980 résultats
1948MATISSEH022955Revue Verve Paris. 1948. First edition. Folio. Unpaginated. Boards covers with decorative paper designed by Matisse. The entire issue is devoted to Matisse's work at Vence with colour reproductions of the paintings. The numerous line drawings of plant forms were made especially for this volume. After the title-page is the colour lithograph which one sees on the market having been detached from the book.Covers marked stained and rubbed with scuffs to head and tail of spine and corners. The exterior is less than prepossessing but internally fine. Revue Verve, Paris. hardcover
193811642<p>Verve. Paris. 1938 1939. FOLIO. 14.1 x 10.4 inches. Two issues bound in one hardback volume. Fully illustrated throughout with drawings paintings and photographs these 2 numbers contain original full colour lithographs by Chagall Miro Rattner Klee Matisse & Derain. The two issues have been bound into one hardbound volume and the binding has been beautifully hand painted in acrylic and oils with an abstract design including the volume title to both the boards and the spine by noted Neo-Expressionist American painter Gaylen Hansen. There is some rubbing to the edges and one small split to the outer edge of the front board without loss which has been strengthened to the inside with clear tape but generally the book is in very good condition. Included with the volume is a fine hardback copy of the fully illustrated book issued in 2007 to accompany the retrospective exhibition "Gaylen Hansen: Three decades of Paintings" at the Seattle Art Museum October 2007 - January 2008 and Salt Lake City Art Center February - April 2008.</p> Verve. Paris. 1938 1939 hardcover
19483112347Paris: Revue Verve. Very Good in Near Fine dust jacket. 1948. First Edition; First Printing. Hardcover. Close to near fine in near fine DJ. Enclosed within plain acetate protective cover. Folio. 10 1/2" X 14' 60pp. Light trace of shelf wear at edges of boards. Text in French. Features 25 color plates by Henri Matisse including the one following the title page which is an original lithograph. Also 40 b&w drawings. Nicely preserved copy. B ; Folio 10 1/2" - 14" tall; 60 pages . Revue Verve hardcover
1940212337Paris: Verve 1940. First edition. Softcover. Volume Two Number Eight. Text in English with contributions by Julian Cain Paul Valery Pierre Reverdy Adrienne Monnier and others. Includes illustrations of works by Georges Rouault Henri Matisse Georges Braque Andre Derain Pablo Picasso. Includes a color lithograph of "Sunset Over the Mediterranean" by Pierre Bonnard. An about very good copy in wrappers with an illustration by Henri Matisse and with a chip to the top of the spine and front cover copy and some other light wear. Internally a clean copy. Internally a clean copy. Verve unknown
1939140940302Paris 1939. First Edition. Near Fine. No. 4 January-March. Folio. Bound in publisher's beautifully illustrated wraps in publisher's original two-piece box with top covered in textured silver foil; complete with all lithographs present. Text in English. Near Fine with crease to spine and light general wear. Box is Good or better with some split seems tears and a bit of material missing at the flaps. A beautiful production. unknown books
1943510523Editions de la Revue Verve 1943. Hardcover with Dust Jacket. VERY GOOD/Very Good. COMPLETE with both original Matisse lithographs--title page and La Chute d'Icare. With the very scarce original manilla dust jacket with Matisse's green drawing matching the green and white paper-cutout lithographed paper-over-board covers which are often mistaken for the dust jacket. Tall 4to 35.5cm. Covers torn along front hinge about 3' dj torn 5' at the same small puncture 2/3 up the spine. Internal contents exceedingly clean and sharp. Matisse's pochoir study of The Fall of Icarus was his first of two the latter appearing in Jazz published in 1945 by Teriade. Created in 1943 with Nazi troops occupying the streets outside his apartment in Paris it has been suggested that they were the referent for his falling image. 'In the final decades of his life Matisse invented a new form of art the cut-out. Working with scissors and sheets of gouache-painted paper he cut various shapes—from the organic to the geometric—and arranged them into lively compositions. Cut-outs formed the prototypes for the printed images . which Matisse insisted remain absolutely faithful to the original colors. In response the publisher Teriade turned to pochoir a stencil printing technique in which the same gouaches could be used.' MOMA. Editions de la Revue Verve hardcover
