Chagall, MarcBiblio.com
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195617696Paris: Mourlot 1956. Other. In excellent condition. 355 by 260mm 14 by 10 inches. Original color lithograph by Marc Chagall. Edition of 6500 unsigned and unnumbered from Verve Vol. VIII Nos. 33/34 — Drawings for the Bible 1956. Published by Tériade Paris 1956. Printed by Mourlot and Draeger Paris. Sheet: 355 by 260mm 14 by 10 inches. One of Chagall's most celebrated biblical prints — a collector's original not a reproduction. Marc Chagall 7 July 1887 – 28 March 1985 was one of the most celebrated and beloved artists of the 20th century. Born Marc Zakharovich Shagal in Vitebsk Belarus then part of the Russian Empire he trained in Saint Petersburg before moving to Paris in 1910 where he became part of the vibrant avant-garde of Montparnasse. Drawing on Jewish folk tradition Russian culture and the imagery of his Belarusian childhood Chagall developed a uniquely dreamlike visual language infused with lovers floating above villages fiddlers on rooftops animals angels and mystical biblical scenes. Associated with Fauvism Cubism and Surrealism—yet belonging to none—he was the quintessential 'School of Paris' master. His monumental stained-glass windows ceiling paintings including the Paris Opéra and tapestries brought his vision to public spaces worldwide. Chagall's work is held at MoMA in New York the Tate in London the Centre Pompidou in Paris the Guggenheim and the Musée National Marc Chagall in Nice—inaugurated in 1973 and dedicated to his biblical message cycle. He remains one of the most sought-after names in 20th-century prints with original lithographs consistently coveted by collectors worldwide.Verve 1937–1960 was the legendary French art and literary review published in Paris by Tériade. Nos. 33/34 1956 'Drawings for the Bible' is dedicated to Chagall's first great suite of biblical lithographs—16 in color and 12 in black-and-white—created especially for this volume alongside full heliogravure reproductions of his 105 Bible etchings made between 1930 and 1955. The lithographs were printed by Mourlot Frères and Draeger Frères in Paris. This double-issue completed on 10 September 1956 is one of the most significant Chagall publications of the postwar period. The individual lithographs separated from their bound volumes are among the most desirable original Chagall prints available to collectors today.This original color lithograph sheet: 355 by 260mm 14 by 10 inches depicts 'Moses'. Published in 1956 Edition of 6500 by Tériade Paris this work is a fine example of Chagall's graphic production of the period printed at the celebrated Mourlot studio in Paris under the direct supervision of Fernand Mourlot. Each color was applied from a separate lithographic stone resulting in the luminous layered palette that makes Chagall's prints instantly recognizable. Chagall's biblical lithographs are among the most sought-after prints in his œuvre combining deep spiritual feeling with the dreamlike palette and symbolic imagery that define his unique vision. Collectors of 20th-century graphic art prize these works for their authenticity as original lithographs—not reproductions—and for their place in one of the most celebrated print suites of the postwar era. In excellent condition. Colors vivid and unfaded. No tears creases or foxing. Ready to frame. Mourlot 125 Mourlot unknown
195616373Paris: Mourlot 1956. Other. In excellent condition. 355 by 260mm 14 by 10 inches. Original color lithograph by Marc Chagall. Edition of 6500 unsigned and unnumbered from Verve Vol. VIII Nos. 33/34 — Drawings for the Bible 1956. Published by Tériade Paris 1956. Printed by Mourlot and Draeger Paris. Sheet: 355 by 260mm 14 by 10 inches. One of Chagall's most celebrated biblical prints — a collector's original not a reproduction. Marc Chagall 7 July 1887 – 28 March 1985 was one of the most celebrated and beloved artists of the 20th century. Born Marc Zakharovich Shagal in Vitebsk Belarus then part of the Russian Empire he trained in Saint Petersburg before moving to Paris in 1910 where he became part of the vibrant avant-garde of Montparnasse. Drawing on Jewish folk tradition Russian culture and the imagery of his Belarusian childhood Chagall developed a uniquely dreamlike visual language infused with lovers floating above villages fiddlers on rooftops animals angels and mystical biblical scenes. Associated with Fauvism Cubism and Surrealism—yet belonging to none—he was the quintessential 'School of Paris' master. His monumental stained-glass windows ceiling paintings including the Paris Opéra and tapestries brought his vision to public spaces worldwide. Chagall's work is held at MoMA in New York the Tate in London the Centre Pompidou in Paris the Guggenheim and the Musée National Marc