1 866 résultats
1939116855Paris Tériade 1939 1 vol. broché in-4, broché, couverture illustrée par Maillol. Numéro double consacré à "la figure humaine" avec des textes de Valéry, Gide, Paulhan, Reverdy, René Daumal, Michaux, Sartre... Photographies de Herbert List, Brassaï... Lithographies originales de Braque, Rouault, Léger, Bonnard, Matisse, Derain, Klee. Dos légèrement ridé, sinon très bon état.
194886581Couverture souple rempliée avec titre en rouge et noir. Illustré de 8 dessins hors-texte de Henri Matisse.
19652410250340xbvkParis, Librairie Académique Perrin, MCMLXV (1965). 25 sections of each 2 inserted loose doublesheets of thick paper 'Vélin Arjomari' (=200 pages in total) with 193 (2 +5) partly numbered pages of texts, autograph- and musical-score facsimiles and 28 mostly colour lithographs; first 4 and last 5 blank sheets included (of which the very first and the very last one is laid under the interior large flaps of the dustjacket). - Loose in cardboard-cover with titled cardboard-dustjacket in a gilt-titled strong half-leatherette folder with marbled panels which again is protected by the publishers stiff cardboard-slipcase with fullsize colour-lithographs by Marcelle Oury on both sides; Folio (ca. 32 x 25 x 6 cm; ca. 3 kg.).
2009002381Koln: Taschen 2009. Book. Fine. Hardcover. 2 volumes bound in cream cloth with mounted illustration in matching slipcase. The Jazz volume is a facsimile of the 1947 edition. Printed on 38 loose folded sheets in paper wrapper. Color plates and text in black & white. The Cut-Outs volume is illustrated with color plates some folding and black & white photographs. 334 pp. 395 x 295 cm. A very fine set almost as new in original publishers shipping box. Very heavy set may require extra postage. . Taschen Hardcover
19831609263C. Duthuit 1983. First Edition. hardcover. Used-Very Good. Cloth no dj. 2 vols. Slight shelf-wear. C. Duthuit unknown
1983035305Duthuit-Matisse, M & C Duthuit: Henri Matisse. Catalogue raisonnà de l'oeuvre gravà Ãtabli avec la collaboration de FranÃoise Garnaud. 2 vols. Paris: Claude Duthuit, 1983. 690 pages in all, with hundreds of illustrations. Hardback. 32x26cms. Text in French.
1983035305Duthuit-Matisse, M & C Duthuit: Henri Matisse. Catalogue raisonnà de l'oeuvre gravà Ãtabli avec la collaboration de FranÃoise Garnaud. 2 vols. Paris: Claude Duthuit, 1983. 690 pages in all, with hundreds of illustrations. Hardback. 32x26cms. Text in French.
19521269-CParis, Maeght éditeur, 1952. In-folio (762 x 560 mm) en trois feuilles. 9 DESSINS REPRODUITS EN LITHOGRAPHIE. Texte de Jean Bazaine : Clarté de Matisse. DLM édité pour la seconde exposition de dessins de MATISSE à la Galerie Maeght en mai 1952. Second tirage original tiré par l'Imprimerie Arte-Maeght. Exemplaire d'essai à plat en 3 feuilles non pliées, épreuves avec verso blanc. parfait état.