1940510631Editions de la Revue Verve 1940. First Edition. Hardcover. FINE/NEAR FINE. First American Edition with tipped in 'Occupation of Paris' notice. Tall 4to 35.5cm. sewn binding in Henri Matisse-designed lighograph printed cover on black paper over cards often mistaken for the DJ itself with original brown kraft paper lithographed dust jacket. The dust jacket was often treated as a throwaway especially since it was taped over making it impossible to see the beautiful Matisse covers without tearing it; they are quite uncommonly seen. We have not attempted removing the dust jacket here though we have supplied a photograph from another copy showing the design. This is a unique opportunity to for a collector to have not only a copy of the book as issued with the jacket but a uniquely clean and fresh copy of the cover itself entombed within the protection of the jacket. The book itself is exceedingly clean and sharp. Illustrated throughout in color and black and white with contributions from Verve's usual suspects: Matisse Miro Picasso Rouault Braque and a spectacular center-fold lithograph by Pierre Bonnard. In spite of the statement in the 'Occupation notice that half the American edition was lost this is not a terribly scarce book -- perhaps because subscribers immediately recognized the significance of what it represented namely the destruction of the thriving modern art movement in France at the hands of the neo-classical obsessed Nazis. But the jacket and condition make this an uncommon survival. Editions de la Revue Verve hardcover
1939205707Paris 1939. Slight wear to spine ends and corners; just about fine in original glassine. 4to 140pp; original lithographic wrappers. Featuring Matisse's double-page color lithograph of "The Dance" illustrating Henri Michaux's text of the same title. Also with André Derain's lithographic suite "Le Jardin d'Allah" and texts by Paul Valéry Pierre Reverdy Georges Bataille Jean-Paul Sartre and others. The cover is by Georges Rouault. unknown
194835611948 Genève, Skira, 1948, 18x25. Broché. Couverture exécutée spécialement par Matisse. L'un des 1500 exemplaire sur pur fil Lafuma (16). Bel exemplaire. Envoi de photos sur demande.
19589481Paris, Le Courrier Graphique, Albert Cymboliste, 1958 ; in-4, broché ; 307, (7) pp., couverture rempliée entièrement illustrée d'une lithographie à cinq couleurs de E. Goerg.
1950106751950 Paris, Le Courrier Graphique, chez Albert Cymboliste, 1950.In-4. 307-(7) pages. Broché, couverture illustrée en couleurs et rempliée. Tirage limité à 1800 exemplaires numérotés. Belle couverture illustrée d'une lithographie en couleurs d'Edouard GOERG. Études et nombreuses reproductions de : Bérard, Chagall, Cochet, Denis, Falké, Frélaut, Goerg, Humbert, Jacquemin, Jouve, Laurencin, Mahn, Marchand, Masson, Matisse, Picasso, Rouault, Trémois, Van Dongen et Villeboeuf.
195030801Paris, Le Courrier Graphique 1950. Edition Originale - In-4 relié (29,3 x 23,3 cm), reliure demi-basane brun-clair à coins, couverture conservée (complète) lithographiée en couleur d'Édouard Goerg - Avec une bibliographie de chaque artiste, importante iconographie, certaines reproductions P.P. - 307 pages + Table.- 1780g.- Edition au tirage limité et numéroté 1/1800 exemplaires (n° 758).- Dos un peu pâmi, reliure en excellent état, intérieur très frais.
1948AUB-8157Genève, éd. A. Skira 1948. Bel exemplaire broché, couverture par H. Matisse, in-8, 88 pages avec annexes.
194762681947 broché (paperback) in-octavo carré, dos et couverture rempliée marrons imprimés (spine and cover printed), première de couverture illustrée par Henri Matisse (front cover illustrated), tranches non rognées (edges no smoothes), tirage limité - 1 des exemplaires sur papier vergé blanc (limited edition), sans illustration (no illustration), 133 pages, 1947 à Neuchatel et Paris Idées et Calendes,
198187408Editions de la Réunion des musées nationaux, Paris, 1981. 22 cm ; broschiert
1946180358Paris: Le Éditions du Chêne 1946. Fourteen faces of Annelies Nelck First edition number 167 of 200 on de Lana paper from a total edition of 250 copies signed by Matisse and Reverdy. The artist and poet collaborated on several projects together. Visages being unique as Reverdy created the poems to accompany Matisse's images which he had previously drawn of his muse Annelies Nelck. Lithographs printed by Mourlot Freres Paris. Quarto. With 14 full-page original lithographs in sanguine and 17 linocut vignettes in black by Matisse on vélin à la forme de Lana paper. Text in French. Original wrappers lettering and illustrations to covers in dark purple and black. With publisher's beige paper covered boards and slipcase lettering to spine in dark purple. Slipcase rubbed otherwise in excellent condition. Duthuit Books 11 hardcover
19533267Paris, Pierre Lecuire éditeur, 1953. Un volume in-8 (25,2 x 16,5 cm) en feuilles, 108 p., couverture rempliée illustrée d'une lithographie. - Édition originale du premier livre de Pierre Lecuire, né de la collaboration du poète avec Nicolas de STAËL (1914-1955) qui composa pour l’occasion : - UNE GRANDE LITHOGRAPHIE EN COULEURS SUR UN FEUILLET REMPLIÉ SERVANT DE COUVERTURE. - DEUX BURINS ORIGINAUX À PLEINE PAGE, l'un introduisant la lecture de l'ouvrage et l'autre le refermant. - L'exemplaire est enrichi et personnalisé par une belle lettre de Lecuire et un envoi autographe signé au justificatif à Raymond Schawb. - Note historique et bibliographique : à sa parution l'ouvrage constituait le texte le plus important qui ait été écrit sur la peinture de Nicolas de Staël. - Tirage à 210 exemplaires signés par l’auteur à la justification, celui-ci faisant partie des 190 sur vélin d’Arches (n°139, dédicacé). - ENGLISH (Short description): In-8 (25.2 x 16.5 cm.), in loose sheets as published, printed wrappers with an original colour lithograph and two original burins by Nicolas de Staël. No.129, one of 190 copies on Vélin d'Arches from a total edition of 200, here with an ink autograph dedication and an autograph letter by the author. Mint condition, perfect, very scarce condition.
