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19912091202133210391Not Available 1991. Soft Cover. Fine. Volume: 1 Not Available paperback
1984TH233286Thames & Hudson London 1984. 1st Edition. HARDCOVER. From the collection of Ruth Lynam the photographer fashion writer and noted balletomane and has a slip of paper signed in black ink by Yves Saint Laurent pasted to the half title leaf no other marks or inscriptions. This is the UK edition of the book published to accompany the Yves Saint Laurent retrospective exhibition at the Metropolitan Museum of Art New York 14 December 1983 - 2 September 1984. Large heavy 4to. gilt embossed black cloth gilt lettering to spine 192pp numerous plates in colour and b/w etc. __CONDITION : A well preserved near FINE clean and tight unmarked copy pages very slightly tanned hint of shelf rub to cover bottom edges in a VERY GOOD complete Dust Jacket very slightly creased and nicked along the top edge head of spine panel slightly chipped looks fine in its removable transparent protector. . NOTE: Depending on destination this item may require an extra payment for insurance. If so orders made by card will be completed only after you have approved any such extra cost. . . . . . . . . . . . . To see more of our Costume fashion etc type DBBCOSTUME in the Keywords search box __We always ship in PROTECTIVE CARD PARCELS Thames & Hudson, London hardcover
11-0960Paris: Mourlot 1978. Lithographic poster measuring 76 x 50 cm. 30 x 20 inches. For exhibition held June 20-September 10 1978 at the Palais des Papes. Some wrinkles and edge wear. Paris: Mourlot, 1978. unknown
51-6201Avignon: Yvonne Zervos 1970. Color lithograph. 30 x 21 in. 76.2 x 53.34 cm Exhibition at the Palais des Papes in Avignon France May-October 1970. Very good.References: Rodrigo Vol. I 195 p. 418 Czwiklitzer 301 Avignon: Yvonne Zervos, 1970. unknown
2012214075Ostfildern-Ruit Germany: Hatje Cantz 2012. First edition and first printing. Hardcover. 343 pages. Published in conjunction an exhibition that ran March 30 through July 15 2012 at the Pinakothek der Moderne in Munich. Features text contributions by Elisabeth Bronfen Barbara Dabanoglu Doris Dorrie Siri Hustvedt Michael Kohlmeier Eva Reifert Uwe M. Schneede Carla Schulz-Hoffmann Richard Shiff Feridun Zaimoglu. Includes 154 color and 15 black and white illustrations. A fine copy in a fine dust jacket. A lovely copy. Please note that this is a heavy book and will require extra shipping. Hatje Cantz unknown
1948ABE-1688163931690Samuel M. Kootz Editions 1948 Softcover folio 1st edition. Decorated wraps. 11 oversized printed folders w/ tipped in plates. Work by Picasso Braque Leger Baziotes Bearden Browne Gottlieb Hare Hofman Holty Motherwell Galantiere Goodman Greenberg Kees Peret Rosenberg Sartre Ulanov Williams Wolfson. 1st Edition. Soft cover. Very Good. Samuel M. Kootz Editions paperback
2012100649Hatje Cantz. New. 2012. Hardcover. 3775732675 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Text in German and English. 348 pages. -- with a bonus offer-- . Hatje Cantz hardcover
1948109267New York: Samuel M. Kootz Editions 1948. First Edition; First Printing. Hardcover. Good in a Good dust jacket. Photographic reproductions of illustrations are tipped in and loose sheets in printed portfolio as issued.; Folio - over 12" - 15" ta. Samuel M. Kootz Editions hardcover
50-1158Paris 1923. Older silkscreen print after the painting now in the Los Angeles County Museum of Art. Picasso Project no. 23-206. The print measures 75 x 61 cm sheet size; 56 x 43.5 cm in the image. Exhibits small pin holes at the extreme corners and mild soiling along one edge well outside the image; else is in very good condition. Paris, 1923. unknown
20162090202120413781Atowan 2016. Soft Cover. Fine. Number of books: 1 Atowan paperback
020983No Place: West Virginia Pulp and Paper Company. Wraps. Good. No place: 1942/43. Dark beige cloth. Unpaginated several hundred pages. Color and black and white illustrations throughout. A bound volume of sorts collecting 12 issues of Inspirations for Printers spanning the years 1942 to 1943. Original covers are preserved/included. Issued by Westvaco a mill and paper company originally known as the West Virginia Pulp and Paper Company. The company underwent a variety of acquisitions through the later 1900s and 2000s and is now essentially part of the Verso Corporation. Each issue here depicts ideas for printing and advertising demonstrating various printing techniques various papers artists and photographers. Artists with artwork present include Thomas Hart Benton Miguel Covarrubias Salvador Dali Fernand Leger Henri Matisse Picasso Edward Steichen and others. Many pieces relate to World War II either promoting the US Armed Forces or envisioning air travel after the war was over. GOOD condition. Moderate to heavy toning especially to the spine. Minor soiling. Heavy scuffing along the extremities. Paper toned in the interior with very minor scattered soiling. West Virginia Pulp and Paper Company unknown
