1 172 résultats
195616399Paris: Mourlot 1956. Other. In excellent condition. 355 by 260mm 14 by 10 inches. Original color lithograph by Marc Chagall. Edition of 6500 unsigned and unnumbered from Verve Vol. VIII Nos. 33/34 — Drawings for the Bible 1956. Published by Tériade Paris 1956. Printed by Mourlot and Draeger Paris. Sheet: 355 by 260mm 14 by 10 inches. One of Chagall's most celebrated biblical prints — a collector's original not a reproduction. Marc Chagall 7 July 1887 – 28 March 1985 was one of the most celebrated and beloved artists of the 20th century. Born Marc Zakharovich Shagal in Vitebsk Belarus then part of the Russian Empire he trained in Saint Petersburg before moving to Paris in 1910 where he became part of the vibrant avant-garde of Montparnasse. Drawing on Jewish folk tradition Russian culture and the imagery of his Belarusian childhood Chagall developed a uniquely dreamlike visual language infused with lovers floating above villages fiddlers on rooftops animals angels and mystical biblical scenes. Associated with Fauvism Cubism and Surrealism—yet belonging to none—he was the quintessential 'School of Paris' master. His monumental stained-glass windows ceiling paintings including the Paris Opéra and tapestries brought his vision to public spaces worldwide. Chagall's work is held at MoMA in New York the Tate in London the Centre Pompidou in Paris the Guggenheim and the Musée National Marc Chagall in Nice—inaugurated in 1973 and dedicated to his biblical message cycle. He remains one of the most sought-after names in 20th-century prints with original lithographs consistently coveted by collectors worldwide.Verve 1937–1960 was the legendary French art and literary review published in Paris by Tériade. Nos. 33/34 1956 'Drawings for the Bible' is dedicated to Chagall's first great suite of biblical lithographs—16 in color and 12 in black-and-white—created especially for this volume alongside full heliogravure reproductions of his 105 Bible etchings made between 1930 and 1955. The lithographs were printed by Mourlot Frères and Draeger Frères in Paris. This double-issue completed on 10 September 1956 is one of the most significant Chagall publications of the postwar period. The individual lithographs separated from their bound volumes are among the most desirable original Chagall prints available to collectors today.This original color lithograph sheet: 355 by 260mm 14 by 10 inches depicts 'Isaiah - Jesaias'. Published in 1956 Edition of 6500 by Tériade Paris this work is a fine example of Chagall's graphic production of the period printed at the celebrated Mourlot studio in Paris under the direct supervision of Fernand Mourlot. Each color was applied from a separate lithographic stone resulting in the luminous layered palette that makes Chagall's prints instantly recognizable. Chagall's biblical lithographs are among the most sought-after prints in his œuvre combining deep spiritual feeling with the dreamlike palette and symbolic imagery that define his unique vision. Collectors of 20th-century graphic art prize these works for their authenticity as original lithographs—not reproductions—and for their place in one of the most celebrated print suites of the postwar era. In excellent condition. Colors vivid and unfaded. No tears creases or foxing. Ready to frame. Mourlot 141 Mourlot unknown
195631649Paris: Mourlot 1956. Other. In excellent condition. 355 by 260mm 14 by 10¼ inches. Special price - only 2 copies still on stock !. 355 by 260mm 14 by 10¼ inches. Original lithograph in colors published in his series Verve 33/34 of the bible lithographs in Paris. Edition 6500 unsigned and unnumbered copies. Mourlot 141 Mourlot unknown
