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1918BB2711Paris: La Belle Édition 71 Rue des Saints-Pères 1918. Limited Edition. Wrappers. First Edition No. 221 of 300 copies on verge d’Arches of Matisse's first illustrated book. Square royal 8vo 247 x 224mm: 50pp with five plates one double-page from early drawings by the French Fauve illustrating three poems by Reverdy. Original wrappers printed in blue and black untrimmed. Wanting the unprinted glassine dust jacket. An excellent example of this rare survival many copies were destroyed at the author's request expertly respined to style several leaves with archival repairs to margins only lower right corner of front wrapper renewed but bright and fresh tightly bound and clean throughout. The Artist and the Book 195 "notable for its imaginative use of color in typography but see below and for the only appearance of Matisse's early drawing style as book illustration." Barr Matisse pp. 196 560 "sometimes considered Matisse's first illustrated book". Editions Albert Skira Anthologie du Livre Illustré par les Peintres et Sculpteurs 255. The first of two editions published in Paris in 1918 with text printed in green orange blue and black a typographical caprice that infuriated Reverdy who demanded that the publisher François Bernouard issue a second version printed only in in black which came out in a numbered edition of 105 copies with the imprint: Paul Birault pour l'auteur. N. B. With few exceptions always identified we only stock books in exceptional condition carefully preserved in archival removable mylar sleeves. All orders are packaged with care and posted promptly. Satisfaction guaranteed. Fine Editions Ltd is a member of the Independent Online Booksellers Association and we subscribe to its codes of ethics. La Belle Édition, 71, Rue des Saints-Pères unknown
BAY_10_SH_050902Andre Sauret - Marc Chagall. Collectible - Good. 1955. Text block wraps and binding are in like new condition without markings of any kind lithographs clean and clear. Mild tanning to pages mild fading to protective boards chipping splitting along hinges without slipcase. Well packaged and promptly shipped from California. Partnered with Friends of the Library since 2010. Andre Sauret - Marc Chagall paperback
192088540Paris: Galerie Georges Bernheim jeune & Cie 1920. Fine. Galerie Georges Bernheim jeune & Cie Paris 1920 12.2 x 15.5 cm Agrafé First edition of the catalogue listing 58 works by Henri Matisse exhibited at Galerie Bernheim Jeune & Cie from October 15 to November 6 1920. Upper cover slightly faded along the left margin printed stamp to upper left corner of the verso of the front cover otherwise a rare and attractive copy. Illustrated catalogue featuring 19 reproductions of the artist's works. Introductory text by Charles Vildrac.  Galerie Georges Bernheim jeune & Cie unknown
19464733Paris, Bordas, 1946. Un volume broché, couverture à rabats, de 62 pages.
19581381LITHOGRAPHIE EN COULEURS (36 x 52,8 cm) exécutée par Mourlot, d'après l'œuvre originale de 1952 en papiers découpés d'Henri Matisse, pour figurer dans Verve 35-36 (1958). BELLE ÉPREUVE SUR VÉLIN D'ARCHES À GRANDES MARGES, non pliée au centre. Tirage non mis dans le commerce, il était réservé à Tériade, à ses collaborateurs et amis. Parfait état.
1954116183Andre Sauret 1954. Hardcover. Good/No jacket. Frontispiece is original lithograph. Many black and white and color plates. Front hinge is broken-- more from inadequate glue -- and the first blank page and frontispiece are detached. In a faded folio covers. Andre Sauret hardcover
16-6412Paris: Arts du Monde - Librairie Hachette Paris 1954. 4to. 22.5 x 31cm. Original red cloth cover by Matisse. Lithographed frontispiece created for this work by Picasso "La Danseuse" Bloch 767; Mourlot 259;: light foxing at top of the lithograph.415 text illustrations many tipped-in and/or folding color plates some after Léger Miró Bakst among others. . .Goeppert Goeppert-Frank and Cramer. Pablo Picasso: The Illustrated Books. Catalogue Raisonné no. 68. OCLC Number / Unique Identifier:977664915. Paris: Arts du Monde - Librairie Hachette, Paris, 1954 hardcover
1983104690First Edition limited edition.: George Braziller. Near Fine in Near Fine dust jacket. 1983. Hardcover. 0807610860 . Henri Matisse. JAZZ Series portfolio Special First Edition published by George Braziller Inc. for the Museum of Modern Art a facsimile of the 1947 Verve edition New York 1983. Folio 146 loose bifolium text pages and colored prints with facsimile of original 1947 limitation page with a facsimile of Matisse's signature introduction pages and table of images all housed in a publisher's custom printed gray clamshell box with navy cloth spine and a cardboard slipcase.; Folio . George Braziller hardcover
1945208338Paris: Éditions de la revue Verve 1945. Softcover. Good cover is soiled with some chipping small tears and nicks. 1" loss at both top and bottom of spine Contents very clean except for mild soiling at extremities of sheets. Wear minor tears and pinhles alng the extemities of the edges to both coves however the reast of cover is very clean and stng. Prints are strong and vibrant. Green lithographed thiin paper covers over boards. Title-page followed by two Porchoir prints by Matiss Title in cursive "de la Couleur HM" followed by La Chute d'Icaree pagination is discontinuous some pages numbered then many are not then numbered etc. Two pages of lithographed line drawings by Matisse beginning with pp. 57 of Angèle Lamotte. Title-page and lithographs are on Marais paper. A complete issue with noted faults. Green cover of dancing figure is paper cut-out was designed by Matisse and printed on horribly thin paper. Most all I have ever seen are defective in one way or another especially along the spine. This copy has the spine of the outer sheet in better than average condition and could be nicely restored. The green print is lightly soiled. ""Le présent numéro de Verve . réunit des œuvres de Henri Matisse exécutées pendant ces quatre dernières années"--Page 4./ "Henri Matisse" by André Rouveyre: p. 35-55." Scace as a complate issue with a decent though not perfect cover. Éditions de la revue Verve paperback
192088540Galerie Georges Bernheim jeune & Cie | Paris 1920 | 12.2 x 15.5 cm | Agrafé
1953168771953 Affiche, lithographie en couleurs, signée dans la planche en bas à droite et titrée, Paris, Mourlot, 1953, 76 x 51 cm., encadrée.
