358 résultats
1945GF356441945 Paris - Les Editions Universelles - 1945 -Un volume grand in-4 en feuilles sous emboitage - petite fente à la couverture - étui un peu fatigué - Bel exemplaire cependant -
38009901Korea late 18th-early 19th century 1780-1810. Eight color gouache pastel tinted maps ca. 57.5 x 90.1 cm.contemporary re-backing very solid clean examples complete set of all provinces hand-painted gouache manuscripts. RARE & OBSCURE . . . . A RARE & COMPLETE SET OF ANTIQUARIAN MANUSCRIPT KOREAN . . . YI PERIOD PROVINCIAL MAPS . . "P'ALTO CHIDO" OR "EIGHT PROVINCES MAPS" . . . DELUXE ELEPHANT FOLIO SIZE SHEETS . . . HAND-COLORED GOUACHE PASTELS . This is a very RARE & COMPLETE set of eight Korean provincial manuscript maps. Drawn circa 1780-1810 by an unsigned Korean cartographer. These maps are of historical importance giving place names isolating the time frame. . Painted on very thin finely hand-made mulberry-fiber tissue paper contemporary re-backed with a stiff hand-made paper. Beautifully hand-painted & colored in gouache pastels. . The record shows several reliable verities of manuscript maps showing the eight ancient Korean provinces. . Commonly these maps had no title cartographer's name date or other critical bibliographic colophon data. This is a common theme with Korean manuscript maps. . Political divisions of Korea are by and large mostly stable making name comparisons easier. . PROBABLE MAP TITLES INCLUDE: . a. The "SINJUNG-TONGGUK-YOJI-SUNGNAM:" "EIGHT SEPARATE MAPS EACH SHOWING ONE COMPLETE PROVINCE OF THE EIGHT KOREAN PROVINCES similar in intention to the "P'ALTO CHIDO." . The eight provinces were established during the Chosen dynasty 1392-1910 alternately and commonly called the Yi dynasty. . The eight provinces are from the north to south: . 1. Hamgyong 2. P'yong'an 3. P'yongyang 4. Kangwon 5. Hwanghae 6. Kanghwa 7. Kyongsang 8. Cholla'ungch'ong . During the Sejo reign 1455-68 Yang Songji made the first "P'Alt-do "P'ALTO CHIDO" type maps of the eight provinces this type and style became the "standard" for future examples. There after his style and format were copied by others for centuries. . b. A second version and style of the above eight provinces maps is called "TONGGUK CHIDO: MAP OF THE EASTERN COUNTRY i.e. KOREA" showing a compressed northern frontier along Manchuria the characteristic "CHONG CH'OK" style. . c. A third similar map: "P'ALDO-CHONGDO: A SINGLE MAP SHOWING THE EIGHT PROVINCES OF KOREA." . These maps are pictorially beautiful and artistically drawn in detail. Graphics expressing a primitive naive folk charm depicts prominent geological landscape features. Mountain ranges hills forests in green streams/rivers blues political district seats distinctively painted cartouches box-like in various differing colors for each province. Roads paddy coastal shore line & islands in blue tints with other features nicely colored. . There are a large number of name throughout each map all written in Hanzi traditional Chinese characters called "Hanja" in Korean as was the common practice at that time for Koreans. There are no Hangul characters at all. The Hanja identify navigational directions names of surrounding ocean harbors beaches geographical names city towns villages mountains rivers roads and the like. . Each of the eight maps illustrates a complete single province. Within each of the various political divisions and boundaries outlined and named. . RARITY OF KOREAN ANTIQUITIES: Antiquarian Korean examples are sparse when compared to items of the same period in China and Japan. Korean works are less than 10% of those created elsewhere. . Fewer Korean items were made survived and preserved. The attrition rate: bad weather unstable ancient