Chagall in Nice—inaugurated in 1973 and dedicated to his biblical message cycle. He remains one of the most sought-after names in 20th-century prints with original lithographs consistently coveted by collectors worldwide.Verve 1937–1960 was the legendary French art and literary review published in Paris by Tériade. Nos. 33/34 1956 'Drawings for the Bible' is dedicated to Chagall's first great suite of biblical lithographs—16 in color and 12 in black-and-white—created especially for this volume alongside full heliogravure reproductions of his 105 Bible etchings made between 1930 and 1955. The lithographs were printed by Mourlot Frères and Draeger Frères in Paris. This double-issue completed on 10 September 1956 is one of the most significant Chagall publications of the postwar period. The individual lithographs separated from their bound volumes are among the most desirable original Chagall prints available to collectors today.This original color lithograph sheet: 355 by 260mm 14 by 10 inches depicts 'Moses'. Published in 1956 Edition of 6500 by Tériade Paris this work is a fine example of Chagall's graphic production of the period printed at the celebrated Mourlot studio in Paris under the direct supervision of Fernand Mourlot. Each color was applied from a separate lithographic stone resulting in the luminous layered palette that makes Chagall's prints instantly recognizable. Chagall's biblical lithographs are among the most sought-after prints in his œuvre combining deep spiritual feeling with the dreamlike palette and symbolic imagery that define his unique vision. Collectors of 20th-century graphic art prize these works for their authenticity as original lithographs—not reproductions—and for their place in one of the most celebrated print suites of the postwar era. In excellent condition. Colors vivid and unfaded. No tears creases or foxing. Ready to frame. Mourlot 124 Mourlot unknown
195616372Paris: Mourlot 1956. Other. In excellent condition. 355 by 260mm 14 by 10 inches. Original color lithograph by Marc Chagall. Edition of 6500 unsigned and unnumbered from Verve Vol. VIII Nos. 33/34 — Drawings for the Bible 1956. Published by Tériade Paris 1956. Printed by Mourlot and Draeger Paris. Sheet: 355 by 260mm 14 by 10 inches. One of Chagall's most celebrated biblical prints — a collector's original not a reproduction. Marc Chagall 7 July 1887 – 28 March 1985 was one of the most celebrated and beloved artists of the 20th century. Born Marc Zakharovich Shagal in Vitebsk Belarus then part of the Russian Empire he trained in Saint Petersburg before moving to Paris in 1910 where he became part of the vibrant avant-garde of Montparnasse. Drawing on Jewish folk tradition Russian culture and the imagery of his Belarusian childhood Chagall developed a uniquely dreamlike visual language infused with lovers floating above villages fiddlers on rooftops animals angels and mystical biblical scenes. Associated with Fauvism Cubism and Surrealism—yet belonging to none—he was the quintessential 'School of Paris' master. His monumental stained-glass windows ceiling paintings including the Paris Opéra and tapestries brought his vision to public spaces worldwide. Chagall's work is held at MoMA in New York the Tate in London the Centre Pompidou in Paris the Guggenheim and the Musée National Marc Chagall in Nice—inaugurated in 1973 and dedicated to his biblical message cycle. He remains one of the most sought-after names in 20th-century prints with original lithographs consistently coveted by collectors worldwide.Verve 1937–1960 was the legendary French art and literary review published in Paris by Tériade. Nos. 33/34 1956 'Drawings for the Bible' is dedicated to Chagall's first great suite of biblical lithographs—16 in color and 12 in black-and-white—created especially for this volume alongside full heliogravure reproductions of his 105 Bible etchings made between 1930 and 1955. The lithographs were printed by Mourlot Frères and Draeger Frères in Paris. This double-issue completed on 10 September 1956 is one of the most significant Chagall publications of the postwar period. The individual lithographs separated from their bound volumes are among the most desirable original Chagall prints available to collectors today.This original color lithograph sheet: 355 by 260mm 14 by 10 inches depicts 'Moses'. Published in 1956 Edition of 6500 by Tériade Paris this work is a fine example of Chagall's graphic production of the period printed at the celebrated Mourlot studio in Paris under the direct supervision of Fernand Mourlot. Each color was applied from a separate lithographic stone resulting in the luminous layered palette that makes Chagall's prints instantly recognizable. Chagall's biblical lithographs are among the most sought-after prints in his œuvre combining deep spiritual feeling with the dreamlike palette and symbolic imagery that define his unique vision. Collectors of 20th-century graphic art prize these works for their authenticity as original lithographs—not reproductions—and for their place in one of the most celebrated print suites of the postwar era. In excellent condition. Colors vivid and unfaded. No tears creases or foxing. Ready to frame. Mourlot 126 Mourlot unknown
