4 507 résultats
1935133111935. Soyer Raphael. Soyer Raphael. PASSER-BY. Etching 1935 Cole 40. 9 5/16 x 6 7/8 inches; 237 x 175 mm. Edition of 2 or 3 per Cole "about three" per Gettings "Raphael Soyer Sixty-Five Years of Printmaking Hirschorn catalogue." signed in pencil. Provenance The Arnold Collection New York to Swann Gallies New York to a private New York collection. One of the rarest and among the finest of Soyer's early prints. In excellent condition. This is the second example of this print we have owned. It differs from the example illustrated as Cole 40 and both are different from the other one we owned. It suggests that Soyer experimented with different states of this etching and ended by abandoning it without producing and edition. Soyer comment quoted in Gettings: "This is after a painting called "New Hat." The model was Erica a young woman who posed for me a great deal. She also posed for Reginald Marsh. The etching is about a girl dressed up in a coat gloves and hat passing a store window on a cold day. I observed people walking like this girl and tried to reproduce it in my studio." In later years Soyer reworked and published in large editions of 250 to 300 images from his early graphic oeuvre. Often these later pieces were done in color where the original has been in black & white usually they are lithographs almost always they suffer in comparison with the originals on which they are based. The image for Passer-By is one which was reworked in this manner but done in lithography printed in sepia and of different dimensions.See other works by Raphael Soyer at https://edpollackfinearts.com/cgi-bin/edp1/creator2011.htmlme=253&te=2 unknown
192480043Boston and New York: Houghton Mifflin Company 1924-37. Signed and handsomely bound The Autograph Edition number 632 of 750 sets signed by the author on a special leaf in the first volume. This attractively bound complete set includes Sabatini's famous historical adventures Captain Blood 1922 Scaramouche 1921 and The Sea Hawk 1915. The pleasing illustrations are by Charles Edmund Brock 1870-1938 who is particularly well-regarded for his illustrated editions of period books. Sabatini 1875-1950 reached a worldwide audience via both his swashbuckling novels and their early film adaptations. His "greatest gift was the ability to bring the past to life in vivid and convincing colours and to enthuse millions of readers with his own love of history" ODNB. 34 vols octavo. With numerous plates with captioned tissue guards after drawings by Charles E. Brock. Attractively bound in recent burgundy half morocco titles and decoration to spine burgundy cloth boards marbled endpapers top edges gilt others untrimmed. An excellent set. hardcover
193751511937. Soyer Raphael. Soyer Raphael. FURNISHED ROOM. Etching 1937 Cole 48. Edition of 25 or fewer signed and titled in pencil. Published by the W.P.A. Federal Arts Project with its ink stamp in the margin lower left. 7 x 8 3/4 inches 180 x 224 mm. Three parallel printing creases right else a fine impression in excellent condition of this very scarce print. One of Soyer's most affecting images of the period of the depression. unknown
1917133091917. Soyer Raphael. SELF-PORTRAIT. Cole 3 Gettings 2. Etching c.1917. One of a very few printed. Signed in pencil lower right. 