5 434 résultats
9582Fondation de l'Hermitage Donation Famille Bugnon In-4°, broché, 173 oeuves en vignettes et planches couleurs ou noire, 199 pages, superbe exemplaire.
19611350Genève, Skira (coll. "Le goût de notre temps"), 1961. In-8° carré, 104 pages. Cartonnage pleine toile illustrée d'éditeur, étui de carton gris. Édition hors-commerce numérotée. 1 des 8000 exemplaires. Illustré de nombreuses reproductions contrecollées en noir et en couleurs.
200033630<p>New York / Geneva: Mitchell-Ines & Nash / de Pury & Luxembourg Art 2000 Scarce title First and only printing in photo-illustrated self-wraps no remainder or other markings binding tight pages bright a pristine unread copy of this remarkable book featuring 180 never-published photographs of the master in the many moods of work and private life some of which were first seen in a special exhibition organized by Sidney Janis at the Museum of Modern Art to commemorate the centennial of Picasso's birth on October 25 1981; sq 4to; 191pp with pictorial index. First Edition. Soft Cover. Fine.</p> Mitchell-Ines & Nash / de Pury & Luxembourg Art paperback
1120381949 . Lithograph 1949 on Velin Arches paper inscribed dated and signed lower left in red chalk 'Pour Geneviève Laporte épreuve unique 26.5.51 Picasso' a rare unique print dedicated to Geneviève Laporte his lover during the 1950s aside from the six artist's and printer's proofs image: 64.5 x 47.7 cm. 25.4 x 18.8 in. sheet: 70 x 50 cm. 27.5 x 19.7 in.<br /> This work is a unique proof gifted to Geneviève Laporte 1926-2012 Picasso's lover during the 1950s. In 1951 Picasso and Laporte began an affair which lasted for two years and during which time the artist presented her with a number of his works. A poet and writer herself Laporte published her book 'Sunshine at Midnight: Memories of Picasso and Cocteau' in 1973 in which she recounts Picasso giving her the current work: <br />'He Picasso also pulled out a lithograph to show me a David and Bethsabée after a painting by Cranach. The date on the first proofs appeared in reverse because for once said Picasso he had forgotten that it had to be written back to front on the zinc. The plate shows Bethsabée richly dressed seated in a garden and stretching out her foot to be washed by a serving woman while David peers down at her with lust in his eye from a terrace above The proof Picasso showed me was pulled on a sheet of paper which had a silken feel. 'It's Chinese paper' Picasso told me. They don't make much of it anymore. This is the only proof of this state.' He looked at me while I fascinated by the lithograph remained silent. Then Picasso said with a smile: 'Tell me as you used to do what you think of it.' I remained speechless tongue- tied by the beauty and force radiating from this black and white linear image he put it on the table took a red pencil and wrote: Pour Geneviève Laporte épreuve unique. Then he added the date and remarked: 'It's for you. Take care of it because your print is unique.' Then he disappeared into a cupboard and returned with a very simple white wooden frame. Picasso himself put the lithograph into this frame and Marcel brought it round to my apartment that evening.' Laporte Geneviève. Sunshine at Midnight: Memories of Picasso and Cocteau 1973 Weidenfeld ad Nicolson London p.89-90. <br /><br />In the late 1940s Picasso entered his 'old master period' spending the next decade studying and reworking masterpieces of the past to rewrite them in his own visual language. This work is based on a painting by the German Renaissance painter and printmaker Lucas Cranach the Elder and depicts the biblical King David gazing upon the beautiful Bethsabée as she bathes. Noted for the use of contour and absence of chiaroscuro in his works Cranach was a highly skilful and much revered printmaker. Picasso greatly admired the Master Printmakers who had come before him highlighting the importance of the medium in Picasso's own work.<br /> Mourlot 109 State 10a or 10 bis; Bloch 442; Hatje Cantz 214 1949 unknown
198219472Association des Conservateurs de la Région Nord-Pas-de-Calais, Lille 1982 In-12, broché couv. illustrée, illustrations en n. & b., 345 pp. Bon état.
