557 résultats
1694B6133Bologna: Per gli Eredi d'Antonio Pisarri c. 1694;. Repairs to slightly worn extremities; notations on upper endpaper; plates 7 and 8 with spill staining; generally text and plates are clean and crisp. . Binding: Contemporary vellum with dentelled and filleted gilt panels with gilt floral designed corners. Spine with six 6 horizontal bands manuscript black ink title on one and central gilt ornament in remaining compartments; edges marbled. Notes: Text in Italian.The Italian Ludovico or Lodovico Carracci 1555 – 1619 from Bologna was an early-Baroque painter etcher and printmaker whose works create spiritual emotion and are credited with reinvigorating Italian art especially fresco art which was subsumed with formalistic Mannerism. His studio . propelled a number of Emilian artists to pre-eminence in Rome and elsewhere and singularly helped encourage the so-called Bolognese School of the late 16th century which included Reni one of the authors of this work. Carracci had his apprentices draw studies focused on observation of nature and natural poses and use a bold scale in drawing figures. Ludovico's pupils included Giacomo Cavedone also included in the list of authors of this work. Size: folio 407x272mm. Illustration: Illustrated title with printer's device head- and tailpieces decorative initials sixteen 16 full-page copper engravings including one frontispiece and four 4 oversized folding plates; depicting frescoes - mural paintings and decorations - painted by Ludovico Carracci and his entourage or artists at S. Michele in Bosco in the early 17th century telling of the life of Saint Benedict. Each engraved plate is signed below with the name of its painter as well as by Giacopo Giovannini as its drawer and engraver: Britio #1; Garbieri #211; Guido Reni #3-large folding 15; Lod. Carracci #4 5 6-large folding 7 8 9 12 - the last two large folding 17 18 19; Leonello Sp. #10; L. Massari 13 14; Giac. Cavedoni #16. The frontispiece signed: "Giacomo Giovannini inu. e Scolpi D.D.D. Marc ant.o fabbri forma in Bologa" Provenance: Upper pasted endpaper with bookplate References: Berlin Katalog 4084; Cicognara 3472 re 1776 ed. also refers to the first ed. Pages: Ll: 1f bl. 5ff 33ff. ill: 19ff; 1f. bl.; collation: Frontispiece; Illustrated Title; Serenissima Altezza/Dedication; Lettore Gentilissimo/ Al Sig. Giacomo Giovannini; Innocentius PP. XII.; 33 ff. of descriptive text plus 19 copper-engraved plates. Category: Book Art Architecture & Design; Book Europe Italy; Book Plate Books General; Per gli Eredi d'Antonio Pisarri, hardcover
17531715Rome: Venantius Monaldinus 1753. First Edition. Near fine. Oversized folio 17 1/4 x 12 inches 438 x 304 mm; half title engraved portrait of Annibale Carracci on frontispiece with tissue guard rubricated title with large engraved vignette; 10 unnumbered prelim. pages and index LXXIV pages with wide margins and uncut forty engravings on thirty-three numbered plates -of which 11 are oversized and folding- and over 60 large vignettes and historiated initials. Bound in half calf with orange paper-covered boards corners bumped edges and spine rubbed but binding is tight and square paper supple and clean with only minor discoloration and toning to gutters. <br /> Cicognara 3376; Bartsch XXI pp. 103-114 nos.21-64. The superbly engraved plates by Carlo Cesio 1622 - 1682 reproduce the Palazzo Farnese frescoes that Annibale Carracci 1560 - 1609 began in 1597 and completed in 1608 just one year before his death. The frescoes were commissioned by Alessandro Farnese 1468-1549 later Pope Paul III ostensibly in honor of his niece's nuptials and located on the 'piano nobile' of the family's palace which today hosts the French Embassy in Rome. They depict "The Loves of the Gods" and were greatly admired at the time and were later considered to reflect a significant change in painting style away from sixteenth century Mannerism in anticipation of the development of Baroque and Classicism in Rome during the seventeenth century.<br /> "The important cycle of frescoes trompe-l'oeil and architectural framework known as quadratura that make up the barrel-vaulted ceiling of the gallery depict the 'Loves of the Gods' a sophisticated dialogue between the theme of love and allegorical subjects from antiquity." Quoted from World Monuments Fund website. Venantius Monaldinus unknown