4 1/16 x 3 inches plate 5 3/4 x 4 3/8 inches sheet. In very good condition notwithstanding a repaired break going through the image. The repair is so skillful that it is not visible from the recto but is clearly seen on the verso. Provenance the Arnold Collection New York to Swann in 2000 to a private collection New York. The National Portrait Gallery has a copy but we are not aware of another copy. This was one of a group of portrait etchings that were the first prints Soyer made. Cole 1 is a portrait of his father Cole 2 a portrait of his mother. Cole 3 and Cole 3A are self-portraits and Cole 4 is a portrait of his brother Isaac. All four were printed in only a few copies each and all are very rare. Soyer's comments to Gettings on these early portraits in general and on this one specifically: "I did everything myself prepared the plate put it in acid and printed it myself. I printed on the only kind of paper I had. I didn't try to get fancy paper." "In those days I did many drawings of myself. This was the earliest etching of myself. I didn't think it was very successful because the features are too big for the face the lips and nose are too big and so on. When I did it I thought of Rembrandt of Rembrandt's early etchings of himself but I didn't consider it successful.See other work by Raphael Soyer at https://edpollackfinearts.com/cgi-bin/edp1/creator2011.htmlme=253&te=2 unknown
1917133141917. Soyer Raphael. SELF-PORTRAIT. Cole 3A. Etching c.1917. One of a very few printed. Signed in pencil lower right. 3 5/8 x 2 3/16 inches plate 8 3/4 x 6 7/16 inches sheet. In excellent condition with tack holes for drying and a small tear at the sheet edge upper right. Provenance the Arnold Collection New York to Swann in 2000 to a private collection New York. We are not aware of another copy; this copy may be the one illustrated in reverse in the Supplement which was added to the Second Edition of the Cole Catalogue. This was one of a group of portrait etchings that were the first prints Soyer made. Cole 1 is a portrait of his father Cole 2 a portrait of his mother. Cole 3 and Cole 3A are self-portraits and Cole 4 is a portrait of his brother Isaac. All four were printed in only a few copies each and all are very rare.See other works by Raphael Soyer at https://edpollackfinearts.com/cgi-bin/edp1/creator2011.htmlme=253&te=2 unknown
192425216Paris - La Renaissance du Livre éditeur 1924. Enorme in-8 relié à grande marges de 296 pages au format 20 x 4,5 x 15 cm. Magnifique reliure demi maroquin rouge, avec plats en papier marbré. Dos rond avec titre gravé et doré. Tête dorée. Livre glissé sous bel emboitâge. Intérieur parfait, à l'exception d'une petite restauration au filmoplast au bord de la page 53/54. Couvertures illustrées par Lorenzi et dos conservés. Magnifiques illustrations in et hors texte en couleurs et noir et blanc de Raphaël Kirchner, Chimot, Domergue, Jaquelux, Lorenzi, Robaudi, Bourdelle. Superbe ex-libris érotique gravé et signé, contrecollé au verso de la couverture. Tirage sur grand papier, non justifié. Superbe état, proche du parfait. Edition définitive en grande partie originale. Exemplaire unique, contenant une carte postale avec dédicace autographe de Félicien Champsaur, 2 dessins originaux à la plume sur calque, 33 dessins originaux à la plume, retouchés à la gouache, ayant servi à l'illustration de l'ouvrage, quelques-uns avec le monogramme de Raphaël Kirchner et un pastel de Bourdelle, signé, retouché aux crayons de couleur. De toute rareté.
197413010FISCHER 06-07/1974. 1. softcover. 900 Großmütter FISCHER paperback
1937138231937. Soyer Raphael. Soyer Raphael. A TRANSIENT PORTRAIT OF A MAN. Lithograph 1937 Cole 49. 11 3/4 x 9 3/8 inches 290 x 240 mm.image 13 3/8 x 10 1/2 inches sheet; apparently trimmed. Edition of about 25 Signed and titled "Portrait of a Man" in pencil. Published by the W.P.A. Federal Arts Project but with its ink stamp in the lower margin scraped away leaving a thin spot. The scrape as noted trimmed as noted and with adhesive residue verso top else in very good condition. Ths print is rare Rare. Please note we also have the preparatory drawing for this print available Inventory #8476. unknown
