687 résultats
2005MATISSE ROUGE<p>9782912257246 TRES BON ETATvoire comme neuf pour interieur<br />Édition limitée. tres bon etat voir comme neuf pour les feuillets legeres traces sur coffret rouge.edition 2005 .Jazz Henri Matisse book New edition of Jazz by Henri Matisse in July 2005. 156 pages. Format 16.14 x 12.59 x 2.55 inches. New book. Edition printed in 1300 unnumbered copies. This facsimile was made from copy no. 169 of the original edition of Jazz by Henri Matisse Tériade publisher Paris 1947. The book Jazz presents the twenty or so lithographs made by Henri Matisse in 1947 for Tériade. These gouache and cut-out papers are accompanied by handwritten and calligraphed reflections and essays by two specialists of the artist. Binding: Presentation in the form of four-page sheets in a red canvas box that will allow this exceptional work to be preserved intact and protected from time. Presentation texts by Dominique Szymusiak curator of the Matisse Museum in Cateau-Cambrésis. Printing of the 20 plates in lithography. Paper: Velin BKF Rives 250 g specially manufactured for this edition by Antalis. Printing Arts Litho-Stéphane Guilbaud under the direction of Claude Draeger and Mario Ferreri. A painter s book: First complete work designed in gouache and cut-out papers by Matisse Jazz is the most accomplished painter s book. The set of plates in colors bright and violent is accompanied by handwritten calligraphed reflections by the artist a perfect harmony of text and image. This work was produced thanks to the collaboration and obstinacy of two men: Matisse and Tériade. First leader of Fauvism a movement characterized by the primacy of pure and violent colors Henri Matisse stands o A NOTER RESTRICTION ENVOI POUR CERTAINS PAYS DUE A CONTEXTE POLITIQUE ET ARNAQUES SUR ADRESSES.ME DEMANDER AVANT ACHAT.///// PLEASE NOTE SHIPPING RESTRICTIONS FOR CERTAIN COUNTRIES DUE TO POLITICAL CONTEXT AND ADDRESS SCAMS.ASK ME BEFORE PURCHASE. /// PLEASE READ CAREFULLY DUE TO NEW CUSTOMS CONDITIONS PLEASE allow between 14 and 30 days for france and UE and 20 to 50 DAYS for WORLDWIDEspecifically USA for deliveryno shipping to po box or similarEXTRA pour expedition internationale a cout reel EXTRA COST at real cost for internationalexemple for Id.America north and southasiaAustralialess than 2 kilos total shipping cost 50 euroslees than 5 kilos 75less than 10 kilos 135 euros less than 15 kilos 199 ASK me before for details ASK me for exact shipping costheavy book near 10 kilosno shipping to po box or similarNO RETURNsent with tracking and signatureplease allow 2/4 weeks for deliveryPREFERABLY PAYPAL OR WIRE for payment.</p> ANTHESE hardcover
42438New York George Braziller 1985. 4° 146 S. farb. Abb. Brosch. Tadell. Amerikanische EA. Einleitung von Riva Castleman. Strache: engl.- By 1947 Matisse in his seventies and suffering poor health much preferred the act of cutting forms from painted paper to drawing or painting. It was his intention to use this assemblage technique to illustrate a collection of poems. This book features Matisse's notes written with a paintbrush in looping letters. 010 New York, George Braziller, 1985 unknown
1983Alibris.0017489New York NY: George Braziller. 1983. Hard cover. Good in good dust jacket. Some edge wear to jacket edges at top and bottom of spine. Book is VG. Wear to slipcase. Text in French English. 146 p. Audience: General/trade. . George Braziller hardcover
51-5874Paris: Tériade 1950. 2 page lithograph on Arches. 41 x 26.2cm Pages 47 & 48. Duthuit Catalogue raisonné des ouvrages illustrés no. 28. p. 236 Paris: Tériade, 1950 unknown
2013106981Bernard Chauveau Éditeur. New. 2013. Paperback. 2363060989 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened - Text in English and French with portions in French only. -- with a bonus offer-- . Bernard Chauveau Éditeur paperback
aly2348New York: Pierre Matisse Gallery 1978. Exhibition Catalogue. 4to. unpaginated. few illus. mostly b/w. wrs New York: Pierre Matisse Gallery, [1978] unknown
16-6412Paris: Arts du Monde - Librairie Hachette Paris 1954. 4to. 22.5 x 31cm. Original red cloth cover by Matisse. Lithographed frontispiece created for this work by Picasso "La Danseuse" Bloch 767; Mourlot 259;: light foxing at top of the lithograph.415 text illustrations many tipped-in and/or folding color plates some after Léger Miró Bakst among others. . .Goeppert Goeppert-Frank and Cramer. Pablo Picasso: The Illustrated Books. Catalogue Raisonné no. 68. OCLC Number / Unique Identifier:977664915. Paris: Arts du Monde - Librairie Hachette, Paris, 1954 hardcover
199328120Cerf 1993 hardback book in very good to near fine conditiondust jacket is finein frenchhas pocket on last blank pageNOT ex-libfine otherwiseerrata slip tipped in on first blank page. 1st Edition. Hardcover. Very Good/Near Fine. Cerf hardcover
