MIRO, JoanBiblio.com
2 617 résultats
1152821976 . Etching and aquatint with carborundum in colours 1976 on Arches paper signed in pencil and numbered 40 from the edition of 50 there were also 12 Artist's Proofs printed by Morsang Paris published by Maeght Paris with full margins sheet: 1378 x 956 mm. 54 ½ x 38 in.<br /> Created in 1976 this dynamic image is part of a series of prints that Miró created in collaboration with printmaker Robert Dutrou using Henri Goetz's innovative carborundum printmaking technique. The title of the work translates as 'The Red Egret' and depicts the abstracted form of a bird in bold contrasting colours. The deep blues and blacks of the lower half of the composition are balanced by the empty negative space towards the top creating an intriguing visual tension. The sweeping curves and loops of thick black linework bring energy and movement to the image. This print not only showcases Miró's mastery of compositional design but also highlights his technical brilliance. Through the combined use of aquatint for background colours etching for the bird's outline and carborundum to add texture and depth Miró creates a striking visual effect.<br /> Dupin 930 1976 unknown
04-1637Paris: Maeght 1953. Folio 11 x 15 in. Double-page lithograph. 15 x 22 inches. Folded in middle as issued. Extracted from DLM #119. Mourlot no. 265. Paris: Maeght, 1953. unknown
1969185242Paris: Maeght éditeur 1969. Printed by Morsang Paris. Edition of 75. Etching aquatint with carborundum in colours and embossing on Arches paper. Signed in pencil by Miro lower right numbered lower left. Sheet size: 105.6 x 68.3 cm. Framed size: 121.5 x 84.5 cm. Presented in a handmade gold leaf and black gesso frame with acrylic glazing. Excellent condition. Dupin Engravings vol II 497. unknown
2418Venice edizioni "La Biennale di Venezia". 1981. Large oblong 4to. 24pp. of text with commentary by Jacques Dupin with 34 illlustrations in color for the ballet scenes and costumes by Miró including the front and back covers. Spiral binding. First publication and edition of the drawings . The world premiere took place on September 25 1981 at the Teatro La Fenice de Venezia. Sylvano Bussotti composer Joseph Russello choreography Ballet pantomine by Jacques Dupin. The 32 plates are titled in french and the text is in Italien. In good condition with some soiling to the covers. Numbered from the edition of 1200 200 of which were HC. Photos are available upon request. unknown
199889788México Fundación Cultural Televisa 1998. Paperback. Good. 271p. color plates illus. photos glossary bibl. wrps large 4to. Includes interviews biographical chronology and essays by Octavio Paz Pierre Schneider Jacques Dupin Agnès de la Beaumelle and others. The works by the Spanish artist 1893-1983 are explicated by authorities. In large format on heavy stock. México, Fundación Cultural Televisa paperback
1152851975 . Etching and aquatint in colours 1975 on Arches paper with the Maeght watermark signed in pencil and numbered 39/50 from the edition of 50 printed by Morsang Paris published by Maeght Paris with full margins sheet: 1381 x 955 mm. 54¼ x 37¾ in.<br /> 'La Contre-Balancée' highlights Miró's continued departure from traditional artistic conventions in the final decades of his life and showcases the artist's mastery in creating layered emotive artworks. In this print Miró depicts the abstracted form of a figure inviting viewers to interpret the image in their own unique way. The dynamic contrast between bold black strokes and delicate thin lines adds depth without using representational perspective. Miró's signature black forms blend seamlessly with vibrant blue and red geometric shapes giving the image an overall compositional balance. This etching and aquatint print demonstrates Miró's remarkable ability to merge abstraction with figuration capturing a playful simplicity in a visually captivating manner.<br /> Dupin 754 1975 unknown
1152861974 . Etching and aquatint in colours 1974 on Arches wove paper signed in pencil and numbered 49/50 from the edition of 50 printed by Morsang Paris published by Maeght Paris sheet: 1392 x 960 mm. 54 x 37 in.<br /> 'La Femme Toupie' bursts with vibrant splashes of bright green yellow and orange. Created in 1974 this print is part of a series of 60 that Miró made between 1974 and 1975 using a combination of etching and aquatint. Central to the composition is the figure of a woman outlined in thick black lines. While abstracted in Miró's signature style her large black eyes nose and red mouth emerge distinctly. She raises her arms high and kicks one leg out spinning with joyful motion. Stars crown her head while swirling grey and orange washes behind her head enhance the print's sense of dynamic movement. A playful and evocative print it conveys both spontaneity and a deep emotional resonance.<br /> Dupin 652 1974 unknown