1960462h5691New York: Herzl Press / Thomas Yoseloff. Very Good. 1960. First Edition. Hardcover. "The first publication in any language of the complete diaries of the founder of the world Zionist movement. These diaries are Herzl's day-to-day record of his almost single-handed struggle and of successes achieved at the cost of his career his fortune his family - and his very life. Contains for the first time every word Herzl entered in the eighteen copybooks he filled. A fascinating document as well as an illuminating self-portrait of one of the most unusual personalities of recent times the acknowledged "father of the Jewish State." - slipcase. Pp. Vi 431; 432-827; 828-1270; 1271-1631; 1632-1961. "Volume 5 contains the annotations written by the editor; the list of code-words used by Herzl; and the index. The annotations arranged alphabetically contain brief biographies of practically all the individuals mentioned in the Diaries and short identifications of the place names and other geographical names appearing in the Diaries either in the dateline or in the entries themselves." - p.1635. Different black and white photographic frontis portrait of Herzl in each volume. Issued without dust jackets. All volumes clean bright and unmarked with light wear to burgundy boards lettered in silver upon spines. All bindings sound. Average wear to intact slipcase which features illustrations of Herzl on two sides. A quality copy of this profoundly influential record. ; 8vo - over 7¾ - 9¾" tall; Theodor Herzl Zionism World Zionism Israel Rothschilds. Added $20 to our cost for Meadland repair to slipcase paid 2 Feb 2023 . Herzl Press / Thomas Yoseloff hardcover
192051561920. Soyer Raphael. Soyer Raphael. GIRL IN STRIPED SWEATER HELEN. Lithograph printed on newsprint about 1920 Cole 10 Gettings 7. Edition of about 15 signed in pencil. Printed with wide margins on three sides and to the sheet edge bottom as issued. 10 1/8 x 10 1/2 inches 255 x 265 mm. Chipping at edges resulting from brittleness of paper newsprint else a fine impression of this very scarce early print. Mounted to Japanese paper for support. According to Soyer's comment in the Gettings Hirschhorn catalogue the model "is the sister of Jacob Friedland who printed my first lithographs." unknown
1932105001932. Soyer Raphael. Soyer Raphael. BACKSTAGE THE TEAM. Lithograph 1932 Cole 23. 14 3/4" x 11." Edition of about 25 published by Asociated American Artists NY. Titled "Backstage" and signed in pencil. In very good condition. unknown
193726021937. Soyer Raphael. Soyer Raphael. OLD MAN WARMING HIMSELF. Etching 1937 Cole 45. 9 7/8" x 5 7/8." Signed and titled in pencil and with the stamp "Federal Arts Project NYC WPA." Edition of about 25 See Gettings Raphael Soyer Sixty Five Years of Printmaking Hirshhorn Museum 1982 #36; Cole states edition is of unknown size. Rare. "I did these etchings from pen and ink drawings. In those days you would see people standing around doing nothing. I would sketch them all the time. Sometimes I would ask them to hold a pose and give them twenty-five or fifty cents. The man with his hands in front is warming his hands over the sidewalk grate." Soyer quoted in Gettings. unknown
193251551932. Soyer Raphael. Soyer Raphael. JOHN REED CLUB - THE COMMITTEE. Lithograph 1932 Cole 22. Edition of 25 signed in pencil. 7 1/4 x 10 inches 185 x 255 mm. A fine impression but with a well-repaired tear top center. Scarce. John Reed Club Committee members pictured are Nemo Piccoli Adolf Wolff Walter Quirt Ivar Rose and Anton Refregier. We weren't poor. As I said before you know I had nothing to lose in the Depression so I didn't feel it very much. And as far as what happened politically I became a member of the John Reed Club. That was a club of writers and artists leftists all and I think Rebecca influenced me very much. She was more aware of the politics. She was more aware than I. And I still look back to this John Reed Club as a great kind of for me it was a great education. Nikolai Cikorsky indoctrinated me into the