeared as a double issue of Verve Vol VII Nos. 33-34. An exceptional copy in the original unclipped dust wrapper.<br/> <br/> Harcourt Brace unknown
1956110226Harcourt Brace and Company 1956-01-01. Hardcover. Very Good. 0x0x0. 1956 Harcourt Brace and Company American issue of Verve 33/34. Clean tight and unmarked jacket is quite tattered in two pieces missing the spine and is now laid into the book. All lithographs intact and undamaged. oversized and overweight. Please email for photos. Harcourt, Brace and Company hardcover
1956273685New York: Harcourt Brace 1956. First. hardcover. good. Chagall Marc. Beautifully illustrated with 28 original lithographs 16 of which are in color the 12 b/w lithographs are printed on rear of color plates; and 105 additional b/w heliogravures of Chagall's etchings throughout. Text by Jean Wahl & Meyer Shapiro. Small folio original pictorial boards quite damaged and lacking spine; lithographs are clean but for a discoloration on blank rear of frontispiece. New York: Harcourt Brace and Company 1956. First American edition.<br/> <br/> American printing of this incredible book which first appeared as a double issue of Verve Vol VII Nos. 33-34. A less than good only copy but all the desirable lithographs are present and in excellent condition.<br/> <br/> Harcourt Brace unknown
1956273685New York: Harcourt Brace 1956. First. hardcover. good. Chagall Marc. Beautifully illustrated with 28 original lithographs 16 of which are in color the 12 b/w lithographs are printed on rear of color plates; and 105 additional b/w heliogravures of Chagall's etchings throughout. Small folio original pictorial boards quite damaged and lacking spine; lithographs are clean but for a discoloration on blank rear of frontispiece. New York: Harcourt Brace and Company 1956. First American edition.<br/><br/> American printing of this incredible book which first appeared as a double issue of Verve Vol VII Nos. 33-34. A good only copy but all the desirable lithographs are present and in excellent condition.<br/><br/> Harcourt Brace unknown books
195616689New York: Harcourt Brace and Company 1956. Boards. Near Fine/Good . A lovely copy of the 1956 1st American edition IN THE FRAGILE UNCOMMON DUSTJACKET. Crisp and Near Fine to Fine with tight all-but-pristine pictorial boards and no writing or markings of any kind internally. And in a Good example of the pictorial dustjacket which shows some chipping especially at the spine ends and along the front panel's top-edge and the rear panel's lower-edge but is 95% complete and remains bright and very presentable. Folio all plates present as called for and in immaculate condition -- including the 16 lithographs in color the 12 in black-and-white and the lithographed cover and title page. An especially bright copy which has been well-protected over the years by its dusjacket. <br/><br/> Harcourt, Brace and Company hardcover books
1959013256Paris Etude Maurice Rheims 1959 In-4 Cartonnage toilé illustré
26591Lakewood CO: Centipede Press. 2010. Limited edition. Limited edition. Signed by the author. Publisher's original quarter black cloth and red paper-covered boards with titles in silver to the spine in the Salvador Dalí illustrated dustwrapper. Red satin ribbon page marker. Max Ernst illustrated endpapers. Illustrated with six black and white wood engravings by Howie Michels and six colour plates by Marc Chagall. A fine copy the binding square and firm the cloth bright and fresh. The contents are clean throughout and without previous owners' inscriptions or stamps. Complete with the lightly rubbed dustwrapper that has a small scratch to the rear panel and is otherwise without fading loss or tears. Not price-clipped $95.00 on the barcode label fixed to the rear panel. Issued in an edition of 300 copies from which this example is numbered 176 and signed by Steve Rasnic and Melanie Tem in black ink on the colophon. Further details and images for any of the items listed are available on request. Lucius Books welcomes direct contact with our customers. Lakewood, CO: Centipede Press. 2010 hardcover
19911247817Würzburg: Echter, 1991. 39 S. : zahlr. Ill. Pp.
