710 résultats
1999260179Ithaca NY: Cornell Southeast Asia Program 1999. Paperback. 258 5p. wraps 6.75x10 inches wraps lightly worn else very good condition. Studies on Southeast Asia No. 25. Cornell Southeast Asia Program paperback books
197625708Cherry Valley: Cherry Valley Editions 1976. First edition. 24 pp. Fine in stapled wrappers. Wrap-around cover art by Claude Pelieu. Cherry Valley: Cherry Valley Editions unknown books
1989708218NY: Viking. 1989. Advance Uncorrected Proof. Very Good in wrappers. Unless otherwise noted our first editions are first printings. First Edition. Softcover. Very Good. Viking paperback books
1975708220NY: Holt Rinehart and Winston. 1975. Advance Uncorrected Proof. Very Good in wrappers. Unless otherwise noted our first editions are first printings. First Edition. Softcover. Very Good. Holt, Rinehart and Winston paperback books
1975708219NY: Holt Rinehart and Winston. 1975. Very Good in Very Good DJ. Top edge soiled. Unless otherwise noted our first editions are first printings. First Edition. Hardcover. Very Good. Holt, Rinehart and Winston hardcover books
197959515London: W.H. Allen 1979. First edition. 357 pp. Near fine in near fine price-clipped dust jacket. London: W.H. Allen, unknown books
1976018410New York: Alfred A. Knopf 1976. 1st Edition. 225p. dj. Alfred A. Knopf unknown books
1997132804Boston MA: Barbara and Steven Grossman Gallery School of The Museum of Fine Arts 1997. First edition. Softcover. 33 pages. Exhibition catalog for a show that ran February 14 through March 9 1997. Essay by Raphael Rubinstein and with an additional text by Leila Amalfitano. Includes 11 black and white illustrations. A very near fine copy in wrappers. Barbara and Steven Grossman Gallery, School of The Museum of Fine Arts unknown books
196944541NY: Random House 1969. First edition. 81 pp. Fine in fine dust jacket. High praise from John Cheever Robert Lowell and Richard Wilbur. NY: Random House unknown books
1922Embry 173347Houghton Mifflin & Co. 1922. First edition first printing. Small inked name stamp spine a little dull near fine. Red cloth no dust jacket. Houghton Mifflin & Co., 1922. First edition, first printing. hardcover books
1976048485Berkeley Etc.: University of Californa Press 1976. xxi 516p. b/w illus. original stiff printed wrappers Campus 165. University of Californa Press unknown books
1976Embry 158202U. of California Press 1976. First edition first printing. Owner's blindstamp else fine in near fine lightly edgeworn dust jacket in mylar. U. of California Press, 1976. First edition, first printing. unknown books
19962304905Baton Rouge: Louisiana State University Press 1996. Reissue. Reissue. Very Good. 1996 reissue of 1868 original. Two creases to wrappers. 894 pp. With new introduction and notes by John M. Taylor. "Published in 1869 Raphael Semmes's Memoirs of Service Afloat was the first major southern memoir issued after the Civil War written by the most important Confederate naval figure to emerge from the conflict. It appears here in its first indexed and professionally edited version with an introduction and notes by Semmes's biographer John M. Taylor. According to Taylor Semmes's impressive military performance would not be rivaled by any sea raider until the advent of the submarine. Commanding two cruisers first the Sumter and then the famous Alabama Semmes engineered a rout of the Federal merchant marine burning or bonding a total of sixty-four vessels with the Alabama alone before its dramatic defeat by the USS Kearsarge off Cherbourg in 1864 an event that nonetheless served to enhance his reputation - as a pirate in the North and a hero in the South. His memoir is a rollicking account of the voyages of the Sumter and the Alabama with digressions on his natural surroundings and sociopolitical topics. Written soon after the war Semmes's work conveys a zeal for the Lost Cause and an unrelenting bitterness toward the Yankees that ironically tend to obscure his own deeds of skill daring and humanitarianism. Louisiana State University Press unknown books
1989226575Liberty TN: Short Mountain Collective 1989. Magazine. 64p. 8.5x11 inches illustrations photos very good magazine in unstapled green pictorial wraps. Rustic Fairy Dreams aka Radical Faerie Digest. Magazine emphasizing communal aspects of rural gay life. Short Mountain Collective unknown books
1993226650Liberty TN: Short Mountain Collective 1993. Magazine. 80p. 8.5x11 inches illustrations photos very good magazine in stapled pictorial wraps. Rustic Fairy Dreams aka Radical Faerie Digest. Magazine emphasizing communal aspects of rural gay life. Short Mountain Collective unknown books
1993226652Liberty TN: Short Mountain Collective 1993. Magazine. 80p. 8.5x11 inches illustrations photos very good magazine in stapled pictorial wraps. Rustic Fairy Dreams aka Radical Faerie Digest. Magazine emphasizing communal aspects of rural gay life. Short Mountain Collective unknown books
1991226580Liberty TN: Short Mountain Collective 1991. Magazine. 64p. 8.5x11 inches illustrations photos very good magazine in stapled pictorial wraps. Rustic Fairy Dreams aka Radical Faerie Digest. Magazine emphasizing communal aspects of rural gay life. Short Mountain Collective unknown books
1991226581Liberty TN: Short Mountain Collective 1991. Magazine. 60p. 8.5x11 inches illustrations photos very good magazine in stapled pictorial wraps. Rustic Fairy Dreams aka Radical Faerie Digest. Magazine emphasizing communal aspects of rural gay life. Short Mountain Collective unknown books
1991257073San Francisco: Hombre Productions 1991. Magazine. 96p. 5.5x8.5 inches illustrated with b&w physique photography frontal nudity personal ads classifieds very good digest-size magazine in stapled color pictorial wraps. Hombre Productions unknown books
196959889New York: Maecenas Press Random House 1969. 116p. illus. some color first edition dj. Maecenas Press, Random House unknown books
