Gomez de la Serna RamonMareMagnum
5 434 résultats
cm. 21, brossura con sovracoperta illustrata e copertina di velina; pp. 75, tiratura limitata
In-8 gr., cart. edit., pp. 60, con 56 tavv. in b.n. e 15 a colori applic. alla pag., nel t. e f.t. Si unisce un fascicolo di pp. 45, che contiene la traduzione dell’opera, in lingua italiana. Ben conservati.
212<p><strong>With the Picasso plate in two colours: a fine group with Dadaist flavour</strong> related to the first experimental "ball" of the Union of Russian Artists in Paris which included as member Mikhail Larionov Natalia Goncharova and Ilia Zdanevich Iliazd among others.<br />The printed programme is a typographical and artistic masterpiece with participations of Juan Gris Derain Picasso and Goncharova incorporating poems by French and Russian artists such as Tristan Tzara. The typography was perhaps unsurprisingly conceived by Iliazd who also played a major role in the original idea of such 'balls' gathering an international and Parisian avant-garde.<br />The programme of the event was eclectic featuring a Russian piece a Japanese 'village party' by Foujita and a popular song on the Venice festival many with choreography and costumes by Larionov and Goncharova.<br />Includes the large striking ticket designed by Larionov often found on its own.</p><p><br />Description<br />Large 4to 33 x 26 cm and 2 sheets 50 x 13 and 22 x 27.7 cm. Programme: 12 pp. with one tipped-in illustration after Derain lithographs texts and illustrations one by Picasso coloured in pastel blue and yellow; ticket: black and orange lithograph on beige paper designed by Larionov; handbill: black lithograph on coloured paper designed by Larionov.<br />Binding<br />Sheets loose as issued programme in printed pictorial wrappers.<br />Condition<br />Very minor wear creasing or browning at extremities handbill with fold in the centre but overall in appealing fresh condition.</p> Francois Bernouard for Union des Artistes Russes, Paris, 1923
19741427Editions Argos Film 1974. In-8 agrafé de 36 pages au format 18 x 27 cm. Couvertures photos extraites du film éponyme. Préface de André Pieyre de Mandiargues. Contient les synopsis des 4 contes composant le film - 1 : La Marée - 2 : Thérèse Philosophe d'après le Marquis de Sade - 3 : Erzsebet Bathory - 4 : Lucrezia Borgia. Scénarios et réalisation Walerian Borowczyk, aidé par André Pieyre de Mandiargues pour l'adaptation de sa nouvelle " La Marée ". Textes de René Micha et Robert Benayoun. Dossier consacré au cinéaste, avec interview, biographie et filmographie. Fiche technique. Etat superbe, proche du parfait. Rare édition originale, enrichie de 4 photos de tournage, en noir et blanc, en tirage argentique, au format 12 x 17,5 cm, dont 2 avec cachet au verso et fiche technique, ainsi que d'un article extrait de la revue " Lui ".
L9597La Belle Page, 1929. In-12 br. à grandes marges non rognées, imprimé par Coulouma. Coll. " Le Livre Neuf ". En frontispice, un portrait de l'auteur par Picasso. Textes d'Apollinaire sur R. Ponchon, A. Jarry, E. La Jeunesse, R. de Gourmont, J. Moréas, etc. E.O. 1/20 ex. num. sur Vergé de Hollande van Gelder Zonen (deuxième papier) avec 2 états du portrait par Picasso sous serpentes. Très bel exemplaire à toutes marges.
6775Editions de la Belle page (Le livre neuf), 1929. In-12, couverture verte rempliée, frontispice gravé.
481221Aux Editions De La Belle Page - Collection "Le Livre Neuf" Paris 1929 In-8 carré ( 200 X 155 mm ) de 100 pages, demi-maroquin bleu, dos à nerfs janséniste avec date dorée en queue, tête dorée sur témoins, étui bordé ( Reliure postérieure ). Portrait d'APOLLINAIRE en frontispice gravé par Pablo PICASSO. EDITION ORIGINALE tirée à 360 exemplaires en divers papiers, celui-ci un des 20 exemplaires numérotés sur vergé de Hollande Van Gelder Zonen avec le portrait gravé par PICASSO en 2 états, sur vergé et sur Chine. Très bel exemplaire, non rogné dans une reliure d'excellente facture.
427171 vol in-8 - broché - N° 14 de novembre 1942 - 116 pages
200130285Musée Picasso, Antibes, 2001. In-4 broché (23.6 x 1.2 x 27.7 cm), 151 pages, nombreuses illustrations en couleurs.- Catalogue d'Exposition, Antibes, Musée Picasso (30 juin-15 octobre 2001)- 780g. - Etat neuf.
