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1938172244London: Rosenberg & Helft Ltd 1938. First edition. Softcover. 12 pages. Exhibition catalog for a group show that ran March 16 through April 14 1938. Includes 5 black and white illustrations and a checklist. A near fine copy in stapled wrappers with some very minor wear. Uncommon. Rosenberg & Helft, Ltd unknown books
120060Paris, Editions Gallimard 1991, 220x160mm, 131pages, broché. Couverture à rabats. Très bel exemplaire.
0810925338.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
2024213902Saint-Paul-de-Vence: Fondation Marguerite Et Aime Maeght 2024. Hardcover. As new. Quarto. Hardcover. Illustrated boards. 375 pages : illustrations chiefly color facsimiles portraits ; 26 cm. Text in French and English. Catalog of an exhibition held at the Fondation Marguerite et Aimé Maeght Saint-Paul-de-Vence France June 29-October 6 2024./ Includes bibliographical references. Fondation Marguerite Et Aime Maeght hardcover
242086415Taschen. GF665 2009 2 hardcovers is slipcase very good condition <p><b>A perfect facsimile of Jazz a 20th century masterpiece<br><br> </b><i>This two-volume edition includes a perfect facsimile of Matisse's seminal cut-out work: </i>Jazz<i>. At last readers can experience Jazz</i><i> as if holding the 1947 original.</i><br><br> The reputation of <b>Henri Matisse 1869–1954</b> as the most important artist of the modern era is rivaled only by Picasso—who himself said ""All things considered there is only Matisse."" Towards the end of his monumental career as a painter sculptor and lithographer an elderly sickly Matisse was unable to stand and use a paintbrush. So at almost 80 years of age he developed a new technique: he drew shapes on colored paper cut them out and pasted them together. These <i>gouaches decoupées</i><b> </b>gouache cut-outs represented <b>a revolution in modern art</b> yet their simplicity was dismissed by many critics as the folly of a senile old man. Later critics realized that <b>Matisse had found a brilliant solution to the age-old conflict between line and color</b>—one that would profoundly influence generations of artists to come.<br><br> <b>Printed in exactly the same colors using paper and inks similar to</b> <b>the</b><b> 1947 edition</b> the facsimile volume allows readers to experience <b><i>Jazz</i></b> in its original unbound form. <b><br> Printed in 18 colors on a small offset press 4 pages at a time to obtain the highest fidelity to the original<br> Printed on Old Mill in 190 g/m² from Italian paper mill Fedrigoni. This paper is of archival quality and has a felt-like softness much like handmade paper<br> As with the original this reprint is unbound and folded in signatures of 4 pages. It is protected by a French folded jacket and a hard-backed cover<br><br> The second volume provides a thorough historical context to Matisse's cut-outs</b> tracing their genesis in his 1930 trip to Tahiti through to his final years in Nice. Also included are other pivotal works from his later career including his contributions to <i>Verve</i> magazine and his exquisite decoration of the Vence Chapel. <b>Includes rare and historic photographs</b> by Matisse taken in Tahiti as well as <b>photos of Matisse by Henri Cartier-Bresson </b><b>Brassaï</b> and the filmmaker <b>Murnau.</b> The text is supplemented by <b>quotations from Matisse Picasso E. Tériade </b>the publisher of <i>Jazz</i> and <i>Verve</i> the poets Louis Aragon Henri Michaux and Pierre Reverdy and Matisse's son-in-law Georges Duthuit.<br> </p> Taschen hardcover
19451188271945 Editions Braun & Cie, Collection "Couleurs des maîtres" - 1945 - Grand in-8, cartonnage toilé, titre sur le premier plat - Sans pagination - 24 planches hors-texte en couleurs + une illustrations contre collée avant la page de titre
19601757Morancé, Paris, 1960. Un volume in-folio (39,5 x 29 cm) en feuilles. 15 pp. + XXXII feuillets sous portfolio cartonné toilé à rabats, jaquette illustrée en couleurs. Nouvelles sculptures et plaques gravées présentées par Christian Zervos. 32 planches en noir et en couleurs reproduisant les œuvres de Georges Braque. 1 DES HUIT EXEMPLAIRES HC COMPRENANT UNE SUPERBE EAU-FORTE ET AQUATINTE EN COULEUR JUSTIFIÉE ET SIGNÉE AU CRAYON PAR GEORGES BRAQUE, lettrés de A à H sur 8. Et parmi ceux-ci l'exemplaire d'Albert Morancé, l'éditeur, avec la gravure EN TROIS ÉTATS de couleur : rose, violet et bleu. Une belle lettre de Braque adressée à Morancé, au sujet du travail de la gravure pour l'album de tête, est insérée dans le portfolio.