198595862Fondation de l'Hermitage, Lausanne, 1985. 28,5 cm ; Leinen
198889220Paris musées, coll. « Cinq siècles d’art espagnol » 1988 Avant-propos par Bartolomé Bennassar. In-4 broché 28 cm sur 24. 446 pages. Bon état d’occasion.
ART5381M1987 chez Ministerio de Cultura/Paris - Musées. In-4, broché, 443 pages.
6685Musée Du PETIT PALAIS Fort catalogue d'exposition au format in folio, couverture glacée cartonnage souple, 445pp.
Mm 245x275 Edizione francese / French edition. Catalogo della mostra al Petit Palais de Paris, 10 ottobre 1987 - 3 gennaio 1988 - Brossura editoriale di 445 pagine. Gora non grave a margine dell'intero volume, nel complesso esemplare in buone condizioni. SPEDIZIONE IN 24 ORE DALLA CONFERMA DELL'ORDINE.
10883PARIS, Bordas - 1973 - Coll. "Club d'Art Bordas" - In-8 carré - Reliure éditeur avec vignette contre-collée en couleurs sur le 1er plat - Avant-propos de Pierre Cabanne - Très nombreuses illustrations NB et en couleurs dans le texte et HT - 368 pages - Propre
PARIS, Bordas - 1973 - Coll. "Club d'Art Bordas" - In-8 carré - Reliure éditeur avec vignette contre-collée en couleurs sur le 1er plat - Avant-propos de Pierre Cabanne - Très nombreuses illustrations NB et en couleurs dans le texte et HT - 368 pages - Propre
19869204Exposition festival d'avignon 1986 48 pages in8. 1986. broché. 48 pages.
199489399Fondation Pierre Gianadda 1994 Ouvrage collectif par Sabine Rewald et William S. Lieberman. In-8 broché 24 cm sur 22. En français et en anglais. 368 pages. Bon état d’occasion.
QWA-13775Fondation Gianadda, Martigny, 1994, in-4 br. (22 x 24), 368 p., préface de Philippe de Montebello, texte bilingue français-anglais, ill., très bon état.
195011780(Paris), Bordas, (1950). 119 S., 2 Bll. mit 9 (inklusive dem Titelblatt) ganzseitigen Original-Lithograhien von Pablo Picasso auf van Gelder Zonen und einer Extrasuite dieser 9 Lithographien auf Japan. 4°. OKart. (etw. bestoßen) mit OPergamin-Umschlag (etw. fleckig und bestoßen).
In-4 gr, (mm. 330x245), cartoncino editoriale con unghie, pp. 119,(7), con 9 magnifiche tavole di Pablo Picasso litografate in b.n. (di cui 1 al frontespizio). Il poema di Tristan Tzara "De Mémoire d’Homme" è così ripartito: “Le Temps Détruit”, composto da 14 canti - “Le Déserteur”, da 4 composizioni in prosa - “Le Boeuf sur la Langue” da XXVVIII composizioni in prosa - “Le Poids du monde” da 4 canti. “Cet ouvrage, édition originale du poème "De Mémoire d’Homme" de Tristan TZara, a été achevé d’imprimer sur les presses du Maitre-Imprimeur G. Girard, à Paris, le 25 Octobre 1950. Les neuf lithographies originales de Pablo Picasso ont été tirées sur la presse à bras par Mourlot Frères, les pierres ayant été effacées après tirage. Cette édition est composée de 30 exemplaires sur Hollande Van Gelder Zonen, accompagnés d’une suite des lithographies sur Japon, et signés par l’auteur et l’illustrateur et numérotés de 1 à 30 - 300 exemplaires sur Arches, numérotés de 31 à 330, paraphés par l’auteur - 20 exemplaires hors commerce. Il ns., n. 48, è in perfetto stato, con barbe.