19221736Moscow: Der Shtrom The Moscow School for Yiddish Printers 1922. First edition. In publisher’s illustrated wrappers. Paper yellowed due to aging. Tiny inkblots on cover. Note in pencil on title page. Numeric notes between pp. 9–25. Three pinholes throughout at the gutter. Cover artistically restored. Overall in very good condition. Cover design by Marc Chagall. Cover design by Marc Chagall. First edition. In publisher’s illustrated wrappers. 80 p. <p><br /> The second number of the first Soviet Yiddish literary-cultural periodical featuring a cover designed by Marc Chagall.<br /> <p><p><br /> Shtorm was founded and edited by a literary and artistic group formed in Kiev of Yekhezkl Dobrushin Nokhem Oyslender and Arn Kushnirov and Dovid Hofshteyn. Six numbers were published in five issues between 1922 and 1924. <br /> <p><p><br /> Each cover featured the same illustration on the front by Marc Chagall. “Chagall used only the letters in the word Shtrom as illustrations which included a disembodied person on the »R« and a factory with a worker entering the building as part of the »Sh«†Shneer pp. 145–6.<br /> <p><p><br /> Bibl.: Shneer D.: Yiddish and the Creation of Soviet Jewish Culture: 1918–1930. Cambridge University Press 2004.<br /> <p>. Der Shtrom, The Moscow School for Yiddish Printers unknown
196330355Paris: Mourlot 1963. Other. In excellent condition. 32 x 24 cm 12.5 x 95 inches. Original color lithograph by Marc Chagall. Edition of 5000 unsigned and unnumbered from Chagall Lithographe / Catalogue Raisonné Vol. II 19571962 1963. Published by André Sauret Monte Carlo 1963. Printed by Mourlot and Draeger Paris. Sheet: 32 x 24 cm 12.5 x 95 inches. One of Chagall's most iconic motifs lovers in a world of color and poetry. Marc Chagall 7 July 1887 28 March 1985 was one of the most celebrated and beloved artists of the 20th century. Born Marc Zakharovich Shagal in Vitebsk Belarus then part of the Russian Empire he trained in Saint Petersburg before moving to Paris in 1910 where he became part of the vibrant avant-garde of Montparnasse. Drawing on Jewish folk tradition Russian culture and the imagery of his Belarusian childhood Chagall developed a uniquely dreamlike visual language infused with lovers floating above villages fiddlers on rooftops animals angels and mystical biblical scenes. Associated with Fauvism Cubism and Surrealismyet belonging to nonehe was the quintessential 'School of Paris' master. His monumental stained-glass windows ceiling paintings including the Paris Opéra and tapestries brought his vision to public spaces worldwide. Chagall's work is held at MoMA in New York the Tate in London the Centre Pompidou in Paris the Guggenheim and the Musée National Marc Chagall in Niceinaugurated in 1973 and dedicated to his biblical message cycle. He remains one of the most sought-after names in 20th-century prints with original lithographs consistently coveted by collectors worldwide.'Chagall Lithographe' Volume II 1963 published by André Sauret in Monte Carlo with text by Fernand Mourlot is the second volume of the monumental catalogue raisonné of Chagall's lithographic output. The volume covers prints from 1957 to 1962 and contains 24 original lithographs printed by Mourlot and Draeger in Paris. It is one of the most important documentary sources for Chagall's graphic work and the original color lithographs bound within itdepicting the circus performers lovers musicians and biblical figures so beloved by collectorsare among Chagall's most iconic images.This original color lithograph sheet: 32 x 24 cm 12.5 x 95 inches depicts 'Inspiration - Der Inspirierte'. Published in 1963 Edition of 5000 by André Sauret Monte Carlo this work is a fine example of Chagall's graphic production of the period printed at the celebrated Mourlot studio in Paris under the direct supervision of Fernand Mourlot. Each color was applied from a separate lithographic stone resulting in the luminous layered palette that makes Chagall's prints instantly recognizable. The image of lovers floating above the world is perhaps the most iconic motif in all of Chagall's arta symbol of transcendent joy memory and longing. His lithographs on this theme are enduringly popular with collectors and are among his most recognizable and decorative works. In excellent condition. Colors vivid and unfaded. No tears creases or foxing. Ready to frame. Mourlot 398 Mourlot unknown
