1 866 résultats
1939038920France: Verve 1939. First Edition . Illustrated Cloth. Fine/No Dust Jacket. 14" Tall. Linoleum Cuts By Henri Matisse. Two Linoleum Cuts Extracted From Verve With "The Dance" On Reverse Both With Matisse's Initials In The Images Also Both Are Signed And Titled In Pencil By Matisse "Linoleum Cut - Skater - H. Matisse". The Prints Are Usually Titled "Skaters In Motion" But Here Matisse Titles Them "Skaters" Which Makes Sense As One Can't Be A Skater Unless One Is In Motion. Very Rare Signed Possibly Unique. From The Collection Of A California Artist Who Was Involved In The 1960'S With Important Shows In California Of French Artists And Had Widespread Contacts And Working Relationships In The Art Community. <br/> <br/> Verve hardcover
1935RMATSIX00AFThe Print Club 1935. Very Good. Matisse Henri illustrator. Six Signed Proofs of Original Etchings by Henri Matisse. Illustrations for Ulysses by James Joyce published by the Limited Editions Club. . NY: The Print Club 1935. #77 of 150. 6pp. Illustrated. Folio. Book condition: Very good with faint label residue on foot of inside cover. Cloth on flaps faintly faded near edges. Slight bumping and creasing of title page. Prints are near fine with tissue protectors. Prospectus has gentle creasing and rubbed edges. Each print is titled numbered and signed by Matisse. The first 250 copies were signed by Joyce and Matisse. The final 1250 were signed only by Matisse. The Print Club hardcover books
1935RMATSIX00AFThe Print Club 1935. Very Good. Matisse Henri illustrator. Six Signed Proofs of Original Etchings by Henri Matisse. Illustrations for Ulysses by James Joyce published by the Limited Editions Club. NY: The Print Club 1935. #77 of 150. 6pp. Illustrated. Folio. Book condition: Very good with faint label residue on foot of inside cover. Cloth on flaps faintly faded near edges. Slight bumping and creasing of title page. Prints are near fine with tissue protectors. Prospectus has gentle creasing and rubbed edges. Each print is titled numbered and signed by Matisse. The first 250 copies were signed by Joyce and Matisse. The final 1250 were signed only by Matisse. The Print Club hardcover
51-5875Paris: Martin Fabiani 1944. 22 leaves on Arches most with linocuts. 32.5 x 25cm. Signed by Matisse on the limitation page.Duthuit Catalogue raisonné des ouvrages illustrés no. 10 pp. 64-67. Paris: Martin Fabiani, 1944 unknown
1997LFA-126745381Un ouvrage de 398 pages, format 210 x 260 mm, illustrzé, broché couverture couleurs, publié en 1997, RMN / Musée de Grenoble, bon état
1973010750Paris Editions de la Chronique des Lettres Françaises. 1973 In-4 En feuilles
19811263371981 Musée Savoisien, Chambéry - 1981 - In-8 broché, couverture à rabats - Sans pagination - Nombreuses illustrations en couleurs et en N&B hors texte et un entretien de Xavier Girard avec Shirley Jaffe
196718618NY: Pierre Matisse Gallery 1967. Paperback. Very Good. 32 page exhibition catalog in stapled wraps. Prelims foxed otherwise internally very good. <br/><br/>r-z Pierre Matisse Gallery paperback books
1943009506Paris: Editions Du Chene 1943. Beautifully illustrated book of Matisse illustrations TEXT IN FRENCH NO ENGLISH TRANSLSATION. Possible first edition but not sure16 coloured plates tipped in on numbered card pages loose in portfolio binding as issued all in bright clean condition.Six pages of text IN FRENCH NO ENGLISH TRSANSLATION and double sided title page in folded portfolio insert this has some foxing to title page and extreme edge of last page text SEE IMAGE. Dustwrapper is present over card cover wrapper is browned with a few marks has a few small tears.Card covers of book are lightly browned to edges.Still a pleasing example of this book SEE IMAGES. DETAILED IMAGES CAN BE TAKEN ON REQUEST . Card Cover Portfolio . Good Plus/Good. Illus. by Matisse . 39 x 28 Cms. Card Cover Portfolio . Editions Du Chene Paperback
199650667Augsburg, Weltbild Verlag GmbH, 1996. Genehmigte Lizenzausgaben für Bechtermünz Verlag 64, 64, 63, 63, 64, 64 Seiten , 22 cm, kartoniert
2012123489Heidelberg und Berlin: Kehrer Verlag, 2012. 199 S. ; 28,5 x 21,5 cm ; Pp. ;
50-1150New York: Raymond & Raymond. Silkscreen print. New York: Raymond & Raymond. unknown
19561708Pierre Matisse Gallery, New York, 1956. Vol. in-8 (204 x 179 mm) agrafé. LITHOGRAPHIES ORIGINALES EN COULEURS DE JOAN MIRO : la couverture et le panneau dépliant central en couleurs recto-verso ont été tirés par Mourlot Frères à Paris sur les pierres originales gravées par Joan Miró. Dix-neuf reproductions en noir dont dix pleine-page, les photographies sont de Sabine Weiss. Entretien avec Rosamond Bernier. Texte en anglais.
1956006866New York Pierre Matisse Gallery 1956 In-12 carré agrafé, couverture illustrée Edition originale
200280027München ; Berlin ; London ; New York : Prestel 2002. 28 S. : überw. Ill. ; 29x25 cm Pappe 0
TASCHEN 1990 224 PP LIEVI SEGNI DEL TEMPO, VOLUME PERFETTO.