195048463Paris.: Bordas Editeur. 1950. Original publisher's printed paper wrappers with flaps artist's and author's names in black to front cover and publisher's and details to rear additional vellum jacket with flaps and printed titles to front cover. Small folio. 328 x 258 mm. Half-title printed title with original lithograph illumination copyright verso and the 4 sections of Tzara's text in verse and prose illustrated with 8 full-page original lithographs in black by Picasso 3 leaves with 'Table' and final leaf with justification and achevé d'imprimer verso; also included loose is the additional suite of all of the lithographs on Japon. The édition de tête of Tzara's collection with a suite of Picasso's finger-drawn lithographs on Japon and with the additional vellum jacket.From the edition limited to 350 copies with this one of 30 on Hollande Van Gelder Zonen signed by the author and artist and with the additional suite of the plates on Japon Impérial paper; the 300 copies issued on Arches and the 20 hors commerce copies on Alfa Mousse were initialled by Tzara only.For Tzara's four-section collection the sections are 'Le Temps Détruit' 'Le Déserteur' 'Le Boeuf sur la Langue' and 'Le Poids du Monde' Picasso drew the illustrations directly and spontaneously on the lithographic stone with his finger. Although Tzara had been specific in what illustration he desired the lithographs he produced for the book were ultimately Picasso's own. The illustration for the title does not feature printed text in the suite.'This great poem which is in both verse and prose and which is formed of four parts was written by Tzara between 1946 and 1949. To some degree the poem represents the sum of the poet's experiences . Although Picasso agreed to illustrate the poem he kept putting off the work. He finally got around to it when Mourlot paid him a visit at Vallauris on April 16 1950. This same day he made the cover for the second volume of Picasso Lithographe as well as the 9 lithographs for De Mémoire d'Homme using a somewhat unusual procedure; he dipped his painting finger into the lithographic ink and then drew flora and fauna designs which are at once familiar and strange; he then marked their contours with lithographic chalk.' Patrick Cramer.Cramer 59; Berggruen 35. Bordas Editeur. hardcover
1985ART953C115GAR1985 / 222 pages. Broché avec jaquette. Editions Denoël.
196913223Dessins de la Galerie Nationale du Canada (Ottawa).Catalogue exposition organisée au Musée du Louvre à Paris, du 28 novembre 1969 au 2 février 1970. XLIIIè exposition du Cabinet des Dessins.Reproductions photographiques d'oeuvres de nombreux artistes.Florence, Léo S. Olschki - 1969 - 82 pages.Broché sous couverture illustrée. Tampon. Très bon état. Format in-8°(24x16).
00-0450Paris: Musée Picasso 1988. 2 vols. Wraps. 712 pp. Paris: Musée Picasso, 1988. paperback
199830046Musée Picasso, Antibes 1999. Exposition du 2 avril au 6 juin 1999. In-4 broché (28 x 22 cm), couverture grise à fenêtre, 120 pages, illustrations en noir et en couleurs.- 620g.- Etat neuf.
19693236Paris, Galerie Lucie Weill et New York, Léon Amiel,1969. Un portfolio (47 x 39 cm), en feuilles, couverture illustrée, emboitage éditeur toilé bleu et titré au dos. Édition illustrée de 11 LITHOGRAPHIES ORIGINALES EN COULEURS ET À PLEINE PAGE DE MAX ERNST dont la couverture, portant la signature et la date '63 gravées dans la composition. Les poèmes de René Char sont tirés de Dehors la nuit est gouvernée (1938). Tirage à 290 exemplaires sur Arches, NUMÉROTÉS ET SIGNÉS AU CRAYON PAR René CHAR et Max ERNST au colophon (celui-ci n° 115). L'ouvrage est en parfait état, complet, bien numéroté et signé par le poète et l'artiste sur un folio volant in fine. L'emboitage est beau avec de légers frottements usuels.
Mm 120x185 Brossura editoriale con bandelle, pagine 109. Opera in buonissime condizioni. SPEDIZIONE IN 24 ORE DALLA CONFERMA DELL'ORDINE. WORLDWIDE DELIVERY
196322642BBFrankfurt a.M., Insel-Verl., 1963. quer-kl. 8. 28 Bl., 1 Titelbild. Pappband, Deckelillustr. Einband minim. berieben, ans. guter Insel-Bücherei ; Nr. 789.
