Marc CHAGALLBiblio.com
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196657375Paris New-York New York: Léon Amiel 1966. Fine. Léon Amiel Paris New-York New York 1966 36 x 49.50 cm une feuille CHAGALL Marc. For the cloude of the Lorde was upon the Tabernacle by day and fire was in it by night in the sight of all the house of Israel thorowout all their journeys The Story of Exodus Amiel Léon Paris New-York 1966 36 x 49.5 cm one single leaf Original color lithograph one of 15 proofs on Japon impérial paper reserved for the artist and his collaborators the only printing with 20 more on Japon and 250 on Arches paper. Unsigned proof as all proofs in this series other than the frontispiece. A superb proof on Japon paper specially made for The Story of Exodus published in 1966 for which Chagall made 24 hors-text lithographs printed by Mourlot. An exceedingly rare original proof on Japon paper the most attractive and best for color lithographs. Fernand Mourlot was undoubtedly the finest lithographic printer of the 20th century and was thus the friend and printer to the leading artists of his day. Picasso Matisse Chagall Miró Braque Dubuffet Léger Giacometti added to their own expression and contemporary art a new field of research. With Mourlot and thanks to him lithography acquired both a personality and a future Pierre Cabanne in Cinquante années de lithographie. Having already printed two volumes of the Bible illustrated by Chagall Mourlot contributed to the artist's lithographic training in the 1950s. It was during this period that Chagall began to visit Mourlot's workshop regularly in order to learn lithographic techniques and that he developed bonds of friendship with the staff of the workshop most notably Charles Sorlier. It was thus at the peak of his powers that Chagall made this story of Exodus which coincided with the termination of his immense lithographic and pictoral work on the Bible undertaken in 1930 at the urging of Ambroise Vollard. This decorative cycle entitled Le Message Biblique The Biblical Message was in fact the basis for the creation of the Chagall Museum originally called the Musée national du message biblique Marc-Chagall. Léon Amiel unknown
1960308466Monte Carlo: Andre Sauret 1960. First. unbound. near fine. Marc Chagall. Full-page unsigned color lithograph measuring 31.8 x 24.3 cm printed in Paris by Mourlot Freres in 1960 for Andre Sauret Monte Carlo. Paper very slightly toned still a near fine copy. -- Cramer no. 43; Mourlot no. 283.<br/> <br/> Between 1960 and 1974 Chagall created 28 full-page original lithographs to be included in the monumental six volume catalogue raisonne of his lithographic work; this piece from Chagall Lithographe volume I 1922-1957.<br/> <br/> Andre Sauret unknown
1960308462Monte Carlo: Andre Sauret 1960. First. unbound. fine. Marc Chagall. Full-page unsigned color lithograph measuring 31.8 x 24.3 cm printed in Paris by Mourlot Freres in 1960 for Andre Sauret Monte Carlo. Paper very slightly toned still a near fine copy. -- Cramer no. 43; Mourlot no. 290.<br/> <br/> Between 1960 and 1974 Chagall created 28 full-page original lithographs to be included in the monumental six volume catalogue raisonne of his lithographic work; this piece from Chagall Lithographe volume I 1922-1957.<br/> <br/> Andre Sauret unknown
182357Paris: Fernand Mourlot 1972. With 10 original lithographs First edition limited issue number 15 of 205 copies signed by the artist and the author. The Fairy Tale and the Kingdom is a unique collaboration uniting Chagall's mystical dream like drawings with the narrative of Bourniquel. Quarto. With 10 full-page colour lithographs on velin d'Arches paper. Loose as issued in white wrappers front cover lettered in black. Housed in original cream cloth chemise and matching slipcase lettering to spine in gilt. Occasional offsetting from plates couple of marks to slipcase: a near-fine copy. Cramer 88; Mourlot 667-8. hardcover
