(PICASSO)Biblio.com
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195590654Lausanne : Editions Clairefontaine 1955. 285x220mm. 127 photos en hÂŽliogravure CartonnÂŽ sous couverture illustrÂŽe rempliÂŽe de lՎditeur. TrÂs bel exemplaire. 996 Editions Clairefontaine unknown
196783566Basel : Editions Beyeler 1967 / 1968 . 305x245mm. Verlegereinband mit Umschlag. Sehr schnes Exemplar. 2050 Editions Beyeler unknown
1983TN241859Waddington Graphics London 1983. 1st Edition. SOFTCOVER. Square 4to in colour printed stiff glossy card covers unpaginated approx. 32pp on glossy art paper colour plates etc __CONDITION : A well preserved FINE clean and tight unmarked copy covers faintly tanned. . To see more of our Art Monographs etc type DbbARTIST in the Keywords search box __We always ship in PROTECTIVE CARD PARCELS Waddington Graphics, London paperback
1355New York. The Museum of Modern Art. 4to. In fine condition. unknown
1350Spain. Editorial Escudo de Oro. 1985. 4to. Photographic report complemented by a biography of the painter. In fine condition. unknown
1969103440New York: Avant-Garde Media Inc 1969. Softcover. Fine. First edition. Fine with a tiny tear on the front panel in wrappers. Avant-Garde Media, Inc unknown
aly2312Zurich: Kunsthaus Zurich 1954. Exhibition Catalogue. 8vo. unpaginated. numerous b/w illus. text in German. wrs chip out of head of spine extremities rubbed Zurich: Kunsthaus Zurich, 1954 unknown
198875637London: Thames and Hudson/Editions de la Réunion des musées nationaux 1988. First UK edition. Oblong 8vo. 116 pp. Fine in fine dust jacket. London: Thames and Hudson/Editions de la Réunion des musées nationaux unknown
197547533NY: Rizzoli 1975. First US edition. 244 pp. Very near fine in like dust jacket that is lightly toned. 128 full-color plates and over 1000 b&w reproductions. NY: Rizzoli unknown
198975537Princeton: Princeton University Press 1989. First edition. xvi 198 pp w/index. Fine in very near fine dust jacket. Princeton: Princeton University Press unknown
197147537NY: Abrams 1971. First US edition. 4to. 331 pp w/index. Fine in very near fine dust jacket with light toning to spine and extrems. 670 illustrations. NY: Abrams unknown
1973D11634New York: Sherry-Lehmann Printed by Atwater Press 1973. Paperback. Fine. Staple-bound wraps cover images and 2 plates reproducing 4 of Picasso's works in full-color; 4to; pp. 72. Sherry-Lehmann are wine and spirit merchants in New York City. This holiday catalogue features an excerpt from "Picasso at Work" by Edward Quinn plus a long long litany of booze. Thirsty-making. <br/><br/> Sherry-Lehmann [Printed by Atwater Press] paperback
194789033New York: Philosophical Library 1947. First American Edition. Quarto. Red cloth hardcover; 168pp. Numerous halftone illustrations accompanied by Eluard's verse commentary. Typical sun-fading to board edges else a tight Near Fine copy. In the original dustwrapper sunned at margins foxed on rear panel with a few chips and closed tears; Very Good. Philosophical Library unknown
1980002309Montclair: Allanheld & Schram 1980. First Edition. . Cloth. Fine/Fine. Cloth in mylar protected dust-jacket. 334 pages w/ figure list notes and index; illustrated. A definitive study exploring the background and sources of the mural its structure and symbolic and aesthetic concerns. A clean tight copy Size: Quarto <br/> <br/> Allanheld & Schram hardcover
51-2890New York: Harry N. Abrams circa 1980. 4to. 4 pp. Lists original graphic works with prices by Agam Albers Alechinsky Appel Berarden Frankenthaler Motherwell Picasso Indiana Rauschenberg Newman et al. New York: Harry N. Abrams, circa 1980 unknown
74-0585Antibes France : Musee Picasso Chateau Grimaldi 1983. 4to. 40 pp. Soft covers. Mostly color plates. Minor creasing. Light signs of shelf wear. Very Good. Text in French.Provenance: From the Collection of Art Historian Peter Selz 1919-2019. Antibes [France] : Musee Picasso, Chateau Grimaldi, 1983. paperback