mud building structures fires natural disasters earthquakes war and other factors diminished the remaining examples. . Those the numbers that come to marked are steadily reduced while the value continues to appreciate. Many never return to market when acquired by institutions or private collectors who eventually donate to museums. . DATING THESE MAPS: These were mostly undated. . There are three possible methods of dating. . a. BY PLACE NAME: there are details in the reference books about county seat names being colored or put in various kinds of 'boxes' on the map depending on that according to the resources approximate dates can be derived. . b. PAPER TECHNOLOGY & FIBERS: Koreans have been using hand-made mulberry bark and fiber paper from the Zhenguan period AD 627-649 printing Buddhist sutras by woodblocks on similar kinds of paper. . These two technologies papermaking and woodblock printing was transmitted to Japan around 700 AD. . Since that time both Koreans & Japanese have utilized mulberry paper Washi in Japanese to woodblock print and paint a large variety of items including maps books and single page works. . By comparing the paper of these maps with known dated printed Japanese books a very close approximate date can be derived. . These Korean map papers are nearly identical to dated woodblock-printed Japanese examples we have. It is therefore highly possible these maps were painted on hand-made mulberry paper from circa 1780-1810 period. . In ancient times sheet size was limited to a small size then joined to other sheets to create a large size single sheet. These maps are of that format. See McCune below where he states the kind of paper used which matches our examples. . CONDITION: Per McCune we summarize: as usual these maps were folded several times from their creation time so they could be safely stored and carried in small 'book' format in covers with a tied string. See McCune below. . Being painted on very fine & thin hand-made mulberry paper most all examples were eventually re-backed. Ours as typical have period re-backing using the same character hand-made mulberry fiber paper of a thicker quality. . They are well preserved however nevertheless as usual there remains some old original wear at the folds the expected light water stains dustiness with other typical very minor flaws for an item of this grand size being 200 years old. These do not detract from the overall excellent impression and stunning appeal. . RARITY: . The complete set is RARE! The work is nicely executed in a firm hand with artistic value illustrating artistically hills mountains and other features of the map pictorially. It is not only a map but a work of art. Tastefully colored in subtle pastels nice representation of water rives and sea. . Such early and beautifully artistic examples seldom come to market. . A RARE AND FRESH EXAMPLE NEVER BEEN ON THE MARKET IN THE LAST 120 YEARS ! . PROVENANCE: These items were acquired from a former missionary's estate who was stationed in Korea from circa 1900-1930's. They have been in this private collection since and have never been on the market. . Color scans are posted to our website. . REFERENCES: . TOOLEY Ronald V. et al.: Article: Shannon McCune: SOME KOREAN MAPS pp.70-102 with illustrations. McCUNE Shannon.: KOREAN MAPS OF THE YI DYNASTY KOREAN CULTURE Korean Consulate General L.A. Ca. Sept. 1983 pp.21-31 34 back cover color plate color & b.w. illustrated. . He discusses "P'ALTO CHIDO""EIGHT PROVINCES MAP" origins maps without scale and were copies of a Korean scholar named Won his title was: Haksaeng works based on Chong Ch'ok's 1390-1475 TONGGUK CHIDO MAP OF THE EASTERN COUNTRY then modified by Won to be the more typical "P'ALTO