10035AB1972. Paris Mourlot 1972. 31 : 225 cm. 100 pages 1 leaf with 10 original colour lithographs by Marc Chagall. Original wrappers in original cloth-portfolio and original cloth-slipcase. One of only 205 numbered copies on velin d'Arches. Imprint signed by Chagall and the author in pencil. Very rare and in perfect condition. - A true collector's gem this rare limited edition of La Féerie et le Royaume is a stunning example of fine bookmaking and artistic mastery. Printed on vélin d'Arches this edition was strictly limited to 205 numbered copies all of which are hand-signed by both the author and the legendary artist Marc Chagall. This particular copy is No. 118 making it a valuable and unique piece for any collector of rare books or Chagall's artwork. The book was produced with the highest standards of craftsmanship and its exclusivity is further enhanced by the fact that only a handful of copies were made available outside of private reserves. - Marc Chagall one of the most celebrated artists of the 20th century brought his unmistakable dreamlike vision to this edition making it not just a literary treasure but also a work of art. His signature on this copy adds immense value making it a highly desirable item for collectors of Chagall's work bibliophiles and lovers of fine art books. - A perfect acquisition for rare book collectors art enthusiasts and investors this edition of La Féerie et le Royaume is a true masterpiece that will only grow in value over time. - Cramer Les Livres illustrés 88; Mourlot 668 - 677; Monod 1799. hardcover
197274763<p>MARC CHAGALL<br />Camille Bourniquel La Féerie et le Royaume Fernand Mourlot Paris 1972 M. 668-677; C. books 88<br />The complete set of ten lithographs in colors 1972<br />Hors-texte title page text in French and justification on Arches<br />Signed in pencil on the justification by both the artist and the author<br />Edition 158 of 205 <br />The full sheets Loose as issued folded paper covers beige cloth-covered boards and matching slipcase with title in gilt on the spine. 12 x 9 in. 312 x 234 mm.</p><p>All offers are welcomed</p> Fernand Mourlot hardcover
1930170648Berlin: Galerie Flechtheim 1930. First Edition. Softcover. First Edition. Text in German. A brief monograph devoted to Chagall's illustrations for the fables of Jean de La Fontaine.<br /> <br /> 16 leaves. Very Good or better in saddle-stapled wrappers with light foxing overall. Scarce. Galerie Flechtheim unknown
16-3401Saint-Paul: Maeght Éditeur 1974. Pictorial boards in protective Mylar1st Edition. Folio -100 pp - Color Plates & Photo-reproductions. Published on the Tenth anniversary of the La Fondation Marguerite et Aimé Maeght. text in French . Original pictorial boards. and original protective Mylar. In Very good condition Saint-Paul: Maeght Éditeur, 1974. hardcover
200485022Foundation. New. 2004. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Text in French. 96 pages. -- with a bonus offer-- . Foundation paperback
193614204Paris: Editions Poesie & Cie 1936. Limited Edition. Softcover. Fine. Octavo 61pp. illustrated on the front cover from a drawing by Marc Chagall. A fine copy in the publisher's printed wrappers very well-preserved with yapped edges showing only the most trivial wear. Original or at least contemporary tissue dust jacket intact. Of an edition of 506 copies this is one of just six printed on Imperial Japon Japan paper. Chagall contributed the design for the figure of the title cover which adorns the front cover. Necessarily rare; we found just one auction sale which soared past its estimate. Editions Poesie & Cie unknown
19362728Paris: Editions Poésie & Cie 1936. First edition. One of the 500 copy. In original paper. In fine conditon. Cover by Marc Chagall. Cover by Marc Chagall. First edition. One of the 500 copy. In original paper. 53 p. Inscribed to José Corti The advertising brochure 2 sheets in-12° of the author's previous work from the same publisher is also presented.<br /> <p><br /> José Corti 1895 – 1984. started his business by publishing the work of his surrealist friends including André Breton Paul Éluard and Louis Aragon. Editions Poésie & Cie unknown
1960308464Monte Carlo: Andre Sauret 1960. First. unbound. fine. Marc Chagall. Full-page unsigned color lithograph measuring 31.8 x 24.3 cm printed in Paris by Mourlot Freres in 1960 for Andre Sauret Monte Carlo. A fine copy. -- Cramer no. 43; Mourlot no. 286.<br/> <br/> Between 1960 and 1974 Chagall created 28 full-page original lithographs to be included in the monumental six volume catalogue raisonne of his lithographic work; this piece from Chagall Lithographe volume I 1922-1957.<br/> <br/> Andre Sauret unknown
1960308456Monte Carlo: Andre Sauret 1960. First. unbound. fine. Marc Chagall. Full-page unsigned black & white lithograph measuring 31.8 x 24.3 cm printed in Paris by Mourlot Freres in 1960 for Andre Sauret Monte Carlo. Paper very slightly toned still a near fine copy. -- Cramer no. 43; Mourlot no. 291.<br/> <br/> Between 1960 and 1974 Chagall created 28 full-page original lithographs to be included in the monumental six volume catalogue raisonne of his lithographic work; this piece from Chagall Lithographe volume I 1922-1957.<br/> <br/> Andre Sauret unknown