1949202016<p>Duell Sloan & Pearce 1949. First Edition. Hardcover. Very Good/Very Good. Black cloth boards with yellow lettering under yellow DJ priced at $6 top edge stained red illustrated endpapers plate illustrations 245 pp. Minor splash mark to topstain else a near fine book; DJ has toning to spine panel minor chipping to top corners modest waviness to rear panel. Presents well; first trade edition. A beautiful tribute to Stravinsky who at the time was a recent American citizen and had just begun collaborating with Robert Craft who would help Stravinsky throughout his late career.</p> Duell, Sloan & Pearce hardcover
15-8089New York: Perls Gallery 1962. 8vo. 12 pp. Stapled Wrappers Very Good. Illustrations. The Perls Gallery in New York was founded in 1937 by Klaus Gunther Perls 1912-2008 and his brother Franz R. Perls1910-1975 after having worked at their mother's Galerie Kate Perls in Paris. Following his marriage to Amelia Blumenthal of Philadelphia in 1940 Klaus and Amelia B. Perls jointly ran the gallery. They specialized in modern French painting while Franz established the Frank Perls Gallery in Beverly Hills He originally dealt in works by Maurice Utrillo Maurice de Vlaminck and Raoul Dufy that his mother sent from Paris until the Nazi occupation. When she was forced to flee France he began dealing in now little known contemporary American artists including Darrel Austin and in Mexican and South American art such as Mario Carreno. After the war Klaus again dealt in French art from the School of ParisArtists in the Perls' stable included Rouault Picasso Léger Derain Dufy Matisse Modigliani Pascin Soutine and Vlaminck. The Perls Galleries closed in 1997. New York: Perls Gallery, 1962. unknown
15-8088New York: Perls Gallery 1961. 8vo. 12 pp. Stapled Wrappers Very Good. Illustrations. The Perls Gallery in New York was founded in 1937 by Klaus Gunther Perls 1912-2008 and his brother Franz R. Perls1910-1975 after having worked at their mother's Galerie Kate Perls in Paris. Following his marriage to Amelia Blumenthal of Philadelphia in 1940 Klaus and Amelia B. Perls jointly ran the gallery. They specialized in modern French painting while Franz established the Frank Perls Gallery in Beverly Hills He originally dealt in works by Maurice Utrillo Maurice de Vlaminck and Raoul Dufy that his mother sent from Paris until the Nazi occupation. When she was forced to flee France he began dealing in now little known contemporary American artists including Darrel Austin and in Mexican and South American art such as Mario Carreno. After the war Klaus again dealt in French art from the School of ParisArtists in the Perls' stable included Rouault Picasso Léger Derain Dufy Matisse Modigliani Pascin Soutine and Vlaminck. The Perls Galleries closed in 1997. New York: Perls Gallery, 1961. unknown
15-8124New York: Perls Gallery 1950. 8vo. 4 pp. Printed Wraps Very Good. Illustrated cover. Scarce.The Perls Gallery in New York was founded in 1937 by Klaus Gunther Perls 1912-2008 and his brother Franz R. Perls1910-1975 after having worked at their mother's Galerie Kate Perls in Paris. Following his marriage to Amelia Blumenthal of Philadelphia in 1940 Klaus and Amelia B. Perls jointly ran the gallery. They specialized in modern French painting while Franz established the Frank Perls Gallery in Beverly Hills. He originally dealt in works by Maurice Utrillo Maurice de Vlaminck and Raoul Dufy that his mother sent from Paris until the Nazi occupation. When she was forced to flee France he began dealing in now little known contemporary American artists including Darrel Austin and in Mexican and South American art such as Mario Carreno. After the war Klaus again dealt in French art from the School of Paris.Artists in the Perls' stable included Rouault Picasso Léger Derain Dufy Matisse Modigliani Pascin Soutine and Vlaminck. The Perls Galleries closed in 1997. New York: Perls Gallery, 1950. paperback