10125Monaco, Hommage, 1944. In-folio en feuilles, (20) ff. sous couverture rempliée.
1954EXE-555Monte Carlo, André Sauret, 1954. In-4° broché, couverture illustrée en couleurs, chemise et étui.
19442410240339xbvkParis, Louis Carré Éditeur, MCMXLIV (1944); Presses de L'Imprimérie Union, Reproduction des Dessins: Georges Duval. 40 untrimmed folded sheets (=160 pages overall) of thick paper 'Vélin d'Arches' (with watermarks), including foretitle-, partly red-printed titlesheet, 'Justification du Tirage' and colophone, text by Louis Carré until page 19, titlesheets to each section (I. 'La Mer', II. 'Paysages', III. 'Châteaux', IV. 'Venise - Côte d'Azur et Roussillon', V. 'Tarascon et Alger', VI. 'Dessins de Nus et Portraits', VII. 'Les Courses', VIII. 'Le Théâtre et le Monde', IX. 'La Musique') with many quarter- to doublepage illustrations (intaglio) and transparent tissueguards loosely inserted. - Loose in another 2 blank doublesheets which hold the publisher's light-brown large-paper dustjacket, again loose in publ. stiff cardboard folder with cloth-joints and large printed artist's name at spine; Folio (ca. 36 x 24 x 4 cm; ca. 2 kg.).
1997015820Paris Claude Duthuit 1997 In-4 Cartonnage toilé, jaquette illustrée
19641685Paris, Mourlot, 1964. 1 volume in-8 broché sous couverture illustrée imprimée sur le premier plat et le dos. 1 DES 50 SUR RIVES AVEC UNE AQUATINTE ORIGINALE DE MATISSE. L'ouvrage est illustré de 12 reproductions de dessins et lithographies, de l'édition de 1964 éditée par Tériade, dont 4 hors-texte. Exemplaire enrichi d'un long et bel envoi autographe de Duthuit à Tériade.
1956970Paris, Maeght éditeur, 1955. In-folio (380 x 280 mm) broché, 78 pages. DEUX EAUX-FORTES ORIGINALES rayées de Joan Mirò et Alberto Giacometti. DEUX LITHOGRAPHIES ORIGINALES À DOUBLE PAGE de Joan Miro et de Marc Chagall. Lithographie de Jean Bazaine et bois gravé original de Raoul Ubac en couverture. Catalogue général des éditions Maeght de 1946 à 1956. Parfait état. 2 original etchings by Alberto Giacometti and Joan Miro. 2 original lithographs in color by Marc Chagall and Joan Miro on double-pages. Photographs and reproductions in back. A beautiful and complete copy.
1956971Paris, Maeght éditeur, 1955. In-folio (380 x 280 mm) broché, 78 pages + catalogue. 2 SUPERBES EAUX-FORTES DE MIRO ET GIACOMETTI tirées avec les cuivres rayés. LITHOGRAPHIES ORIGINALES EN COULEURS À DOUBLE PAGE de Joan Miro et de Marc Chagall. Lithographie de Jean Bazaine et bois gravé original de Raoul Ubac en couverture. DLM publié en décembre 1956. Texte de Georges Limbour. Nombreuses illustrations et reproductions en noir. Complet. ENGLISH : 2 original lithographs in color by Marc Chagall and Joan Miro on double-pages. Photographs and reproductions in back. A beautiful and complete copy.
