COLLECTIF - Marc CHAGALLBiblio.com
2 454 résultats
193084298Paris: Sagesse 1930. Fine. Sagesse Paris Printemps 1930 19 x 24 cm broché First edition. Small marginal tears to feet of covers last endpaper lightly soiled. Contributions by Pierre Albert-Birot Gabriel Audisio Claire & Ivan Goll Luc Durtain ""Au large de l'Indochine"" Fernand Marc ""Les expositions"". Reproductions of works by Marc Chagall H. Bégué André Lhote Jean Marembert. Sagesse unknown
196174806<p>Marc Chagall <br />Title: SACRIFICES MADE TO THE NYMPHS<br />from Daphnis and Chloe<br />Original Lithograph on Arches wove paper<br />Printed by Mourlot published by Tériade Paris<br />Edition size: 250<br />Size: 42 32 cm <br />Year: 1961<br />Unsigned <br />Reference: Mourlot 330 Cramer 46</p>
196031653Paris: Mourlot 1960. Other. 3550 by 2600mm 139¾ by 102¼ inches. Special price - only 2 copies still on stock !. 3550 by 2600mm 139¾ by 102¼ inches. Original lithograph in colors published in his series Verve 37/38 of the bible lithographs in Paris. Edition 6500 unsigned and unnumbered copies. Mourlot 246 Mourlot unknown
196017700Paris: Mourlot 1960. Other. In excellent condition. 35.5 x 26 cm 14 x 1025 inches. Original color lithograph by Marc Chagall. Edition of 6500 unsigned and unnumbered from Verve Vol. X Nos. 37/38 — Dessins pour La Bible 1960. Published by Tériade Paris 1960. Printed by Mourlot Paris. Sheet: 35.5 x 26 cm 14 x 1025 inches. One of Chagall's most celebrated biblical prints — a collector's original not a reproduction. Marc Chagall 7 July 1887 – 28 March 1985 was one of the most celebrated and beloved artists of the 20th century. Born Marc Zakharovich Shagal in Vitebsk Belarus then part of the Russian Empire he trained in Saint Petersburg before moving to Paris in 1910 where he became part of the vibrant avant-garde of Montparnasse. Drawing on Jewish folk tradition Russian culture and the imagery of his Belarusian childhood Chagall developed a uniquely dreamlike visual language infused with lovers floating above villages fiddlers on rooftops animals angels and mystical biblical scenes. Associated with Fauvism Cubism and Surrealism—yet belonging to none—he was the quintessential 'School of Paris' master. His monumental stained-glass windows ceiling paintings including the Paris Opéra and tapestries brought his vision to public spaces worldwide. Chagall's work is held at MoMA in New York the Tate in London the Centre Pompidou in Paris the Guggenheim and the Musée National Marc Chagall in Nice—inaugurated in 1973 and dedicated to his biblical message cycle. He remains one of the most sought-after names in 20th-century prints with original lithographs consistently coveted by collectors worldwide.Verve 1937–1960 was the legendary French art and literary review published in Paris by Efstratios Eleftheriades known as Tériade. Each double-issue was dedicated to a single artist and produced as a luxury publication with original lithographic covers and plates printed by Fernand Mourlot—the master lithographer whose atelier collaborated with Picasso Matisse Léger and Miró. Nos. 37/38 1960 'Dessins pour La Bible' contains Chagall's second suite of Bible lithographs expanding on the 1956 series with 48 new color prints depicting scenes from the Old Testament—creation the lives of the patriarchs and stories of women in the Bible. The edition of 6500 unsigned and unnumbered copies was sold through bookshops and galleries worldwide and individual lithographs extracted from these volumes are among the most collected Chagall prints on the market today.This original color lithograph sheet: 35.5 x 26 cm 14 x 1025 inches depicts 'Ruth the gleaner - Ährenleserin Ruth'. Published in 1960 Edition of 6500 by Tériade Paris this work is a fine example of Chagall's graphic production of the period printed at the celebrated Mourlot studio in Paris under the direct supervision of Fernand Mourlot. Each color was applied from a separate lithographic stone resulting in the luminous layered palette that makes Chagall's prints instantly recognizable. Chagall's biblical lithographs are among the most sought-after prints in his œuvre combining deep spiritual feeling with the dreamlike palette and symbolic imagery that define his unique vision. Collectors of 20th-century graphic art prize these works for their authenticity as original lithographs—not reproductions—and for their place in one of the most celebrated print suites of the postwar era. In excellent condition. Colors vivid and unfaded. No tears creases or foxing. Ready to frame. Mourlot 246 Mourlot unknown
03-0137Paris: Verve 1960. Color lithograph. From Drawings for the Bible. Mourlot 246. M. 269 verso. Paris: Verve, 1960. unknown