1960308460Monte Carlo: Andre Sauret 1960. First. unbound. fine. Marc Chagall. Full-page unsigned color lithograph measuring 31.8 x 24.3 cm printed in Paris by Mourlot Freres in 1960 for Andre Sauret Monte Carlo. A fine copy. -- Cramer no. 43; Mourlot no. 288.<br/> <br/> Between 1960 and 1974 Chagall created 28 full-page original lithographs to be included in the monumental six volume catalogue raisonne of his lithographic work; this piece from Chagall Lithographe volume I 1922-1957.<br/> <br/> Andre Sauret unknown
1943aaum 1967. Motivmaß: ca. 30 x 416 cm breiter Blattrand etwas gebräunt/mit kleinen Stoßstellen im Bild. unknown
1990BN150062München : Hirmer 1990. 1990. Keramik. Chagall. Sylvie Forestier ; Meret Meyer. Übers. aus d. Franz. Annemarie Seling <br/><br/>Keramik. Chagall. Sylvie Forestier ; Meret Meyer. Übers. aus d. Franz. Annemarie Seling Chagall Marc und Sylvie Forestier München : Hirmer unknown
196017703Paris: Mourlot 1960. Zoomify. In excellent condition. 355 by 260mm 14 by 10 inches. Original color lithograph by Marc Chagall. Edition of 6500 unsigned and unnumbered from Verve Vol. X Nos. 37/38 — Dessins pour La Bible 1960. Published by Tériade Paris 1960. Printed by Mourlot Paris. Sheet: 355 by 260mm 14 by 10 inches. One of Chagall's most celebrated biblical prints — a collector's original not a reproduction. Marc Chagall 7 July 1887 – 28 March 1985 was one of the most celebrated and beloved artists of the 20th century. Born Marc Zakharovich Shagal in Vitebsk Belarus then part of the Russian Empire he trained in Saint Petersburg before moving to Paris in 1910 where he became part of the vibrant avant-garde of Montparnasse. Drawing on Jewish folk tradition Russian culture and the imagery of his Belarusian childhood Chagall developed a uniquely dreamlike visual language infused with lovers floating above villages fiddlers on rooftops animals angels and mystical biblical scenes. Associated with Fauvism Cubism and Surrealism—yet belonging to none—he was the quintessential 'School of Paris' master. His monumental stained-glass windows ceiling paintings including the Paris Opéra and tapestries brought his vision to public spaces worldwide. Chagall's work is held at MoMA in New York the Tate in London the Centre Pompidou in Paris the Guggenheim and the Musée National Marc Chagall in Nice—inaugurated in 1973 and dedicated to his biblical message cycle. He remains one of the most sought-after names in 20th-century prints with original lithographs consistently coveted by collectors worldwide.Verve 1937–1960 was the legendary French art and literary review published in Paris by Efstratios Eleftheriades known as Tériade. Each double-issue was dedicated to a single artist and produced as a luxury publication with original lithographic covers and plates printed by Fernand Mourlot—the master lithographer whose atelier collaborated with Picasso Matisse Léger and Miró. Nos. 37/38 1960 'Dessins pour La Bible' contains Chagall's second suite of Bible lithographs expanding on the 1956 series with 48 new color prints depicting scenes from the Old Testament—creation the lives of the patriarchs and stories of women in the Bible. The edition of 6500 unsigned and unnumbered copies was sold through bookshops and galleries worldwide and individual lithographs extracted from these volumes are among the most collected Chagall prints on the market today.This original color lithograph sheet: 355 by 260mm 14 by 10 inches depicts 'Kain and Abel - Kain und Abel'. Published in 1960 Edition of 6500 by Tériade Paris this work is a fine example of Chagall's graphic production of the period printed at the celebrated Mourlot studio in Paris under the direct supervision of Fernand Mourlot. Each color was applied from a separate lithographic stone resulting in the luminous layered palette that makes Chagall's prints instantly recognizable. Chagall's biblical lithographs are among the most sought-after prints in his œuvre combining deep spiritual feeling with the dreamlike palette and symbolic imagery that define his unique vision. Collectors of 20th-century graphic art prize these works for their authenticity as original lithographs—not reproductions—and for their place in one of the most celebrated print suites of the postwar era. In excellent condition. Colors vivid and unfaded. No tears creases or foxing. Ready to frame. Mourlot 238 Mourlot unknown