2021209910Paris France: Seuil 2021. Hardcover. VG. Orange boards with color illustration black and white text. 219 pp. 170 color and bw plates. "Everything has been said and written about Picasso's work but no one has yet dared to study all of his self-portraits perhaps because this painter has always left many doubts hanging over his work. Throughout his life from his first self-portrait in 1894 he was 13 years old at the time to the last in 1972 one year before his death he never stopped representing himself. In a sketch at the bottom of a letter or on a canvas Picasso by Picasso could not resemble Picasso. But Pascal Bonafoux guides us to allow us to get as close as possible to the mystery of this extraordinary artist and to offer us the fruit of a long very documented and brilliant research work initiated more than 40 years ago."--Verso cover. Seuil hardcover
15-8091New York: Perls Gallery 1957-60. The Perls Gallery in New York was founded in 1937 by Klaus Gunther Perls 1912-2008 and his brother Franz R. Perls1910-1975 after having worked at their mother's Galerie Kate Perls in Paris. Following his marriage to Amelia Blumenthal of Philadelphia in 1940 Klaus and Amelia B. Perls jointly ran the gallery. They specialized in modern French painting while Franz established the Frank Perls Gallery in Beverly Hills He originally dealt in works by Maurice Utrillo Maurice de Vlaminck and Raoul Dufy that his mother sent from Paris until the Nazi occupation. When she was forced to flee France he began dealing in now little known contemporary American artists including Darrel Austin and in Mexican and South American art such as Mario Carreno. After the war Klaus again dealt in French art from the School of ParisArtists in the Perls' stable included Rouault Picasso Léger Derain Dufy Matisse Modigliani Pascin Soutine and Vlaminck. The Perls Galleries closed in 1997. New York: Perls Gallery, 1957-60. unknown
15-8094New York: Perls Gallery 1959. 8vo. Oblong French Fold Sheets Deckled Laid Paper Very Good. Illustrated Cover. Scarce. 4 pp.The Perls Gallery in New York was founded in 1937 by Klaus Gunther Perls 1912-2008 and his brother Franz R. Perls1910-1975 after having worked at their mother's Galerie Kate Perls in Paris. Following his marriage to Amelia Blumenthal of Philadelphia in 1940 Klaus and Amelia B. Perls jointly ran the gallery. They specialized in modern French painting while Franz established the Frank Perls Gallery in Beverly Hills He originally dealt in works by Maurice Utrillo Maurice de Vlaminck and Raoul Dufy that his mother sent from Paris until the Nazi occupation. When she was forced to flee France he began dealing in now little known contemporary American artists including Darrel Austin and in Mexican and South American art such as Mario Carreno. After the war Klaus again dealt in French art from the School of ParisArtists in the Perls' stable included Rouault Picasso Léger Derain Dufy Matisse Modigliani Pascin Soutine and Vlaminck. The Perls Galleries closed in 1997. New York: Perls Gallery, 1959. unknown
19872051203Ministère de la culture et de la communication 1987. Soft cover. Very good/No jacket. Cover is rubbed and lightly worn at ends of spine but text and images are clear and bright. Binding is tight. Inside is clean and unmarked. Ministère de la culture et de la communication unknown
17-0028Chicago IL : R.S. Johnson Fine Art 2018. 4to. 114p. Softcover. Good very minor tearing on spine minor marking and creasing. B&W and color prints throughout. From the Collection of the Art Historian Peter Selz 1919-2019. Chicago, IL : R.S. Johnson Fine Art, 2018. paperback