196016377Paris: Mourlot 1960. Other. In excellent condition. 355 by 260mm 14 by 10 inches. Original color lithograph by Marc Chagall. Edition of 6500 unsigned and unnumbered from Verve Vol. X Nos. 37/38 — Dessins pour La Bible 1960. Published by Tériade Paris 1960. Printed by Mourlot Paris. Sheet: 355 by 260mm 14 by 10 inches. One of Chagall's most celebrated biblical prints — a collector's original not a reproduction. Marc Chagall 7 July 1887 – 28 March 1985 was one of the most celebrated and beloved artists of the 20th century. Born Marc Zakharovich Shagal in Vitebsk Belarus then part of the Russian Empire he trained in Saint Petersburg before moving to Paris in 1910 where he became part of the vibrant avant-garde of Montparnasse. Drawing on Jewish folk tradition Russian culture and the imagery of his Belarusian childhood Chagall developed a uniquely dreamlike visual language infused with lovers floating above villages fiddlers on rooftops animals angels and mystical biblical scenes. Associated with Fauvism Cubism and Surrealism—yet belonging to none—he was the quintessential 'School of Paris' master. His monumental stained-glass windows ceiling paintings including the Paris Opéra and tapestries brought his vision to public spaces worldwide. Chagall's work is held at MoMA in New York the Tate in London the Centre Pompidou in Paris the Guggenheim and the Musée National Marc Chagall in Nice—inaugurated in 1973 and dedicated to his biblical message cycle. He remains one of the most sought-after names in 20th-century prints with original lithographs consistently coveted by collectors worldwide.Verve 1937–1960 was the legendary French art and literary review published in Paris by Efstratios Eleftheriades known as Tériade. Each double-issue was dedicated to a single artist and produced as a luxury publication with original lithographic covers and plates printed by Fernand Mourlot—the master lithographer whose atelier collaborated with Picasso Matisse Léger and Miró. Nos. 37/38 1960 'Dessins pour La Bible' contains Chagall's second suite of Bible lithographs expanding on the 1956 series with 48 new color prints depicting scenes from the Old Testament—creation the lives of the patriarchs and stories of women in the Bible. The edition of 6500 unsigned and unnumbered copies was sold through bookshops and galleries worldwide and individual lithographs extracted from these volumes are among the most collected Chagall prints on the market today.This original color lithograph sheet: 355 by 260mm 14 by 10 inches depicts 'Ruth at the feet of Boas - Ruth zu Füssen des Boas'. Published in 1960 Edition of 6500 by Tériade Paris this work is a fine example of Chagall's graphic production of the period printed at the celebrated Mourlot studio in Paris under the direct supervision of Fernand Mourlot. Each color was applied from a separate lithographic stone resulting in the luminous layered palette that makes Chagall's prints instantly recognizable. Chagall's biblical lithographs are among the most sought-after prints in his œuvre combining deep spiritual feeling with the dreamlike palette and symbolic imagery that define his unique vision. Collectors of 20th-century graphic art prize these works for their authenticity as original lithographs—not reproductions—and for their place in one of the most celebrated print suites of the postwar era. In excellent condition. Colors vivid and unfaded. No tears creases or foxing. Ready to frame. Mourlot 248 Mourlot unknown
196031638Paris: Mourlot 1960. Other. In excellent condition. 355 by 260mm 14 by 10¼ inches. Special price - now only 2 copies still on stock !. 355 by 260mm 14 by 10¼ inches. Original lithograph in colors published in his series Verve 37/38 of the bible lithographs in Paris. Edition 6500 unsigned and unnumbered copies. Mourlot 248 Mourlot unknown
03-0138Verve. Color lithograph. From Drawings for the Bible. Paris: Verve 1960. Mourlot no. 248. M. 271 verso. Verve. unknown
194343074New York: Folks-farlag Alveltlekher Yidisher kultur-farband 1943. First edition Original boards 8vo 125 pages including illustrations. 21 cm. In Yiddish. Title translates as “Red-Army-ish.â€<br> Holocaust-era collection of poetry by famed Soviet Yiddish poet Itsik Fefer with a title page illustrated by Marc Chagall.<br> Fefer “first joined the Jewish Labor Bund but in 1919 became a member of the Communist Party. Soon after his debut as a Yiddish poet 1920 he became prominent in Soviet-Yiddish literature. In 1922 he formulated his literary credo of proste reyd "simple speech". By nature lyrical and even sentimental his Yiddish was rich and idiomatic and his verses rhythmic and musical. He harnessed himself to the party line and played a central role in the Soviet-Yiddish literary hierarchy.†Encyclopedia Judaica.<br> SUBJECTS: World War 1939-1945 -- Poetry. Yiddish poetry. OCLC: 10793191<br> Light wear to spine but otherwise fresh. Very Good Condition YID-46-22-CCLEXGG. New York: Folks-farlag Alveltlekher Yidisher kultur-farband unknown
