434 résultats
0-06601Roma 1740 incisione originale di cm. 20 x 30 n° 41 inc. da S. Guillain e A. Algardi. unknown
51-559417th Century. Engraving mounted on a support sheet 13.3 x 15.8cm. This print described in "Prints and Related Drawings by the Carracci Family: A Catalogue Raisonné " by Diane De Grazia Bohlin. Washington DC: National Gallery of Art 1979. Catalogue no. 20 Copy no. 3 copy in reverse p. 466. 17th Century unknown
166515439c1665-1690. Extremely rare. 17 x 13.5 cm. Fine impression beautiful original engraving with large margins and fine detailed lines. Contemporary ink notes on verso no affect at all. Loose without matting. Body of Christ lying on the ground his head resting on the Vrigin supported by another Mary; with St. John holding ChristÕs left hand and displaying its wound to St. Mary Magdalene. Stunning and very rare. Suitable for framing. Lairesse 1641-1711 born in Liege second son of painter Renier. Known for a facial deformity some will state syphilis RembrandtÕs portrait of Gerard at age 25 is a famous one. He was influenced by Rembrandt and later French neo-classical. In 1690 he lost his sight and concentrated on art theory. A draughtsman theatrical designer writer and theoretician he is best known as the celebrated Dutch painter in the years to follow RembrandtÕs death.Lairesse shows more detail and finer lines than Carracci in this beautiful scene which is in reverse of CarracciÕs original. We attribute this work to Lairesse by the original auction purchase of this print over 20 years ago. Though we find no other copies of this print in any institutions reference citations or for sale at time of description. It appears to be extremely rare. unknown
19201408304Paris: Nouvelle Cythere c. 1920. Softcover. Quarto 10 80 pages. In Very Good minus condition. Bound in white covers. Chipping and tearing along edges of covers. Foxing and soiling to covers. Light soiling scattered throughout interior. Plate Nos. III and IV pages 9-12 and pages 73-76 loose but present. Shelved in Case 11. Facsimile of the edition published in 1798. 1408304. Shelved Dupont Bookstore. Nouvelle Cythere unknown
1870j3185London: Fuller S B. G : in Good condition without dust jacket. Cover rubbed with loss to base of spine. Occasional foxing. Edge-soiling and curl to a few of the plates. 1870. First Edition thus. Green hardback half-leather cover with marbled boards. 280mm x 220mm 11" x 9". 105pp. 104 Fashion plates of which 98 are hand-coloured and 5 are fold-out. Heavy item - shipping supplement may apply for overseas. . Fuller, S B hardcover
1798FGN13-B-12Paris: A La Nouvelle Cythere 1798. Leather. Very Good Indeed. 12.5" by 9.5". None. A French description of the series of erotic engraved plates. Containing the descriptions only and bound in full calf. A French description of the series of erotic engraved plates depicting pairs of lovers in different positions of intercourse. Missing the twenty engraved plates by Carrachi and containing the text only. The plates depict couples and scenes from mythology including Jupiter and Juno Anthony and Cleopatra and Ovid sand Corinne. I Modi The Ways also known as The Sixteen Pleasures or under the Latin title De omnibus Veneris Schematibus is a famous erotic book of the Italian Renaissance in which a series of sexual positions were explicitly depicted in engravings. While the original edition was apparently completely destroyed by the Catholic Church fragments of a later edition survived. The second edition was accompanied by sonnets written by Pietro Aretino which described the sexual acts depicted. The original illustrations were probably copied by Agostino Caracci whose version survives. In a calf binding with gilt dentelles. Externally smart though with some rubbing and marks. Internally firmly bound. Pages are bright and clean with just the odd patch of foxing. Very Good Indeed A La Nouvelle Cythere hardcover
#[60540]Copy after Annibale Carracci's popular engraving of the Madonna della Scodella: the Madonna seated with the infant Christ on her lap holds a bowl for the infant Baptist to drink from; St. Anne standing in the back watching over the scene with her left hand raised. Lettered on the bottom right: 'A.b.C.I.' Documented copy number 12 Berlin. In this copy figures have no halo and the background has no hatchings l Etching on paper; trimmed within platemark; total: 142 x 163 mm; yellowed paper small stain on the shoulder of the Madonna; The Illustrated Bartsch 1980 p. 395 9-12 unknown
60539Anonymous copy after Annibale Carracci's popular engraving of the Madonna della Scodella: the Madonna seated with the infant Christ on her lap holds a bowl for the infant Baptist to drink from; St. Anne standing in the back watching over the scene with her left hand raised.Lettered on the bottom: 'Annibal. Caracius. inuentor.' Documented copy number 4 Windsor. Etching on paper; trimmed to platemark; total: 135 x 162 mm; top corners restored on the verso The Illustrated Bartsch 1980 p. 395 9-4. unknown