19936634Cerf 1993. Hardback in fine condition with fine dust jacket. Hardcover. Fine/Fine. Cerf Hardcover
19491409055Nice: La Diane Française 1949. Signed First Edition #282/300. Softcover. Octavo 5 509 7 pages. In Very Good condition. Housed in moderately worn tan cloth slip case. Bound in publisher's soft paper covers with black and red lettering to spine. Both slip case and book protected with clear plastic dust jackets. Mild general shelf wear to covers. Textblock uncut. Light foxing to edges. Original lithograph tipped in at title page signed and numbered in pencil by Matisse 282/300. "282" stamped on copyright page. Shelved in Case 4. Henri Marie René Leriche 1879-1955 was a famous French vascular surgeon and physiologist with two syndromes and other medical terms named after him. Leriche appreciated the arts and counted Henri Matisse as both friend and patient. 1409055. Shelved Dupont Bookstore. La Diane Française unknown
1996PMV527601AParis: Réunion des musées nationaux / diff. Seuil 1996. Trade paperback. Very good/Not issued. 238 x 300 x 14 cm. Paperback • Illustrations en noir et en couleurs couverture illustrée en couleurs • <b><i>French text original</i></b> • Printed 1996 • No inscriptions. Réunion des musées nationaux / diff. Seuil paperback
1R346King & McGaw UK 1995. Blattmaß: ca. 278 x 35 cm hinter Glas im rot-goldfarbenen Jugendstil-Holzrahmen mit floralen Ornamenten Rahmen mit Gebrauchsspuren. unknown
63-5365Verviers Belgium: Society Royale des Beaux-Arts 1950. 8vo. 39 pp. Soft covers with Dust Jacket Good with minor losses tears minor staining to DJ & end papers covers detached. Black and white plates. Text in French.From The Library of Herschel Chipp. Verviers, Belgium: Society Royale des Beaux-Arts, 1950. paperback
193737981Paris Hermann & Cie 1937. vo. 2 volumes both in the orig. printed wrappers both volumes uncut and partly unopened. Some wear to corners and edges w. a bit of loss vol. II missing part of lower spine. W. ownership signature Carnap the author's name partly erased and library marking that of Carnap on front wrappers. 44 1; 67 2 pp. One plate and several text-illustrations to volume II. <br/><br/><em>First edition presentation-copy for Rudolf Carnap of this overlooked but in its time important work on the question of the telos or final aim of physics and biology. The first volume is inscribed "A Monsieur Rudolf Carnap/ Hommage de/ Georges Matisse" on front free end-paper and both volumes carry the signature of Carnap in pencil on front wrappers. Although now largely forgotten Georges Matisse 1874-1961 was a prominent thinker and a remarkable scholar who was considered important and influential in his own time. He contributed with several publications to the fields of science and philosophy and all of them are considered solid and interesting. His most famous works consist in the thee-volume cycle "La philosophie de la nature" 1938 "Le Rameau vivant du monde" 1947-49 and "L'Incoherence universelle" 1953-56 all published by the Presses Universitaires de France. The present work is thus published before what can be considered his actual breakthrough and represents us with thoughts very much in vogue at the time.As the title indicates the present work discusses the question of the motion of the appearances of nature towards their final aim. "L'explication des phénomènes naturels par l'idée de causes finales qui les dirigent est fréquemment adoptee encore." Vol. I Introduction.The first part of the work demonstrates that certain general principles do not apply to all appearances or that these principles contain something totally different than that which the non-physic could expect. "Malheureusement Presque tous ceux qui emploient le langage téléologique pour conter les événements croient que la finalité constitue une explication scientifiquement valuable c'est-à-dire qui precise les conditions necessaries et suffisantes de genèse du phenomena." Vol. I Introduction.The second part deals with the appearances of the living nature. Matisse tries to show that neither the way that the organisms are built nor the functions of the organs can be explained as striving towards an aim. This is explained among other things by the fact that many developments in nature lead not to the perseverance of the individual or the species but on the contrary to the death of it.The work evoked somewhat of an interest in the field of philosophy of science and was viewed as a valuable contribution to the answering of questions that occupy a position on the border of philosophy and science. In his own time Matisse was considered