Carracci, AgostinoBiblio.com
434 résultats
2402459Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 16th century 1595. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
2402461Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 16th century 1595. Professionally printed on premium fine-art paper Photo Rag Bright White premium quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
17531715Rome: Venantius Monaldinus 1753. First Edition. Near fine. Oversized folio 17 1/4 x 12 inches 438 x 304 mm; half title engraved portrait of Annibale Carracci on frontispiece with tissue guard rubricated title with large engraved vignette; 10 unnumbered prelim. pages and index LXXIV pages with wide margins and uncut forty engravings on thirty-three numbered plates -of which 11 are oversized and folding- and over 60 large vignettes and historiated initials. Bound in half calf with orange paper-covered boards corners bumped edges and spine rubbed but binding is tight and square paper supple and clean with only minor discoloration and toning to gutters. <br /> Cicognara 3376; Bartsch XXI pp. 103-114 nos.21-64. The superbly engraved plates by Carlo Cesio 1622 - 1682 reproduce the Palazzo Farnese frescoes that Annibale Carracci 1560 - 1609 began in 1597 and completed in 1608 just one year before his death. The frescoes were commissioned by Alessandro Farnese 1468-1549 later Pope Paul III ostensibly in honor of his niece's nuptials and located on the 'piano nobile' of the family's palace which today hosts the French Embassy in Rome. They depict "The Loves of the Gods" and were greatly admired at the time and were later considered to reflect a significant change in painting style away from sixteenth century Mannerism in anticipation of the development of Baroque and Classicism in Rome during the seventeenth century.<br /> "The important cycle of frescoes trompe-l'oeil and architectural framework known as quadratura that make up the barrel-vaulted ceiling of the gallery depict the 'Loves of the Gods' a sophisticated dialogue between the theme of love and allegorical subjects from antiquity." Quoted from World Monuments Fund website. Venantius Monaldinus unknown
120697Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 16th century c. 1580-1600. Professionally printed on premium fine-art paper Photo Rag 308 premium quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
120696Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 16th century c. 1580-1600. Professionally printed on premium fine-art paper Photo Rag Bright White in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
120698Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 16th century c. 1580-1600. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
120695Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 16th century c. 1580-1600. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
71-3176Rome: Gregorio Roisecco 1740. Etching. 260 x 163 mm. sheet. Good tears along sheet edges some soiling.Provenance: From the collection of the Late Frederick G. Ruffner Jr. founder of Gale Research Detroit. [Rome: Gregorio Roisecco, 1740]. unknown
0-06605Roma 1740 incisione originale di cm. 20 x 30 n° 31 inc. da S. Guillain e A. Algardi. unknown