193737981Paris Hermann & Cie 1937. vo. 2 volumes both in the orig. printed wrappers both volumes uncut and partly unopened. Some wear to corners and edges w. a bit of loss vol. II missing part of lower spine. W. ownership signature Carnap the author's name partly erased and library marking that of Carnap on front wrappers. 44 1; 67 2 pp. One plate and several text-illustrations to volume II. <br/><br/><em>First edition presentation-copy for Rudolf Carnap of this overlooked but in its time important work on the question of the telos or final aim of physics and biology. The first volume is inscribed "A Monsieur Rudolf Carnap/ Hommage de/ Georges Matisse" on front free end-paper and both volumes carry the signature of Carnap in pencil on front wrappers. Although now largely forgotten Georges Matisse 1874-1961 was a prominent thinker and a remarkable scholar who was considered important and influential in his own time. He contributed with several publications to the fields of science and philosophy and all of them are considered solid and interesting. His most famous works consist in the thee-volume cycle "La philosophie de la nature" 1938 "Le Rameau vivant du monde" 1947-49 and "L'Incoherence universelle" 1953-56 all published by the Presses Universitaires de France. The present work is thus published before what can be considered his actual breakthrough and represents us with thoughts very much in vogue at the time.As the title indicates the present work discusses the question of the motion of the appearances of nature towards their final aim. "L'explication des phénomènes naturels par l'idée de causes finales qui les dirigent est fréquemment adoptee encore." Vol. I Introduction.The first part of the work demonstrates that certain general principles do not apply to all appearances or that these principles contain something totally different than that which the non-physic could expect. "Malheureusement Presque tous ceux qui emploient le langage téléologique pour conter les événements croient que la finalité constitue une explication scientifiquement valuable c'est-à-dire qui precise les conditions necessaries et suffisantes de genèse du phenomena." Vol. I Introduction.The second part deals with the appearances of the living nature. Matisse tries to show that neither the way that the organisms are built nor the functions of the organs can be explained as striving towards an aim. This is explained among other things by the fact that many developments in nature lead not to the perseverance of the individual or the species but on the contrary to the death of it.The work evoked somewhat of an interest in the field of philosophy of science and was viewed as a valuable contribution to the answering of questions that occupy a position on the border of philosophy and science. In his own time Matisse was considered important and influential within this field. He attended the famous "Congrès International de Philosophie Scientifique" in Paris in 1935 which was organized primarily by Carnap.The present work was written shortly after this congress and published shortly before the first part of his main work. Carnap seems to have read the introduction in which there are a few pencil-underlinings and he has probably been more interested in the general thesis against teleology and preformation as a scientifically valuable explanation of the phenomena of nature than in the more thorough explanation of his ideas.Matisse graduated in biophysics in 1918 in Paris but early on he became interested in mathematics physics and epistemology the three fields of which are united in this interesting treatise. </em> unknown
193737981Paris, Hermann & Cie, 1937. (vo. 2 volumes, both in the orig. printed wrappers, both volumes uncut and partly unopened. Some wear to corners and edges, w. a bit of loss, vol. II missing part of lower spine. W. ownership signature (Carnap), the author's name (partly erased and library marking (that of Carnap?) on front wrappers. 44, (1)" 67, (2) pp. One plate and several text-illustrations to volume II.
194721391Paris: Maeght Editeur 1947. First edition. Stiff Wraps. Orig. illustrated stiff wrappers. Near fine. Matisse Henri. 88 pages. 24 x 21 cm. Limited edition one of 950 this copy unnumbered. Cover in five colors one of two original lithographs and 14 portrait heliogravures. Front cover lithograph printed by Mourlot. Text by Rene Char and a host of others. Text in French. Bright fresh copy. Maeght Editeur unknown books
16-3783Paris: Revue Verve 1940. 4to. 26.5 x 35.5. Original wraps over boards good with slight tears at spine. French edition. Lithograph cover by Matisse printed by Mourlot after a gouache paper cut-out: La symphonie chromatique. Calendrier by Derain 23 pages; Coucher de Soleil sur la Méditerranée by Bonnard. Paris: Revue Verve, 1940 paperback
198857663ABParis, Duthuit, 1988. 32,3x26 cm. Reliure pleine toile.
19402236Les Éditions de la Revue Verve, Paris 1940-1949. 8 volumes in-folio (36 x 26,5 cm) brochés sous couvertures rempliées illustrées : - n° 7 (1940). Les très riches heures du Duc de Berry. - n° 9 (1943). Les Fouquet de la Bibliothèque Nationale. - n° 10 (1943). Les très riches heures du Duc de Berry. - n° 11 (1945). Les Fouquet de Chantilly (Vie de Jésus). - n° 12 (1945). Les Fouquet de Chantilly (La Vierge et les Saints). - n° 14-15 (1946). Les Heures d'Anne de Bretagne. - n° 16 (1946). Le Livre des tournois du roi René. - n° 23 (1949). Le Livre du Cœur d’Amour épris du Roi René (Couverture composée spécialement par Henri Matisse). Environ 130 reproductions en couleurs imprimées par Draeger avec rehauts or, la plupart contrecollés. Exceptionnelle réunion complète en excellent état.