1963011300New York Pierre Matisse 1963 In-4 en feuilles, couverture rempliée, chemise et étui éditeur.
197417289Aurora, Leningrad, 1974. ca. 152 Seiten. 4to. Leinen.
1982RO80214662Pierre Matisse Gallery. 1982. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. Environ 10 pages. Nombreuses illustrations en couleurs et en noir et blanc hors texte. Texte en langue anglaise.. . . . Classification Dewey : 708-Galeries, musées, collections d'art
1952015907Paris San Lazzaro 1952 In-4 Broché, couv. illustrée Edition originale
19661706Editions XXe Siècle, San Lazzaro, Paris 1966. In-4 (318 x 245 mm), 156 p., cartonnage illustré d'après Marc Chagall. UNE LITHOGRAPHIE ORIGINALE EN COULEURS DE MARC CHAGALL À DOUBLE-PAGE et UNE LITHOGRAPHIE ORIGINALE EN COULEURS DE VIERA DA SILVA À PLEINE-PAGE. Contributions : Bourniquel, Moulin, Mandiargues, Waldberg, Bousquet, Courthion, Sima, etc. Les quatre thèmes étant: Les maîtres de l'imaginaire: Marc Chagall ; Inventaire de l'art africain: Portes à reliefs d'Afrique Occidentale ; La Ville ; Les grandes étapes de l'art contemporain (1907 - 1917).
19721211Paris, revue XXe siècle, 1972. In-4 de 170 pages, cartonnage d'éditeur illustré en couleurs sur les 2 plats, titre au dos, et 4 derniers feuillets verts en anglais. Innombrables illustrations et phtographies. Textes par : Mario de Micheli, Julien Clay, Bernard Dorival, Alain Jouffroy, Pierre Volboudt, Gilbert Lascault, Pierre Courthion et Barbara Ornellas.les lithographies de Delaunay et Estève sont manquantes.
19761214Paris, revue XXe siècle, 1976. In-4 de 160 pages, cartonnage d'éditeur illustré en couleurs sur les 2 plats, titre au dos, 4 derniers feuillets verts (en anglais). Couverture de Miro. Textes de Volboudt, Restany, Abadie, J. Dupin, R. Lebel, Jouffroy, Shuzo Takiguchi, Ichiro Haryu, John Cage, N. Calas, Yusuke Nakahara. UNE LITHOGRAPHIE ORIGINALE EN COULEURS DE JOAN MIRO EN HORS-TEXTE.
19651417Paris, revue XXe siècle, 1965. In-4 de 180 pages, cartonnage d'éditeur illustré en couleurs d'après RENÉ MAGRITTE, titré au dos. 1 LITHOGRAPHIE ORIGINALE EN COULEURS DE MAURICE ESTÈVE. Textes : Métamorphose de l'imaginaire, par P. Volboudt ; Les visionnaires de l'architecture, par M. Ragon ; Apollinaire les admirait déjà, par J.-C. Lambert ; Sur l'aile de l'image, par D. Vallier ; Les cartons de Miro, par J. Perucho ; Les contrées d'Estève, par D. Vallier ; Duchamp, bricoleur de génie par Dore Ashton ; Le chemin de croix de la fondation Maeght par Raoul Ubac ; Les nouvelles machines de Jean Tinguely par P. Descargues ; Les mondes plastiques de Kemeny, par G. Marchiori ; etc.