27528Paris, novembre 1920 - septembre 1921, 6 vol. in-8, brochés, couvertures rempliées, non rognés. Textes de Larbaud, Léautaud, Salmon, Jules Romains, Fénéon, Léon Werth, Charles Vildrac, etc. Dessins de Marie Laurencin, Matisse, Bonnard, Signac, Renoir, Derain, Dufy, Dunoyer de Segonzac, Friesz, Vlaminck, Maillol, Marquet, Grosz, etc. Année complète en tirage de luxe, chaque volume étant l'un des 50 exemplaires tirés sur torchon de Hollande, à toutes marges et en parfait état intérieurement (couvertures légèrement poussièreuses).
27528Paris, novembre 1920 - septembre 1921, 6 vol. in-8, brochés, couvertures rempliées, non rognés. Textes de Larbaud, Léautaud, Salmon, Jules Romains, Fénéon, Léon Werth, Charles Vildrac, etc. Dessins de Marie Laurencin, Matisse, Bonnard, Signac, Renoir, Derain, Dufy, Dunoyer de Segonzac, Friesz, Vlaminck, Maillol, Marquet, Grosz, etc. Année complète en tirage de luxe, chaque volume étant l'un des 50 exemplaires tirés sur torchon de Hollande, à toutes marges et en parfait état intérieurement (couvertures légèrement poussièreuses).
193176530Paris: Cahiers d'Art 1931. Soft cover. Very good/No jacket. Drawer 4. Special 1931 issue of French artistic and literary journal "Cahiers d'Art" featuring works by Henri Matisse and articles by Christian Zervos and others. Cahiers d'Art unknown
1926003690Paris Zervos 1926 In-4 Broché Ed. originale
1938004466Paris Zervos 1938 In-4 Broché Ed. originale
199243223Cahiers d'art Jaquette en très bon état Couverture rigide toile Paris 1992
1480Éditions Cahiers d'Art, Paris, 1952. Un volume broché (24,5x32,5 cm) de 98 pp. Un coup en bas du dos et légère déchirure en haut du dos, sinon bon état.Julio Gonzalez, Miro, Paalen, Matisse, Chagall, Bram Van Velde, Faux tableaux Picasso Matisse. Belles planches pour les dessins de Matisse, ainsi que pour les dessins rituels et ésotériques (Oskar Goldberg).
1480Éditions Cahiers d'Art, Paris, 1952. Un volume broché (24,5x32,5 cm) de 98 pp. Un coup en bas du dos et légère déchirure en haut du dos, sinon bon état.Julio Gonzalez, Miro, Paalen, Matisse, Chagall, Bram Van Velde, Faux tableaux Picasso Matisse. Belles planches pour les dessins de Matisse, ainsi que pour les dessins rituels et ésotériques (Oskar Goldberg).
1930ART971210Bruxelles, Cahiers de Belgique, mars 1930, 21 x 29, 40 pages cousues sous couverture illustrée. Au sommaire : "Creten-Georges" par Georges Marlier; "Le soixantenaire d'Albert Roussel" par Arthur Hoerée; "Albert Roussel" par J. Weterings; "Henri Matisse" par Fritz Neugass; "Notes du mois". Iconographie &b.
