855 résultats
196959105Basel Switzerland: Galerie Beyeler. As New. 1969. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - Text in French. 94 pp. With 42 ills. 10 col. And 26 tipped-in col. . 30 x 24 cm. -- with a bonus offer-- . Galerie Beyeler paperback
197331696Paris: Maegth Editeur April 1973. Other. Tadelloses Exemplar. 380 by 280mm 15 by 11 inches. Original-Farblithografie von Joan Miro Cramer 167 Maegth Editeur unknown
197331695Paris: Maegth Editeur April 1973. Other. Tadelloses Exemplar. 380 by 280mm 15 by 11 inches. Original-Farblithografie von Joan Miro Cramer 167 Maegth Editeur unknown
1992601731Vytlacila Tlaciaren. Very Good/Very Good. 1992. Slovakian Language. Hard Cover. L153 . Vytlacila Tlaciaren hardcover
193017412Barcelona: Gustvo Gili. Fine. 1930. First Edition. Hardcover. The original folding box is very worn. The book is "fine". #3X of a limited issue of 100. ; Folio 13" - 23" tall; 61 pages . Gustvo Gili hardcover
192563397Paris: Editions du Sagittaire 1925. Fine. Editions du Sagittaire Paris 1925 11.50 x 16 cm relié First edition of the French translation by Valery Larbaud and Noémi Larthe. Binding in black half box smooth back golden date in tail wooden paper plates guards and contreplats paper wood way covers and back preserved gilded head binding signed by Daniel-Henri Mercher. Nice copy pleasantly established. Signed autograph signed Valéry Larbaud Jules Romains enriched by the signature of Noémi Larthe. Editions du Sagittaire unknown
19862420EBLondon., Thames and Hudson Ltd., 1986. 24 x 17 cm. 326 S. OLeinen mit illustriertem OUmschlag., 2420D Erste Englische Ausgabe. Umschlagkanten berieben und teilweise leicht läsiert, Umschlagrücken insgesamt aufgehellt, sonst gutes Exemplar.
1991119557Freiburg im Breisgau: Christophorus-Verlag, 1991. 64 S. ; 23 x 23 cm ; Pp. ;
197034495Paris: Maeght June 1970. In best condition with double center fold as issued. 38 x 57 cm 15 x 225 inches. Doppelseitige original Farblithographie von Joan Miró. Eigens für den Umschlag der Derriére le miroir Nr. 186 geschaffene Variante desBarrio ChinoÂ’. Double-page original color lithograph by Joan Miró. A variant of the 'Barrio Chino' specially created for the cover of Derriére le miroir No. 186.Lithographie originale en couleur à double page de Joan Miró. Une variante du 'Barrio Chino' spécialement créée pour la couverture de Derriére le miroir n°186. Maeght unknown
197363536Foundation. As New. 1973. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - Text in French. 150 pp. With 93 ills. 26 col. . 21 x 22 cm. -- with a bonus offer-- . Foundation paperback
1956228721New York: Pierre Matisse 1956. First. paperback. fine. Miro; Artigas. The wrappers and 4-panel folding centerspread are original color lithographs printed by Mourlot Freres. Illustrated with 19 b/w photographs. Thin square 8vo original stapled wrappers. New York: Pierre Matisse Gallery 1956.<br/> <br/> Pierre Matisse unknown
197034502Paris: Maeght June 1970. In excellent condition. 38 x 28 cm 15 x 11 inches. Farblithographie von Joan Miró. Erschienen im Derriére le miroir Nr. 186. Color lithograph by Joan Miró. Appeared in Derrière le miroir No. 186.Lithographie en couleurs de Joan Miró. Paru dans Derrière le miroir n°186. Maeght unknown
197034499Paris: Maeght June 1970. In excellent condition. 38 x 28 cm 15 x 11 inches. Farblithographie von Joan Miró. Erschienen im Derriére le miroir Nr. 186. Color lithograph by Joan Miró. Appeared in Derrière le miroir No. 186.Lithographie en couleurs de Joan Miró. Paru dans Derrière le miroir n°186. Maeght unknown
197034497Paris: Maeght June 1970. In excellent condition. 38 x 28 cm 15 x 11 inches. Farblithographie von Joan Miró. Erschienen im Derriére le miroir Nr. 186. Color lithograph by Joan Miró. Appeared in Derrière le miroir No. 186.Lithographie en couleurs de Joan Miró. Paru dans Derrière le miroir n°186. Maeght unknown
197034498Paris: Maeght June 1970. In excellent condition. 38 x 28 cm 15 x 11 inches. Farblithographie von Joan Miró. Erschienen im Derriére le miroir Nr. 186. Color lithograph by Joan Miró. Appeared in Derrière le miroir No. 186.Lithographie en couleurs de Joan Miró. Paru dans Derrière le miroir n°186. Maeght unknown
197034501Paris: Maeght June 1970. In excellent condition. 38 x 28 cm 15 x 11 inches. Farblithographie von Joan Miró. Erschienen im Derriére le miroir Nr. 186. Color lithograph by Joan Miró. Appeared in Derrière le miroir No. 186.Lithographie en couleurs de Joan Miró. Paru dans Derrière le miroir n°186. Maeght unknown
197034500Paris: Maeght June 1970. In excellent condition. 38 x 28 cm 15 x 11 inches. Farblithographie von Joan Miró. Erschienen im Derriére le miroir Nr. 186. Color lithograph by Joan Miró. Appeared in Derrière le miroir No. 186.Lithographie en couleurs de Joan Miró. Paru dans Derrière le miroir n°186. Maeght unknown
1956018385New York: Pierre Matisse Gallery 1956. Book. Near fine condition. Paperback. 1st Edition. 8vo - over 7¾ - 9¾" tall. 24 pages of text plus a four section double-sided fold-out lithograph centerfold by Miro and the lithographed covers printed by Mourlot Freres. Contains text in the form of an interview by Rosamond Bernier. Illustrated with numerous black-and-white photographs by Sabine Weiss. Minimal shelfwear; near fine condition. Protected in custom fitted archival mylar. First edition. Pierre Matisse Gallery Paperback