1980BWB00277<p>La Mélodie Acide 1980. Twelve of 14 original stone lithographs by Joan Miro housed with limitation page in printed portfolio and protected by exterior paperboard portfolio. Loose as issued. Signed on plate plate signed and hand numbered out of 1500. Limitation page in French and English. This set is No. 1477/1500.</p><p>"The series was printed using the original plates for the portfolio LA MELODIE ACIDE published in January 1980.The present edition consists of 1500 prints on Arches paper of the 14 original plates numbered from 1/1500 to 1500/1500 and with the artist's signature on each of the plates."</p><p>This set is INCOMPLETE with 12 of the 14 plates. Plates measure 13 x 10 inches and are in excellent condition. Exterior paperboard portfolio is heavily torn at the flap and lightly soiled overall.</p><p>Photos are of the portfolio and prints we have here at Barbed Wire Books. Please don't hesitate to contact Barbed Wire Books with any questions.</p>
59-1955Barcelona: La Polígrafa ca. 1980. . Second edition of Cramer 248. "The present second edition consists of 1500 prints on Arches paper of the original 14 plates numbered from 1/1500 to 1500/1500 and with the artists signature in the stone on each of the plates." This item consists of just the printed folder and the limitation page. Ideal housing for someone who purchased one or more of the prints. Barcelona: La Polígrafa, ca. 1980. unknown
1960181626Paris: Jean Hugues 1960. With an original signed Miro lithograph First edition an hors commerce copy aside from the edition of 50 with an original lithograph signed by Miro and signed by the publisher on the justification page. Of the total edition of 375 the first 25 had the lithograph in various states while the other 300 were issued without the lithograph. The lithograph was printed by Fernand Mourlot. Octavo. Frontispiece of an original lithograph in colours with embossing by Miro. Original white wrappers lettering to front cover in black printed on Vélin d'Arches paper. With glassine dust jacket. Glassine chipped with loss otherwise a fine copy. Cramer 60. unknown
1153021975 . Etching and aquatint in colours 1975 on Arches paper signed in white pencil and numbered 45/50 from the edition of 50 printed by Morsang Paris published by Maeght Paris the full sheet: 1210 x 1600 mm. 47¾ x 63 in.<br /> In 'Le Bagnard et sa Compagne' Miró contrasts bright red blue and yellow to create a whimsical figure instilled with a sense of liveliness. The sweeping curves and loops of thick black linework bring energy and movement to the image. At the top left of the sheet a large black circle is balanced by the negative space that surrounds it while the lower left corner features black splatters. Along the upper border Miró's signature symbols of the asterisk and arrow appear oversized reinforcing the playful and spirited nature of the piece. These elements guide the viewer's eye across the composition creating a lively visual rhythm that embodies the dynamic energy that Miró infused into his prints ultimately revealing his exceptional command of printmaking techniques.<br /> Dupin 749 1975 unknown
196947495Paris.: GLM. 1969. Original publisher's cream printed wrappers with titles to front cover and spine in black. 8vo. 224 x 164 mm. Half-title with publisher's credit verso leaf with original colour lithograph frontispiece signed by Miró in pencil verso printed title and Char's verse final leaf with achevé d'imprimer and justification. An excellent copy of René Char's collection written in the spring of 1968 with Miro's signed lithograph frontispiece. From the edition limited to 885 copies with this one of 95 examples on vélin d'Arches with an original colour lithograph frontispiece by Joan Miro signed in pencil by the artist.Cramer 126. GLM. unknown
102268Paris Maeght 1963. 28 x 38 cm Min gebräunt sehr schön Miró II 274. Aus Derrière le miroir no. 139–140 page 7 010 Paris, Maeght, 1963 unknown
51-0144Paris: Maeght1963. Original lithograph. Mourlot 274 French and 342 English. Cramer 83. We can supply all the catalogues raisonnés. Paris: Maeght,1963. unknown
37559Köln DuMont 1961. 4° 583 S. 48 mont. Farbabb. u. über 1000 s/w-Abb. OLwd. Einbd.-Rücken stark beschienen. Einbd. m. Abb. v. Miro etwas berieben kl. Fleck a. Vorderseite. Buchblock in tadellosem Zustand. Werkverzeichnis der Gemälde und umfangreiche Biographie erstellt im Zusammenwirken mit dem Maler der alle Angaben u. Daten überprüfte. Alle 971 Arbeiten sind chronologisch 1914 - 1961 abgebildet. Mit Bibliographie der illustrierten Werke 1926 - 1961. 010 Köln, DuMont, 1961 unknown