important and influential within this field. He attended the famous "Congrès International de Philosophie Scientifique" in Paris in 1935 which was organized primarily by Carnap.The present work was written shortly after this congress and published shortly before the first part of his main work. Carnap seems to have read the introduction in which there are a few pencil-underlinings and he has probably been more interested in the general thesis against teleology and preformation as a scientifically valuable explanation of the phenomena of nature than in the more thorough explanation of his ideas.Matisse graduated in biophysics in 1918 in Paris but early on he became interested in mathematics physics and epistemology the three fields of which are united in this interesting treatise. </em> unknown
1947146792Paris: Éditions du Bélier 1947. With an original lithograph signed by Matisse First edition first printing. No. 33 of 35 copies on Velin teinte Malacca paper with the frontispiece signed in pencil by Matisse. Franz Thomassin who wrote under the pseudonym Franz Villier was a neighbour of Matisse in Vence. Text in French. Octavo. Original lithograph frontispiece on China paper by Matisse. Sheet size: 19.4 x 14.3 cm. Original white wrappers titles to front cover and spine in black. Housed in a black cloth flat-back box by the Chelsea Bindery. Excellent condition. Dutuit 18 hardcover
0243480180.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
0332327019.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
71975Neuchâtel Ides et Calendes 1945. Gr.8° mont. Frontispiz 55 S. Brosch. m. Deckelill. Umschlag lichtrandig Papier gebräunt. Unaufgeschnittenes Ex. EA. Ex. Nr. 120. 010 Neuchâtel, Ides et Calendes, 1945 unknown
114615Paris Fontaine 1947. . Limited edition one 65 copies on Johannot laid paper this numbered xxxiii with a linocut frontispiece signed in pencil 4to 26 x 19 cm; signed by René Char in blue in ink on the justification partially uncut; original printed wrappers with some striped age toning<br /> One of the 65 deluxe copies on Johannot wove with the signed linocut by Matisse.<br /><br />René Char approached Matisse in the spring of 1946 to create a frontispiece for this collection of poetry. The publisher initially misunderstood the nature of the illustration but Matisse insisted that it would be an original engraving not a reproduction: 'my intention is to show René Char more than a simple tribute'. The woman depicted by Matisse is that of Lucienne Bernard widow of the poet Roger Bernard to whom the author pays homage in the eleventh poem of the collection entitled 'Affres détonation silence'.<br /> Paris, Fontaine, 1947. unknown
197284346Neuchâtel & Paris: Ides et Calendes 1972. Fine. Ides et Calendes Neuchâtel & Paris 1972 14.50 x 19.50 cm relié First edition one of 300 numbered copies on handmade vellum the only deluxe copies. Work illustrated with a vignette by Henri Matisse on the cover. Half navy blue morocco binding with corners spine with five raised bands lightly faded gilt date at foot pebbled paper boards combed paper endpapers and pastedowns covers and spine preserved top edge gilt binding signed Devauchelle. Handsomely bound copy. Ides et Calendes hardcover
194256034Lausanne Switzerland: Marguerat. As New. 1942. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - Text in French. 126 p. Illus. part col. 17cm. -- with a bonus offer-- . Marguerat paperback
3540138358.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
3540546847.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
192028173Paris: Les Cahiers d'aujourd'hui 1920. Fine. Les Cahiers d'aujourd'hui Paris novembre 1920 19 x 25.50 cm broché First edition. Contributions by Léon Werth Régis Gignoux André Billy on Paul Léautaud Marcel Ray on Georges Grosz Ernest Tisserand René Arcos George Besson. Copy enhanced with sketches by Raoul Dufy Dunoyer de Segonzac Albert Marquet Henri Matisse George Grosz Renoir etc. Two slight tears at head and foot of spine handsome interior condition. Les Cahiers d'aujourd'hui unknown
1913013444Paris: George Besson Publisher 1913. Wraps. Good. Beige printed wraps. All text in French. With black and white line drawings by Henri Matisse and George Marquet throughout. A single issue of this magazine devoted to art and literature including a piece by Walt Whitman art by Henri Matisse an essay on Matisse etc. GOOD condition. Small area of pinkish staining to the lower front cover with minor soiling and staining to the covers in general. Corners and extremities with some creasing and curling. Minor toning in the interior with heavy brown offsetting to two pages at the beginning of the Matisse article. George Besson, Publisher unknown