195039325Paris: Maeght 1950. In excellent condition. 38 x 28 cm 15 x 11 inches. Original color lithograph by Marc Chagall printed at Mourlot Paris. Used as the title page illustration for Derrière le Miroir No. 27/28 double issue dedicated to Chagall published by Galerie Maeght Paris 1950. Sheet: 38 × 28 cm 15 × 11 inches. A seminal early DLM lithograph part of the publication that cemented the legendary ChagallMaeght creative partnership. Marc Chagall 7 July 1887 28 March 1985 was one of the most celebrated and beloved artists of the 20th century. Born Marc Zakharovich Shagal in Vitebsk Belarus then part of the Russian Empire he trained in Saint Petersburg before moving to Paris in 1910 where he became part of the vibrant avant-garde of Montparnasse. Drawing on Jewish folk tradition Russian culture and the imagery of his Belarusian childhood Chagall developed a uniquely dreamlike visual language infused with lovers floating above villages fiddlers on rooftops animals angels and mystical biblical scenes. Associated with Fauvism Cubism and Surrealism yet belonging to none he was the quintessential 'School of Paris' master. His monumental stained-glass windows ceiling paintings including the Paris Opéra and tapestries brought his vision to public spaces worldwide. Chagall's work is held at MoMA in New York the Tate in London the Centre Pompidou in Paris the Guggenheim and the Musée National Marc Chagall in Nice inaugurated in 1973 and dedicated to his biblical message cycle. He remains one of the most sought-after names in 20th-century prints with original lithographs consistently coveted by collectors worldwide.This original color lithograph was created by Chagall for Derrière le Miroir No. 27/28 a special double issue of the celebrated Galerie Maeght art journal devoted entirely to Chagall published in Paris in 1950. The image was used as the title page illustration Titelblatt of the issue giving it a particular prominence within this landmark publication. Derrière le Miroir DLM was founded by Aimé Maeght in 1946 and ran until 1982 publishing original lithographs by the greatest artists of the School of Paris Miró Calder Giacometti Braque and Chagall directly from stone at the Mourlot studio. These were not reproductions but original graphic works created specifically for the publication. DLM No. 27/28 1950 is among the earliest and most historically significant issues produced at the very beginning of the ChagallMaeght collaboration that would last over three decades. The motif a red bird alongside a floating female figure exemplifies Chagall's dreamlike visual poetry at the height of his early post-war period. A rare piece from one of the founding issues of the most important art publication of the School of Paris. In excellent condition. Colors vivid and unfaded. No tears creases or foxing. Ready to frame. Printed as a color lithograph at Maeght editeur in Paris not listed in thecatalogue raisone which lists all hisoriginal lithographs. Maeght unknown
19198208Paris, Au Sans Pareil, 1919. Petit in-8 broché non paginé, couverture illustrée en noir. Sous son papier cristal d'origine. Manque au dos (1,5 millimètre).
191914321Paris, Au Sans Pareil, coll. de Littérature, 1919. Plaquette in-12 brochée, non paginée, couverture ornée d'une vignette. Non coupé.
192948295Au sans pareil | Paris 1929 | 13 x 19.50 cm | broché
1920165270Paris: Au Sans Pareil 1920. 1 of 9 copies on Japon Imperial paper Copy No. IV. Softcover. VG or better glassine jacket with minor chipping few tiny tears no significant loss microscopic at best. Printed oversize wraps with glassine jacket. Half-title. Title-page with woodcut vignette and 4 woodcut illustrations by Marc Chagall. 48 pp. Among Marc Chagall's earliest book illustrations preceded only by appearances in 1914 and 1918. With Andre Breton Soupault was one of the founders of the Surrealist movement: "Soupault's earliest verse collection 'Aquarium' 1917 was published with the help of Guillaume Apollinaire who introduced Soupault to André Breton. In 1919 Soupault Breton and Louis Aragon cofounded the review 'Littérature'. Originally drawn to the antirationalism of the Dada movement Soupault soon rejected its nihilism and he and Breton experimented with other revolutionary techniques. One result of their experimentation was the "automatic writing" of the jointly authored 'Les Champs magnétiques' 1920; 'The Magnetic Fields' known as the first major Surrealist work. Soupault soon abandoned automatic writing to produce carefully crafted verses such as those in 'Westwego' 1922 and 'Georgia' 1926. As the Surrealist movement became increasingly dogmatic and political Soupault grew dissatisfied with it and eventually broke with it and Breton" Encyclopedia Britannica online. Exceptionally rare one of 9 such copies. Au Sans Pareil unknown books
52034Au Sans Pareil.1920.Petit in-8 br.E.O.Ex.833.4 dessins de Chagall.BE.Couv.légèrement insolée.