232747London Paris and New York: Raphael Tuck & Sons Ltd. Publishers to Her Majesty The Queen Undated. Hardcover. Unpaginated six of the Tuck plates plus perhaps double that number of pages of pithy observations by literary celebs on comradely excellence. Hardbound in a small decorative format popular in the late 19thC: 6x4 inch boards with wide backstrip of ornate filligree gilt on white cloth each cover finished off with narrow papered fore-edges; rather worn with an obvious repair at the head most of the plates are loose with one slightly damaged. The versos of three plates are pencil-scribbled by a child recto images unaffected. FYI very difficult to bind cardstock leaves successfully not surprising these worked free. Plates are on alkaline coated stock text on slightly acidic matte card. We cannot guarantee that all plates are present but the binding shows no telltale gaps. As is. The illustrations themselves are cliche'd flowerbeds and rural vistas the usual super-pleasant imagery destined for throwaway presentations. The author's phoney-sounding moniker is actual and googles. So should "Tuck" whose firm was one of the finest color-litho presses in England rivalling their obsessively detailed German counterparts. If you like violets and pansies you will like the item. Raphael Tuck & Sons, Ltd., Publishers to Her Majesty The Queen hardcover books
2014106189Rio Piedras PR: Publicaciones Gaviota 2014. 23 x 28 cm. 62 ii pages b/w and color plates visual poetry b/w pict. d.j. Rafael Trelles b. Puerto Rico 1957 was a member cofounder of plastic and literary group "El Alfil" in 1984. In this new creative project poetry is accompanied by a photographic exhibition of objects Trelles has been transformed into pieces of art. The artistic fusion of "The fish in flames" A écfrasis word of Greek origin that have been defined as "the verbal representation of a visual representation.The book represents the confirmation of a constant in his creative career a kind of synesthetic nature leading it - him and his artistic-production to a new open dialogue a game of mirrors in which we cannot discern its reverberation to the original: poems and pictures are part of the same dynamic cohabit in the aesthetic imagination and are accomplices of a dialogue that reinvents itself to each new look. There is no origin and no end since it is not the intention of the artist confine the possibilities of this dynamic but give account of animism the stories they understand and carry objects that have already been discarded and inevitably integrate with lightness to this second existence. "My paintings are open stories is a narrative painting but it works beyond the story behind the work. I'm interested in telling stories." Beautifully photographed by Johnny Betancourt. CONTENTS: Adentro -- El decapitado -- El prisionero -- Ciudad -- Babel -- Caín y Abel -- El árbol -- Yo -- El vaso ce Dios -- Patmos -- Nepal -- Varanasi -- Conquista -- Soledad -- Luz -- Sirenas -- Mariposa -- Noche -- Pisada -- Hipótesis -- Presagio -- Solsticio -- El jardín del poeta -- La caída del poeta -- La visión del poeta -- La muerte del poeta: a Edwin Reyes -- Peregrino -- Sueño -- Torbellino -- Al final Publicaciones Gaviota unknown books
1993217190Culiacan : Universidad Autonoma de Sinaloa 1993. Paperback. 105p. paperbound 8x5 inches clean and sound a very good copy. Gift inscription on front blank in an illegible classically medical hand. Universidad Autonoma de Sinaloa paperback books
200788019Bogotá: Universidad Nacional de Colombia Facultad de Artes Diciembre de 2007. 21 cm. Colección Punto Aparte 140p b/w plates port. plans bio/chron. bibl. ind. b/w pict. fldg. wrps. The present study explores the "serious and consistent" architecture of Enrique Triana b. Colombia 1929. The author uses the residential project "Casa Triana" House Triana to identify in it the formal and persistent elements that characterize all his projects and that reflect the strong influence of famous American architect Frank Lloyd Wright. El presente trabajo es un acercamiento a la obra seria y consistente del arquitecto Enrique Triana quien además ha sido profesor de muchas generaciones en los talleres de Diseño Arquitectónico de la Universidad Nacional de Colombia. El contenido expresivo se considera como la síntesis de las influencias que han sido asimiladas y filtradas por los sistemas de valores personal disciplinar y profesional- hasta llegar a decantar en constantes expresivas; estas constantes se manifiestan a través de actitudes ante la vida criterios de composición y elementos arquitectónicos concretos. Como hilo conductor para estructurar esta búsqueda se utiliza el recorrido por la Casa Triana para identificar en ella las características formales que pueden reflejar constantes expresivas y encontrar luego estas constantes en otros proyectos en los cuales se manifiestan recursos equivalentes. Así se conformará el conjunto de persistencias que caracterizan su obra. Table of contents/Tabla de contenido: Capítulo uno: El recorrido por la casa -- La entrada Las escaleras -- El salón -- El comedor y la biblioteca -- La salida -- La casa frente a la obra reciente -- Capítulo dos: El contenido expresivo en la obra de Enrique Triana -- A manera de conclusión -- La asimilación de las influencias -- Sistemas de valores -- Las persistencias -- El contenido expresivo la síntesis -- El detalle -- Reseña biográfica -- Lista de obras principales -- Bibliografía -- Indice de imágenes Universidad Nacional de Colombia, Facultad de Artes unknown books
1998250537Washington DC: James White Review Assoc. & Phil Willkie 1998. Newspaper. 24p. folded tabloid newspaper on heavy white newsprint news fiction poetry art reviews ads services and resources lightly worn else very good condition. Photo portfolio by Franson. James White Review Assoc. & Phil Willkie unknown books