CHIDO" "EIGHT PROVINCES MAP" but in his new style. This new style clearly resembles our maps in layout format color of county seats and similar boxes around them and other critical details. KOREAN CONSUL GENERAL KOREAN CULTURE September 1983 pp.21-31 34 color map on back cover color and b.w. illustrated. . It was from these maps that the later versions similar to ours eventually emerged mostly by Imperial Order by the ".Yi Dynasty court specifically decreed that both magistrates and governors should prepare up-to-date maps of their territories udder their supervision." p.25. HARLEY J.B. ed. et al.: CARTOGRAPHY IN THE TRADITIONAL EAST AND SOUTHEAST ASIAN SOCIETIES. Ahead of Title: THE HISTORY OF CARTOGRAPHY Vol. 2 Book 2 an excellent article by Gari Ledyard: CARTOGRAPHY IN KOREA pp. 235-345239 figures 10.23 10.24 et al. NAKAMURA Hiroshi.: EAST ASIA IN OLD MAPS. . --. NIHON KO CHIZU TAISEI: GREAT COLLECTION OF OLD JAPANESE MAPS MONUMENTA CARTOGRAPHICA JAPONICA . --. OLD CHINESE WORLD MAPS PRESERVED BY THE KOREANS. Article in IMAGO MUNDI IV 1958. LEE Chan. CH'AN Yi.: OLD MAPS OF KOREA. Han'guk ko chido. By: Ch'an Yi Hong-gyu Che Han'guk Tosogwanhak Yon'guhoe. He discusses and illustrates a good number of similar examples. On pp.226-27 he outlines an early Yi Dynasty example of: THE MAP OF EIGHT provinces found in TONGGUK YOJI SUNGNAM Chong Sang-gi's Tongguk Chido. These manuscripts were on large paper one province per sheet. Many other fine related examples are illustrated & discussed. . --. OLD MAPS OF KOREA: HISTORICAL SKETCH. He traces the early origins of Early Yi dynasty1392-1910 Eight Provinces Map origins and progressions excellent lucid article with illustrations and references to Yi HOE's MAP OF EIGHT PROVINCES. Excellent essay on provincial maps. SHIN Michael D. ed.: KOREAN HISTORY IN MAPS: From Prehistory to the Twenty-First Century. British Museum similar examples cited: commons-wikimedia-org/wiki/Category:Room_67_British_Museum# /media/File:Map_of_the_Jeolla_Province_British_Library_c.27. f.14_fol.12_n02.jpg Library of Congress: Young Il Kim: dong-kookyu-do: A RECENTLY DISCOVERED MANUSCRIPT OF A MAP OF KOREA. Imago Mundi vol.21 1967 pp.31-49 illustrated. . . unknown
16024Gouache et mine de plomb, datée au dos, 1933, 25 x 19 cm.
16599Dimensions (marges incluses) : 487 x 197mm.
16599Dimensions marges incluses : 487 x 197mm. Gouache originale - non signÂŽe - rÂŽalisÂŽe circa 1950 sur vergÂŽ ˆ pontuseaux figurant des militaires dans une scÂne de tranchÂŽe.Petites altÂŽrations marginales. Du reste trÂs belle condition. b42961 unknown
183155862Hartberg, 1831. Prachtvolle, großformatige Gouache, ?Aufgen: u. gemahlt 1831 v. V. Ressavar?. Bildgröße ca. 44,5 x 72 cm, zeitgen. auf Trägerkarton montiert (ca. 52 x 78,5 cm).
18404550[vers 1840]. In-folio à l'italienne, dos en toile, plats de papier moiré bleu nuit, titre doré au premier plat (coins légèrement frottés).
Magnifica gouache databile attorno alla metà dell'Ottocento, mm. 930x620. Perfetta conservaz.
1937266381937 UNE GOUACHE ORIGINALE en noir, rouge, gris et blanc sur papier fort blanc, format : 30 x 24 cm, signée dans la gouache en blanc en bas à gauche par Henri BOUYER , sans date (1937) [gouache jamais publiée],
194721943nantes 1947 4 gouaches originales signées St Dô - 3 maquettes pour la 1ère de couverture du n° de Janvier 1948 + une maquette pour la 1ère de couverture du N° de Janvier 1947, format 21 x 27 cm,
195027852nantes 1950 Une Gouache Originale en couleurs, Format : 50 centimètres de haut par 65 centimètres de large, sur papier vert foncé, signé, sans date (1950), réalisé pour un projet de décor de "D.C.F. PROJET D'ENSEMBLE" par Guy BATY DECORATEUR NANTES,