242086415Taschen. GF665 2009 2 hardcovers is slipcase very good condition <p><b>A perfect facsimile of Jazz a 20th century masterpiece<br><br> </b><i>This two-volume edition includes a perfect facsimile of Matisse's seminal cut-out work: </i>Jazz<i>. At last readers can experience Jazz</i><i> as if holding the 1947 original.</i><br><br> The reputation of <b>Henri Matisse 1869–1954</b> as the most important artist of the modern era is rivaled only by Picasso—who himself said ""All things considered there is only Matisse."" Towards the end of his monumental career as a painter sculptor and lithographer an elderly sickly Matisse was unable to stand and use a paintbrush. So at almost 80 years of age he developed a new technique: he drew shapes on colored paper cut them out and pasted them together. These <i>gouaches decoupées</i><b> </b>gouache cut-outs represented <b>a revolution in modern art</b> yet their simplicity was dismissed by many critics as the folly of a senile old man. Later critics realized that <b>Matisse had found a brilliant solution to the age-old conflict between line and color</b>—one that would profoundly influence generations of artists to come.<br><br> <b>Printed in exactly the same colors using paper and inks similar to</b> <b>the</b><b> 1947 edition</b> the facsimile volume allows readers to experience <b><i>Jazz</i></b> in its original unbound form. <b><br> Printed in 18 colors on a small offset press 4 pages at a time to obtain the highest fidelity to the original<br> Printed on Old Mill in 190 g/m² from Italian paper mill Fedrigoni. This paper is of archival quality and has a felt-like softness much like handmade paper<br> As with the original this reprint is unbound and folded in signatures of 4 pages. It is protected by a French folded jacket and a hard-backed cover<br><br> The second volume provides a thorough historical context to Matisse's cut-outs</b> tracing their genesis in his 1930 trip to Tahiti through to his final years in Nice. Also included are other pivotal works from his later career including his contributions to <i>Verve</i> magazine and his exquisite decoration of the Vence Chapel. <b>Includes rare and historic photographs</b> by Matisse taken in Tahiti as well as <b>photos of Matisse by Henri Cartier-Bresson </b><b>Brassaï</b> and the filmmaker <b>Murnau.</b> The text is supplemented by <b>quotations from Matisse Picasso E. Tériade </b>the publisher of <i>Jazz</i> and <i>Verve</i> the poets Louis Aragon Henri Michaux and Pierre Reverdy and Matisse's son-in-law Georges Duthuit.<br> </p> Taschen hardcover
055531Paris Musée des Arts Décoratifs 1961 in 8 (24,5x18,5) 1 volume broché, couverture à rabats illustrée, 74 pages [1], avec de nombreuses illustrations, dont 13 gouaches découpées reproduites en couleurs par Mourlot (3 sur double-page). La maquette et l'impression ont été réalisées par Mourlot. Première édition (First edition). Très bel exemplaire
1939116857Paris Tériade 1939 1 vol. broché in-4, broché, couverture illustrée par Maillol. Edition anglaise de ce numéro double avec des textes (en anglais) de Valéry, Gide, Paulhan, Reverdy, René Daumal, Michaux, Sartre... Photographies de Herebert List, Brassaï... Lithographies originales de Braque, Rouault, Léger, Bonnard, Matisse, Derain, Klee. Dos légèrement ridé, sinon très bon état.
1939116857Paris Tériade 1939 1 vol. broché in-4, broché, couverture illustrée par Maillol. Edition anglaise de ce numéro double avec des textes (en anglais) de Valéry, Gide, Paulhan, Reverdy, René Daumal, Michaux, Sartre... Photographies de Herebert List, Brassaï... Lithographies originales de Braque, Rouault, Léger, Bonnard, Matisse, Derain, Klee. Dos légèrement ridé, sinon très bon état.