03-0122Paris: Verve 1956. Original lithograph. Drawings for the Bible. Framed. Mourlot 125. Paris: Verve, 1956. unknown
197217705Paris: Mourlot 1972. Zoomify. 320 by 240mm 12 by 9 inches. Original color lithograph by Marc Chagall. Edition of 10000 unsigned and unnumbered from Le Message Biblique 1972. Published by Fernand Mourlot Paris 1972. Printed by Draeger Frères Montrouge. Sheet: 320 by 240mm 12 by 9 inches. One of Chagall's most celebrated biblical prints — a collector's original not a reproduction. Marc Chagall 7 July 1887 – 28 March 1985 was one of the most celebrated and beloved artists of the 20th century. Born Marc Zakharovich Shagal in Vitebsk Belarus then part of the Russian Empire he trained in Saint Petersburg before moving to Paris in 1910 where he became part of the vibrant avant-garde of Montparnasse. Drawing on Jewish folk tradition Russian culture and the imagery of his Belarusian childhood Chagall developed a uniquely dreamlike visual language infused with lovers floating above villages fiddlers on rooftops animals angels and mystical biblical scenes. Associated with Fauvism Cubism and Surrealism—yet belonging to none—he was the quintessential 'School of Paris' master. His monumental stained-glass windows ceiling paintings including the Paris Opéra and tapestries brought his vision to public spaces worldwide. Chagall's work is held at MoMA in New York the Tate in London the Centre Pompidou in Paris the Guggenheim and the Musée National Marc Chagall in Nice—inaugurated in 1973 and dedicated to his biblical message cycle. He remains one of the most sought-after names in 20th-century prints with original lithographs consistently coveted by collectors worldwide.'Le Message Biblique' The Biblical Message 1972 was a deluxe publication produced by Fernand Mourlot in Paris printed by Draeger Frères dedicated to illustrating key events from Genesis and Exodus. The original color lithographs in this volume—printed by the Mourlot studio in Paris—were specially created by Chagall to accompany this edition which appeared in conjunction with the opening of the Musée National Marc Chagall in Nice in 1973. The edition of 10000 unsigned and unnumbered copies brought Chagall's biblical vision to a wide international audience.This original color lithograph sheet: 320 by 240mm 12 by 9 inches depicts 'Moses and his people - Moses und sein Gefolge'. Published in 1972 Edition of 10000 by Fernand Mourlot Paris this work is a fine example of Chagall's graphic production of the period printed at the celebrated Mourlot studio in Paris under the direct supervision of Fernand Mourlot. Each color was applied from a separate lithographic stone resulting in the luminous layered palette that makes Chagall's prints instantly recognizable. Chagall's biblical lithographs are among the most sought-after prints in his œuvre combining deep spiritual feeling with the dreamlike palette and symbolic imagery that define his unique vision. Collectors of 20th-century graphic art prize these works for their authenticity as original lithographs—not reproductions—and for their place in one of the most celebrated print suites of the postwar era. In excellent condition. Colors vivid and unfaded. No tears creases or foxing. Ready to frame. Mourlot 689 Mourlot unknown
50-1393Paris: Mourlot 1962. Original lithographic poster. Edition of 1000 for the Rath Museum in Geneva. Framed. Mourlot 362. Chagall’s Posters p. 42. Paris: Mourlot, 1962. unknown
195631651Paris: Mourlot 1956. Other. In excellent condition. 355 by 260mm 14 by 10¼ inches. Original lithograph in colors published in his series Verve 33/34 of the bible lithographs in Paris. Edition 6500 unsigned and unnumbered copies. Mourlot 125 Mourlot unknown
195631635Paris: Mourlot 1956. Other. In excellent condition. 355 by 260mm 14 by 10¼ inches. 355 by 260mm 14 by 10¼ inches. Original lithograph in colors published in his series Verve 33/34 of the bible lithographs in Paris. Edition 6500 unsigned and unnumbered copies. Mourlot 124 Mourlot unknown
1962LFA-126714760Un ouvrage de 330 pages, format 225 x 235 mm, illustré de 350 photographies, relié toile sous jaquette couleurs, publié en 1962, Hachette, bon état
2090202118203663Not Available N.A. Soft Cover. Fine. The book is in fine condition. Not Available paperback
196433437Geneve, (1964). 4to. Orig. colourprinted wrappers. Plates in b/w and colour.