196330355Paris: Mourlot 1963. Other. In excellent condition. 32 x 24 cm 12.5 x 95 inches. Original color lithograph by Marc Chagall. Edition of 5000 unsigned and unnumbered from Chagall Lithographe / Catalogue Raisonné Vol. II 19571962 1963. Published by André Sauret Monte Carlo 1963. Printed by Mourlot and Draeger Paris. Sheet: 32 x 24 cm 12.5 x 95 inches. One of Chagall's most iconic motifs lovers in a world of color and poetry. Marc Chagall 7 July 1887 28 March 1985 was one of the most celebrated and beloved artists of the 20th century. Born Marc Zakharovich Shagal in Vitebsk Belarus then part of the Russian Empire he trained in Saint Petersburg before moving to Paris in 1910 where he became part of the vibrant avant-garde of Montparnasse. Drawing on Jewish folk tradition Russian culture and the imagery of his Belarusian childhood Chagall developed a uniquely dreamlike visual language infused with lovers floating above villages fiddlers on rooftops animals angels and mystical biblical scenes. Associated with Fauvism Cubism and Surrealismyet belonging to nonehe was the quintessential 'School of Paris' master. His monumental stained-glass windows ceiling paintings including the Paris Opéra and tapestries brought his vision to public spaces worldwide. Chagall's work is held at MoMA in New York the Tate in London the Centre Pompidou in Paris the Guggenheim and the Musée National Marc Chagall in Niceinaugurated in 1973 and dedicated to his biblical message cycle. He remains one of the most sought-after names in 20th-century prints with original lithographs consistently coveted by collectors worldwide.'Chagall Lithographe' Volume II 1963 published by André Sauret in Monte Carlo with text by Fernand Mourlot is the second volume of the monumental catalogue raisonné of Chagall's lithographic output. The volume covers prints from 1957 to 1962 and contains 24 original lithographs printed by Mourlot and Draeger in Paris. It is one of the most important documentary sources for Chagall's graphic work and the original color lithographs bound within itdepicting the circus performers lovers musicians and biblical figures so beloved by collectorsare among Chagall's most iconic images.This original color lithograph sheet: 32 x 24 cm 12.5 x 95 inches depicts 'Inspiration - Der Inspirierte'. Published in 1963 Edition of 5000 by André Sauret Monte Carlo this work is a fine example of Chagall's graphic production of the period printed at the celebrated Mourlot studio in Paris under the direct supervision of Fernand Mourlot. Each color was applied from a separate lithographic stone resulting in the luminous layered palette that makes Chagall's prints instantly recognizable. The image of lovers floating above the world is perhaps the most iconic motif in all of Chagall's arta symbol of transcendent joy memory and longing. His lithographs on this theme are enduringly popular with collectors and are among his most recognizable and decorative works. In excellent condition. Colors vivid and unfaded. No tears creases or foxing. Ready to frame. Mourlot 398 Mourlot unknown
19221736Moscow: Der Shtrom The Moscow School for Yiddish Printers 1922. First edition. In publisher’s illustrated wrappers. Paper yellowed due to aging. Tiny inkblots on cover. Note in pencil on title page. Numeric notes between pp. 9–25. Three pinholes throughout at the gutter. Cover artistically restored. Overall in very good condition. Cover design by Marc Chagall. Cover design by Marc Chagall. First edition. In publisher’s illustrated wrappers. 80 p. <p><br /> The second number of the first Soviet Yiddish literary-cultural periodical featuring a cover designed by Marc Chagall.<br /> <p><p><br /> Shtorm was founded and edited by a literary and artistic group formed in Kiev of Yekhezkl Dobrushin Nokhem Oyslender and Arn Kushnirov and Dovid Hofshteyn. Six numbers were published in five issues between 1922 and 1924. <br /> <p><p><br /> Each cover featured the same illustration on the front by Marc Chagall. “Chagall used only the letters in the word Shtrom as illustrations which included a disembodied person on the »R« and a factory with a worker entering the building as part of the »Sh«†Shneer pp. 145–6.<br /> <p><p><br /> Bibl.: Shneer D.: Yiddish and the Creation of Soviet Jewish Culture: 1918–1930. Cambridge University Press 2004.<br /> <p>. Der Shtrom, The Moscow School for Yiddish Printers unknown