192948295Paris: Au sans pareil 1929. Fine. Au sans pareil Paris 1929 13 x 19.50 cm broché First edition one of 1000 numbered copies on alfa paper the only printing with 9 on Japan paper and 31 on Hollande paper. Surprising autograph inscription dated and signed by Philippe soupault "" A Laurent Tailhade en témoignage de mon admiration."" With 4 drawings by Marc Chagall. Two tears glued to head and foot of a joint spine and covers slightly and marginally sunned as usual. Au sans pareil unknown
1920165270Paris: Au Sans Pareil 1920. 1 of 9 copies on Japon Imperial paper Copy No. IV. Softcover. VG or better glassine jacket with minor chipping few tiny tears no significant loss microscopic at best. Printed oversize wraps with glassine jacket. Half-title. Title-page with woodcut vignette and 4 woodcut illustrations by Marc Chagall. 48 pp. Among Marc Chagall's earliest book illustrations preceded only by appearances in 1914 and 1918. With Andre Breton Soupault was one of the founders of the Surrealist movement: "Soupault's earliest verse collection 'Aquarium' 1917 was published with the help of Guillaume Apollinaire who introduced Soupault to André Breton. In 1919 Soupault Breton and Louis Aragon cofounded the review 'Littérature'. Originally drawn to the anti-rationalism of the Dada movement Soupault soon rejected its nihilism and he and Breton experimented with other revolutionary techniques. One result of their experimentation was the "automatic writing" of the jointly authored 'Les Champs magnétiques' 1920; 'The Magnetic Fields' known as the first major Surrealist work. Soupault soon abandoned automatic writing to produce carefully crafted verses such as those in 'Westwego' 1922 and 'Georgia' 1926. As the Surrealist movement became increasingly dogmatic and political Soupault grew dissatisfied with it and eventually broke with it and Breton" Encyclopedia Britannica online. Exceptionally rare one of 9 such copies. Au Sans Pareil paperback
1971015895Paris Les Carnets de l'Octéor. Direction Julien Blaine et Jean Clay. 1971 In-2 agrafé, couverture illustrée
193832381Paris, 1964. Revue XXe siècle, Cahiers dart publiés sous la direction de Gualtieri di San Lazzaro. N° 24, numéro de la Nouvelle série. In-4 broché (32 x 24,6 cm). Textes de Mircea Eliade, C. Giedon, P. Volboudt, Georges Limbour, G. Marchiori, P. Courthion, P. M. Grand, Y. Taillandier, Pieyre de Mandiargues, Nicolas Calas, Jean Dypréau, J. Thirion. Lithographie de Roger Bissière en couverture, LITHOGRAPHIES ORIGINALES de Hans Hartung et Joan Miró. Quadrichromies de Chagall, Brancusi, Miro, Dubuffet, Bissière, Léon Zack, Tapies, Toledo, Victor Brauner, Magnelli, Hartung, Santomaso. Ex-libris sur la page du sommaire. Très bel état.
195733272Paris Julliard 1957 Revue littéraire trimestrielle 7 numéros en 6 fascicules, N°s 2, 4 ( 1957 ), 6-7 ( 1958 ), 10, 11, 12-13 ( 1960 ) 50 pages par numéro
198422703Saint-Paul, Fondation Maeght, 1984. 185 S., 1 Bl. mit zahlr. teils farb. großteils ganzseit. Textabb. Gr.-8°. OKart. (kl. Gebrssprn.).