199181951Rizzoli. New. 1991. Hardcover. 0847814378 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - FLAWLESS COPY BRAND NEW PRISTINE NEVER OPENED -- - Corresponds to ISBN: 0847814378. 64 pages Many color illustrations. -- with a bonus offer-- . Rizzoli hardcover
2016126592Gallery. New. 2016. Hardcover. 1938748301 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened. Text in English and French. -- with a bonus offer-- . Gallery hardcover
2016121549Gallery. New. 2016. Hardcover. 1938748301 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened. Text in English and French. with a bonus offer-- . Gallery hardcover
196048558Alès.: PAB. Pierre. André. Benoit. 1960. Loose as issued in original publisher's printed wrappers with flaps original drypoint engraving on celluloid 'Homme Grec Barbu' by Picasso to front cover original publisher's patterned paper-covered board chemise with title in black to spine and matching slipcase. Folio. 512 x 340 mm. Leaf with title leaf with Picasso's original drypoint engraving on celluloid as frontispiece leaf with Pindar's dedication in Greek two leaves with Pindar's verse in Greek original drypoint engraving recto leaf with translator's credit leaf with Pindar's dedication in French two leaves with Pindar's verse in French translated by Jean Beaufret leaf with original drypoint engraving and final leaf with justification and achevé d'imprimer. A superb example of this superb collaboration between Picasso and PAB.From the edition limited to 50 copies with this one of 44 signed and numbered in pencil on the justification by the publisher and artist; six copies numbered in Roman numerals as well as six hors commerce copies were also issued.Picasso's four original drypoint engravings are titled as follows: 'Homme Grec Barbu' for the front cover; 'Lutteur avec Lance et Bouclier'; 'Athlète de Face'; 'Athlète au Repos'.'Pindar's Eighth Pythian Ode was after Ovid's Metamorphoses 1931 and Aristophanes's Lysistrata 1934 the third and last text from classical antiquity which Picasso illustrated . At the request of P.A. Benoit Picasso executed four drypoints on celluloid for Pindar's text . The Eighth Pythian Ode was presented i.e. sung in 446 BC at Aegina in honour of a certain Aristomenes who had won the wrestling competition at the Pythian Games at Delphi. Pindar celebrates the youth's splendid victory but also mourns the transience of happiness and glory by evoking the sad fate of the defeated.' Patrick Cramer.Cramer 108; Baer 1077 - 1080. PAB. (P[ierre]. A[ndré]. B[enoit].). unknown
1940510631Editions de la Revue Verve 1940. First Edition. Hardcover. FINE/NEAR FINE. First American Edition with tipped in 'Occupation of Paris' notice. Tall 4to 35.5cm. sewn binding in Henri Matisse-designed lighograph printed cover on black paper over cards often mistaken for the DJ itself with original brown kraft paper lithographed dust jacket. The dust jacket was often treated as a throwaway especially since it was taped over making it impossible to see the beautiful Matisse covers without tearing it; they are quite uncommonly seen. We have not attempted removing the dust jacket here though we have supplied a photograph from another copy showing the design. This is a unique opportunity to for a collector to have not only a copy of the book as issued with the jacket but a uniquely clean and fresh copy of the cover itself entombed within the protection of the jacket. The book itself is exceedingly clean and sharp. Illustrated throughout in color and black and white with contributions from Verve's usual suspects: Matisse Miro Picasso Rouault Braque and a spectacular center-fold lithograph by Pierre Bonnard. In spite of the statement in the 'Occupation notice that half the American edition was lost this is not a terribly scarce book -- perhaps because subscribers immediately recognized the significance of what it represented namely the destruction of the thriving modern art movement in France at the hands of the neo-classical obsessed Nazis. But the jacket and condition make this an uncommon survival. Editions de la Revue Verve hardcover