1910018673New York NY: Alfred Stieglitz 1910. Book. Very good- condition. Paperback. First Edition. Quarto 4to. 48 pages of text followed by xiv of advertisements. The overhanging yapped edges of the original printed gray wrappers/covers are mostly lacking as is commonly found. The spine is mostly intact but suffers from chipping to the extremities and thin lines of vertical cracking; protected in archival mylar. There is cracking to the textblock remaining intact but delicate. Issued with 5 plates by J. Craig Annan 2 plates by Henri Matisse one plate by Gordon Craig and one plate by Clarence H. White; COMPLETE. Includes an additional small plate tipped-in on the final page of advertisement by Alvin Langdon Coburn which is an advertisement for his book "New York". Except as described below the plates are clean and are free from creasing foxing spotting toning and damage; minimal offsetting to the blank pages facing each plate. Except as described below the original double spot-mounts of each image and the original double spot-mounts of each mounting page remain intact. Plate I. East & West. II. Man Sketching. III. Harlech Castle. IV. Bolney Backwater. V. The White House - image detached. I. Matisse Photogravure of Drawing - image detached. II. Matisse Photogravure of Drawing. I. Craig Ninth Movement - minor paper defect to bottom margin of print not affecting the image. I. White Alvin Langdon Coburn and His Mother. Associate editors include Joseph T. Keiley Dallet Fuguet J.B. Kerfoot and Paul B. Haviland. First edition. Alfred Stieglitz Paperback
1910018673New York NY: Alfred Stieglitz 1910. Book. Very good- condition. Paperback. First Edition. Quarto 4to. 48 pages of text followed by xiv of advertisements. Original printed gray paperback binding is chipped along the edges with the spine cracked and chipped with minor creasing and soiling; protected in archival mylar. Issued with 5 plates by J. Craig Annan 2 plates by Henri Matisse one plate by Gordon Craig and one plate by Lawrence H. White; COMPLETE. Includes an additional plate tipped-in on the final page of advertisement by Alvin L. Coburn advertising his book "New York". Associate editors include Joseph T. Keiley Dallet Fuguet J.B. Kerfoot and Paul B. Haviland. First edition. Alfred Stieglitz Paperback books
1987162193New York: Pierre Matisse Gallery 1987. Softcover. VG. Glossy black wraps 30 pp. 22 BW and color illus. Issued in conjunction with a 1987 exhibition of artwork by four Spanish painters: Rafael Canogar b. 1935 Manolo Millares 1926-1972 Manuel Rivera 1927-1995 and Antonio Saura 1930-1998. Open with the manifesto of the El Paso group from 1957. The exhibition checklist cites 22 pieces and each one is pictured here. Includes brief bios of the artists. Rare. Pierre Matisse Gallery unknown books
605469Paris, le club français du livre, 1962. In-8 carré, en feuilles, sous chemise et étui, [6]-82-[7] ff., illustré de 15 dessins de Matisse, texte en noir ou en rouge, français et latin. Edition hors commerce à tirage limité et numéroté sur grand papier pur fil du Marais, (n°644).
18953Paris, Le Club français du Livre, 1962. In-8, non paginé, en feuilles, couverture originale imprimée, étui éditeur cartonné (petits frottements et taches à l'étui).
29863Paris, Le Club Français du Livre, 1962. Grand in-8 (20 x 23,5 cm), en ff, couverture rempliée, non paginé, ex à grandes marges (non rogné). Etui. Texte latin imprimé en rouge en regard du texte français imprimé en noir.
ORD-9654Selon la Vulgate. Traduit par Claude GRÉGORY, quinze dessins par Henri MATISSE. Paris. Le Club Français du Livre. 1962. In-4 (205 x 235mm) en feuilles sous chemise et étui, texte en latin en rouge avec traduction française en noir en regard. Etui un peu sali, rousseurs insignifiantes sur les pages du premier et du dernier cahier (justificatif), sinon bel exemplaire dans son état d'origine. (2).
REL215C601962 / 90 pages. Broché en feuilles a grande marge. Avec son étui. Editions Le Club Français du Livre. Illustré de 15 dessins de Matisse.
