Annibale CarracciBiblio.com
557 résultats
333315Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 16th century ca. 1600. Professionally printed on premium fine-art paper Photo Rag 308 in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
332762Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 16th century 1595. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
332763Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 16th century 1595. Professionally printed on premium fine-art paper Photo Rag 308 in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
332764Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 16th century 1595. Professionally printed on premium fine-art paper Photo Rag Bright White premium quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
332765Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 16th century 1595. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
317369Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 16th century after 1595. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
317367Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 16th century after 1595. Professionally printed on premium fine-art paper Photo Rag 308 in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
317366Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 16th century after 1595. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
317368Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 16th century after 1595. Professionally printed on premium fine-art paper Photo Rag Bright White premium quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
317356Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 16th century . Professionally printed on premium fine-art paper Photo Rag Bright White premium quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
317354Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 16th century . Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
317357Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 16th century . Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
317355Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 16th century . Professionally printed on premium fine-art paper Photo Rag 308 in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
1391719301.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1390808475.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
xilografia su foglio sciolto di dimensioni cm 39,5x26, che raffigura il santo in preghiera entro cornice con cartiglio. Porta le indicazioni “Ani. Caracci in. Mic. Bellelli fecit”. Il verso del foglio è manoscritto.
Acquaforte misure: mm 287 x 452 Questa stampa, in controparte rispetto a quella incisa da Francesco Brizio (Bologna circa 1574 – Bologna 1623) ma anticamente ritenuta di Guido Reni (Bartsch), traduce un dipinto di Annibale Carracci conservato oggi presso la Gemäldegalerie Alte Meister di Dresda. Nel cortile di un palazzo, contraddistinto da archi e colonne corinzie sullo sfondo che aprono lo sguardo sul profilo di una città arroccata, assistiamo al momento in cui San Rocco, a destra vestito da pellegrino, decide di liberarsi di tutti i suoi averi offrendoli ai più bisognosi. Il tratto è lungo, le linee rade e incrociate creano un debole chiaroscuro dai toni grigio-argentei che sembra placare il fermento, il pathos. Il primo piano, infatti, è colmo di personaggi come il gruppo di mendicanti sulla sinistra che ha già ricevuto le monete o la donna in primo piano, con lo sguardo al Santo, che conta il dono ricevuto. Tutte le persone sullo sfondo invece si agitano, si sbracciano nel tentativo di avvicinarsi a San Rocco. Solo la donna al centro con un abito riccamente panneggiato e un bambino in braccio sembra non interessarsi all'evento. In basso a destra: Anniba Car. invent; a sinistra 1610. si conoscono molte copie dell'incisione di Brizio a testimonianza dell'enorme successo che il soggetto a avuto all'epoca. L'anonimo autore della nostra copia è catalogano dal TIB come C5. Esemplare nel I/III stato, con la data 1610 e il nome di Carracci ma prima dell'indirizzo degli editore Francois Langlois Ciartres (Chartres 1588-Parigi 1647) e dell'indirizzo di Pierre Mariette figlio (1634-1716) il quale nel 1655 rileva l'attività di Langlois sposandone la vedova. Impressione ottima, leggermente mossa nella zona di sinistra. Ottimo stato di conservazione. Rifilata alla battuta del rame. Uno strappo restaurato e una minima integrazione agli angoli superiore e inferiore destro. Filigrana: scritte non identificabili ma databile al XVII secolo Bibliografia: Bartsch XVIII.305.53; D. Benati, The drawings of Annibale Carracci, n 26; TIB 40 part 1 4003.049. C5 S1
60539Anonymous copy after Annibale Carracci's popular engraving of the Madonna della Scodella: the Madonna seated with the infant Christ on her lap holds a bowl for the infant Baptist to drink from; St. Anne standing in the back watching over the scene with her left hand raised.Lettered on the bottom: 'Annibal. Caracius. inuentor.' Documented copy number 4 Windsor. Etching on paper; trimmed to platemark; total: 135 x 162 mm; top corners restored on the verso The Illustrated Bartsch 1980 p. 395 9-4. unknown
#[60540]Copy after Annibale Carracci's popular engraving of the Madonna della Scodella: the Madonna seated with the infant Christ on her lap holds a bowl for the infant Baptist to drink from; St. Anne standing in the back watching over the scene with her left hand raised. Lettered on the bottom right: 'A.b.C.I.' Documented copy number 12 Berlin. In this copy figures have no halo and the background has no hatchings l Etching on paper; trimmed within platemark; total: 142 x 163 mm; yellowed paper small stain on the shoulder of the Madonna; The Illustrated Bartsch 1980 p. 395 9-12 unknown
16-5253Rome: Rubeis later 17th Century. Two engravings mounted on a support sheetEach 16 x 23c Rome: Rubeis, later 17th Century unknown
In-8 (cm. 21.20), brossura, sovracoperta editoriale illustrata, pp. 316, (4), con numerose illustrazioni in bianco e nero nel testo ed alcune a colori fuori testo. Catalogo critico della Mostra: Bologna, Palazzo dell’Archiginnasio, 12 Settembre - 22 Novembre 1970. Prima edizione. COPIA DA STUDIO. Tracce d’uso e di polvere alla sovracoperta. Fioriture ai tagli. Singoli segni a matita a non moltissime carte. Mancanza all’ultima carta. Peraltro, testo in buono stato (text in good condition).
196240365Paris 1962. OU RECUEIL DE POSTURES ÉROTIQUES D'après les Gravures à l'eau-forte par cet Artiste célèbre Avec le Texte explicatif des Sujets Textband und Tafelband Maroquineinband.Vorsatz und hinteres Deckblatt mit Gold marmoriert. Kopfgoldschnitt. Schuber. Cercle du Livre Précieux 4°. Ldr. Literatur unknown
1798FGN13-B-12Paris: A La Nouvelle Cythere 1798. Leather. Very Good Indeed. 12.5" by 9.5". None. A French description of the series of erotic engraved plates. Containing the descriptions only and bound in full calf. A French description of the series of erotic engraved plates depicting pairs of lovers in different positions of intercourse. Missing the twenty engraved plates by Carrachi and containing the text only. The plates depict couples and scenes from mythology including Jupiter and Juno Anthony and Cleopatra and Ovid sand Corinne. I Modi The Ways also known as The Sixteen Pleasures or under the Latin title De omnibus Veneris Schematibus is a famous erotic book of the Italian Renaissance in which a series of sexual positions were explicitly depicted in engravings. While the original edition was apparently completely destroyed by the Catholic Church fragments of a later edition survived. The second edition was accompanied by sonnets written by Pietro Aretino which described the sexual acts depicted. The original illustrations were probably copied by Agostino Caracci whose version survives. In a calf binding with gilt dentelles. Externally smart though with some rubbing and marks. Internally firmly bound. Pages are bright and clean with just the odd patch of foxing. Very Good Indeed A La Nouvelle Cythere hardcover
33808Turnhout, Brepols, 2005 Hardback, 642 p., 609 b/w ill. + + ills., 210 x 280 mm. ISBN 9781872501185.
<p>22x24 cm, cartoncino editoriale con ampi risguari; p. 235, (16) con 110 tavole a colori con descrizione a fronte. Testo francese.</p>