195616399Paris: Mourlot 1956. Other. In excellent condition. 355 by 260mm 14 by 10 inches. Original color lithograph by Marc Chagall. Edition of 6500 unsigned and unnumbered from Verve Vol. VIII Nos. 33/34 — Drawings for the Bible 1956. Published by Tériade Paris 1956. Printed by Mourlot and Draeger Paris. Sheet: 355 by 260mm 14 by 10 inches. One of Chagall's most celebrated biblical prints — a collector's original not a reproduction. Marc Chagall 7 July 1887 – 28 March 1985 was one of the most celebrated and beloved artists of the 20th century. Born Marc Zakharovich Shagal in Vitebsk Belarus then part of the Russian Empire he trained in Saint Petersburg before moving to Paris in 1910 where he became part of the vibrant avant-garde of Montparnasse. Drawing on Jewish folk tradition Russian culture and the imagery of his Belarusian childhood Chagall developed a uniquely dreamlike visual language infused with lovers floating above villages fiddlers on rooftops animals angels and mystical biblical scenes. Associated with Fauvism Cubism and Surrealism—yet belonging to none—he was the quintessential 'School of Paris' master. His monumental stained-glass windows ceiling paintings including the Paris Opéra and tapestries brought his vision to public spaces worldwide. Chagall's work is held at MoMA in New York the Tate in London the Centre Pompidou in Paris the Guggenheim and the Musée National Marc Chagall in Nice—inaugurated in 1973 and dedicated to his biblical message cycle. He remains one of the most sought-after names in 20th-century prints with original lithographs consistently coveted by collectors worldwide.Verve 1937–1960 was the legendary French art and literary review published in Paris by Tériade. Nos. 33/34 1956 'Drawings for the Bible' is dedicated to Chagall's first great suite of biblical lithographs—16 in color and 12 in black-and-white—created especially for this volume alongside full heliogravure reproductions of his 105 Bible etchings made between 1930 and 1955. The lithographs were printed by Mourlot Frères and Draeger Frères in Paris. This double-issue completed on 10 September 1956 is one of the most significant Chagall publications of the postwar period. The individual lithographs separated from their bound volumes are among the most desirable original Chagall prints available to collectors today.This original color lithograph sheet: 355 by 260mm 14 by 10 inches depicts 'Isaiah - Jesaias'. Published in 1956 Edition of 6500 by Tériade Paris this work is a fine example of Chagall's graphic production of the period printed at the celebrated Mourlot studio in Paris under the direct supervision of Fernand Mourlot. Each color was applied from a separate lithographic stone resulting in the luminous layered palette that makes Chagall's prints instantly recognizable. Chagall's biblical lithographs are among the most sought-after prints in his œuvre combining deep spiritual feeling with the dreamlike palette and symbolic imagery that define his unique vision. Collectors of 20th-century graphic art prize these works for their authenticity as original lithographs—not reproductions—and for their place in one of the most celebrated print suites of the postwar era. In excellent condition. Colors vivid and unfaded. No tears creases or foxing. Ready to frame. Mourlot 141 Mourlot unknown
195631649Paris: Mourlot 1956. Other. In excellent condition. 355 by 260mm 14 by 10¼ inches. Special price - only 2 copies still on stock !. 355 by 260mm 14 by 10¼ inches. Original lithograph in colors published in his series Verve 33/34 of the bible lithographs in Paris. Edition 6500 unsigned and unnumbered copies. Mourlot 141 Mourlot unknown
52-0215Paris: Mourlot 1956. Color lithograph. Framed. Mourlot 141. Paris: Mourlot, 1956. unknown
1965W2626<p>Paris: Mourlot 1965. Marc Chagall was a Russian-born Jew who become one of the most influential artists of the 20th century. Offered here is an original color lithograph from his portfolio "Bible Lithographs" published in Verve in 1956. The image was later pictured in the catalogue for the grand opening of the Marc Chagall National Museum in Nice in 1973. Not long before Henri Matisse's death in 1954 Pablo Picasso remarked "When Matisse dies Chagall will be the only painter left who understands what colour really is." This lithograph demonstrates the core truth in that judgment. Image/sheet size is 14 inches by 10 ¾ inches. In as-new condition: clean bright and crisp. Mourlot 141. Original. Single Sheet. Fine. Illus. by Marc Chagall. Folio - over 12" - 15" tall. Fine Art Print.</p> Mourlot
1955180678La Guilde du Livre Lausanne, la guilde du livre, 1955. In-4 relié cartonnage éditeur illustré, couverture rempliée de 159 pages. Couverture et frontispice par Chagall. Photographies de Izis, ,illustrations littéraires de Nicolas Lazar, texte inédit d'André Neher, préface de A.Malraux. Petit Scotch bleu au bas de la couverture sinon bon état
1955123482Lausanne: La Guilde du Livre 1955. First edition. Softcover. Copy 7916 of 15000 numbered copies. Text in French by Malraux and color and black and white photographs by Izis. Chagall designed cover and frontispiece. An about good copy in stiff wrappers with separation to the front hinge some minor loss at the spine ends and corners and with some bumping to the bottom corner of the text block. Still a serviceable copy. La Guilde du Livre unknown books
19554673Lausanne: Editions Clairefontaine 1955. First edition. Cloth. Very Good. 28 cm; 159 2 pages. Color frontispiece and dust jacket illustration by Marc Chagall; photographs by Izis. Cloth in dust jacket. The patina is off the dust jacket which is chipped a bit at crown but the contents are clean and unblemished. Editions Clairefontaine hardcover books