1952192528Paris: Éditions Manuel Bruker 1952. Il y a du cheval dans la tête de tous les grands hommes First edition number 44 of 50 copies printed on Van Gelder Holland watermarked paper; this copy issued with a duplicate suite of Chagall's illustrations printed on Montval pure-rag watermarked paper intended only for the first 25 copies printed. The total edition comprised 200 copies. Chagall a good friend of Goll's was the perfect choice of illustrator so often incorporating horses into his own artworks. First published in 1925 this eccentric and satirical short story is written from the point of view of Goliath an over-worked carriage horse in Paris newly elected to the board of directors of the horse union. His manifesto outlines among other demands eight-hour working days for the equine community and the prohibition of the making of sausages out of their corpses. A thinly veiled political allegory Goll uses the plight of the working horses to attack capitalism and the exploitation of the working class. Quarto. With 2 etchings and 5 lithographs by Chagall and additional duplicate suite of Chagall's illustrations loose at end. Wood-engraving by Robert Blanchett to front cover. Original wrappers gatherings unsewn as issued edges uncut. With original glassine dust jacket. Housed in publisher's pale brown card chemise with silk ties. Contents clean and bright very light toning to extremities of some pages prints clean and bright; small sticker residue to front board. A near-fine copy unknown
196038198Paris: Maeght 1960. In excellent condition. 320 by 240mm 12 by 9 inches. Original color lithograph by Marc Chagall. Edition of 5000 unsigned and unnumbered from Chagall Lithographe / Catalogue Raisonné Vol. I 19221957 1960. Published by André Sauret Monte Carlo 1960. Printed by Mourlot and Draeger Paris. Sheet: 320 by 240mm 12 by 9 inches. A joyful original Chagall circus print full of the luminous color and fantasy his work is loved for. Marc Chagall 7 July 1887 28 March 1985 was one of the most celebrated and beloved artists of the 20th century. Born Marc Zakharovich Shagal in Vitebsk Belarus then part of the Russian Empire he trained in Saint Petersburg before moving to Paris in 1910 where he became part of the vibrant avant-garde of Montparnasse. Drawing on Jewish folk tradition Russian culture and the imagery of his Belarusian childhood Chagall developed a uniquely dreamlike visual language infused with lovers floating above villages fiddlers on rooftops animals angels and mystical biblical scenes. Associated with Fauvism Cubism and Surrealismyet belonging to nonehe was the quintessential 'School of Paris' master. His monumental stained-glass windows ceiling paintings including the Paris Opéra and tapestries brought his vision to public spaces worldwide. Chagall's work is held at MoMA in New York the Tate in London the Centre Pompidou in Paris the Guggenheim and the Musée National Marc Chagall in Niceinaugurated in 1973 and dedicated to his biblical message cycle. He remains one of the most sought-after names in 20th-century prints with original lithographs consistently coveted by collectors worldwide.'Chagall Lithographe' Volume I 1960 published by André Sauret in Monte Carlo with text by Julien Cain is the first volume of the catalogue raisonné of Chagall's lithographic work covering prints from 1922 to 1957. The volume contains 24 original color lithographs printed by Mourlot and Draeger in Paris. A landmark publication in the history of Chagall's graphic art it documents his early mastery of lithography and includes some of his most celebrated compositional themeslovers musicians the Jewish world of his childhood.This original color lithograph sheet: 320 by 240mm 12 by 9 inches depicts 'Jongleurin'. Published in 1960 Edition of 5000 by André Sauret Monte Carlo this work is a fine example of Chagall's graphic production of the period printed at the celebrated Mourlot studio in Paris under the direct supervision of Fernand Mourlot. Each color was applied from a separate lithographic stone resulting in the luminous layered palette that makes Chagall's prints instantly recognizable. The circus was one of Chagall's most enduring obsessions a metaphor for the artist's own world of dreamlike fantasy and poetic escape. His circus lithographswith their acrobats clowns and performers floating against vivid color fieldsare among the most joyful and decorative of all his prints perennially popular with collectors. In excellent condition. Colors vivid and unfaded. No tears creases or foxing. Ready to frame. Mourlot 290 Maeght unknown