26591Lakewood CO: Centipede Press. 2010. Limited edition. Limited edition. Signed by the author. Publisher's original quarter black cloth and red paper-covered boards with titles in silver to the spine in the Salvador Dalí illustrated dustwrapper. Red satin ribbon page marker. Max Ernst illustrated endpapers. Illustrated with six black and white wood engravings by Howie Michels and six colour plates by Marc Chagall. A fine copy the binding square and firm the cloth bright and fresh. The contents are clean throughout and without previous owners' inscriptions or stamps. Complete with the lightly rubbed dustwrapper that has a small scratch to the rear panel and is otherwise without fading loss or tears. Not price-clipped $95.00 on the barcode label fixed to the rear panel. Issued in an edition of 300 copies from which this example is numbered 176 and signed by Steve Rasnic and Melanie Tem in black ink on the colophon. Further details and images for any of the items listed are available on request. Lucius Books welcomes direct contact with our customers. Lakewood, CO: Centipede Press. 2010 hardcover
19561395231New York: Harcourt Brace and Company 1956. First American Edition. Hardcover. Quarto unpaginated. In Good condition. Bound in publisher's illustrated boards. Spine blue with black lettering. Binding extremely fragile though still in tact. Bottom halves of front and rear hinges split. General shelf wear to head and tail of spine and to edges and corners of boards. Mild scuffing and soiling to boards. Staining to fore edge of textblock affecting the margins throughout the interior. Scattered foxing throughout textblock primarily to endpapers title page and "Captions" in rear leaving the lithographs largely unaffected. Age toning throughout. Previous owner's signature to front free endpaper. Includes the front inner flap of dust jacket stored loosely within. DL Consignment. Shelved in Case 11. 1395231. Shelved Dupont Bookstore. Harcourt, Brace and Company hardcover
1956198870New York: Harcourt Brace - Verve 1956. First edition. Hardcover. The first American edition of this beautifully printed book which was published as a double issue of Verve. Text by Jean Wahl and an appreciation by Meyer Schapiro. Includes 28 lithographs with 16 in color along with 105 black and white heliogravures. A very good copy in paper covered boards with loss to the top of the spine some splitting and wear to the spine edges and some creasing to the front free endpaper. No dust jacket. Lithographs in very near fine condition. Harcourt, Brace - Verve unknown
1956330115New York: Harcourt Brace 1956. First. hardcover. near fine/very good. Chagall Marc. Beautifully illustrated with 28 original lithographs 16 of which are in color the 12 b/w lithographs are printed on rear of color plates; and 105 additional b/w heliogravures of Chagall's etchings throughout. Text by Jean Wahl & Meyer Shapiro. Small folio original blue pictorial boards red printed d.w. New York: Harcourt Brace 1956. First American edition.<br/> <br/> The book first appeared as a double issue of Verve Vol VII Nos. 33-34. An exceptional copy in the original unclipped dust wrapper.<br/> <br/> Harcourt Brace unknown
1956110226Harcourt Brace and Company 1956-01-01. Hardcover. Very Good. 0x0x0. 1956 Harcourt Brace and Company American issue of Verve 33/34. Clean tight and unmarked jacket is quite tattered in two pieces missing the spine and is now laid into the book. All lithographs intact and undamaged. oversized and overweight. Please email for photos. Harcourt, Brace and Company hardcover
1956273685New York: Harcourt Brace 1956. First. hardcover. good. Chagall Marc. Beautifully illustrated with 28 original lithographs 16 of which are in color the 12 b/w lithographs are printed on rear of color plates; and 105 additional b/w heliogravures of Chagall's etchings throughout. Text by Jean Wahl & Meyer Shapiro. Small folio original pictorial boards quite damaged and lacking spine; lithographs are clean but for a discoloration on blank rear of frontispiece. New York: Harcourt Brace and Company 1956. First American edition.<br/> <br/> American printing of this incredible book which first appeared as a double issue of Verve Vol VII Nos. 33-34. A less than good only copy but all the desirable lithographs are present and in excellent condition.<br/> <br/> Harcourt Brace unknown