19443117Paris, Robert-J. Godet, 1944. Un volume in-4 (280 x 190 mm), 62 pages, broché, couverture rempliée. Édition originale. Exemplaire n° 74 sur vélin pur fil de Lafuma. 1 feuillet volant (287 x 194 mm) avec l'eau-forte originale (245 x 131 mm) signée et datée inversement sur le cuivre : "Picasso 23.D.43". 1 des 200 épreuves sur vélin Lafuma. (Atelier Lacourière pour le tirage de la gravure). Picasso grave en décembre 1943 la planche pour le recueil "Contrée" dédié à Youki qui partageait la vie du poète depuis 1930. L'ouvrage, achevé d'imprimer le 31 Mai 1944, a paru après l'arrestation de Robert Desnos par la Gestapo survenue le 22 février. Desnos mourra en déportation le 8 juin 1945 au camp de Térézine en Tchécoslovaquie. Exceptionnelle gravure "surréaliste" de Picasso. L'artiste combine procédés cubistes (l'architecture est identique à la 3ème planche de Saint-Matorel - 1911) et surréalistes avec des réminiscences de gravures précédentes (voir le buste pour l'Anthologie de l'Humour Noir de Breton - 1938-1940)… Réferences : Baer-Geiser 689; Bloch 362; Cramer 39. - ENGLISH DESCRIPTION : - First edition, first printing. 1 loose leaf (287 x 194 mm) with the original etching "Femme assise" (245 x 131 mm) signed and dated on the copper: "Picasso 23.D.43". 1 of 200 proofs on Lafuma vellum (n° 74). (Atelier Lacourière for the printing of the engraving). Historical notice: Picasso engraved this plate in December 1943 for the collection "Contrée" dedicated to Youki who shared the life of the poet since 1930. The work, printed on May 31, 1944, was published after the arrest of Robert Desnos by the Gestapo occurred on February 22. Desnos died in deportation on June 8, 1945 at the Terezine camp in Czechoslovakia. Exceptional "surrealist" etching by Picasso. The artist combines here cubist (the architecture is identical to the 3rd plate of Saint-Matorel - 1911) and surrealist processes with reminiscences of previous engravings (see the bust for the Anthologie de l'Humour Noir de Breton - 1938-1940 )… - Edition: Paris, Robert-J. Godet, 1944. A 4° volume (280 x 190 mm), 62 pages, paperback, folded cover, (n°183 on pur fil Lafuma wove paper). References: Baer-Geiser 689; Block 362; Cramer 39. More pictures on request. Right mouse click for a full screen picture. In mint condition.
19740262471974 Hachette Hardcover Very Good
196458264Paris Gallimard 1964 1 vol. Broché in-8, broché, couverture à rabats, 334 pp., 53 photographies de l'auteur en héliogravure hors-texte. Édition originale. Un des 45 exemplaires numérotés sur vélin pur fil Lafuma-Navarre, seul tirage en grand papier. En parfait état.
196458264Paris Gallimard 1964 1 vol. Broché in-8, broché, couverture à rabats, 334 pp., 53 photographies de l'auteur en héliogravure hors-texte. Édition originale. Un des 45 exemplaires numérotés sur vélin pur fil Lafuma-Navarre, seul tirage en grand papier. En parfait état.
67935aafParis, Hachette, 1981, in-4to, 269 p., rich. ill., cartonnage original.
45178Lyon, directeur Jacques Aubenque. Un volume 14,2x22,5cm, 120 pages. Bon état.
198126348Hachette 1981 Preface de Renato Guttuso. In-4 broche, couverture illustree. 269 p. Env 140 reproductions couleurs a pleine page, nombreuses illustrations in-texte n&b. 3 articles, 1 chronologie, propos de Picasso, temoignages, bibliographie. Tres bon etat d’occasion.
19531516Paris, Les 100 Bibliophiles de France et d’Amérique, 1953. 1 volume in-8 (230 x 200 mm), en feuilles, couverture illustrée d'un bois en couleurs, chemise et étui de l’éditeur recouvert de papier japon. 12 BOIS ORIGINAUX PAR HENRI LAURENS dont la couverture et 9 bois in-texte en couleurs et 2 bois en noir (titre et colophon). Tirage à 147 exemplaires sur vergé à la cuve, signés par l’artiste et la présidente de la société, celui-ci un des 47 justifiés en chiffres romains. Exemplaire à l'état de neuf.
63549Editions 5 Continents, Archives Antonio Saura, 2008, 113 pp., relié, bon état.