15-8094New York: Perls Gallery 1959. 8vo. Oblong French Fold Sheets Deckled Laid Paper Very Good. Illustrated Cover. Scarce. 4 pp.The Perls Gallery in New York was founded in 1937 by Klaus Gunther Perls 1912-2008 and his brother Franz R. Perls1910-1975 after having worked at their mother's Galerie Kate Perls in Paris. Following his marriage to Amelia Blumenthal of Philadelphia in 1940 Klaus and Amelia B. Perls jointly ran the gallery. They specialized in modern French painting while Franz established the Frank Perls Gallery in Beverly Hills He originally dealt in works by Maurice Utrillo Maurice de Vlaminck and Raoul Dufy that his mother sent from Paris until the Nazi occupation. When she was forced to flee France he began dealing in now little known contemporary American artists including Darrel Austin and in Mexican and South American art such as Mario Carreno. After the war Klaus again dealt in French art from the School of ParisArtists in the Perls' stable included Rouault Picasso Léger Derain Dufy Matisse Modigliani Pascin Soutine and Vlaminck. The Perls Galleries closed in 1997. New York: Perls Gallery, 1959. unknown
196016379Paris: Mourlot 1960. Other. In excellent condition. 355 by 260mm 14 by 10 inches. Original color lithograph by Marc Chagall. Edition of 6500 unsigned and unnumbered from Verve Vol. X Nos. 37/38 — Dessins pour La Bible 1960. Published by Tériade Paris 1960. Printed by Mourlot Paris. Sheet: 355 by 260mm 14 by 10 inches. One of Chagall's most celebrated biblical prints — a collector's original not a reproduction. Marc Chagall 7 July 1887 – 28 March 1985 was one of the most celebrated and beloved artists of the 20th century. Born Marc Zakharovich Shagal in Vitebsk Belarus then part of the Russian Empire he trained in Saint Petersburg before moving to Paris in 1910 where he became part of the vibrant avant-garde of Montparnasse. Drawing on Jewish folk tradition Russian culture and the imagery of his Belarusian childhood Chagall developed a uniquely dreamlike visual language infused with lovers floating above villages fiddlers on rooftops animals angels and mystical biblical scenes. Associated with Fauvism Cubism and Surrealism—yet belonging to none—he was the quintessential 'School of Paris' master. His monumental stained-glass windows ceiling paintings including the Paris Opéra and tapestries brought his vision to public spaces worldwide. Chagall's work is held at MoMA in New York the Tate in London the Centre Pompidou in Paris the Guggenheim and the Musée National Marc Chagall in Nice—inaugurated in 1973 and dedicated to his biblical message cycle. He remains one of the most sought-after names in 20th-century prints with original lithographs consistently coveted by collectors worldwide.Verve 1937–1960 was the legendary French art and literary review published in Paris by Efstratios Eleftheriades known as Tériade. Each double-issue was dedicated to a single artist and produced as a luxury publication with original lithographic covers and plates printed by Fernand Mourlot—the master lithographer whose atelier collaborated with Picasso Matisse Léger and Miró. Nos. 37/38 1960 'Dessins pour La Bible' contains Chagall's second suite of Bible lithographs expanding on the 1956 series with 48 new color prints depicting scenes from the Old Testament—creation the lives of the patriarchs and stories of women in the Bible. The edition of 6500 unsigned and unnumbered copies was sold through bookshops and galleries worldwide and individual lithographs extracted from these volumes are among the most collected Chagall prints on the market today.This original color lithograph sheet: 355 by 260mm 14 by 10 inches depicts 'Rahab and the Spies of Jericho - Rahab und die Kundschafter in Jericho'. Published in 1960 Edition of 6500 by Tériade Paris this work is a fine example of Chagall's graphic production of the period printed at the celebrated Mourlot studio in Paris under the direct supervision of Fernand Mourlot. Each color was applied from a separate lithographic stone resulting in the luminous layered palette that makes Chagall's prints instantly recognizable. Chagall's biblical lithographs are among the most sought-after prints in his œuvre combining deep spiritual feeling with the dreamlike palette and symbolic imagery that define his unique vision. Collectors of 20th-century graphic art prize these works for their authenticity as original lithographs—not reproductions—and for their place in one of the most celebrated print suites of the postwar era. In excellent condition. Colors vivid and unfaded. No tears creases or foxing. Ready to frame. Mourlot 244 Mourlot unknown
196031640Paris: Mourlot 1960. Other. In excellent condition. 355 by 260mm 14 by 10¼ inches. 355 by 260mm 14 by 10¼ inches. Original lithograph in colours published in his series Verve 37/38 of the bible lithographs in Paris. Edition 6500 unsigned and unnumbered copies. Mourlot 244 Mourlot unknown
52-0212Paris: Mourlot 1960. Color lithograph. Mourlot 244. Framed. Paris: Mourlot, 1960. unknown