1940212337Paris: Verve 1940. First edition. Softcover. Volume Two Number Eight. Text in English with contributions by Julian Cain Paul Valery Pierre Reverdy Adrienne Monnier and others. Includes illustrations of works by Georges Rouault Henri Matisse Georges Braque Andre Derain Pablo Picasso. Includes a color lithograph of "Sunset Over the Mediterranean" by Pierre Bonnard. An about very good copy in wrappers with an illustration by Henri Matisse and with a chip to the top of the spine and front cover copy and some other light wear. Internally a clean copy. Internally a clean copy. Verve unknown
1937510540Verve 1937. First Edition. Paperback. FINE. Complete run of the first four issues of Teriade's legendary art magazine. Beginning with a stunning cover produced by Matisse for the first issue Verve would incorporate fresh artwork into its cover designed newly commissioned by artists such as Miro Picasso Chagall and other leading lights of the French art world. Each issue offered spectacular color lithographs printed by the Paris lithographers Mourlot. Early issues came in litho-printed card wrappers in boxes later volumes would be in paper-over board with litho covers. This choce allowed Teriade to feature the fresh lithographic artwork in the cover design but left the books themselves extremely fragile and succeptible to wear. Additionally the full-page lithographs have been continuous targets for art dealers looking to excise the plates. So condition seen here is quite rare with each volume preserved COMPLETE FINE with no signs of the wear and toning so commonly seen. 'The cover of Verve No. 1 is by Henri Matisse; it consists of three unmodulated colors--red blue and black--that the master cut directly from printers' ink specimen books. . Mattisse's cover for the first issue lithographed by Fernand Mourlot printers was an original work of art created expressly for the magazine--as would be practically all of the Verve's covers. . The painter took great pains to make sure that the cover would turn out exactly as he wished. . THe care Matisse lavished on what others might consider a minor undertaking was one of the hallmarks of Teriade's publications. How did he induce the greatest artists of this century to give the very best of themelves . Matisse and Teriade shared a common ideal. For both of them painting was life itself.' Michel Antonioz VERVE: The Ultimate Review of Art and Literature 35-36. Verve paperback
1948230190Verve January 1948. Hardcover. Fair. Decorative paper jacket covering boards is heavily worn age darkened and split at spine; binding shaken but intact; upper spine covering chipped off; pastedown intact faint water stain at upper page corners does not affect tipped in prints or black and white plates a fragile vintage treasure. Verve hardcover
1946510632Editions de la Revue Verve Draeger Frères 1946. Hardcover with Dust Jacket. FINE/NEAR FINE. Tall 4to 35.5cm. Illustrated throughout by Picasso on every page with 18 mounted heliogravures and text by Picasso and Jaime Sabartès. Sewn binding in Picasso-designed lithographic paper over boards. Verve double issue devoted to Picasso's lithographs etchings and paintings which he made specifically for his Grimaldi Chateau just purchased while in the Golfe-Juan on the French Riviera with another young lover Francoise Gilot muse for most of the work here. With lithographic cover and dust jacket both designed by Picasso expressly for this issue. The manilla DJ is fairly scarce and here has kept the book itself extremely clean and sharp. Now covered in our thick mylar jacket. “In September October and November he turned out a prodigious amount of work often using boat paint and plywood or fibro-cement because supplies were short and he thought they would better withstand the château’s damp. The centerpiece was the enchanting “Joie de vivre†or “Antipolis†with a dancing Gilot in the center surrounded by frolicking satyrs and fauns… Picasso was recalling an antique past and Antipolis the ancient Greek name of Antibes†New York Times. Editions de la Revue Verve (Draeger Frères) hardcover
1954510698Harcourt Brace and Company / Editions de la Revue Verve / Mourlot Freres 1954. Hardcover. FINE/Very Good. American edition printed in France by Verve with lithographs by Mourlot. Tall 4to 35.5cm. Sewn binding in lithographic printed paper over boards with original design by Picasso featuring mirrored-matchbooked ponytail figures of his muse Sylvette David / Lydia Corbett. Double issue featuring 180 drawings by Picasso made in Vallauris during the Winter of 1953/'54. With centerfold color lithograph frontispiece and 12 additional color lithograph plates. With the scarce dust jacket which has kept this copy exceptionally clean and sharp. DJ spine chipped at head gashed mid-spine still clean and bright otherwise wrapped in mylar; Book itself is uncommonly sound and fresh. Harcourt, Brace and Company / Editions de la Revue Verve / Mourlot Freres hardcover