8860365198.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
199427868Milano: Hapax 1994. Rilegato tela custodia cloth slip-case. Molto buono Very Good. <em>La storia il sito le tele acquerelli e pastelli</em>. Testi di Pierre Provoyeur. Foto di Elio Ciol. Numerose tavole a colori anche a piena pagina con a fronte scheda informativa sull'opera. Illustrazioni in bianco e nero. Con 79 tavole a colori dei pastelli. Folio. pp. 260 64 tav. Molto buono Very Good. Edizione speciale. Hapax, hardcover
1949202016<p>Duell Sloan & Pearce 1949. First Edition. Hardcover. Very Good/Very Good. Black cloth boards with yellow lettering under yellow DJ priced at $6 top edge stained red illustrated endpapers plate illustrations 245 pp. Minor splash mark to topstain else a near fine book; DJ has toning to spine panel minor chipping to top corners modest waviness to rear panel. Presents well; first trade edition. A beautiful tribute to Stravinsky who at the time was a recent American citizen and had just begun collaborating with Robert Craft who would help Stravinsky throughout his late career.</p> Duell, Sloan & Pearce hardcover
3429006163.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
2009G3429016444I3N00Echter Publishing House - Germany 2009. Hardcover. Good. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More Spend Less.Dust jacket quality is not guaranteed. Echter Publishing House - Germany hardcover
1995004131Wurzburg Germany: Echter Publishing House 1995. Pictorial Hardcover. Near Fine . Vivid illustrations of the stained glass windows done by Jewish Russian-born French painter and stained glass artist 1887-1985 at the Mainz church. Accompanied by the text of the Jewish-born Catholic priest who persuaded Chagall to do the stained glass at the German church despite his strong reluctance to ever work in Germany again after the Holocaust. 82 pages with full page colour reproductions of Chagal's work. 4to - over 9¾ - 12" tall. Two slight "puncture" marks to back cover - o/w fine. <br/> <br/> Echter Publishing House hardcover
1968WB16835Paris: Hermann 1968. First Edition. Paperback. Near Fine. 4to. Two volume set. Publisher's printed wrappers. An excellent set housed in publisher's slipcases with frontispieces plates and photographs. Slipcases with some wear to head and foot of spines but books themselves are in find condition. Preface by Étienne Dennery. Each volume has an original work at the front: a color lithograph by Marc Chagall in vol. 1 an original etching by Dunoyer de Segonzac in vol. 2. This handsome production was completed under the direction of André Masson in honor of the Director of the Bibliotheque Nationale. A unnumbered limited edition on fine paper. <br/><br/> Hermann paperback
1968100076163Hermann 1968. Bon Etat de conservation intérieur frais exemplaires de bibliothèque étiquette sur le dos tampons fiche livre et code barre collés dans le 4e plat. in8. 1968. Cartonné. 2 volumes. illustrations en noir et blanc Hermann unknown
552Wiesbaden Ebeling 1976. 4° 136 S. 161 Abb. davon 25 farb. 1 Orig.-Lith. OLwd. mit OU. Tadellos. Texte von Apollinaire Vollard Breton Eliade Bourniquel Vallier Marteau u.a. - mit einer eingehefteten Orig.- Lith.ographie Mourlot 572 die exklusiv für diese Ausgabe geschaffen wurde. 010 Wiesbaden, Ebeling, 1976 unknown
16-4758Paris: XXe Siècle 1969. 4to. 132 pp. Text in French or English. without the original lithograph. Very good in red cloth boards light wear and soiling to bottom edge in a very good dust jacket covered in a thick clear protective outer jacket. Dust jacket is not price-clipped. Paris: XXe Siècle, 1969 hardcover