<p>In folio (cm. 53 x 37), rilegatura inizio '800 in mezza pelle con titolo e fregi in oro al dorso; p. 117, incisione del chostro al frontespizio, una tav. inserita (dedica al prof, Francesco Rizzoli) seguono 47 tavole a piena pagina disegnate da vari artisti e incise solo sul recto da Fabbri che riproducono il ciclo pittorico realizzato da Ludovico Carracci e dai pittori della sua scuola sulle pareti del chiostro ottagonale di S. Michele in Bosco; 39 grandi capilettera e 33 testate e finalini animati, finemente incisi da Pio Panfili. Bello e fresco esemplare.</p>
2-74048Roma nella stamperia di Lodovico Grigniani senza data ca. 1646 in folio cm. 425 x 28 legatura in piena pergamena antichizzata con fregi e titoli dorati al dorso pp. 4 con frontespizio in cornice xilografica e marca tipografica un ritratto del Carracci inciso in rame e 80 grandi incisioni a piena pagina fuori testo raffiguranti le famose “arti per viaâ€. Il frontespizio non riporta la data di pubblicazione riscontrabile unicamente alla base del ritratto del Carracci. Sembrano mancare le prime 20 pagine di testo ma copia identica a quella censita presso la Library of Congress con la quale è stata collazionata. Ovvero: “Edizione coeva alla prima tiratura: differisce per l 'assenza di data al frontespizio e per contenere oltre a frontespizio elenco delle tavole e ritratto di Annibale Carracci soltanto le stampe e non il testo introduttivo†cfr. Docet. Esemplare in ottime condizioni ben marginoso. unknown
16778814Roma: Io. Jacobus de Rubeis 1677. First Edition Primera edición. 585x396mm. 23x15½". Roma Io. Jacobus de Rubeis 1677 o anterior. 13 láminas grabadas al aguafuerte incluyendo portada. Junto con: CARRACCI Anibal inventor & MITELLI M. grabador. L'Enea Vagante Pitture Dei Caracci Intagliate E Dedicate Al Serenissimo Principe Leopoldo Medici Da Gioseppe Maria Mitelli Bolognese Serma. Altezza. Gioseppe Ma. Mitelli. Roma Gio Jacomo de Rossi 1663. 16 ilustraciones sobre 14 láminas grabadas al aguafuerte incluyendo portada. 2 obras en un volumen. En gran folio 585 x 396mm. En total 29 ilustraciones sobre 27 grandes láminas grabadas sobre pinturas inventadas por Carracci para el Palacio Farnese y el Palacio Fava en Roma y Boloña respectivamente. Encuadernación en holandesa del siglo XVIII. -I: Serie completa de 13 láminas numeradas incluyendo portada. Las láminas 2-13 están todas firmadas por Annibal Carraccius y dibujadas y grabadas por Petrus Aquila. Cada una lleva el nombre del impresor estampado "Io. Jacob. de Rubeis" Giovanni Giacomo de Rossi. La segunda lámina contiene la dedicatoria del editor al Cardenal César d'Estrées. La obra salió sin fecha de publicación pero la colección se menciona en el Indice De Rossi de 1677. Las láminas muestran los frescos pintados por Annibale Carracci entre 1596 y 1597 para el Cardenal Odoardo Farnese en el techo del Camerino Farnese en el Palacio Farnese de Roma. Representan los logros de Hércules y otras escenas alegóricas. Referencias: Goldschmidt E.P.<em> Catalogue 163</em> p. 25 -II: Serie completa de 16 láminas sobre 14 hojas representando los frescos realizados por los hermanos Carracci en 1586 en el Palacio Fava de Boloña ilustrando la historia de Aeneas. Referencias: Bertarelli 1940 59; Bartsch XIX.289.46 Io. Jacobus de Rubeis hardcover
51-1610Rome: Dominico de Rossi Jo. Jacobi Jo. Jacobi de Rubeis circa 1690. Oblong folio. 47 x 69 cm. 18.5 x 27.25 inches page size. Suite of 4 unnumbered and 20 numbered engravings. 24 of 25 plates lacking plate no. 9. Housed in a custom portfolio with painted boards leather spine large embossed leather label leather ties and leather corners by the celebrated Russian-American binder Alexandr Sasha Mosalov. OCLC Number: 26691776.Lit. Annibale Carracci e I suoi incisori Ecole française de Rome 1986: D-1-25 Rome: Dominico de Rossi, Jo. Jacobi (Jo. Jacobi de Rubeis), circa 1690. hardcover
LCS-18404Première et célèbre édition de l’Arétin d’Augustin Carrache, «le plus artistique des Livres érotiques…» (H. Cohen, col. 88). A la Nouvelle Cythère [Paris, Didot, 1798]. Grand in-4 de 1 feuillet pour le faux-titre (relié à l’époque sans le titre), 10 pp. de préface, (1) f. de table et d’errata, 80 pp. et 20 gravures numérotées à pleine page hors textes protégées par des serpentes, veau fauve marbré, roulette dorée autour des plats, dos lisse orné, pièce de titre en maroquin rouge, roulette intérieure, tranches dorées. Reliure de l’époque. 301 x 225 mm.