198631429Chicago: Friends of the Chagall Tapestry. Near Fine. 1986. First Edition; First Printing. Soft Cover. 7 photograps and one full page color plate. Text by Pamela Bernstein and Sean Kennan. Published on the occasion of the "presentation of the Chagall Tapestry to the patients of the Rehabilitation Institute of Chicago and to their families and friends from the Friends of the Chagall Tapestry June 20 1986." ; Tight clean and crisp. A gently read book in excellent condition. No inscriptions. No remainder mark. Not ex-library. Very Scarce. ; 8vo 8" - 9" tall; 16 pages . Friends of the Chagall Tapestry paperback
03-0139Paris: Verve 1960. Color lithograph. From Drawings for the Bible. Mourlot 253. M. 276 verso. Paris: Verve, 1960. unknown
196016383Paris: Mourlot 1960. Other. In excellent condition. 3550 by 2600mm 139 by 102 inches. Original color lithograph by Marc Chagall. Edition of 6500 unsigned and unnumbered from Verve Vol. X Nos. 37/38 — Dessins pour La Bible 1960. Published by Tériade Paris 1960. Printed by Mourlot Paris. Sheet: 3550 by 2600mm 139 by 102 inches. One of Chagall's most celebrated biblical prints — a collector's original not a reproduction. Marc Chagall 7 July 1887 – 28 March 1985 was one of the most celebrated and beloved artists of the 20th century. Born Marc Zakharovich Shagal in Vitebsk Belarus then part of the Russian Empire he trained in Saint Petersburg before moving to Paris in 1910 where he became part of the vibrant avant-garde of Montparnasse. Drawing on Jewish folk tradition Russian culture and the imagery of his Belarusian childhood Chagall developed a uniquely dreamlike visual language infused with lovers floating above villages fiddlers on rooftops animals angels and mystical biblical scenes. Associated with Fauvism Cubism and Surrealism—yet belonging to none—he was the quintessential 'School of Paris' master. His monumental stained-glass windows ceiling paintings including the Paris Opéra and tapestries brought his vision to public spaces worldwide. Chagall's work is held at MoMA in New York the Tate in London the Centre Pompidou in Paris the Guggenheim and the Musée National Marc Chagall in Nice—inaugurated in 1973 and dedicated to his biblical message cycle. He remains one of the most sought-after names in 20th-century prints with original lithographs consistently coveted by collectors worldwide.Verve 1937–1960 was the legendary French art and literary review published in Paris by Efstratios Eleftheriades known as Tériade. Each double-issue was dedicated to a single artist and produced as a luxury publication with original lithographic covers and plates printed by Fernand Mourlot—the master lithographer whose atelier collaborated with Picasso Matisse Léger and Miró. Nos. 37/38 1960 'Dessins pour La Bible' contains Chagall's second suite of Bible lithographs expanding on the 1956 series with 48 new color prints depicting scenes from the Old Testament—creation the lives of the patriarchs and stories of women in the Bible. The edition of 6500 unsigned and unnumbered copies was sold through bookshops and galleries worldwide and individual lithographs extracted from these volumes are among the most collected Chagall prints on the market today.This original color lithograph sheet: 3550 by 2600mm 139 by 102 inches depicts 'Job in Despair - Hiob in der Verzeiflung'. Published in 1960 Edition of 6500 by Tériade Paris this work is a fine example of Chagall's graphic production of the period printed at the celebrated Mourlot studio in Paris under the direct supervision of Fernand Mourlot. Each color was applied from a separate lithographic stone resulting in the luminous layered palette that makes Chagall's prints instantly recognizable. Chagall's biblical lithographs are among the most sought-after prints in his œuvre combining deep spiritual feeling with the dreamlike palette and symbolic imagery that define his unique vision. Collectors of 20th-century graphic art prize these works for their authenticity as original lithographs—not reproductions—and for their place in one of the most celebrated print suites of the postwar era. In excellent condition. Colors vivid and unfaded. No tears creases or foxing. Ready to frame. Mourlot 254 Mourlot unknown
196031641Paris: Mourlot 1960. Other. In excellent condition. 3550 by 2600mm 139¾ by 102¼ inches. Original lithograph in colors published in his series Verve 37/38 of the bible lithographs in Paris. Edition 6500 unsigned and unnumbered copies. Framed in modern silver frame. Mourlot 254 Mourlot unknown
03-0140Paris: Verve 1960. Color lithograph. From Drawings for the Bible. Mourlot 254. M. 277 verso. Paris: Verve, 1960. unknown
195734169Paris: Mourlot 1957. In excellent condition. 229 by 202mm 9 by 8 inches. Original-Farblithographie herausgegeben in der Serie von J. Lassaigne in 1957 Paris. Auflage 6000 unsignierte und nicht nummerierte Exemplare. Mourlot 196 Mourlot unknown