John Reed Club and. . . . Well there I knew what was taking place all the unrest all over the place the beginning of Nazism that you mentioned and the advance of Communism all those things you know. And I became aware of those things. And that was my political education the John Reed Club the John Reed Club for Artists and Writers. There were a number of writers there were a number of artists and. . . . And what's his name again William Gropper. Joe Jones. Philip Bard. A number of these people. And they were all left and all young in those days. And I came there completely as a novice. I didn't know much about it. Rebecca knew much more what was taking place. Raphael Soyer Smithsonian Oral History Archives interview with Milton Brown 1981. This is on loan to the Museum of the City of NY until ```````` unknown
193270431932. Soyer Raphael. Soyer Raphael. JOHN REED CLUB - THE COMMITTEE. Lithograph 1932 Cole 22. Edition of 25 signed in pencil. 7 1/4 x 10 inches 185 x 255 mm. In excellent condition. Scarce. John Reed Club Committee members pictured are Nemo Piccoli Adolf Wolff Walter Quirt Ivar Rose and Anton Refregier. We weren't poor. As I said before you know I had nothing to lose in the Depression so I didn't feel it very much. And as far as what happened politically I became a member of the John Reed Club. That was a club of writers and artists leftists all and I think Rebecca influenced me very much. She was more aware of the politics. She was more aware than I. And I still look back to this John Reed Club as a great kind of for me it was a great education. Nikolai Cikorsky indoctrinated me into the John Reed Club and. . . . Well there I knew what was taking place all the unrest all over the place the beginning of Nazism that you mentioned and the advance of Communism all those things you know. And I became aware of those things. And that was my political education the John Reed Club the John Reed Club for Artists and Writers. There were a number of writers there were a number of artists and. . . . And what's his name again William Gropper. Joe Jones. Philip Bard. A number of these people. And they were all left and all young in those days. And I came there completely as a novice and didn't know much about it. Rebecca knew much more what was taking place. Raphael Soyer Smithsonian Oral History Archives interview with Milton Brown 1981. unknown
193225991932. Soyer Raphael. Soyer Raphael. THE TEAM. Lithograph with hand coloring 1932 Cole 23. 14 3/4" x 11." Edition of 25 published by Associated American Artists NY. A unique or one of a few colored by Soyer. Signed in pencil. In very good condition but with traces of glue verso. unknown
193531027AB1935. Harvard / Brandeis / Cambridge Mass. etc. c. 1935 - 1975. Octavo & Quarto. More than 2000 pages. Original Softcover / Stapled. Very good condition with only minor signs of wear. Henry David Aiken 19121982 U.S. philosopher. Aiken was born in Portland Oregon and taught at the universities of Columbia Washington Harvard 194665 and Brandeis 196580 specializing in ethics esthetics and the history of philosophy. He was influenced by the British analytic movement by the American naturalists especially Santayana and by David Hume's moral and political writings some of which he edited. Among the works he wrote are The Age of Ideology 1957 selections including a commentary on 19th-century thought; Reason and Conduct 1962 a collection of essays in moral philosophy; and Predicament of the University 1971. Source: Richard H. Popkin paperback
192025761920. Soyer Raphael. Soyer Raphael. SELF PORTRAIT. Lithograph 1920 Cole 8. Second State. 8 11/16" x 6 18" Sheet 13 1/2" x 9" printed on Chine Applique. Edition of about 15 signed and titled in pencil. Small area of paper tape on margin verso else in excellent condition A very early Soyer print; rare. unknown