1997113938Claude Duthuit 1997-01-01. hardcover. Like New. 15x10x2. Looks unread with just a touch of shelf wear massive hardcover in jacket illustrated throughout. Text predominately in French with limited English. oversized and overweight. C57 Please email for photos. Claude Duthuit hardcover
1958B-2022-1111Derrière le miroir N.107-108-109 June-July 1958 "Sur quatre murs" Paris. With 4 original lithographs by Miró Chagall Giacometti Tan-Coat. Texts by Léger Kandinsky Matisse Miró and Bazaine.<br />In very good conditions. Maeght Editeur
1945183455Paris: Éditions de la revue Verve 1945. Softcover. Good cover is soiled with some chipping small tears and nicks. Contents very clean except for mild soiling at extremities of sheets. Cover is torn along spine in two places but could be restored. Green lithographed thiin paper covers over boards. Title-page followed by two Porchoir prints by Matiss Title in cursive "de la Couleur HM" followed by La Chute d'Icaree pagination is discontinuous some pages numbered then many are not then numbered etc. Two pages of lithographed line drawings by Matisse beginning with pp. 57 of Angèle Lamotte. Title-page and lithographs are on Marais paper. A complete issue with noted faults. Green cover of dancing figure is paper cut-out was designed by Matisse and printed on horribly thin paper. Most all I have ever seen are defective in one way or another especially along the spine. This copy has the spine of the outer sheet in better than average condition and could be nicely restored. The green print is lightly soiled. "Le présent numéro de Verve . réunit des œuvres de Henri Matisse exécutées pendant ces quatre dernières années"--Page 4./ "Henri Matisse" by André Rouveyre: p. 35-55. Éditions de la revue Verve unknown books
16-6250Paris: Editions de la Revue Verve 1945. Folio 26 x 34.5 cm. with wrappers preserved. Lacking the pochoir La Chute d'Icare With the pochoir title page and 4 original lithographs including 2 still lifes and the 2 portraits of Angèle Lamotte on Marais. Green cover of dancing figure is paper cut-out designed by Matisse Duthuit Catalogue raisonné des ouvrages illustrés nos. 74 & 104. . Textes d'Adrienne Monnier. Illustré de 4 lithographies originales et 2 pochoirs en couleurs de Henri Matisse pour la couverture recto-verso le titre et le frontispice "La chute d'Icare" ainsi que de nombreuses reproductions en noir et en couleurs d'oeuvres de Matisse. Paris: Editions de la Revue Verve, 1945 unknown
1940510631Editions de la Revue Verve 1940. First Edition. Hardcover. FINE/NEAR FINE. First American Edition with tipped in 'Occupation of Paris' notice. Tall 4to 35.5cm. sewn binding in Henri Matisse-designed lighograph printed cover on black paper over cards often mistaken for the DJ itself with original brown kraft paper lithographed dust jacket. The dust jacket was often treated as a throwaway especially since it was taped over making it impossible to see the beautiful Matisse covers without tearing it; they are quite uncommonly seen. We have not attempted removing the dust jacket here though we have supplied a photograph from another copy showing the design. This is a unique opportunity to for a collector to have not only a copy of the book as issued with the jacket but a uniquely clean and fresh copy of the cover itself entombed within the protection of the jacket. The book itself is exceedingly clean and sharp. Illustrated throughout in color and black and white with contributions from Verve's usual suspects: Matisse Miro Picasso Rouault Braque and a spectacular center-fold lithograph by Pierre Bonnard. In spite of the statement in the 'Occupation notice that half the American edition was lost this is not a terribly scarce book -- perhaps because subscribers immediately recognized the significance of what it represented namely the destruction of the thriving modern art movement in France at the hands of the neo-classical obsessed Nazis. But the jacket and condition make this an uncommon survival. Editions de la Revue Verve hardcover
19908749new oversize pb expedited and international shipping not available- Waddington Graphics paperback
1953209055Paris France: Berggruen & Cie 1953. Softcover. Good transparent plastic has rips around edges wraps are dampstained at edges front and back. Minor foxing on title page otherwise pages are excellent. Color illustrated wraps in transparent plastic. ~ 20 pp. Many color illustrations. Includes invitation designed by Matisse small printing reproduced from a 1951 collage. "Matisse's wonderful discretion consists in making every effort made dissappear from his work to blur the tracks of its routing to erase all trace of the will to succeed so that the conclusion remains alone on the field of the painting light flower and spring water crystal. The work acquires a happy grace a racy finesse this spontaneity that gives us the essentials: the starting point of the artist his emotion.<br /> <br /> Matisse's art is at the antipodes of children's art whose spontaneity is only a natural raw material. He is also at the antipodes of the art of classical painters who by dint of subjecting their works to excessive and often conventional work lose most of what they have to tell us. Meeting the great primitives Matisse the extremely civilized regains their confident energy. His language rejuvenates the old words of painting which seeds brought back into virgin earths again manifest their presence." - translated from introduction. Berggruen & Cie paperback