193848651Paris.: Editions Sagesse. 1938. Full tan polished calf by Pierre-Lucien Martin with his signature gilt to front turn-in and dated 1970 front and rear board with large abstract geometric onlays of crème caramel polished calf turquoise suede doublures and free endpapers smooth spine with title gilt t.e.g. original grey handmade paper wrappers with titles in black to front cover preserved matching wool-lined calf-backed paper board chemise with gilt title to spine and calf-edged slipcase. 8vo. 210 x 174 mm. Leaf with manuscript text by Paalen recto manuscript poem verso leaf with original etching as frontispiece by Miró printed in red on irregularly trimmed yellow paper and signed and numbered from the edition of 75 in pencil printed title three leaves with Paalen's verse leaf with justification recto. Sonja Sekula's copy of 'Sablier Couché' presented by Paalen with a manuscript poem Miró's superb signed frontispiece and bound by Pierre-Lucien Martin.From the edition limited to 75 numbered copies on Arches paper signed and numbered in ink by Alice Paalen on the justification and signed and numbered by Miró on the etched frontispiece.Paalen's presentation is in black ink to the initial blank: 'Celui qui a inspiré ce poèmea disparu comme / une vague disparait dans la mer après s'être élevée haut dans la lumière notre rencontre / a été celle de deux vagues venant en sens contraires / qui s'él`event et se à l'éxtrème de leur élan / à vous qui coulez sur la même pente que moi / Sonia que j'attendais Alice Paalen signed in blue / grey ink'; at the foot of the page Paalen quotes: ''Rendez-vous de rivière eau se recevant des nuages / et des sources eaux qui me lie à ton sort . '.The following page features Paalen's poem 'Mercure éteint' in blue ink. 'Mercure Eteint' was published in Paalen's 1941 collection 'Noir Animal'; here Paalen has dated the poem 'Mexico San Angel / Nuit du 29 mai 1940'. The lines quoted at the foot of the presentation i.e. 'Rendez-vous de rivière . ' is from 'Les Appelants' which also features in 'Noir Animal'. A shortened version of the same quotation appears in a copy of 'Noir Animal' given by Paalen to André and Jacquéline Breton and their daughter Aube.The Sonia of Paalen's enigmatic presentation is the painter Sonja or Sonia Sekula 1918 - 1963 the Swiss-born New York-based Abstract Expressionist painter like Paalen she was also a poet and friend to the Surrealists in exile. Sekula knew Paalen in the 1940s - she remained married to Wolfgang Paalen until 1947 - and the pair had a short-lived but passionate affair: 'During a visit to the Onslow Fords in Morelia Alice had met and fallen in love with the Swiss artist Sonja Sekula who had exhibited in the group show '31 Women' at Peggy Guggenheim in 1943 and was now associated with the 'Indian Space' group in New York around Peter Busa. The two lived an open love affair . ' see Andreas Neufert's biography of Wolfgang Paalen. The presentation detailed above is also listed with the additional detail that Alice and Sonja's relationship had ended by August 1945.Alice Paalen 1904 - 1987 née Phillipot and later Rahon her mother's maiden name Surrealist poet and painter married the Austrian Surrealist Wolfgang Paalen in 1930. She participated in Surrealist activities during the early 1930s and had a significant liaison with Picasso before the publication of her first collection of poetry in 1936 A Mème La Terre the same year that she went to India with fellow poet and Surrealist Valentine Penrose. Further collections followed including the present volume Sablier Couché with the two poems 'Sablier Couché' and 'Muttra' and Noir Animal 1941 before she turned her attention to painting and changed her surname to Rahon. Many of Paalen's presentations feature quotations from her own poems as here.Cramer 5; see Andreas Neufert's 'Paalen: Life and Work Vol. 2 Under the Volcano: The DYN Project and Exile in Mexico 1939 - 1959' Norderstedt 2023 pp. 198 - 199. Editions Sagesse. unknown
197034496Paris: Maeght June 1970. In excellent condition with the usual center fold as issued. 38 x 56 cm 15 x 22 inches. Doppelseitige original Farblithographie von Joan Miró. Erschienen im Derriére le miroir Nr. 186 ist dieses Werk ein hervorragendes Beispiel für Mirós charakteristischen abstrakten Kompositionen in satten Primärfarben. Mirós einzigartige visuelle Sprache ist hier sofort erkennbar. Double-page original color lithograph by Joan Miró. Published in Derriére le miroir No. 186 this work is an excellent example of Miró's characteristic abstract compositions in rich primary colors. Miró's unique visual language is immediately recognizable here.Lithographie originale en couleur à double page de Joan Miró. Publiée dans Derriére le miroir n° 186 cette œuvre est un excellent exemple des compositions abstraites caractéristiques de Miró dans de riches couleurs primaires. Le langage visuel unique de Miró est immédiatement reconnaissable ici. Maeght unknown