1971stela1317London: Phaidon 1971. 1971. 2 volumes. 4to. pp. xiv 183; 351. 346 b/w & 10 colour plates. 121 text illus. biblio. index. cloth. dw. bit worn at corners & head of spine three short tears. Catalogue Raisonné. Freitag 1423. Hardcover. Very Good/Dust Jacket Included. [London]: Phaidon, [1971]. Hardcover
158920541589. Engraving on handmade laid paper 7 7/16 x 9 7/8 inches 190 x 250 mm the full sheet with slightly trimmed margins just inside the platemark -5 mm. In very good condition with some very minor mottled light staining on the verso perhaps adhesive residue from a former mount. Condition consistent with age. A 4th state impression of 5 before the addition of the text in the upper right image. unknown
#[60538]Copy after Annibale Carracci's popular engraving of the Madonna della Scodella: the Madonna seated with the infant Christ on her lap holds a bowl for the infant Baptist to drink from; in this copy the figure of St. Anne standing in the back watching over the scene is missing. Signed above right: 'Ani: Car in./ Nicolaus fran.ur Maffei / fecit'. The halos are left blanco no hatchings. l Engraving on paper; trimmed within platemark; total: 130 x 159 mm; on the verso traces of previous mounting; selected literature: Bartsch XVIII.186.9; De Grazia Bohlin no. 20 copy I; Bohn 1995 no. 3906.020 copy I unknown
60538Copy after Annibale Carracci's popular engraving of the Madonna della Scodella: the Madonna seated with the infant Christ on her lap holds a bowl for the infant Baptist to drink from; in this copy the figure of St. Anne standing in the back watching over the scene is missing.Signed above right: 'Ani: Car in./ Nicolaus fran.ur Maffei / fecit'.The halos are left blanco no hatchings. Engraving on paper; trimmed within platemark; total: 130 x 159 mm; on the verso traces of previous mounting; selected literature: Bartsch XVIII.186.9; De Grazia Bohlin no. 20 copy I; Bohn 1995 no. 3906.020 copy I. unknown
1883FGN11-B-12London : S. B. Fuller 1883. Leather. Very Good. 11" by 8". None. A beautiful collection of engraved plates depicting French fashions of the late Nineteenth Century. Containing 63 plates of which 49 are hand-coloured 11 are black and white and 3 are black white and sepia. Plates date from 1863 to 1883 and most are from the Journal des Demoiselles with the eight remaining plates being from La Poupee Modele. Many plates are double-page or fold-out. Two of the coloured plates appear twice in the book and one double-page black and white plate appears three times. This is a valuable resource for those interested in Eighteenth Century costume. In a quarter calf binding with marbled boards. Externally a trifle worn. The top portion of the backstrip is lifting. Internally three plates detached but present with many further plates starting. Generally bright with occasional spotting and handling marks. Very Good S. B. Fuller hardcover
60537The Madonna seated with the infant Christ on her lap holds a bowl for the infant Baptist to drink from; S. Anne watches from behind with a hand raised.The preparatory drawing is at the Louvre ex coll. Mariette Inv. 7142.First engraving realized by Annibale Carracci after 1600 showing the signs of a renewed approach to engraving. Remarkable is in fact the strong chiaroscuro emphasized by the hatched background against which are disposed the sculpted figures. Although the figures are engaged in simple and natural activities the composition is carefully studied and masterfully engraved with regular hatchings and signs.This composition became immediately highly popular as its numerous copies testify seventeen are documented.From the second state the name of the publisher was added Nicolaes van Aelst publisher active in Brussels and Rome. In the latter city he had a workshop in via della Pace from 1582 to 1613. Three states of this print are documented however the exemplar at the Museum in Bologna Inv. 4730 is suggested to be a fourth state. Signed above right: 'Annib. Carracius in./ et fecit. 1606./ Nico van Aelst for.' Etching and engraving on laid paper with a vague circular watermark small margins; platemark: 123 x 161 mm total: 125 x 163 mm; state III/3 or III/4; warn out plate on the corners; on the verso cifres in characoal top right and left corner restored lower left margin also; selected literature: Bartsch 1818 XVIII vol. p.186 n. 9; Le Blanc 1854 p. 606 n. 6; Nagler 1858 p. 458 n. 1053; The Illustrated Bartsch 1980 p. 395 9-I 186 and 1996 39 2 Comm. p. 256n. 3906.020. unknown
199668393Museum; Et Al. New. 1996. Paperback. 1854440926 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 160 pp. With 168 ills. 30 col. . 28 x 22 cm. -- with a bonus offer--; 0.8 x 10.9 x 8.4 Inches . Museum; Et Al paperback
201088245Museum; Yale University Press. New. 2010. Paperback. 0300166400 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Text in English.100 pages; 61 illus. -- with a bonus offer-- . Museum; Yale University Press paperback