1966337542Wittenborn & Company 1966. Hardcover. Good/Good. GOOD/GOOD-. White illustrated dust jacket dust jacket in archival plastic protector. Approx. 11" x 8". Bumps/chips to edges and corners. Rub wear dust markings and light scratches to covers. Crease outline to right side plastic protector. Closed tears to top left and bottom middle of cover. Small grey dirt smudges to bottom right corner of cover. Indentation lines to middle of back cover. Sticker ripped off the bottom of spine. Creases to spine ends. Small chunk of dust jacket missing from top of spine. Writing on fly page in ink to fly page.<p> Once Read Books cover scan available - just ask OnceReadBooks com<p> Orders shipped via USPS. Wittenborn & Company hardcover
Hardcover in-4°, 97 pp. 57 lots. Illustrated in color and black and white. NO DW - VG. [P-25] Works by Bonnard, Chagall, de Stael, Gauguin, Kandinsky, Miro, Picasso, Signac, Utrillo, etc.
1973102911973. Chagall Marc. Typed letter signed discussing the proposed book Chagall Illustrator. 1973 correspondence from Marc Chagall addressing the publication of a proposed volume devoted to his work as an illustrator. Chagall the Russian born French painter associated with twentieth century modernism and widely recognized for imagery drawn from Jewish folklore biblical themes and memories of Eastern European village life writes directly to publisher and art critic G. di San Lazzaro about the project. In the letter he acknowledges that the idea for the book originated with him but states that he had reconsidered the proposal. Chagall writes "You write to me regarding the book 'Chagall Illustrator'. Of course the idea comes from me but after reflection I don't think it's good" adding that although the earlier project Chagall Monumental had been successful he did not believe that the new volume should be pursued.<br /> <br /> Typed letter signed on "La Colline St. Paul de Vence" letterhead dated December 6 1973 addressed to San Lazzaro. One page measuring approximately 8 x 11 inches. Written in French and signed "Marc Chagall" in black ink. In the opening lines Chagall apologizes for the delayed reply explaining that he had traveled to Switzerland where "we opened a Chagall salon in Zurich" an exhibition that he notes was organized with great kindness and left him deeply touched.<br /> <br /> The correspondence documents Chagall's ongoing relationship with critics editors and publishers who worked to interpret and present his art to international audiences during the later decades of his career. By the early 1970s Chagall had become one of the most celebrated artists associated with modern Jewish cultural expression known for paintings stained glass commissions theatrical designs and illustrated editions of literary and biblical texts. Letters discussing publishing projects provide insight into the artist's control over how his work was presented and interpreted in print during a period when museums and publishers were producing major studies devoted to his artistic legacy. Light handling wear consistent with age. Overall condition very good. unknown
19481780Paris, Éditions de l’étoile filante, 1948, in-plano, sous emboitage titré avec attache métallique dorée (de l'éditeur). - LA SUITE COMPLÈTE DES 58 GRAVURES DU MISERERE, L'œuvre gravée capitale de Georges Rouault. - 4 planches supplémentaires en "hélios primitives", rayées, figurent dans cet exemplaire. Elles sont titrées et monogrammées à la plume par l'artiste, et certaines sont totalement inédites. Les 58 planches en aquatinte et héliogravure de cet suite monumentale ont été gravées par Georges Rouault de 1922 à 1927 et tirées à l'époque à l’initiative d’Ambroise Vollard et conservées par lui jusqu’à sa mort. Tirage : 450 exemplaires numérotés sur vélin filigrané "Ambroise Vollard". Exemplaire de Roger Passeron dont le tirage de chaque épreuve est parfait et celles-ci conservées à l'état de neuf. Provenance d'une collection exceptionnelle. Photographies sur demande personnalisée. ——— THE COMPLETE SUITE OF THE 58 ENGRAVINGS OF MISERERE, Georges Rouault's capital engraved work. - with 4 additional plates in "primitive helios", scratched, appear in this copy. They are titled and monogrammed in pen by the artist, and some are completely unpublished. The 58 aquatint and heliogravure plates of this monumental suite were engraved by Georges Rouault from 1922 to 1927 and printed at the time on the initiative of Ambroise Vollard and kept by him until his death. Edition: 450 numbered copies on "Ambroise Vollard" watermarked vellum. Copy of Roger Passeron whose printing of each proof is perfect and these preserved in new condition. From an exceptional collection. Photographs on personalized request. The artist's engraved masterpiece. Rouault engraves as he paints, with his soul, his faith, without hindsight. The copy, from a great provenance, is in perfect condition and enriched with 4 hand-signed plates, some unique, each signed in ink by the artist.