195027854nantes 1950 Une Gouache Originale en couleurs, Format : 47 centimètres de haut par 65 centimètres de large, sur papier marron, signé, sans date (1950), réalisé pour un projet de Mr ET Mme BULTEAU NANTES par Guy BATY DECORATEUR NANTES,
195027855nantes 1950 Une Gouache Originale en couleurs, Format : 47 centimètres de haut par 65 centimètres de large, sur papier marron, non-signé, sans date (1950), réalisé pour un projet de BUREAU DE Mr BULTEAU NANTES par Guy BATY DECORATEUR NANTES,
195027856nantes 1950 Une Gouache Originale en couleurs, Format : 47 centimètres de haut par 65 centimètres de large, sur papier marron, signé, sans date (1950), réalisé pour un projet de SALLE A MANGER POUR MLLE ARROUET NANTES (VETEMENTS ARROUET NANTES) par Guy BATY DECORATEUR NANTES,
195027857nantes 1950 Une Gouache Originale en couleurs, Format : 47 centimètres de haut par 65 centimètres de large, sur papier marron, signé, sans date (1950), réalisé pour un PROJET POUR UNE SALLE DE BAIN par Guy BATY DECORATEUR NANTES,
28159Une Gouache Originale en couleurs, Format : 30 centimètres de haut par 25 centimètres de large, sur papier Canson, NON signée, sans date (1960 environ)
196028177nantes 1960 Une Gouache Originale en couleurs, Format : 46 centimètres de haut par 39,5 centimètres de large, sur papier marron clair, signé en bas à droite : G. BATY, sans date (1960), réalisé pour un "PROJET D'ETALAGE POUR Mr FRUNEAU" (1960)
195028180nantes 1950 Une Gouache Originale en couleurs, Format : 46,5 centimètres de haut par 62,5 centimètres de large, sur papier marron-clair, non signé, sans date (1950), réalisé pour un "PROJET DE DECOR POUR LE HALL D'ENTRÉE DE LA MAISON DU BATIMENT : FÉDÉRATION DE L'OUEST" par Guy BATY DÉCORATEUR NANTES,
195028181nantes 1950 Une Gouache Originale en couleurs, Format : 29 centimètres de haut par 69,5 centimètres de large, sur papier, non-signé, sans date (1950), réalisé pour un "PROJET DE DÉCOR POUR LE HALL D'ENTRÉE DE LA D.C.F NANTES ( Fédération nationale des Directeurs commerciaux de France de nantes)" (1950)par Guy BATY DÉCORATEUR NANTES
196028184nantes 1960 Une Gouache Originale en couleurs, Format : 50 centimètres de haut par 64,5 centimètres de large, sur papier marron clair, non signé, sans date (1960), réalisé pour un projet de décor : "EN GONDOLE A VENISE" (PROJET POUR UN DÉCOR DE PIZZERIA - NANTES 1960),
196028186nantes 1960 Une Gouache Originale en couleurs, Format : 65 centimètres de haut par 50 centimètres de large, sur papier noir, signé en bas à droite : G. BATY, sans date (1960), réalisé pour un "PROJET DÉCORATIF POUR MONSIEUR FRUNEAU - GRAND ESCALIER D'UNE AGENCE DE VOYAGES TRANSPORTS " (1960),
199028188nantes 1990 Une Gouache Originale en rouge et noir, Format : 50,05 centimètres de haut par 37 centimètres de large, sur papier canson blanc, non signé, sans date (1990), PROJET D'AFFICHE POUR : LA "MI-CARÈME DE NANTES" (ANNÉES 90),
196028190nantes 1960 Une Gouache Originale en couleurs avec lettrage gouaché à la main par dessus sur film rodhoïd, Format : 40 centimètres de haut par 30 centimètres de large, sur papier gouaché recouvert d'un film rhodoïd , non signé, sans date (1960), GOUACHE ORIGINALE - PROJET D'AFFICHE POUR : LE PNEU KLEBER COLOMBES (ANNÉES 60) par GUY BATY DECORATEUR NANTES, 2 impasse paul Dubois,
199028191nantes 1990 Une Gouache Originale en rouge et noir, Format : 50,05 centimètres de haut par 37 centimètres de large, sur papier canson blanc, non signé, sans date (1990), PROJET D'AFFICHE POUR : LA "MI-CARÈME DE NANTES" (ANNÉES 90),
199028192nantes 1990 Une Gouache Originale en rouge et noir, Format : 50,05 centimètres de haut par 37 centimètres de large, sur papier canson blanc, non signé, sans date (1990), PROJET D'AFFICHE POUR : LA "MI-CARÈME DE NANTES" (ANNÉES 90),