1980540Paris, Centre Georges Pompidou, Musée National d'Art Moderne, 1980. 1 volume in-4 broché (29,7 x 21 cm), 414 pages, couverture souple recouverte d'un tissu décoré d'après un dessin de Salvador Dali. 437 illustrations dont 143 en couleurs. Catalogue Général publié pour l'exposition présentée à Paris du 18 décembre 1979 au 21 avril 1980 : Dali le Conquistador, Les obsessions déguisées de Salvador Dali, S.D. et Luis Bunuel (Un Chien Andalou, L'Age d'Or), Le temps du Surréalisme : Breton et Dali, Dali ou l'anti-obscurantisme, L'Amour, l'objet surréaliste. Dali écrivain, Dali et le Cinéma, etc. Nombreuses reproductions en noir et en couleurs, l'ensemble imprimé avec grand soin. Le catalogue a été conçu et réalisé par Daniel Abadie, commissaire de l'exposition. Nombreux textes de Salvador Dali. Indispensable.
19477346Paris, Editions du Pavois, 1947. In-4 broché de 193-[2] pages, couverture bleu à rabats imprimée en deux tons et ornée d'une grande vignette contrecollée. Petites taches au premier plat.
3707Paris, Édition des Musées Nationaux, 1956, 68 pp. 21 X 27 cm, br. Ouv. ill. 31 pl. n.b. h.t. Couv. ill. coul. Catal. réalisé par Mme Gabrielle Vienne. Préface de Jean Cassou Conservateur en Chef du Musée National d'Art Moderne.
19583887Paris, Maeght Éditeur, 1958. Un volume in-folio, en feuilles, couverture illustrée en couleur, étui-chemise éditeur. - Édition originale de cet hommage à Georges Braque. L'ouvrage est illustré par 4 LITHOGRAPHIES ORIGINALES EN COULEURS EN HORS-TEXTE SUR JAPON NACRÉ(couverture, frontispice et 2 à pleine page). - Tirage : 25 ex. sur Japon Nacré avec suite + 200 ex. sur vélin d'Arches, tous signés par Frank Elgar et Georges Braque. Celui-ci, étant l'un des 25 sur papier Japon nacré (n° 13), comporte LA SUITE COMPLÈTE DES 4 LITHOGRAPHIES SUR JAPON NACRÉ réservée à ces seuls exemplaires.
SLIVCN-9782386540387Centre Georges Pompidou (3/2026)
28101Paris: Librarie des Arts Décoratifs. 1951. Patterned paper over a black cloth spine. Illustrated throughout with plates in colour and black and white. A very good copy the binding square and firm the corners lightly bumped and worn. The contents with a previous owner's stamp on the title page are otherwise clean throughout. A beautiful collection of fabric and wallpaper designs by leading contemporary artists including Henri Matisse and Leonor Fini. Further details and images for any of the items listed are available on request. Lucius Books welcomes direct contact with our customers. Paris: Librarie des Arts Décoratifs. 1951 hardcover
Exhibition catalog is in excellent condition with one small mar at upper spine. Binding is solid and square, covers have sharp corners, exterior shows no blemishes, text/interior is clean and free of marking of any kind. Organized by the Museum of Modern Art in Paris with the cooperation of the foundation of Georges Rouault, the Archives of Henri Matisse with the coordination of the Brain trust, Inc. of Tokyo. Text is in French and Japanese. 198 pages with a great many full size prints from both artists. In the spring of 2006, the Rouault Foundation's rediscovery of Henri Matisse's letters to Georges Rouault, coming to respond to Rouault's letters that have remained classified in the Henri Matisse Archives, shed light on the "lively sympathy of art" which linked the two artists throughout their lives, from their beginnings in the studio of Gustave Moreau at the Ecole des Beaux-Arts in Paris, at the end of the XIXth century, until their last meeting, in Cimiez, in February 1953. The correspondence found to date opened in the summer of 1906, when Matisse resided in Collioure, to resume in the 1930s; while Rouault enters into professional contact with Matisse's son, Pierre, who devotes three special exhibitions to Rouault in his New York gallery between 1933 and 1947; it intensified during the Second World War. Theatrical projects, personal health concerns, artistic considerations, exhibition projects, resurgence of memories of their youth intermingle in the letters of the 40s and 50s. Carried out in close collaboration with the Georges Rouault Foundation and the Henri Matisse Archives, the presentation of the correspondence between Rouault and Matisse testifies to this friendly and artistic network. While the exchange of letters was lacking, especially between 1907 and the 1930s, chronological research and archives made it possible to reconstruct the seemingly relaxed framework of their friendship, bringing to light many events which on the contrary attest to its constancy: numerous exhibitions, participation in the first "Jury of the Painters' Prize" in June 1923, at the Ballets russes, collaboration with T?riade for the review Verve. This edition, an original contribution to the history of art, highlights the highlights of their correspondence by articulating multiple meeting points, and sheds light on the parallel journey of two artists who have asserted their own personalities from a point of common departure: the "erotic symbolism" (Philippe Dagen) of Gustave Moreau, figure of their youth which holds a central place until the evening of their life.
10273ROMAN. N° 6-7. (Avril 1952). C.-G. Bjurstrom, Vilgot Sjoman, Clarisse Francillon, Claudio Varese, etc. Très bon état.
10275ROMAN. N° 12. (Juillet 1955). Célia Bertin, Guy Vaes, Robert Guiette, Pierre Algaux, Anne Bodart, Axel Amlie, Sigurd Hoel, etc. Très bon état.