198632296Lille, Alain Buyse / Gérard Duchêne / Gérard Durozoi, 1986-1995. Ensemble de neuf numéros de la revue "Pièces" (qui en a compté dix, regroupant 165 travaux de Sérigraphies) : en feuillets sous coffret cartonné et titré (35 x 25,5 cm).- Le premier numéro de la revue est tirée à 100 exemplaires, le nôtre étant l'un des 10 premiers (signé E. A.), toutes les planches y sont signées de leurs auteurs : Vera Molnar, Marcel Alocco, Arden Quin, René Bonargent, Philippe Boutibonnes, Jean-Luc Coatalem, Danie Deleuze, Pierre Dhainaut, Martine Diemer, Jochem Gerz, Jacques Herold, Joël Hubaut, André Lambotte, Jean-Pierre Le Goff, Ghérasim Luca, Pierre Tual). Les 8 numéros suivants ont chacun une sérigraphie signée. Le second n° est tiré à 130 ex., celui-ci le n° 86 dont seule est signée la planche originale au pochoir de Gérard Duchêne, et comporte 17 sérigraphies des artistes : Pierrette Bloch, Yves Buin, Pierre Buraglio, Max Charvolen, Eddy Devolder, Jean-François Dubreuil, Gérard Duchêne, Gérard Durozoi et Dominique Grisor, Shirley Jaffe, Jean Mazeaufroid, Jean Messagier, Alberto Parres, Gérard Pascual, Jeanpyer Poels, Patrick Saytour, Pierre Tilman, Endre Tot.- Le troisième n° est tiré à 155 exemplaires, celui-ci le n° 113 : Alain MARTIN (signée). Annick Blavier & Pierre Vandrepote / Michel Butor & James GUITET / Marie-Line Debliquy / Eugénie DUBREUIL / Gaspar Hons / Charles Juliet / Jean LE GAC / Baudouin LUQUET / Pascal Mahou / Alain MARTIN / Jean MAS / Georges Merillon / Patrick ROUSSEAU / Gérard TITUS CARMEL / Luc Van Malderen / BEN Vautier.- Le quatrième n° est tiré à 180 ex. : Arthur Aeschbacher, Mireille Andrès, Jean l'Anselme et Ch. Zeimert, Yves Brochard et Claude Darras, Pierre Buraglio et Anne Deguelle, Michel Butor, Stig Dagerman, Noël Dolla, Danièle Gibrat, Bernard Guerbadot, Monique Kissel, François Martin, Bernard Messing, Patrick Raynaud, James Sacré.- Le cinquième n° est tiré à 190 ex., celui-ci le n° 149 : Gilles ARNOULT. ANTOINE / Gilles Arnoult / Philippe Compagnon / Gérard DUCHÊNE et Gérard DUROZOI / Christian Hibon / Gervais Jassaud / Joël KERMARREC / Jean-Clarence Lambert / Jean-Philippe Mattern / Françoise Paressant / Rémy Penard / Yves POPET / Joan RABASCALL et Pierre Restany / Herbert Titz / Jacques VILLEGLÉ / Marie Redonnet.- Le sixième n° est tiré à 180 ex., celui-ci le n° 103 : ARMAN & Lepage / Brochard & Darras / Alain BUYSE / Tom Drahos / Paolo Faber / Bernard Lallemand / Jacques Lizène / Baudouin LUQUET / Paul Marie / Jean Mazeaufroid / Bernard Messing / Vera MOLNAR / Raphaël MONTICELLI / François MORELLET / Christine O'Loughlin / Hervé TÉLÉMAQUE / André Théval.- Le septième n° est tiré à 180 ex. : Jean-Jacques OSTIER. Andreu ALFARO / Alin Anseeuw / Waldo BALART / Jeanne Bresciani / Jean-Pierre Broux / Sara GIBERT / Sonia Guérin / Robert Guillermet / Bernard HEIDSIECK / Carlos KUSNIR / Eugéne LEROY / Daniel NADAUD / Jean-Jacques Ostier / Mehdi QOTBI / Joan RABASCAL / Michel SOHIER / Dirk Verhaegen / Francesc Vidal.- Le huitième n° est tiré à 200 ex. : Ramon Alejandro, Arden-Quin, Octavio Blasi, Louis Bouchard, H. Braun-Vega, Peter Downsbrough, Joachin Ferrer, Ruth Francken, Shirley Jaffe, Fernand Leduc, Jonier Marin, Gregory Masurovsky, Ricardo Mosner, Jean Noël, Antoni Segui, Charles Semser, Hugh Weiss, Zuka.- Le neuvième n° est tiré à 200 ex., celui-ci le n° 87 : Véronique Bigo, Florent Chopin, Chema Cobo, Patrice Delva, Gérard Duchêne, Esther Ferrer, Joël Hubaut, Pascale Lefebvre, Claide pasquer, Rémy Pénard, Philippe Richard, Gérard Serée, Wim Smits, Nancy Sulmont, Léonid Tishkov, Antonio Tocornal, Mateo Vinas-Martin.- /// On joint cinq sérigraphies insérées dans une carte double (24,2 x 16,2 cm), dont l'une, dessinée par Philippe Richard, est écrite par Alain Buyse pour une bonne année 1995.- Superbe état pour les neuf revues sous coffrets, rare.