200695411Paris Hermann 2006 1 vol. broché in-8, broché, 83 pp. Infime salissure à la couverture, sinon en très bon état.
200695411Paris Hermann 2006 1 vol. broché in-8, broché, 83 pp. Infime salissure à la couverture, sinon en très bon état.
19303272Paris A. C. Mazo & Cie 1972 et Maeght 1974. 2 volumes in-4 (32,5 x 24 cm) reliés sous cartonnages toilés, jaquettes illustrées, rhodoïds, étuis. Les deux premiers volumes et les plus importants du catalogue des lithographies de Joan Miró, enrichis de 24 LITHOGRAPHIES ORIGINALES toutes à pleine page en hors-texte et incluant deux jaquettes. Catalogue raisonné des lithographies de 1930 à 1963 inclus. Toutes les œuvres sont reproduites et précisément décrites : environ 340 lithographies reproduites. -- ENGLISH DESCRIPTION: MIRÓ. LEIRIS, Michel - MOURLOT, Fernand: Joan Miró. Lithographs I-II. Paris, Mazo and Maeght, 1972-1974. 4to. (32,5 x 24 cm), with 24 ORIGINAL LITHOGRAPHS IN COLOR by Joan Miró (including the wrappers), around 340 illustrations in color. Publisher's cloth. Decorated wrappers with plastic wrappers. French first original editions. Mint condition in slipcases.
15-8124New York: Perls Gallery 1950. 8vo. 4 pp. Printed Wraps Very Good. Illustrated cover. Scarce.The Perls Gallery in New York was founded in 1937 by Klaus Gunther Perls 1912-2008 and his brother Franz R. Perls1910-1975 after having worked at their mother's Galerie Kate Perls in Paris. Following his marriage to Amelia Blumenthal of Philadelphia in 1940 Klaus and Amelia B. Perls jointly ran the gallery. They specialized in modern French painting while Franz established the Frank Perls Gallery in Beverly Hills. He originally dealt in works by Maurice Utrillo Maurice de Vlaminck and Raoul Dufy that his mother sent from Paris until the Nazi occupation. When she was forced to flee France he began dealing in now little known contemporary American artists including Darrel Austin and in Mexican and South American art such as Mario Carreno. After the war Klaus again dealt in French art from the School of Paris.Artists in the Perls' stable included Rouault Picasso Léger Derain Dufy Matisse Modigliani Pascin Soutine and Vlaminck. The Perls Galleries closed in 1997. New York: Perls Gallery, 1950. paperback
196016388Paris: Mourlot 1960. Other. In excellent condition. Special price - only 2 copies still on stock!. 355 by 260mm 14 by 10 inches. Original color lithograph by Marc Chagall. Edition of 6500 unsigned and unnumbered from Verve Vol. X Nos. 37/38 — Dessins pour La Bible 1960. Published by Tériade Paris 1960. Printed by Mourlot Paris. Sheet: 355 by 260mm 14 by 10 inches. One of Chagall's most celebrated biblical prints — a collector's original not a reproduction. Marc Chagall 7 July 1887 – 28 March 1985 was one of the most celebrated and beloved artists of the 20th century. Born Marc Zakharovich Shagal in Vitebsk Belarus then part of the Russian Empire he trained in Saint Petersburg before moving to Paris in 1910 where he became part of the vibrant avant-garde of Montparnasse. Drawing on Jewish folk tradition Russian culture and the imagery of his Belarusian childhood Chagall developed a uniquely dreamlike visual language infused with lovers floating above villages fiddlers on rooftops animals angels and mystical biblical scenes. Associated with Fauvism Cubism and Surrealism—yet belonging to none—he was the quintessential 'School of Paris' master. His monumental stained-glass windows ceiling paintings including the Paris Opéra and tapestries brought his vision to public spaces worldwide. Chagall's work is held at MoMA in New York the Tate in London the Centre Pompidou in Paris the Guggenheim and the Musée National Marc Chagall in