196934693Milan: Galeria il Milione 1969. In excellent condition. 77 x 60 cm 30.25 x 235 inches. Joan Miro. Poster produced for the exhibitionLes Esséncies de la Terra and the presentation of the BookJoan Miró i Catalunya by Juan Perucho in 1969 at Al Milione Gallery Milan Italy. Signed in plate. Original Plakat entworfen für die AusstellungLes Esséncies de la Terra und die Präsentation des BuchsJoan Miró i Catalunya`von Juan Perucho in der Galeria il Milione 1969 in Mailand Italien. Signiert in der Platte. Galeria il Milione unknown
9030769New York Paris: Tudor Léon Amiel Maeght 1992. 1st. Hardcover. Fine/Fine. All volumes are 1 of 5000 numbered copies bound in cream cloth with spines stamped in varying colors. 1305 total lithographs including 36 original all in full color.<br /> <br /> Volume 1 - Includes two essays by Michel Leiris catalog annotations by Fernand Mourlot 189 lithographs and 12 original lithographs one as dust jacket. - Tudor<br /> Volume 2 - Preface by Raymond Queneau 214 lithographs and 12 original lithographs one as dust jacket. Wrap around dust jacket band as issued. - Léon Amiel<br /> Volume 3 - Preface by Joan Teixidor 248 lithographs and 6 original lithographs one as dust jacket. Wrap around dust jacket band as issued. - Maeght<br /> Volume 4 - Preface by Nicolas and Elena Calas 247 lithographs and 6 original lithographs one as dust jacket. Wrap around dust jacket band as issued. - Maeght<br /> Volume 5 - Preface by Patrick Cramer 216 lithographs. - Maeght<br /> Volume 6 - Note by Patrick Cramer 217 lithographs chronological and alphabetical indexes to all volumes concordance and addenda and corrigenda to volumes 1-4. - Maeght<br /> <br /> All volumes 10 x 12 1/2 inches. <br/><br/> Tudor, Léon Amiel, Maeght hardcover
67710Paris Maeght 1972-92. Large 4to. Richly illustrated. Original cloth with dustjacket. Bound with orig. wrappers. . <br/><br/><em> </em> hardcover
70623New York Paris Genève 1972-81. 4to. Originale helshirtingbind med smussomslag. 233 ; 253 ; 207 ; 208 s. Gjennomillustrert - stort sett i farver. Med tilsammen 32 originale farvelitografier av Miró. 4to. Publishers cloth with dustwrappers. 233 ; 253 ; 207 ; 208 pp. Illustrated throughtout - mainly in colours. WITH 32 ORIGINAL LITHOGRAPHS BY THE ARTIST. . <br/><br/><em>Meget pene eksemplarer. Utgaver på engelsk fransk og tysk. Very nice copies. Editions in English French and German. </em> hardcover
76-0879Paris: Mourlot 1960. Color lithograph. 31.5 x 24.5 cm sheet. Very Good.Literature: Mourlot 244. [Paris: Mourlot, 1960]. unknown
206140New York/Paris: Tudor Publishing I Leon Amiel II Maeght III IV 1981. First editions English language issues. Dust jacket of first volume price-clipped; slight toning and some minor wear to plastic covers with the jackets themselves in excellent condition but for a couple of small chips on Vol. III. Without plain cardstock slipcases. Folios in original cloth with lithographic dust jackets; vols. II-IV with original printed wraparound bands and original plastic protective covers. The first four volumes in the catalogue raisonné detailing the artist's lithographic work from 1930-1972 and the only ones containing original prints. The first two volumes contain eleven original lithographs each; the second two volumes each contain five original lithographs. In addition the dust jackets for each volume are made from original lithographs for a total of thirty-six. A further two volumes were later added to the catalogue raisonné but those contained only photographic reproductions. Editions limited as follows: Volume I 5000 numbered copies 207; Volume II 5000 copies this one unnumbered; Volume III 5000 numbered copies 1651; Volume IV 4000 numbered copies 371. For each volume the original lithographs were printed by Mourlot. Heavy multi-volume set will require additional shipping charge. Tudor Publishing (I), Leon Amiel (II), Maeght (III, IV) unknown
51-0142Paris: XXe Siècle 1972. Original lithograph. Mourlot 837 . Cramer 161. We can supply all the catalogues raisonnés. Paris: XXe Siècle, 1972. unknown
51-0137Paris: XXe Siècle 1972. Original lithograph; folded as issued. Mourlot 838 . Cramer 161. We can supply all the catalogues raisonnés. Paris: XXe Siècle, 1972. unknown
1975N5002Bantam Press: Poligrafa 1975. Orig.cloth with Dust-Jacket. Near Fine/Near Fine. Folio. Miro. 253pp Complete with all 11 lithographs. A VERY GOOD CLEAN AND FRESH COPY WITH THE ORIGINAL DUST JACKET. Spanish edition <br/> <br/> Poligrafa hardcover
1972T076New York: Solomon R. Guggenheim Foundation 1972. Limited Edition . Soft cover. Fine. 4to. 159pp. Catalogue of the exhibition held at the Solomon R. Guggenheim Museum. Limited to 4000 copies. 60 plates in colour & b/w. No fading wear inscriptions or marks. Pictorial card wrappers with bright yellow end-papers. <br/> <br/> Solomon R. Guggenheim Foundation, paperback