1925533276London: Hutchinson & Co 1925. Hardcover. Near Fine/Near Fine. First edition. 12mo. Bookplate of Lady Martin Harvey on the front pastedown corners a trifle bumped near fine in near fine pictorial dust jacket with tiny tears and very shallow nicking at the crown. Warmly Inscribed by Sabatini to Lady Harvey on the dedication page. Also laid in is a page and a quarter Autograph Letter Signed from Sabatini to Lady Martin warmly recounting their past acquaintance and sending along this copy of the book. Aside from the limited and signed set of the author's Collected Works Sabatini books are seldom found signed by the author. This title is exceptionally uncommon in jacket or signed and especially both. Hutchinson & Co hardcover
192254897Paris: Romagnol 1922. Limited first edition. Softcover. near fine. 1/300. Two volumes octavo. Vol. 1: 129 1 blank pp. frontispiece 16 three-quarter page colored vignettes scene divisions 8 hors texte full page colored plates; 20 woodcut ornaments in red and gray; Vol. 2: 56 plates loose in illustrated wrappers as issued comprising: two states each of the the cover illustration frontispiece and the 8 full page plates uncolored; colored with added reproductions of ink drawings -- the illustrator's studies -- appearing in the margin; 16 three-quarter page colored scene divisions and 20 woodcut ornaments all printed before letter. Illustrated tan paper wrappers with white and red lettering on the front covers protected in the original glassine as issued. Engraved images in the first volume and the first section of the second are protected in their original tissue guards. Housed in a custom decorative lustrous multicolored paper-covered slipcase with a protective insert for the spines lettered and embossed in red.<br /> <br /> Edition limited 301 copies this being a special unnumbered deluxe copy on japan paper of which 100 numbered copies are noted at the limitation page; unlike the ordinary numbered copies the limitation page here notes: "Exemplaire imprimé pour M. Georges Calmann-Levy."<br /> <br /> A notable limited illustrated edition of Sophocles' classic Greek tragedy issued with an additional full suite of plates. Vol.1 contains the text of Oedipus Rex "Oedipe Roi" in French and a significant portion of Raphaël Freida's original engravings and drawings integrated directly with the text. This integration is vital as Freida's artwork is not merely decorative; it serves to amplify the emotional intensity and psychological depth of the tragedy. The quality of the printing and the paper in this volume are of high importance. Volume 2 "États des Planches" States of the Plates is dedicated to showcasing the "states of the plates" providing a detailed look at the various stages of the engraving process allowing the viewer to observe the evolution of Freida's artwork from initial sketches to finished gorgeous engravings. This volume is of particular interest to those interested in the technical aspects of printmaking. It should be noted that surprisingly Freida's powerful illustrated edition has never been subsequently reissued.<br /> <br /> Volume one has some closed tearing on the original glassine and wrappers at the head and tail of the spine. A closed tear to the head of the spine itself. Volume with only a few minor instances of tearing to the glassine. Interiors with all images pristine and vibrant. Wrappers and glassines in very good- to very good interiors in near fine condition overall. Georges Calmann-Levy was at one time the head of the Calmann-Lévy publishing house in France the son of it's founder Kalmus "Calmann" Lévy 1819–1891. Romagnol unknown
192851501928. Soyer Raphael. Soyer Raphael. BRONX STREET. Lithograph 1928 Cole 11 Edition of 50 signed and dated in pencil. 7 x 8 3/4 inches 180 x 224 mm. Printed by Burr Miller. From Gettings: "This is Bourne Avenue in the Bronx the same street shown in Night Scene. I had finished an oil painting of this scene and copied it onto transfer paper. Miller then put it onto a lithographic stone and printed it." unknown
1934122811934. Soyer Raphael. Soyer Raphael. TOWARD THE LIGHT Girl at Window. Lithograph 1934-35. Cole 35. 15 1/4" x 12 1/2". Edition of 25. Signed lower right and titled "Girl at Window" lower left. Printed by George Miller. A very rare and fine print. "This was done directly on the stone and was not based on a drawing or a painting. I just asked the model to face the light streaming through the window." Soyer quoted in Gettings Raphael Soyer - Sixty Five Years of Printmaking Hirshhorn Museum 1982. Until AAA began publishing Soyer's prints in editions of 250 his editions were very small usually 25 or 30. unknown
193420261934. Soyer Raphael. Soyer Raphael. TOWARD THE LIGHT Girl at Window. Lithograph 1934-35. Cole 35. 15 1/4" x 12 1/2". Edition of 25. Signed lower right and titled "Girl at Window" lower left. Printed by George Miller. A very rare and fine print. "This was done directly on the stone and was not based on a drawing or a painting. I just asked the model to face the light streaming through the window." Soyer quoted in Gettings Raphael Soyer - Sixty Five Years of Printmaking Hirshhorn Museum 1982. Until AAA began publishing Soyer's prints in editions of 250 his editions were very small usually 25 or 30. unknown
200093363CSIC. New. 2000. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Corresponds to ASIN: B003TL83FG. Text in Spanish. 77 pages. Época Catalogue Raisonne Catalog Raisonné Complete Works Catálogo Razonado Obra Completa Raisonnee -- with a bonus offer . CSIC paperback
200093364CSIC. New. 2000. Paperback. 8400074521 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Corresponds to ISBN: 8400074521. Text in Spanish. 77 pages. Época Catalogue Raisonne Catalog Raisonné Complete Works Catálogo Razonado Obra Completa Raisonnee -- with a bonus offer . CSIC paperback