196923781Paris: Mourlot 1969. Other. In excellent condition. 150 by 220mm 6 by 8 inches. 150 by 220mm 6 by 8 inches. Original color lithograph by Marc Chagall. Edition of 2000 unsigned and unnumbered from Original Lithograph 1969. Published by Mourlot Paris 1969. Printed by Mourlot Paris. Sheet: 150 by 220mm 6 by 8 inches. A luminous evocation of Chagall's beloved France from one of the 20th century's greatest colorists. Marc Chagall 7 July 1887 28 March 1985 was one of the most celebrated and beloved artists of the 20th century. Born Marc Zakharovich Shagal in Vitebsk Belarus then part of the Russian Empire he trained in Saint Petersburg before moving to Paris in 1910 where he became part of the vibrant avant-garde of Montparnasse. Drawing on Jewish folk tradition Russian culture and the imagery of his Belarusian childhood Chagall developed a uniquely dreamlike visual language infused with lovers floating above villages fiddlers on rooftops animals angels and mystical biblical scenes. Associated with Fauvism Cubism and Surrealismyet belonging to nonehe was the quintessential 'School of Paris' master. His monumental stained-glass windows ceiling paintings including the Paris Opéra and tapestries brought his vision to public spaces worldwide. Chagall's work is held at MoMA in New York the Tate in London the Centre Pompidou in Paris the Guggenheim and the Musée National Marc Chagall in Niceinaugurated in 1973 and dedicated to his biblical message cycle. He remains one of the most sought-after names in 20th-century prints with original lithographs consistently coveted by collectors worldwide.This original color lithograph was produced during Chagall's most prolific printmaking period printed at the celebrated Mourlot studio in Paris under the supervision of master lithographer Fernand Mourlot. The Mourlot studio was Chagall's primary printmaking partner from 1950 onwards and its impeccable technical standards ensured that each impression faithfully conveyed the luminosity and color of the original stone drawings.This original color lithograph sheet: 150 by 220mm 6 by 8 inches depicts 'Hommage a Marc Chagall'. Published in 1969 Edition of 2000 by Mourlot Paris this work is a fine example of Chagall's graphic production of the period printed at the celebrated Mourlot studio in Paris under the direct supervision of Fernand Mourlot. Each color was applied from a separate lithographic stone resulting in the luminous layered palette that makes Chagall's prints instantly recognizable. Chagall's images of Paris the Côte d'Azur and the South of France reflect his deep love for his adopted homeland. From the rooftops of Montparnasse to the luminous bays of Nice and Vence these lithographs capture a France bathed in the artist's signature warm light and poetic fantasy. In excellent condition. Colors vivid and unfaded. No tears creases or foxing. Ready to frame. Mourlot 572 Mourlot unknown
197652512<p>Wiesbaden Ebeling Verlag no date circa1976. FIRST GERMAN TRANSLATION circa1976 first published in Paris in 1969. 4to approximately 310 x 240 mm 12¼ x 9½ inches 1 ORIGINAL COLOURERD LITHOGRAPH 24 plates in colour and 200 black and white reproductions portrait frontispiece of the artist and 7 more photos of him in the Foreword 136 pages 21 poems and essays in Chagall's honour bound in original publisher's red cloth gilt lettering to upper cover and spine. Slightly darkened area at lower edge of upper cover 10 mm ½" tear with slight loss of cloth at tail of spine slight shelf-wear to lower corners. A previous owner has mounted a large colour plate of a Chagall painting on the reverse of the title page otherwise contents very nice. Binding tight and firm. A very good copy. MORE IMAGES ATTACHED TO THIS LISTING ALL ZOOMABLE. FURTHER IMAGES ON REQUEST. POSTAGE AT COST.</p> Wiesbaden, Ebeling Verlag, no date circa1976. hardcover
1969104279First Edition WITH LITHOGRAPH: Tudor Pub. Co. Fine in Fine dust jacket. 1969. Hardcover. 4to 11" - 13" tall; 131 pages . Tudor Pub. Co hardcover
196937115New York: Tudor Publishing 1969. First Edition ~1st Printing. Hardcover. very good in very good dust jacket in fresh mylar cover; patch of suface loss on free front endpaper bookplate removal ownership stamp from Congregation Beth El on top of textblock and on ffep small tears to jacket edges minor rubbing to board corners else a tight square unmarked copy in clipped dust jacket; original lithograph which is bound in is clean bright and intact Tudor Publishing hardcover
02-1133New York: Tudor Publishing 1969. 4to. 131 pp. Dust-jacket. Text in English. With an original lithograph by Chagall. 12-1/4 x 9-1/2 inches. 312 x 240 mm. Cramer no. 80. Mourlot no. 572. New York: Tudor Publishing, 1969. unknown