2004638175 Continents Editions. New. 2004. Paperback. 8874391293 . FREE UPGRADE to Courier/Priority Shipping Upon Request IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Text in English. 84 pp. With 51 col. Ills. 21 x 21 cm. -- with a bonus offer--; 0.39 x 8.27 x 8.19 Inches . 5 Continents Editions paperback
200069337Gallery. New. 2000. Hardcover. 085331764X . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 304 pp. With 243 ills. 113 col. . 28 x 25 cm. In English. C/to: isbn 085331764X -- with a bonus offer--; 1.4 x 11.1 x 9.7 Inches . Gallery hardcover
199568511Art Center. New. 1995. Paperback. 0964426315 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Text in English. 142 pp. With 86 ills. 74 col. . 30 x 25 cm. Description: "Showcasing drawings by Italian artists of the 16th and 17th centuries selected from a notable private collection this catalogue features fine reproductions and scholarly discussions of 55 sheets many previously unpublished by Sodoma Parmigianino Vasari the Carracci Barocci Tintoretto Reni Domenichino Strozzi Guercino and 39 other artists." -- with a bonus offer--; 0.75 x 12 x 10 Inches . Art Center paperback
198666995Institute; Et Al. New. 1986. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Text in Italian. 360 pp. With 487 ills. 23 x 22 cm. -- with a bonus offer-- . Institute; Et Al paperback
174012992S.l. Venetia 1740. 311x234mm. 12¼x9¼". Italia 1585. Grabado. 311 x 234mm. Inscripción en el margen inferior derecho "Gustino Caraci fe.1585 / Pauli Calliari inven. / Antonius Carensanus fo". Muy buena impresión del tercer estado con la adición de los nombres de Agostino Carracci y otros en la plancha. Paolo Veronese fue el mejor exponente del manierismo veneciano del siglo XVI. unknown
1979C91557National Gallery of Art. As New. 1979. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 533 pages. Catalogue Raisonne Catalog Raisonné Complete Works Life and Work Raisonnee -- with a bonus offer-- - May be EITHER: out of print OOP and extremely rare in this pristine condition; signed by author or contributor; or a first or special edition; inquire for details . National Gallery of Art paperback
2007C86905Merigo. As New. 2007. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened --Text in Italian. 216 pages with many illustrations including color plates. Catalogue Raisonne Catalog Raisonné Complete Works Catalogo Ragionato Catalogo delle Opere L'Opera Completa Raisonnee -- with a bonus offer-- - May be EITHER: out of print OOP and extremely rare in this pristine condition; signed by author or contributor; or a first or special edition; inquire for details . Merigo hardcover
2005C93668Harvey Miller Publishers; Et Al. As New. 2005. Hardcover. 1872501184 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Corresponds to ISBN: 1872501184. 450 pages. Description: "The primary goal of Ludovico Carracci and the Art of Drawing is to provide a ground-breaking model for a new kind of book on Italian drawings. In addition to covering the traditional scholarly terrain of chronology style and connoisseurship this book utilizes up-to-date art historical methods including considerations of the historical context of Bologna its impact on Ludovico's art and a new portrayal of the role of women and women artists in the city. He was a prolific draftsman who produced over 300 extant drawings. His drawings offer the key to his artistic personality because he conceived his original subjects and planned his dramatic compositions in these sheets. Like most Italian artists of the early modern period Ludovico developed his ideas in drawings and began painting only after his conceptions had been finalized. Thus his drawings reveal how he thought how his ideas changed and which features of a composition were most important or challenging to his creative imagination. The Carracci have always been considered some of the most important draftsmen in Italian art for their revival of drawing the human figure from life in the course of designing paintings. But Ludovico's drawings were not only preparatory studies for pictures. He was also an innovator in developing finished compositional drawings that were produced as works of art in their own right made for sale to a new audience of private collectors in Bologna." Catalogue Raisonne Catalog Raisonné Complete Works Life and Work Raisonnee -- with a bonus offer-- - May be EITHER: out of print OOP and extremely rare in this pristine condition; signed by author or contributor; or a first or special edition; inquire for details . Harvey Miller Publishers; Et Al hardcover
197991557National Gallery of Art. New. 1979. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 533 pages. Catalogue Raisonne Catalog Raisonné Complete Works Life and Work Raisonnee -- with a bonus offer . National Gallery of Art paperback