192045202Munich: Kurt Wolff Verlag 1920. First edition. Very good plus. Second year in a single bound volume of the Expressionist journal of the visual and literary arts with the scarce original lithographs and woodcuts by Masereel and others. The second two-book volume of the ambitious and influential Expressionist annual founded by Heise and Mardersteig who met as university students. To satisfy publisher Kurt Wolff half of each volume was dedicated to "poetry and humanity" the remainder given over to contemporary visual art and critical reaction. Among the contributors to this lavishly illustrated second volume are Rabindranath Tagore Franz Werfel Anatole France; Nele van de Velde Ernst Bloch and Ernst Josephson; plates include original lithographs and woodcuts by Karl Schmidt-Rottluff Frans Masereel Max Kaus Georg Erlich Erich Heckel and André Rouveyre. 14'' x 10.5''. Quarter vellum with gilt-stamped red paper boards red and gilt paper label mounted to spine. Plates in color and black and white tipped in to both volumes; all plates present and corresponding to index including original prints. 332 pages. Moderate edgewear to boards. Faint foxing to endpapers; previous owner's name in pen to title page. Kurt Wolff Verlag unknown
1939245499Paris: Verve 1939. First. unbound. near fine. Matisse Henri. An original full color lithograph after a painting by Matisse. Published in Paris for Verve and printed by Mourlot Freres. Sheet measures 13.75 x 10.375 inches printed with 1 inch margins. Paris: Verve 1939. A near fine bright copy.<br/><br/> Verve was founded in 1937 as a showcase for work by the day's best artists produced by the finest printers. This piece was printed in Volume 2 numbers 5-6.<br/><br/> Verve unknown books
1939140940302Paris 1939. First Edition. Near Fine. No. 4 January-March. Folio. Bound in publisher's beautifully illustrated wraps in publisher's original two-piece box with top covered in textured silver foil; complete with all lithographs present. Text in English. Near Fine with crease to spine and light general wear. Box is Good or better with some split seems tears and a bit of material missing at the flaps. A beautiful production. unknown books
1945183456Paris: Éditions de la revue Verve 1945. Softcover. Good internally covers are very soiled with much loss chipping tears and nicks. Contents clean except for mild soiling at extremities of sheets and a few small dog-eared sheets including the last lithograph at the rear. Covers are a total loss sold for the contents only. Green lithographed thiin paper covers over boards. Title-page followed by two Porchoir prints by Matiss Title in cursive "de la Couleur HM" followed by La Chute d'Icaree pagination is discontinuous some pages numbered then many are not then numbered etc. Two pages of lithographed line drawings by Matisse beginning with pp. 57 of Angèle Lamotte. Title-page and lithographs are on Marais paper. A complete issue with noted faults. Green cover of dancing figure is paper cut-out was designed by Matisse and printed on horribly thin paper. Most all I have ever seen are defective in one way or another especially along the spine. This copy's cover is a total loss."Le présent numéro de Verve . réunit des œuvres de Henri Matisse exécutées pendant ces quatre dernières années"--Page 4./ "Henri Matisse" by André Rouveyre: p. 35-55. Éditions de la revue Verve unknown books
51-6492Paris: Revue Verve1958. Loose printed orange board cover with repaired spine. 36.7 x 26.5 cm. with separate text block. Paris: Revue Verve,1958 unknown
1958W2438Paris: Teriade 1958. Original color lithograph after a Matisse cut-out that was one of a series of blue nudes and one of the artist's final works. Signed in the stone. The lithograph was drawn under the supervision of Matisse who signed only a few of the stones--it has been reported that he signed only those that especially pleased him. This lithograph was completed prior to Matisse's death in 1954 but published in its first and only edition in the deluxe French art review Verve in 1958. There was not a pencil-signed edition. The image is 10 1/4 inches by 9 1/4 inches inches on a sheet of wove paper that is 13 1/2 inches by 9 3/4 inches. The lithograph is clean and bright. Now archivally matted in an off-white passe-partout. First Edition. Single Sheet. Fine. Illus. by Henri Matisse. 10 1/4 inches by 9 1/4 Inches. Fine Art Print. Teriade
16-6278Paris: Editions de la Revue Verve 1937. Small foliio. 26.5 x 36cm. Original wraps. with design by Braque.Very good. Book block detached frof spine but attached to back cover.The Four Elements Water -- Lithograph by Fernand Leger;A Few Reflections on the Disappearance of the Subject in Sculpture and Painting by Andre Gide;The Four Elements Air -- Lithograph by Joan Miro;Henri Matisse's Aviary in His Paris Studio: Photographic Documents by Brassai;Celestial Tresses: Photographs by Man Ray Blumenfeld and Cartier;Van Gogh as Prometheus by Georges Bataille;Le Bal des Sauvages: Fragments of a Fifteenth Century Tapestry;Reality in Eighteenth Century painting by Rene Huyghe;Four Pages of Colored Reproductions: includes Watteau Detroy Corot Delacroix Courbet David These pictures were shown at the Exhibition of the Masterpieces of French Art at the Palais National des Arts Paris 1937.;The Blood of the Martyrs by Maurice Heine: Documents relating to the assassinations of Marat and Le Pelletier; rThe Four Elements Fire -- Lithograph by RattnerFire by John Dos Passos;Murder by Federico Garcia LorcaGuernica by Picasso: Photographed by Dora Maar in Picasso's studio. Paris: Editions de la Revue Verve, 1937 paperback