Nice—inaugurated in 1973 and dedicated to his biblical message cycle. He remains one of the most sought-after names in 20th-century prints with original lithographs consistently coveted by collectors worldwide.Verve 1937–1960 was the legendary French art and literary review published in Paris by Efstratios Eleftheriades known as Tériade. Each double-issue was dedicated to a single artist and produced as a luxury publication with original lithographic covers and plates printed by Fernand Mourlot—the master lithographer whose atelier collaborated with Picasso Matisse Léger and Miró. Nos. 37/38 1960 'Dessins pour La Bible' contains Chagall's second suite of Bible lithographs expanding on the 1956 series with 48 new color prints depicting scenes from the Old Testament—creation the lives of the patriarchs and stories of women in the Bible. The edition of 6500 unsigned and unnumbered copies was sold through bookshops and galleries worldwide and individual lithographs extracted from these volumes are among the most collected Chagall prints on the market today.This original color lithograph sheet: 355 by 260mm 14 by 10 inches depicts 'Michal saved David - Michal rettet David'. Published in 1960 Edition of 6500 by Tériade Paris this work is a fine example of Chagall's graphic production of the period printed at the celebrated Mourlot studio in Paris under the direct supervision of Fernand Mourlot. Each color was applied from a separate lithographic stone resulting in the luminous layered palette that makes Chagall's prints instantly recognizable. Chagall's biblical lithographs are among the most sought-after prints in his œuvre combining deep spiritual feeling with the dreamlike palette and symbolic imagery that define his unique vision. Collectors of 20th-century graphic art prize these works for their authenticity as original lithographs—not reproductions—and for their place in one of the most celebrated print suites of the postwar era. In excellent condition. Colors vivid and unfaded. No tears creases or foxing. Ready to frame. Mourlot 250 Mourlot unknown
1982ABE-1668882669892REEDITION MISE A JOUR ET ENRICHIE DU N°2 DE "METIERS D'ART" PARU EN 1977-PREFACE DE JACK LANG-LE VERRE A VITRAIL, PAR PIERRE POUZERATTE-TECHNIQUE DU VITRAIL, PAR RENE GIROUX-LA FORMATION DU MAITRE VERRIER, PAR RENE GIROUX-LE METIER DE MAITRE VERRIER, PAR CATHERINE BRISAC ET JEAN JACQUES GRUBER-VITRAIL ET ARCHITECTURE, PAR YVES MARIE FROIDEVAUX-LIBRES PROPOS D'UN MAITRE VERRIER, PAR ALAIN MAKARAVIEZ, 2 PAGES, PHOTO-ART ET ARTISANAT, PAR CHARLES MARQ, 2 PAGES-LES VITRAUX DE PEINTRES DANS LES MONUMENTS HISTORIQUES, PAR JACQUES DUPONT-LE VITRAIL DANS LA VIE QUOTIDIENNE, PAR JACQUES JUTEAU-LA DALLE DE VERRE, PAR RENE GIROUX ET MICHEL GUEVEL-LE PATRIMOINE FRANCAIS DU VITRAIL, PAR JEAN TARALON-LA RECHERCHE ET LES ECHANGES INTERNATIONAUX, PAR LOUIS GRODECKI-UNE EXPOSITION: "LE VITRAIL, ART ET TECHNIQUE", PAR JEAN MARIE BETTEMBOURG ET MARCEL STEFANAGGI-LE CENTRE INTERNATIONAL DU VITRAIL A CHARTRES, PAR PIERRE FIRMIN DIDOT-LE VITRAIL A L'INVENTAIRE GENERAL, PAR NICOLE BLONDEL-UN MUSEE PRIVE DE LA DALLE DE VERRE-LES MAITRES VERRIERS FRANCAIS-BIBLIOGRAPHIE-1 TACHE EN DEUXIEME PLAT SINON ETAT NEUF (14D)
197272618ABParis, Marlot, 1972. Gr.-4°. Mit 1 farb. Originallithogr. u. zahlr. (tls. ganzs. farb.) Abb. v. M. Chagall. 200 S. OLwd. m. farb. ill. OU., Bauchbinde u. Klarsichthülle. - Kl. StaV., sonst sehr gutes Ex.
198960990331989. 494 S. u. 221 S., 32 cm x 25 cm
197315190Paris, Musée Louvre / Editions des Musées Nationaux / Galerie Mollien, 1967. Un vol. au format in-4 étroit (318 x 238 mm) de 237 pp., non paginé, broché.
1029donation marc et valentina chagall paris 1973 in 8 pleine toile 237 pages