19381203161938. First Edition. TÉRIADE Efstratios ELEFTHERIADES Efstratios. Verve. Volume 1 Numbers 2-4 Spring 1939 to January-March 1939. Paris: Imprimerie des Beaux-Arts 1937-1939. Thick folio contemporary red cloth. $2200.First American editions of the second third and fourth issues of Verve published in Paris from 1938-39 featuring cover art by Braque Bonnard and Rouault original lithographs by Miró Chagall Matisse Derain Kandinsky and Klee along with numerous héliogravure photographs including Bill Brandt and Brassaï first appearances of select writings by Hemingway and Joyce and articles by Lorca Sartre Gide Bataille Malraux and Valéry. Assembled in a single folio volume with the three original lithographic front covers bound in.""Fifty years ago in Paris the magazine to look for was Verve which first came out in December 1937 and kept going in one form or another till 1960. That first cover by Henri Matisse sang out from the other side of the street in a way that made us run across the road to look at it more closely. And when we turned its pages Verve had a bosomy full-fleshed slightly slithery quality that this former subscriber would know in his sleep"" John Russell. Art critic Efstratios Eleftheriades under the nom de plume ""Tériade"" founded Verve with the financial assistance of David Smart publisher of Esquire. ""The magazine a quarterly review of arts and letters was lavish in design and challenging in content. Teriade's view of the world of art and literature was personal bold and compelling"" Rick Gagliano. Once called ""the most beautiful magazine in the world"" Verve contained original lithographs by the most famous artists of the day Matisse Picasso Braque Léger Miró Chagall many of which appearing here for the first time. The premiere issue of Verve in addition to its original cover by Matisse features original lithographs by Miró and Léger photographs by Man Ray and Brassaï articles by Matisse Gide Dos Passos and Garcia Lorca previously unpublished letters and drawings by Cézanne and the first printed illustration of Picasso's Guernica. The second issue with its original lithographic front cover by Braque includes original lithographs by Kandinsky and Masson photographs by Bill Brandt and Brassaï and the first publication of Hemingway's The Heat and the Cold together with his piece on the filming of The Spanish Earth that was later included in the book The Spanish Earth 1938 as well as the first appearance of James Joyce's Phoenix Park Nocturne. Number 3 with an original front cover by Bonnard offers original lithographs by Chagall Miró Rattner and Klee together with articles by such leading French writers as Valéry Malraux Claudel and Bataille. The culminating issue in this exceptional collection features an original lithographic front cover by Rouault an original double-page lithograph of Matisse's The Dance photographs by Brandt and Brassaï and articles by Michaux Garcia Lorca and Sartre. First American edition published same year as the French with text translated into English by Robert Sage. Hanneman C278. Slocum C93. See also Slocum C70 C90. Owner signature. Plates and text fine minor wear to cloth binding. An excellent copy. hardcover
20042698308Madrid.: Casariego. 2004. Hardcover. Sobrecubierta deslucida. Good. 37 cm. 164 p. il. Encuadernación en tapa dura de editorial con sobrecubierta ilustrada. Góngora y Argote Luis de 1561-1627. Poesía. Pablo Picasso ; prólogo de Juan F. Aramo. Picasso Pablo. 1881-1973 . Sobrecubierta deslucida. ISBN: 8486760690 Literatura española. Poesía lírica. Siglo XVI. 821.134.2-14"15" 821.134.2-1 Casariego. hardcover
2003Q-0142437700Penguin Classics 2003-12-02. Paperback. New. New. In shrink wrap. Looks like an interesting title! Penguin Classics paperback
1929011835Brussels: Varietes Publisher 1929. Wraps. Good. Printed wraps. Pagination run 473-544 plus 36 pages of ads and black and white plates unpaginated throughout. All text in French. An issue of this Belgian magazine devoted to contemporary views of various subjects of the day with a lean toward Modernism and Surrealism especially in the art world. This issue includes black and white line drawings by George Grosz and Jean Cocteau; black and white reproductions of paintings by Picasso Joan Miro Max Ernst etc. Edited by Paul Gustave Van Hecke a Belgian journalist art promoter and art dealer noted for his affinity for Surrealism. GOOD condition. Moderate uneven browning to the covers. Some creasing and bumping at the corners and extremities. Wrappers chipped with some loss along the spine. Varietes, Publisher unknown