193748609Paris.: G. L. M. Guy Lévis Mano. 1937. Loose as issued poster and invitation original publisher's orange glazed paper wrappers stitched as issued with illustration by Picasso printed titles and advertisments in black to covers. Folio. 502 x 325 mm. 12mo. 184 x 138 mm. 16mo. 138 x 104 mm. Poster of cream paper glazed red / orange recto and with Picasso's illustration from 'Grand Air' and printed text in black the title above and conference details beneath the invitation a bifolium of thick cream wove paper Picasso's illustration at left with printed details of the conference at right in black the catalogue on cream wove paper leaf with definition of 'Surréalisme' from the 1924 manifesto and list of conferences recto verso with advertisement for works by Eluard leaves with quotations by Eluard regarding poetry quotations from various Surrealist-approved poets 'Signe ce que tu approuves' inserted leaves of grey paper with advertisements for publications by GLM central spread with 'Programme' and final leaf with advertisments. The very rare poster by Picasso together with the catalogue and the invitation - also with the same image by Picasso - for Paul Eluard's 1937 conference 'Avenir de la Poésie'.Paul Eluard's conference 'Avenir de la Poésie' Future of Poetry was held on October 2nd 1937 at the Comédie des Champs-Elysées 15 Avenue Montaigne the 'Salon Dada' in 1921 had been held at number 13 at 16.15 p.m. as part of the Exposition Internationale 1937. It seems surprising at least with hindsight to imagine that a Surrealist conference might occur under such an umbrella but the Surrealists were nothing if not serious and Eluard's devotion to poetry cannot be questioned or underestimated.'Avenir de la Poésie' saw Eluard as well as a number of actors close to the Surrealists Michèle Alfa Marcel Herrand who had participated at the dada evening 'Le Coeur à Barbe' in 1921 Jean Marchat Jean-Louis Barrault and Sylvain Itkine whose group 'Le Diable Ecarlate' featured extensively in the Exposition reading poems. The list of poets is comprehensive and included Petrus Borel Charles Baudelaire Gérard de Nerval Germain Nouveau the Comte de Lautréamont Isidore Ducasse Rimbaud Charles Cros Jarry Apollinaire Reverdy Breton Henri Michaux Tzara Péret René Char Eluard himself and Picasso.The poster invitation and catalogue all feature to the front cover a reproduction of the engraved collaboration between Picasso and Eluard 'Grand Air'. The very rare print 'Grand Air' was issued - a few proofs aside - only with the ten copies of the édition de tête of Eluard's verse collection 'Les Yeux Fertiles'. Eluard and Picasso had each contributed to 'Grand Air' Eluard a poem of eighteen lines and Picasso the pictorial frame: at right a nude female minotaur a mask opposite at left out of which the minotaur seems to have snatched the left eye above a rocky landscape with a reclining smoking figure with cat beneath; that the cat appears to be suckling three small black fish underlines the essential Surrealism of the whole.'Le pain est plus utile que la poésie. Mais l'amour au sens complet humain du mot l'amour-passion n'est pas plus utile que la poésie.' Paul Eluard. For the material presented here Eluard's central verse has been replaced with the title of the conference 'Avenir de la Poésie' with his retained signature beneath while the entirety of Picasso's framing is present and the image is attributed to him for the catalogue and invitation at lower left. Details of the conference are printed above and beneath for the catalogue and poster and facing the illustration on the invitation.The poster is not described by Christophe Czwiklitzer in his 1968 'Catalogue Raisonné des Affiches de Pablo Picasso'. The first 'original' poster listed an original lithograph is from 1948 while the first 'exécutées par différents procédés de reproduction' is from 1939.While the catalogue 'Avenir de la Poésie' is rare and the invitation rarer still we trace no other examples of the poster in any collection public or private. G. L. M. (Guy Lévis Mano). unknown
Wear to cover extremities with surface rubbing and slight indentations. Lower corner of front cover creased.
AA.VV Connaitre Picasso: L'aventure de l'homme et le génie de l'artiste par Domenico Porzio et Marco Valsecchi. Parigi, Hachette 1973 french, 266 ST1109 Opera con copertina rigida, sovraccoperta, illustrazioni nt e ft a colori e in b/n, ottime condizioni.
Presentazione a cura di Renato Gattuso. Seconda edizione del volume. Sovraccoperta leggermente stanca agli angoli e alle estremità del dorso; piatti e dorso lievemente bruniti. Legatura telata con titoli al dorso e disegno al piatto superiore, in buono stato conservativo. Pagine ben salde alla cerniera, con ampio margine, lievemente bruniti i tagli. Numerose le opere raffigurate, sia a colori che in bianco e nero, con didascalia. Numero pagine 270. USATO
PORZIO D. - VALSECCHI M. Conoscere Picasso.L'avventura dell'uomo e il genio dell'artista. , Arnoldo Mondadori 1973, Copertina rigida telata, sovraccoperta plastificata illustrata con piccoli segni d'uso ai margini, volume in buone condizioni con illustrazioni colori Molto buono (Very Good) . <br> <br> Copertina rigida <br> 270<br>
193627574London: Farleigh Press 1936. Very Good. London: Farleigh Press 1936. First Edition. Octavo 22cm.; publisher's white staple bound card wrappers printed in red and blue; 73-103pp. Light dust-soil wrapper margins toned else Very Good or better.<br /> <br /> Special issue featuring six poems by Pablo Picasso as well as the opening essay "Surrealism and Communism." Contributors also include Salvador Dali André Breton e.e. cummings and Dylan Thomas. With rear wrapper advertisement for financial support for "the Spanish people against Fascism. Farleigh Press unknown
1936122Small ink stains to front cover and marks to rear. See photos Wear to spine. Natural age browning. Poems by Picasso E E Cummings Gavin Ewert etc Contemporary Poetry and Prose paperback
